Actor Esha Gupta has safely returned to India after being stranded in the United Arab Emirates during the recent escalation in tensions between the United States and Iran. Taking to Instagram, Gupta informed her followers about her return and expressed gratitude to the airline authorities, the UAE government and hotel staff for their support during the uncertain hours.

“Back home. Thank you all for your prayers and wishes. It was very tough to be in the situation that we all were. Truly gods blessing to safe!” she wrote.

Recounting the sequence of events, Gupta revealed that the situation began when she was at the airport on Sunday, the 28th. “It started when I was at the airport on the 28th (Sunday). By 1pm the airport was closed, chaos all around as none of us knew what happened. Then the news started coming of the missile attack and no one knew what the next minute held for us. Strangers consoling each other, all calling their families back home (sic),” she shared.

Several Indian celebrities were reportedly stuck in the UAE following the escalation, which saw heightened security concerns and disruptions across parts of the Gulf region. According to reports, airports faced temporary closures as news of missile and drone activity surfaced.

Gupta said she was at the Abu Dhabi airport when operations were halted. Praising the authorities, she added, “Here, I would like to mention, that what I saw was strength of a country which is UAE. We were at the Abu Dhabi airport. The ground staff and airport security immediately lunged to action and stayed calm throughout even though we were all in this situation together.”

The actor mentioned that she had not yet checked in for her flight when the airport shut down, prompting her to return to her hotel in Abu Dhabi. “I hadn't checked in myself by then so I took a turn and left back to my hotel in Abu Dhabi. Following are the stories that we heard first hand from the people we met later in our hotel that night (sic),” she wrote, indicating that many fellow travellers had similar accounts of confusion and uncertainty.

View this post on Instagram

  A post shared by Esha Gupta (@egupta)

Her post struck a note of relief and gratitude, with the actor acknowledging both the anxiety of the moment and the collective composure displayed by officials and travellers alike.

Also Read: Esha Gupta says “we are safe” amid the Iran–Israel crisis; hopes to return home soon

On Sunday, March 1, Bollywood Hungama announced that the trailer for Dhurandhar: The Revenge would be released digitally on Tuesday, March 3. However, by Monday, it emerged that Jio Studios was no longer planning to drop the highly anticipated promo on the stated date. Bollywood Hungama reached out to reliable sources to understand what triggered the last-minute change behind the scenes.

A source told Bollywood Hungama, “Reports of Dhurandhar: The Revenge’s trailer release on March 3 weren’t mere rumours. The makers genuinely planned to unveil it that day. But they were later informed that March 3 witnesses a Chandra Grahan (lunar eclipse), which is considered inauspicious for new beginnings. The inauspicious period is said to be from 9:39 am to 6:46 pm. Trailers are usually launched around noon, and this timing falls within the window. Hence, the team decided to postpone the trailer release.”

In February 2026, Bollywood Hungama had reported that the trailer of Dhurandhar: The Revenge would be launched on March 5 at Mumbai’s iconic Nita Mukesh Ambani Cultural Centre (NMACC). That plan was eventually dropped, and a digital launch was scheduled for March 3. Now, however, it appears the makers might unveil the trailer on March 5 or March 6 on digital platforms, without an event. The suspense continues on the exact date.

The Dhurandhar series stars Ranveer Singh, Akshaye Khanna, Sanjay Dutt, R Madhavan, Arjun Rampal, Sara Arjun and Rakesh Bedi. The first part told the story of an Indian spy who infiltrates Pakistan’s criminal syndicate and political system and creates havoc.

Interestingly, Dhurandhar: The Revenge will have a gigantic clash at the box office with Toxic: A Fairy Tale For Grown-Ups. Directed by Geetu Mohandas, it marks the return of Yash of KGF fame and also stars Kiara Advani, Nayanthara, Huma Qureshi, Akshay Oberoi and others. The trailer of this mass-appealing flick will be unveiled on March 8 in Bengaluru at a grand event.

Also Read: No Dhurandhar: The Revenge trailer launch on Holi? Here’s what we know

Actor Ahaan Panday has revealed that he underwent a major shoulder surgery following the release of Saiyaara, a procedure he describes as one of the most painful with the longest recovery period. In an interview with Esquire India, the actor shared that the decision to go under the knife stemmed from an old injury. A few years ago, Panday was involved in a snowmobile accident that resulted in a shoulder subluxation. The lingering impact of the injury began affecting his fitness goals, particularly as he prepared for an action film.

“I actually got a whole surgery done after the release of Saiyaara last year,” Panday said. “And it’s one of the most painful surgeries you can do, with the longest recovery time.”

According to him, his doctor had cautioned that post-surgery, his body would “go back to zero”, making it “nearly impossible” to achieve the desired physique for his next project. The warning did not deter him. Instead, Panday now says he feels satisfied being able to speak about the process and “prove everyone wrong.”

He reflected on how gym transformations in the film industry often serve as motivation, but pointed out that his journey was different. “I used to feel motivated by actors who had dramatic gym transformations,” he said, adding that those usually involved moving from an unhealthy body type to a healthier one. “This was different; I went from being injured, to not being able to move, to not being able to lift, to being able to lift.”

For months, Panday remained in a cast during recovery, a phase that he says largely went unnoticed. “I don’t know how nobody realised!” he remarked, amused. However, a few observant fans sensed something was off. Since Panday is not very active on social media, some turned to his mother’s fitness-focused social media pages, questioning why he appeared to be losing weight. “They were like, why is he losing so much weight,” he said, smiling at the memory.

View this post on Instagram

  A post shared by Ahaan Panday (@ahaanpandayy)

Having completed his recovery and returned to training, Panday is now focused on his upcoming projects. He will next be seen in a yet-untitled directorial by Ali Abbas Zafar, backed by Yash Raj Films. The actioner marks his second collaboration with the banner after Saiyaara, and the team has already commenced shooting.

Also Read: Ali Abbas Zafar on casting Ahaan Panday for next YRF film; says, “Audiences have connected with Ahaan because he’s simply present”

There was a time when it was not unusual for films to complete 50 or 100 weeks in cinemas. But as times passed and due to the shift in business models, increase in number of screens and rise of OTT platforms, it’s a feat even for a film to run for 50 days on the big screen. Hence, it’ll be a surprise for moviegoers to learn that a small-budget film, Ameena, is about to complete 100 weeks in theatres.

Ameena was released on April 12, 2024, that is, in the same week as Bade Miyan Chote Miyan and Maidaan. Since then, popular films and grossers like Stree 2, Pushpa 2, Chhaava, Saiyaara, Mahavatar Narsimha etc., have been released and none of them ran for more than 10 or 15 weeks (Bollywood’s biggest grosser, Dhurandhar, currently in its 13th week and will also complete 15 weeks). Meanwhile, Ameena is running non-stop at Mumbai’s extremely popular MovieTime Hub multiplex in the morning show. At present, it is running in its 99th week; on Friday, March 6, it’ll complete 100 weeks and thus create history.

