Bollywood’s rising star Triptii Dimri has been making waves with her performances, but beyond the glitz and glamour, she craves solitude and quiet moments. In a recent interview with Cosmo India, the actress opened up about her love for solo travel, revealing details about a unique experience in a remote French village.

A Break from the Hustle of Bollywood In an industry that demands constant engagement, Triptii Dimri acknowledges the importance of stepping back. “I think last year was quite hectic for me, and while I have no complaints, I feel like when you are continuously working, you need to also mentally disconnect,” she shared. For her, escaping to a secluded destination is not just about relaxation but also about self-reflection and regaining mental clarity. A Village with Just 10 People Unlike the usual celebrity getaways to exotic beach resorts or bustling European cities, Dimri opted for an intimate and quiet escape. She revealed that she traveled to a remote village in France, inhabited by only 10 people. “It was the most beautiful trip of my life, and I plan to go there every now and then since I felt such positivity there—that’s how I want to feel most of the time,” she said.

Dimri's approach to travel reflects a broader shift in how public figures maintain their mental well-being. She describes her ideal holiday as one where she can “hide from people, sit in a café, get my coffee, and read a book.”

Speaking of the professional front, she was last seen in Bhool Bhulaiyaa 3. She has a bunch of films in her kitty including a Vishal Bhardwaj directorial starring Shahid Kapoor. She will also be seen headlining the sequel of Dhadak with Siddhant Chaturvedi.

Also Read: Triptii Dimri reviews Chhaava; praises Vicky Kaushal, Rashmika Mandanna, and team

Filmmaker Nitesh Tiwari’s Ramayana is shaping into one of the most ambitious Indian films ever made. Produced by Namit Malhotra, who also leads the Oscar-winning VFX company DNEG, the film aims to redefine Indian cinema on a global scale. In a recent interview with Hindustan Times, Malhotra expressed his vision for Ramayana to be received internationally like Oppenheimer and Forrest Gump. He spoke about the responsibility of bringing this epic story to the world with authenticity and excellence.

Aiming for a Global Impact Malhotra believes Ramayana has the potential to be India’s Crouching Tiger, Hidden Dragon moment. “I do not doubt that it does. In fact, it's down to us and how we can actually bring it to the world. And that is where there's a massive responsibility in doing that," he stated. His team is committed to ensuring the film is a landmark production that resonates beyond Indian audiences. Lessons from Past Adaptations Given the mixed reception of previous Ramayana adaptations, including Adipurush, Malhotra and his team are focused on handling the story with care. "That's why we're trying to be very careful and cautious, that we do it with the utmost care and with the utmost sensitivity. Because this opportunity does not come again and again, and it's the moment for India right now," he said. The goal is to present the narrative in a way that honors its cultural significance while making it accessible to global audiences. Ranbir Kapoor as Lord Rama in a Two-Part Epic Directed by Nitesh Tiwari, Ramayana features Ranbir Kapoor as Lord Rama, Sai Pallavi as Sita, and Yash as Ravana. The ensemble cast also includes Ravi Dubey, Lara Dutta, Sheeba Chaddha, and Arun Govil. The film is planned as a two-part saga, with releases slated for 2026 and 2027. Bringing Indian Storytelling to the World Malhotra’s vision extends beyond domestic success—he wants Indian storytelling to be globally recognized. "I'm keen to not just make India proud but to excite the world about Indian storytelling and really celebrate global cinema together. It's not like we don't like Hollywood films. It's not like we don't see an Oppenheimer and have a great feeling, or a Forrest Gump, or any of these landmark films. Their stories are universal. I believe this is universal too," he explained.

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Filmmaker Mohit Suri has recreated a large-scale music festival for his next film, marking the Bollywood debut of Ahaan Panday. The sequence, shot over the past week at Vrundavan Studios in Malad, features 1,000 background artistes. It portrays Panday’s character performing on stage with a lively crowd responding to his music. Aneet Padda, last seen in Big Girls Don’t Cry (2024), is also part of the scene. Suri has designed the sequence to reflect the vibrancy of a live concert.

A Grand Music Festival Setup Music has always been an integral part of Mohit Suri’s films, from Woh Lamhe (2006) to Aashiqui 2 (2013), and his upcoming project follows the same tradition. The director has meticulously crafted a massive festival-like atmosphere with pulsating lights, LED screens, and smoke machines. A report by Mid-Day quoted a source saying, “The set-up is massive—pulsating lights, LED screens, smoke machines, and a roaring crowd of over 1,000, all moving in sync to the music.” Ahaan Panday’s Electrifying Stage Performance In the sequence, Ahaan Panday’s character takes center stage, performing in front of an energetic crowd. The scene captures an intense moment as his character jumps off the stage and interacts with the audience mid-performance. This dynamic moment is crucial to the film’s storyline, showcasing the passion and confidence of the protagonist. Final Stages of Filming The music festival sequence is one of the final scenes of the yet-untitled film. The shoot is expected to conclude by the weekend, bringing the project closer to completion. With Yash Raj Films backing the venture, Ahaan Panday’s debut is already generating anticipation. Given Suri’s expertise in music-driven narratives, this sequence is expected to be a major highlight of the film.

Also Read: Mohit Suri admits that “Recreating Galliyan was my BIGGEST mistake”; also says that a veteran filmmaker asked him to remix Aashiqui’s ‘Dheere Dheere Se’ for Aashiqui 2