An industry insider told Bollywood Hungama, “Ideally, if a film is pulling in so many viewers for nearly two long years, it would have become a talking point on social media, the way it happens with Dilwale Dulhania Le Jayenge (1995) or the longest running Gujarati film of all time, Chaal Jeevi Laiye (2019). People would have excitedly discussed the film’s plot, themes, performances, songs etc. But how many people do you know who have seen the film? Have you ever seen any tweet or Instagram post/story about it?”

View this post on Instagram

  A post shared by Kumar Raj Productions (@kumarrajproductions)

Ground reality check

Last week, when Ameena was in its 98th week, Bollywood Hungama decided to watch the film to get a first-hand sense of the ground reality. As per a ticketing website, 20 tickets had been sold for our show. The pattern seemed unusual because all seats in the screen were available at a flat price of Rs. 100. In a normal scenario, patrons would book the back rows first. But in the case of Ameena, 18 tickets were booked in the first two rows, followed by two seats in the third row from the front.

This writer purchased a ticket at the booking counter and, as expected, was the only person inside the auditorium. None of the 20 people who had supposedly booked tickets turned up. The show, however, began as scheduled. It was stifling inside, as the air-conditioning didn’t seem to be switched on. During the intermission, when this writer requested a staffer to turn on the AC, he looked in disbelief and asked if the writer was watching Ameena. When the writer nodded, the kind staffer assured it would be done, and he kept his word. It left us wondering: Is Ameena being screened every day to an empty hall

View this post on Instagram

  A post shared by Kumar Raj Productions (@kumarrajproductions)

Bollywood Hungama kept track of Ameena’s bookings on the ticketing website over the next few days and noticed a pattern: every day, 20 tickets for the show ‘get sold’ in the exact same order –18 in the first two rows, followed by two seats in the third row from the front.

That’s not all. The Instagram handle of the film’s production house, Kumar Raj Productions, has shared a video of a man informing his followers about Ameena’s unbelievable run. Text displayed throughout the video lists three phone numbers that viewers can call to get free tickets for Ameena. When the film was in its 65th week, a post mentioned in bold letters that tickets to the film were available for free.

Producer speaks up

Bollywood Hungama exclusively spoke to producer-director Kumar Raj, who also features in the film in a supporting role. He was very jovial and spoke warmly to us. He began by saying about his plans for the 100th week celebration, “We are going to call the press, party with them and gift them a 5-inch gold coin. Everyone who worked on the film would also be getting some gifts.”

He claimed that there’s a lot of demand even from foreign shores to write about Ameena, “I got a call from Time magazine. I don’t know if it was genuine or not! They were excited about the fact that Ameena is the first movie in the world to complete 100 weeks in the last 30 years. For 5 weeks, they were after me. Finally, I gave them an interview yesterday. I don’t know if they are going to publish a negative or positive report! As long as they are writing about our film, I am happy (smiles). They claimed that they are going to publish a full-page story along with posters of Ameena.”

The posters of Ameena, splashed across newspapers, mention that they are inviting OTT platforms to buy their film. Names of prominent streaming giants like Netflix, Amazon Prime Video, Zee5, SonyLIV, JioHotstar etc. are mentioned. Even Voot gets a mention, though it merged with JioCinema (which later merged with Hotstar).

View this post on Instagram

  A post shared by Kumar Raj Productions (@kumarrajproductions)

However, Kumar Raj said, “I started getting a lot of offers from OTT in the very first week itself. But I was clear, ‘Picture jab tak chalti hai, chalne do’. My film was also released in Tamil, Telugu, Malayalam and Kannada.”

He continued, “A famous distributor from down South has arrived in Mumbai. Tomorrow, he’s going to see the movie. He wants to screen this film in several cinemas. In fact, he asked me to send him a flight ticket so that he could come down to Mumbai. But I categorically told him to fly down at his own cost.”

When asked about the average occupancy of Ameena’s shows, Kumar Raj replied, “On the weekends, it is 75% full. During the holidays, the show is 100% sold out. We are getting a lot of repeat audiences as well. During weekdays, shows are approx. 30% full. This is a huge feat, as even the biggest of films don’t get such an audience. At times, when I watch a biggie in the theatre, there are barely 4-5 people in the auditorium.”

He added, “You can ask the team of BookMyShow. They’ll officially provide you with actual collections of the film.”

Kumar Raj also opened up about his earlier film, Tara: The Journey Of Love And Passion (2013), “It has amassed 16 million views on one of the websites (YouTube). It has won 600 international awards and has a mention in 35 book of world records. However, I don’t like to blow my own trumpet.”

Finally, we asked him about the belief in the industry that he’s himself buying the tickets of Ameena. He smiled and simply replied, “Kuch toh log kahenge, logon ka kaam hai kehna.”

About Ameena and Tara

Ameena stars Rekha Rana in the lead role of Meena, a theatre actor. One day, she is brutally raped by three men. She fears that she may not get justice in the court of law and hence, decides to eliminate her rapists. Help comes in the form of a cartel of those directly or indirectly affected by rape. The other actors in the film are Ananth Narayan Mahadevan, Utkarsh Kohli, Manu Malkan etc. The film has been shot not just in Mumbai but also in Los Angeles, Senegal, Dubai, Abu Dhabi, as well as Cannes.

Meanwhile, Kumar Raj’s earlier film, Tara: The Journey Of Love And Passion also starred Rekha Rana. While Ameena aims to complete 100 weeks, Tara ‘ran’ for 50 weeks, in Mumbai’s now-defunct single-screen cinema, Imperial.

Yesterday, March 1, Bollywood Hungama reported that Dhurandhar: The Revenge is expected to run between 220 minutes (3 hours 40 minutes) and 235 minutes (3 hours 55 minutes). The much-awaited film clashes with Toxic on Eid (March 19), and the face-off has sparked major buzz across the trade, industry and fans. Bollywood Hungama has now learned that, like Dhurandhar, Toxic too is likely to be a lengthy affair.

A source told Bollywood Hungama, “Toxic’s final length is yet to be locked, but it comes to around 200 minutes, that is, 3 hours and 20 minutes. The makers feel that there’s enough entertainment and mass-appealing moments in the film and that the audience won’t get bored or restless. Also, earlier, having a long film would lead to a negative perception. But it all changed with Animal (2023). It was 3 hours and 21 minutes long and ran very successfully. In recent times, Border 2 (2026) was released with a runtime of 3 hours and 19 minutes. Not to forget, the duration of Dhurandhar’s (2026) first part was 3 hours and 34 minutes. All these films were huge hits and it remains to be seen if Toxic also follows suit.”

However, the exhibitors were already at their wits' end over the clash and the news of the runtimes of Dhurandhar: The Revenge and Toxic have added to their woes. A single-screen cinema hall owner, said on condition of anonymity, sighed, “The distributors anyway were not going to be ready for show-sharing. But we hoped that it might be possible, especially if both films had concise lengths. But now, there’s no chance. It’ll be a challenge even for theatres with multiple screens to accommodate sufficient shows of both films.”

Meanwhile, it’s a crucial week as the trailer of Dhurandhar: The Revenge will be launched digitally on March 3, as confirmed by Bollywood Hungama yesterday in an article. As for Toxic, the makers have planned a grand trailer launch on March 8 in Bengaluru. Directed by Geetu Mohandas, it marks the return of Yash of KGF fame and also stars Kiara Advani, Nayanthara, Huma Qureshi, Akshay Oberoi and others.

Also Read: IMAX bets big on India: Ramayana, Toxic gets special mention in IMAX quarterly report amid RECORD $1.28 billion global box office earnings in 2025 from 1796 properties

Tiger Shroff celebrates his birthday today, March 2, and on this special occasion, Bollywood Hungama brings exciting news which will be lapped up by his fans. We have learned from reliable sources that Tiger’s upcoming film by director Ram Madhvani and producer Mahaveer Jain has been given a title.

A source told Bollywood Hungama, “The film is named Vajra. The makers, as well as Tiger, feel that the title is apt for the storyline and also because it's connected with our rich Indian culture.”

The source continued, “In Vajra, Tiger Shroff will be seen in a never-seen-before avatar, one that blends raw power with emotional depth. He is extremely excited about Vajra and its concept and is working very hard. He's determined to give the audience an experience that they'll cherish. Ram Madhvani and Mahaveer Jain are also going all out to mount their spiritual big-budget action film on a grand scale.”

In November 2025, Bollywood Hungama was the first to report that Tiger Shroff had signed on for Ram Madhvani and Mahaveer Jain's film. At that time, a source had told us, “It's a spiritual action thriller. This has never been attempted before in Indian cinema. It has an appeal and huge potential for a global audience and not just the moviegoers of the Indian diaspora.”

The source continued, “Tiger Shroff will be undergoing extensive preparation for this ambitious film. It will go on floors in the second quarter of 2026. A major portion of the film will be shot in Japan.”

Also Read: Tiger Shroff delivers energetic stage performance on Valentine’s Day eve in Delhi

Sanjay Leela Bhansali is among the most celebrated directors of Indian Film industry, whose cinema has stood the test of time. His next, Love And War is a casting coup of the decade as the maverick filmmaker has brought Ranbir Kapoor, Alia Bhatt and Vicky Kaushal together for the first time. Earlier in the week, there were viral reports on how Love and War budget has shot up to Rs. 425 crores, and the production has gone into turmoil.

However, our reliable sources close to the project confirm that Love And War is proceeding as planned. "Love And War budgets have shot up for sure, but it happens with all Sanjay Leela Bhansali films. Initially, it was planned as a Rs. 250 crore epic, and the costs through the shoot have now shot up to Rs. 350 crores. SLB doesn't compromise on his vision, and he is passionately filming this, which he believes could be his best work to date. The Rs. 425 crore figure of cost of production is trying to harm the project on purpose, and there is no truth to the claims," a source shared with Bollywood Hungama.

The source told us further, "Unlike many high on VFX films, Love And War is largely shot on sets, with recreation of the era gone by. This doesn't cost much. Anyone who understands filmmaking would say that the Rs. 425 crore budget is a bluff. But truth finds its way, and it's for the people to know that Love And War is a Rs. 350 crore film, and the makers plan to splurge another Rs. 30 crore on marketing, taking total landing cost to Rs. 380 crore."

As for the release, Love And War will now be released in 2027, between the two Ramayana films. The shoot will be wrapped up by June.

Also Read: SCOOP: Ranbir Kapoor’s special request to Sanjay Leela Bhansali; release Love And War in June 2026

R Madhavan, his wife Sarita and son Vedaant, who are Dubai residents, got away from the current shutdown of the city.

The actor and his family are currently holidaying away from Dubai.

When this writer contacted Madhavan, he replied, “We are all fine. Thank you so much for the concern. I am in the US with the family.” Madhavan and his family intend to stay put in the US until Dubai returns to normal.

Kalpana Iyer, who is also a Dubai resident, confirmed to this writer that she is fine and safe.

Also Read: R Madhavan reveals how wife Sarita once ‘kicked him out’ during lockdown

On February 27, the Division Bench of the Kerala High Court, comprising Justice Sushrut Arvind Dharmadhikari and Justice P V Balakrishnan, stayed a Single Judge’s interim order that had halted the release of the film The Kerala Story 2: Goes Beyond for 15 days.

The Single Judge had relied on excerpts from the film’s teaser to conclude that the content had the prima facie potential to disturb communal harmony and that the Central Board of Film Certification (CBFC) may not have adequately applied its mind under Section 5B of the Cinematograph Act, 1952. However, the appellate Bench emphasized a critical constitutional principle: once the CBFC, a statutory expert body, has granted certification after viewing the film in its entirety, courts must ordinarily presume due application of mind.

In arriving at this conclusion, the Bench drew heavily from two landmark Supreme Court precedents. First, in Prakash Jha Productions v. Union of India, decided in 2011 in the context of the film Aarakshan, the Supreme Court held that once a film has been certified by the CBFC, States cannot suspend or prohibit its exhibition merely on apprehensions of law and order problems. The Court made it clear that maintaining public order is the responsibility of the State, not a ground to curtail certified expression.

Second, the Bench relied on Viacom18 Media Pvt. Ltd. v. Union of India, the 2018 judgment concerning the film Padmaavat. In that case, the Supreme Court reaffirmed that creative content is protected under Article 19(1)(a) of the Constitution. Once certification is granted, there exists a presumption that statutory guidelines, including those relating to public order and communal harmony, have been duly considered. States cannot pre-emptively block exhibition on speculative grounds.

The Kerala High Court noted that the petitioners had not viewed the film in full and were relying solely on teaser clippings. It further observed that the producer had incorporated modifications directed by the CBFC, reinforcing the inference of due scrutiny. Therefore, merely on the basis of selective excerpts, the finding of non-application of mind could not be sustained.

In Viacom18 Media Private Limited and others v. Union of India and others [(2018) 1 SCC 761], the Supreme Court of India stayed state-imposed bans (Gujarat, Rajasthan, etc.) on the film Padmaavat upholding freedom of expression. The court ruled that states cannot prohibit a film already certified by the CBFC, as maintaining law and order is a state responsibility, not a ground to curtail film exhibition.

Meanwhile, M/S Prakash Jha Productions & Anr vs Union Of India & Ors (2011) 8 SCC 372 is a landmark Supreme Court case affirming that state governments cannot ban films already certified by the Central Board of Film Certification (CBFC). The court held that once cleared, a film’s screening cannot be halted due to hypothetical public unrest, reinforcing freedom of speech.

Also Read: Kerala HC Division Bench lifts stay on The Kerala Story 2: Goes Beyond

Producer Vipul Amrutlal Shah has stated that The Kerala Story 2: Goes Beyond does not target the state of Kerala or its people. His remarks came after the Kerala High Court Division Bench vacated the interim stay on the film’s release on Friday, February 27, clearing the path for its theatrical run.

Addressing the media shortly after the court’s decision, Shah said that the legal hurdle had been removed and screenings had begun. He described the film as a “true” account made after considerable effort and rejected allegations from certain quarters that it promotes propaganda.

“The Kerala High Court Division Bench has withdrawn the stay that we got yesterday. And they have cleared the way for the release of the film. Now our shows have already started opening. So I request the people that this is a true film made with a lot of hard work. And the biggest proof of the truth of our film is that the Kerala court has vacated the stay order. If our film was a lie, then the Kerala court would have seen it and the stay order would not have been vacated,” he said.

#WATCH | Mumbai: Kerala High Court Division Bench lifts the stay on the release of the film Kerala Story 2 Kerala Story 2 Producer Vipul Amrutlal Shah says, "Neither our film, nor I, nor anyone in my team is against the state of Kerala or the people of Kerala. Kerala is a… pic.twitter.com/caiaeJcktn

— ANI (@ANI) February 27, 2026

Shah also expressed gratitude to the court on behalf of his team and appealed to audiences in Kerala to approach the film with an open mind. Emphasising that neither he nor his team holds any bias against the state—often referred to as ‘God’s Own Country’—he maintained that the intention behind the project was not to malign Kerala.

With the stay lifted, attention now shifts to the film’s release plans across theatres. The Kerala Story 2: Goes Beyond features Ulka Gupta, Aditi Bhatia, and Aishwarya Ojha in the lead roles.

An official update on its wider theatrical rollout is awaited.

Also Read: Kerala HC Division Bench lifts stay on The Kerala Story 2: Goes Beyond

Amid reports suggesting that Rohit Shetty’s Golmaal 5 would adapt the 1980 classic Do Aur Do Paanch, producer Deepak Mukut has set the record straight. Mukut, who owns the remake rights to the film, confirms that he, and not Shetty who is developing a new version of Do Aur Do Paanch, and intends to take it on floors soon.

“I don’t know where or how the news of someone else doing Do Aur Do Paanch came from. I had to issue a public notice to prevent anyone else from remaking it. I am very serious about doing the film. For nearly ten years, I wanted to remake it with Bobby Deol and Abhishek Bachchan,” says Mukut.

The original film, directed by Rakesh Kumar, featured Amitabh Bachchan and Shashi Kapoor as two small-time crooks posing as schoolteachers in a plot to kidnap a wealthy businessman’s son. Hema Malini played a genuine teacher at the same school, adding romance and comic tension to the caper.

Interestingly, when Do Aur Do Paanch released in 1980, it turned out to be a rare box-office disappointment in Amitabh Bachchan’s otherwise golden run. The film’s performance was affected by its proximity to Suhaag, directed by Manmohan Desai, which also starred Bachchan and Kapoor and had already become a major success.

Meanwhile, industry buzz suggests that a separate project may pair Ajay Devgn and Akshay Kumar in the comedy space for the first time. The two actors have collaborated on several action films in the past, beginning with Suhaag, directed by Kuku Kohli (not to be confused with Desai’s earlier film of the same name).

For now, however, Deepak Mukut remains firm: the remake of Do Aur Do Paanch is very much his project and he plans to bring the classic caper back to the big screen on his own terms.

Also Read: EXCLUSIVE: From 50 screens to 1200 screens – producer Deepak Mukut reveals how STUNNED exhibitors increased Sanam Teri Kasam’s shows due to CRAZY demand from fans

Actor-entrepreneur Shilpa Shetty has expanded her hospitality portfolio with the launch of Bastian Hospitality’s first beach club in Mumbai. The new property, Bastian Beach Club, was unveiled alongside founder Ranjit Bindra at the iconic Sun-n-Sand in Juhu.

Positioned as the city’s first all-day beachfront destination, the club brings together dining, music, leisure and wellness in one large-format space overlooking the Arabian Sea. With direct sea views and a sprawling pool at its centre, the venue aims to introduce a European-style beach club experience to Mumbai’s social circuit. Design and space Designed by Minal Chopra, the property draws aesthetic cues from coastal destinations such as Ibiza, Mykonos and Saint-Tropez. Open layouts, fluid indoor-outdoor transitions and a neutral coastal palette define the space, while the sea-facing deck and pool area serve as its visual anchor.

View this post on Instagram

  A post shared by Bastian Experience (@bastianexperience)

During the day, the focus is on relaxed lounging. The club is designed to host brunches, family outings and curated children’s activities, alongside wellness-led mornings. As the evening progresses, the mood shifts to sundowners and live DJ-led sessions, eventually transitioning into a high-energy nightlife setting. The food programme The culinary direction combines popular dishes from Bastian’s existing menu with influences from Inka, offering Asian and Latin-inspired flavours. The small plates section includes dishes such as Veg Dry Corn Ceviche with chipotle and green apple, Like Guacamole with habanero, and Rock Broccolini tossed with curry leaf and chilli. Seafood options feature Hamachi Ceviche paired with sweet potato and tiger milk.

View this post on Instagram

  A post shared by The Velvet Society (@thevelvetsocietyblr)

Sushi, bao and dumplings form a key part of the menu, while larger plates include the Tropical Bowl with coconut milk and turmeric-spiced cottage cheese and Kinoko Hikari with wild mushrooms and truffle oil. Non-vegetarian offerings include the 5 Pimientas Chicken Bowl and Arabian Seabass Amazonico.

Desserts range from tiramisu and cheesecake to a hazelnut pull-me-up cake and a citrus-forward lime-lemon creation. Cocktail-led evenings The bar menu has been curated to complement the coastal theme. The Sakura Cloud Martini blends gin, sake and lychee topped with jasmine foam. Tigre Verde pairs vodka with coriander and citrus, while Pacific Breeze combines tequila with lemongrass, ginger and coconut water. The Shogun Mojito introduces shiso and sake into the classic mix.

View this post on Instagram

  A post shared by Bastian Beach Club (@bastianbeachclub)

Bastian Beach Club is located at 39, Sun-n-Sand, Juhu Beach, Mumbai. It operates from Tuesday to Sunday, 4 pm to 1 am. The weekend cover charge is priced at Rs 5,000 per person.

Also Read: Shilpa Shetty performs puja for new Bastian outlet in Goa amid Rs 60 crores fraud case

Actor Aamir Khan has shared a health update on veteran screenwriter Salim Khan, revealing that he remains in the Intensive Care Unit (ICU) following a recent medical procedure.

Speaking to the media at a recent event, Aamir said he had gone to visit Salim Khan at the hospital but could not meet him directly as he is currently in the ICU. “Main Salim Sahab se milne gaya tha. Hum sab dua kar rahe hain ki woh jaldi se theek ho jaayen because he is in the ICU. I couldn't meet him personally but sat with the family,” he said.

The actor added that he has been receiving regular updates about the writer’s condition from the family. “Jo mujhe Alvira ji bata rahi hai, har roz unki health improve ho rahi hai. Hum sab prarthna kar rahe hain ki woh jaldi ghar aa jaayen aur unki health bhi wapas aa jaaye,” Aamir shared, expressing hope that Salim Khan will soon return home.

Salim Khan was rushed to Lilavati Hospital a few days ago. On February 18, doctors confirmed that a Digital Subtraction Angiography (DSA) procedure had been successfully performed by a neurosurgeon. The attending physician had addressed the media outside the hospital to confirm the development.

Subsequently, reports suggested that the family, including actor Salman Khan, was upset over the public disclosure of detailed medical information and had reportedly requested hospital authorities to refrain from sharing further health updates.

Also Read: Shah Rukh Khan visits Salim Khan at Lilavati Hospital amid health scare; video of late-night visit goes viral

On February 26, Prime Video announced the exclusive global streaming premiere of Ikkis, a powerful biographical war drama inspired by the extraordinary true story of India’s youngest Param Vir Chakra recipient, Second Lieutenant Arun Khetarpal.

Directed by National Award-winning filmmaker Sriram Raghavan, the film is headlined by Agastya Nanda as young Arun Khetarpal PVC, alongside a powerhouse ensemble cast, including late Dharmendra in a touching final on-screen appearance as Brigadier Khetarpal, and Jaideep Ahlawat, Simar Bhatia, and Rahul Dev in key roles. Ikkis is produced by Dinesh Vijan and co-produced by Binny Padda under the banner of Maddock Films and is now available to stream exclusively on Prime Video.

At its heart, Ikkis traces the short yet extraordinary life of Arun Khetarpal, PVC, a 21-year-old officer whose fearless leadership during the Battle of Basantar posthumously earned him the nation’s highest military honour. Thoughtfully crafted and emotionally engaging, the film offers audiences a powerful and immersive viewing experience as it moves between the battleground and the aftermath, where a father seeks to piece together the fragments of his son’s final days; finding meaning in the silence left behind.

While rooted in wartime action, Ikkis transcends the genre to explore themes of valour, humanity, the futility of war, and the emotional scars left behind by conflict and partition. It is a moving story that honours bravery while reflecting on the cost a generation pays for it.

Also Read: Sriram Raghavan BREAKS silence on ‘Pakistan is not trustworthy’ disclaimer in Ikkis: “I was personally NOT happy with it”

Filmmaker Vikas Bahl is set to explore new ground with a full-fledged musical romance drama. The yet-untitled project will star Siddhant Chaturvedi and Alizeh Agnihotri in the lead roles and is being produced by Reliance Entertainment.

According to a report by Variety India, the upcoming film is said to be inspired by the rise of the UK Punjabi underground movement of the 1990s — a period when music became a marker of identity for the post-immigrant generation. Blending traditional Punjabi folk with Western influences, the movement created a distinct cross-cultural sound that resonated widely across communities in the United Kingdom.

Set against this backdrop, Bahl’s film will centre on a love story shaped by ambition, identity and artistic aspiration. Siddhant will reportedly play a drummer, while Alizeh will essay the role of a singer. The narrative is expected to trace their personal and creative journeys during what is often regarded as a defining era for UK Punjabi music.

Bahl, known for films such as Queen, Super 30 and Shaitaan, has completed the script and is preparing to move into pre-production. Shooting is planned for the second half of 2026.

The project will mark Siddhant’s second collaboration with Bahl after their upcoming romantic comedy Dil Ka Darwaza Khol Na Darling, which is slated for release later this year. The actor was recently seen in Do Deewane Seher Mein and is expected to begin work on a biopic based on legendary filmmaker V. Shantaram before starting this musical.

Alizeh made her acting debut with Farrey, the Hindi adaptation of the Thai film Bad Genius. Bahl’s musical will mark her second feature outing.

Also Read: Siddhant Chaturvedi expresses desire to play Yuvraj Singh in biopic: “I’ll keep manifesting it”

Filmmaker Sanjay Leela Bhansali is “absolutely fine,” his team confirmed, putting to rest speculation about his health that surfaced earlier in the day.

Reports had claimed that the director was hospitalised in Mumbai after allegedly suffering a heart attack on his 63rd birthday. The claims circulated widely on social media before being addressed by an official statement from his production banner, Bhansali Productions.

“Mr. Sanjay Leela Bhansali is doing absolutely fine. He has gone in for a routine medical check-up and there is no cause for concern. We sincerely appreciate the love, care, and concern shown by everyone. Thank you for your continued support and warm wishes,” the statement read.

The clarification comes after unverified posts suggested that the filmmaker had been rushed to a hospital following discomfort. However, his team has categorically denied the reports, confirming that the visit was part of a regular health check.

Speaking of the professional front, Bhansali is currently in the middle of filming Love & War, a period drama starring Ranbir Kapoor, Alia Bhatt and Vicky Kaushal.

Also Read: “You sculpt feelings”: Manisha Koirala pens heartfelt tribute to Sanjay Leela Bhansali on his birthday

The Big Fat South Indian Wedding of Rashmika Mandanna and Vijay Deverakonda on February 26 promises to be special on many counts. A guest from the Udaipur venue revealed that the couple intends to go through two separate ceremonies.

“The first wedding will be in the Telugu tradition while the second ceremony will be in the Kodava tradition, peculiar to the Coorg district in Karnataka, which Rashmika belongs to,” revealed a guest from Udaipur.

Apparently, it was Vijay’s idea to have two different ceremonies to honour the culture and communities that the couple belongs to.

Also Read: Rashmika Mandanna-Vijay Deverakonda wedding: From taking just a short break post-marriage to starting their joint production house, here’s the dope around the star couple before their big leap

Filmmaker Ram Gopal Varma has stirred a fresh debate on the future of cinema, calling AI tool “Seedance 2.0” the “murderer of the film industry” while also describing it as a force of liberation.

In a post shared on February 25, 2026, Varma argued that advanced AI filmmaking tools could dismantle the traditional structure of the movie business. Referring to blockbuster filmmaker S. S. Rajamouli, he wrote that directors like Rajamouli command massive budgets due to their proven creative vision and track record. However, he questioned how many equally talented storytellers across India never get access to funding or industry networks.

According to Varma, tools like Seedance 2.0 have “kicked the gate down and set it on fire,” enabling creators from small towns to generate large-scale, cinematic visuals using descriptive prompts alone. He described it as “true democracy in motion,” suggesting that AI shifts power away from a select few and into the hands of the masses.

Varma went further, predicting a structural collapse of the current filmmaking ecosystem. “A director’s primary job is to take a scene on paper and transfer it onto screen,” he wrote, listing the vast crew involved in the process. Advanced AI, he claimed, could eliminate the need for actors, technicians, production teams and even large budgets.

“No more star issues. No more producers panicking over budgets. No more 300 people standing around waiting for one shot. Just one person. One prompt. One mind,” he stated.

Calling the evolution inevitable, Varma likened the shift to an asteroid striking dinosaurs. “The dinosaurs had their 100 year reign. Now the asteroid has arrived. And its name is A I,” he wrote, adding that the industry “will get murdered brutally — not slowly, not peacefully.”

SEEDANCE 2.0 , the MURDERER of FILM INDUSTRY Leaving aside its copyright infringements etc which is another matter , here’s my take on Seedance 2.0

@ssrajsmouli is the no. 1 director because he makes the most expensive films and the most successful ..People fund him a 1000…

— Ram Gopal Varma (@RGVzoomin) February 25, 2026

He concluded by posing a provocative question: Is this the death of the film industry, or its ultimate democratisation?

Varma’s remarks have already sparked conversations on the social media platform, reigniting the ongoing debate over whether artificial intelligence will disrupt or redefine the future of cinema.

Also Read: Ram Gopal Verma says he “pities the ones who will come in Dhurandhar 2’s way” ahead of its release on March 19

Actress Priyamani has reportedly joined the cast of Golmaal 5, the latest instalment of Rohit Shetty’s popular comedy franchise. The development marks her reunion with Ajay Devgn after their collaboration in Maidaan.

According to Variety India, the first shooting schedule is expected to span approximately a month. Filming for the film commenced on Monday, February 23, in Mumbai, with Ajay Devgn slated to join the sets on February 25. While details about Priyamani’s character are being kept under wraps, reports suggest that she has already begun shooting her portions.

The Golmaal franchise remains one of Hindi cinema’s most commercially successful comedy series, known for its ensemble-driven storytelling and recurring characters. The fifth instalment will see the return of its core cast, including Ajay Devgn, Arshad Warsi, Tusshar Kapoor, Kunal Kemmu and Shreyas Talpade. Veteran performers Johnny Lever, Sanjay Mishra, Mukesh Tiwari and Ashwini Kalsekar are also set to reprise their popular roles.

There have also been reports suggesting that Akshay Kumar may join the cast. However, the makers have not officially confirmed this development.

The film’s production gains momentum weeks after an alarming incident at Rohit Shetty’s Juhu residence, where five rounds of bullets were reportedly fired. The Mumbai Crime Branch investigation revealed that the vehicle used in the firing was sourced from Pune. Officials earlier stated that the accused, including Subham Lonkar, allegedly intended to create panic in the city. Investigators also said that Rs 40,000 was transferred to one of the arrested accused, who was in contact with Lonkar through a single messaging application.

Also Read: SCOOP: Rohit Shetty takes the Do Aur Do Paanch route for Golmaal 5; sets up a Tom & Jerry rivalry between Ajay Devgn and Akshay Kumar

For years, actor Amitabh Bachchan has maintained a Sunday tradition of greeting fans outside his Juhu residence, Jalsa. However, this past weekend, the actor skipped the ritual due to work commitments. He has now revealed that he was in Hyderabad to begin shooting for the sequel to Kalki 2898 AD.

On February 24, Bachchan took to his blog to explain his absence. Sharing pictures of fans gathered outside his home despite prior notice, he wrote, “told them that this Sunday I shall not be able to come, since I was shooting in Hyderabad .. but still they come .. to confirm .. ... even this cute little fellow (dog),” alongside images showing a sea of admirers waiting to catch a glimpse of him.

Later, the actor apologised to his fans and confirmed that work on the sequel had commenced. He also shared behind-the-scenes photographs from the set, including images of his transformation into Ashwatthama and a candid moment with co-star Kamal Haasan.

View this post on Instagram

  A post shared by Bollywood Hungama🎥 (@realbollywoodhungama)

Expressing his happiness at collaborating with Haasan again, Bachchan wrote, “but apologies .. work first .. rest later .. ... and meeting up with the great KAMAL HAASAN ... we shall be working together after ages .. last in Giraftar .. Kalki 2 begun the work .. and shall ever cherish the love and affection of anticipated presence on the Sunday .. but hopefully shall be with all this coming Sunday ..My love.”

The sequel, directed by Nag Ashwin, has gone on floors months after reports emerged about Deepika Padukone’s exit from the franchise. While the makers have not officially announced a replacement for her character SUM-80 (Sumathi), there have been reports suggesting that Sai Pallavi is in advanced talks to step into the role.

Also Read: Amitabh Bachchan skips Sunday meet at Jalsa, assures fans “shall meet up soon”

Actor Tara Sutaria has marked a significant personal milestone by purchasing her first home in Mumbai. Sharing the news with her followers on social media, the actress offered a glimpse into her new space, describing the move as the beginning of a new chapter in her life.

Posting a series of photographs from inside the house, Tara wrote, “To new beginnings.. / To endless laughter and love in my first home and to embracing 2026 with arms wide open.” The images reflect a tastefully designed home with warm lighting, neutral tones, and a blend of vintage and contemporary décor.

One of the pictures shows Tara dressed in an elegant ivory sari, seated with folded hands beside a large arrangement of white flowers placed in a silver urn. The living area features a wooden coffee table, upholstered seating, and softly lit display shelves adorned with framed photographs, books, vinyl records, and decorative artefacts. A chandelier adds a classic touch to the space.

Another wide-angle photograph captures her adjusting a floral arrangement in the living room, offering a clearer look at the cream-toned sofas, textured rug, and carefully curated shelves. In a separate frame, Tara is seen standing beside a grand piano in what appears to be a dedicated music corner, hinting at her well-known love for singing and performing arts. The room is accented with framed artwork, indoor plants, and a polished wooden floor laid in a herringbone pattern.

View this post on Instagram

  A post shared by TARA💫 (@tarasutaria)

Several members of the film fraternity congratulated the actor in the comments section, including Krishna Shroff, Disha Patani, Rhea Chakraborty, and Mahima Chaudhary, among others.

The development comes shortly after reports suggested that Tara had parted ways with Veer Pahariya. The two reportedly began dating in early 2025 and made their relationship public by mid-year, frequently appearing together at events and on social media. However, speculation about a split gained momentum in recent weeks, with industry reports claiming that the couple had quietly ended their relationship.

On the professional front, Tara will next be seen in Toxic, headlined by Yash.

Also Read: Tara Sutaria steps out with Rs. 3.32 lakh Gucci Diana Mini, making a quiet power statement

The Kerala Story 2: Goes Beyond is all set to release this Friday, February 27, and it has managed to create considerable noise on social media because of its shocking and controversial content. Usually, such films often contain disturbing content and, as a result, are meant for only adult-viewing. Hence, it was a surprise for the trade and industry that the Central Board of Film Certification (CBFC) passed the film with a U/A 16+ certificate.

However, the CBFC asked for 16 cuts or modifications in the film. To begin with, the visuals of kissing were reduced by 50%. In short, the lip-lock scene was shortened by 7 seconds. Similarly, the rape scene visuals were also reduced by 50%, that is, by 20 seconds. Two scenes - one of a woman being slapped and the other of a woman's head being hit - were both reduced by 2 seconds.

The visuals of the house of the accused being demolished with a bulldozer were asked to be modified. Three dialogues, at three different places, were modified while a word was asked to be muted. However, no details of these are available in the cut list.

The makers were instructed to add a disclaimer that the film is based on true events. The duration of the static text, presumably a disclaimer, was asked to be increased by 2 minute and 3 seconds, along with voice over. The makers were asked to submit the script, as per script dialogue and also submit proper documents for a true event depicted in the film. Finally, a consent letter was submitted to the CBFC for casting a minor artist in the film.

Once these changes were made, The Kerala Story 2: Goes Beyond was handed over the censor certificate on February 16. The length of the film, as mentioned on the censor certificate, is 131.24 minutes. In other words, The Kerala Story 2: Goes Beyond is 2 hours, 11 minutes and 24 seconds long.

The Kerala Story 2: Goes Beyond is produced by Vipul Shah and directed by Kamakhya Narayan Singh. It stars Ulka Gupta, Aditi Bhatia and Aishwarya Ojha in leading roles. It releases in cinemas on February 27.

Also Read: Makers of the The Kerala Story 2: Goes Beyond unveil character posters of Ulka Gupta, Aishwarya Ojha and Aditi Bhatia

As excitement builds around the upcoming wedding of Rashmika Mandanna and Vijay Deverakonda, new details about the ceremony’s traditional elements have surfaced. A source close to the couple has revealed that the celebrations will incorporate distinct South Indian customs, offering guests an authentic cultural experience.

“Guests at Rashmika vijay wedding are likely to experience a touch of South Indian tradition, with meals served on banana leaves and coconut water being specially arranged as part of the hospitality,” the source shared.

The detail suggests that despite their pan-India popularity and high-profile status, the couple intends to keep the ceremony rooted in regional traditions. Serving food on banana leaves is a customary practice in many South Indian weddings, symbolising prosperity and auspicious beginnings, while coconut water is often associated with purity and welcome.

The couple confirmed their wedding on February 22 via Instagram, announcing that the ceremony will be known as “The Wedding of VIROSH” — a name coined by fans who combined their names years ago. In a heartfelt note, they dedicated the celebration to their supporters, stating that the identity created by admirers had become an integral part of their journey together.

While the emotional announcement garnered significant attention online, preparations now appear to be in full swing. The duo is expected to tie the knot on February 26 in an intimate ceremony in Udaipur, attended by close family and friends. A grand reception is reportedly planned for March in Hyderabad, following an invitation that recently went viral on social media.

Over the years, Rashmika and Vijay have maintained a strong fan following both individually and as a pair, with speculation about their relationship frequently making headlines. By formally acknowledging “VIROSH” as part of their wedding identity, the actors have turned what would typically be a private milestone into a shared celebration with their audience.

With traditional hospitality details now emerging, anticipation continues to grow around what is being described as one of the most talked-about weddings of the year.

Also Read: Photos: Rashmika Mandanna and Vijay Deverakonda spotted at Udaipur airport

The Red Lorry Film Festival, India’s premier destination for world cinema, will present a special retrospective honouring acclaimed filmmaker Pradip Krishen, spotlighting his rare and influential body of work.

Titled A Retrospective Celebrating Filmmaker Pradip Krishen, the showcase will revisit three of Krishen’s most distinctive films: In Which Annie Gives It Those Ones, Electric Moon, and Massey Sahib, offering audiences a chance to experience his sharp storytelling.

Pradip Krishen remains one of Indian cinema’s most original filmmakers. His campus cult classic In Which Annie Gives It Those Ones, written by Arundhati Roy captured the spirit of 1970s Delhi student life with wit and quiet rebellion. His debut feature Massey Sahib earned international acclaim and launched the career of Raghuvir Yadav, while Electric Moon stood out for its satirical take on post colonial India. Beyond cinema, Krishen stepped away from filmmaking to become one of India’s leading naturalists.

Ashish Saksena, COO Cinemas, BookMyShow and Festival Director, Red Lorry Film Festival, said, “Pradip Krishen’s films occupy a special place in Indian cinema for their originality, intelligence and cultural depth. Through this retrospective, we are proud to bring his landmark works back to the big screen for new and longtime audiences of the Red Lorry Film Festival.”

“This is a pinch-me-to-see-if-I’m-dreaming moment for me! Truly an honour to have all 3 of my films shown together at the Red Lorry Festival in Mumbai. Wonderful to be able to see them return to the big screen,” says filmmaker Pradip Krishen.

The Red Lorry Film Festival will be held from 13 to 15 March in Mumbai and will feature over 120 films from across the world. Festival passes are now available on BookMyShow.

Also Read: Subhash Ghai jokes at Karz screening at Red Lorry Film Festival: “Date during my film and you’ll end up married” – Neetu Kapoor agrees; takes a dig at Filmfare for snubbing Simi Garewal’s performance, says “It’s their LOSS”

Sunny Deol began 2026 with a bang with Border 2 and he’s expected to release multiple films this year, all of which look exciting. The most awaited of them is Lahore 1947. It reunites Sunny Deol and Rajkumar Santoshi and is produced by Aamir Khan. Aamir will also be seen in the film in a supporting role and it also stars Preity Zinta, Ali Fazal and Shabana Azmi. Due to the stellar team and Sunny’s booming track record, Lahore 1947 is a film that is expected to set the cash registers ringing. However, as per the buzz in the trade, the makers of the film are looking for a change of title.

A source told Bollywood Hungama, “Lahore 1947 is based on the famous play ‘Jis Lahore Nai Dekhya’. Since the film is set in the Pakistani city and during the Independence period, the title Lahore 1947 was initially deemed suitable. But now the makers feel that there can be a better title that is apt for the story of the film.”

The source continued, “Accordingly, they have come up with a few options. Another round of meeting will happen with the stakeholders and if all are on the same page, the name of the film will undergo a change.”

A few days ago, the makers of Lahore 1947 announced that their labour of love would be released on August 13, that is, in the beneficial Independence Day week.

The play, ‘Jis Lahore Nai Dekhya’, was written by Syed Asghar Wajahat in 1980. The Partition-era story revolves around a Muslim family which migrates from Lucknow to Lahore and is allotted a haveli vacated by a Hindu family. The old Hindu matriarch refuses to leave her ancestral home and she also strikes a rare bond with the Muslim immigrants.

Also Read: Aamir Khan productions’ Lahore 1947, starring Sunny Deol, locks Independence week release; deets inside

India registered a significant achievement at the BAFTA 2026 awards as the Manipuri-language film Boong won the Best Children’s & Family Film honour. Backed by Farhan Akhtar, the film emerged victorious over international nominees including Arco, Lilo & Stitch and Zootropolis 2.

The win is being seen as a major moment for Indian cinema, particularly for stories emerging from the Northeast. It underscores the growing global visibility of regional narratives that centre on local realities while addressing universal themes. Farhan Akhtar attended the ceremony along with his wife, Shibani Dandekar.

Directed by Lakshmipriya Devi, Boong is set in Manipur against the backdrop of social and political unrest. The title translates to “little boy” in Manipuri. The film follows a young boy, Boong, played by Gugun Kipgen, who believes that reuniting his family will restore happiness to his mother, Mandakini, portrayed by Bala Hijam. Determined to find his missing father, Boong embarks on a journey with his best friend Raju, played by Angom Sanamatum.

View this post on Instagram

  A post shared by BAFTA (@bafta)

Their search takes them to the border town of Moreh and across into Myanmar, adding both emotional and geographical depth to the narrative. Through a child’s perspective, the film examines themes of loss, hope and resilience amid uncertainty.

Before its theatrical release in September 2025, Boong had already drawn international attention on the festival circuit. It premiered at the Toronto International Film Festival in 2024 and was later screened at the Indian Film Festival of Melbourne, the MAMI Mumbai Film Festival and the Warsaw International Film Festival, where it received positive critical response.

Also Read: Aamir Khan refutes reports of playing mediator in Farhan Akhtar-Ranveer Singh dispute

In KH x RK, Kamal Haasan and Rajinikanth will share screen space for the first time in forty-eight years. The film is being produced by 21-year-old Inban Udhayanidhi, grandson of Tamil Nadu Chief Minister M.K. Stalin and son of Deputy Chief Minister Udhayanidhi Stalin.

Kamal Haasan currently heads his own political party, while Rajinikanth is not affiliated with any political party.

Inban is the CEO of the film production company Red Giant Movies. It is rumoured that Kamal Haasan and Rajinikanth have been paid equal remuneration, reportedly close to Rs. 70 crore each.

Also Read: Kamal Haasan – Rajinikanth to share screen space after 47 years with Nelson Dilipkumar as director; announcement video inside

The Vande Bharat Express has emerged as one of Indian Railways’ proudest achievements. Launched in February 2019, it remained unseen on celluloid until last year, when Shoojit Sircar became the first filmmaker to shoot aboard the semi-high-speed train. This and a lot more fascinating information were revealed to Bollywood Hungama by Vineet Abhishek, Chief Public Relations Officer, Western Railway (WR).

The ad in question is for Independence, an FMCG brand of Reliance Consumer Products Limited. It was released digitally in May last year, and a making video, featuring Shoojit Sircar, was released by Western Railway in January 2025.

Western Railway recently announced that it has generated a record Rs 1.72 crore from film and advertisement shoots conducted on its premises between April 1, 2025 and February 15, 2026. Its earlier highest earnings were recorded in 2022–23, when it collected approximately Rs 1.64 crore from film shoots.

Vineet Abhishek told Bollywood Hungama, “It is often assumed that government offices function in a typical way where one will be asked to go from one counter to another. However, that’s not the case with Western Railway. We have a single window clearance system for approving film shoot permissions. One can also apply through India Cine Hub, run by the National Film Development Corporation (NFDC). Western Railway is the only railway zone to be covered under ICH.”

Vande Bharat Steals the Spotlight! For the first time, WR’s Vande Bharat train is being featured in an ad shoot at Mumbai Central. As Indian Railways transforms into a world-class network, its portrayal in media is evolving too. pic.twitter.com/O2pXZywS0s

— Western Railway (@WesternRly) January 10, 2025

Vineet Abhishek further revealed that shoots can be conducted not only in trains and railway stations but also in railway yards, carsheds, administrative offices, workshops and other railway premises. The spokesperson further revealed about the forthcoming films shot in WR property, “Recently, Ayushmann Khurrana and Sharvari shot for Rajshri Productions’ next (Yeh Prem Mol Liya) at Goregaon railway station. John Abraham shot at WR Headquarters in Churchgate, Lower Parel railway station and Mumbai Central railway station for Maria IPS.” Bollywood Hungama has learned that the permission to shoot for Maria IPS was applied for in November 2025.

Interestingly, the gripping railway sequence in the recently released film O'Romeo, featuring Shahid Kapoor, Nana Patekar and Triptii Dimri, was also shot on Western Railway property. Behind-the-scenes pictures were shared by Western Railway while announcing its record earnings from film shoots.

Some of the Western Railway locations where notable films have been shot:

1. Churchgate Administrative Office –

2. Mumbai Central Railway Station – Sikandar (2025), Bodyguard (2011), Once Upon A Time In Mumbaai (2010), Yeh Jawaani Hai Deewani (2013), Holiday – A Soldier Is Never Off Duty (2014), Jazbaa (2015)

3. Bandra Terminus – Goodbye (2022), OMG 2 (2023), Ghajini (2008), Joram (2023)

4. Goregaon Railway Station – All We Imagine As Light (2024), Ra.One (2011), Ek Villain (2014), Gully Boy (2019)

5. Jogeshwari Yard – Force (2011), Commando 3 (2019), Heropanti 2 (2022), Judwaa 2 (2017), Tera Yaar Hoon Main (2026; upcoming)

6. Kandivali Carshed – Ghayal Once Again (2016), Kaminey (2009)

7. Mahim Railway Station – Darlings (2022)

8. Lower Parel Workshop – Fateh (2025), Fiza (2000), Arjun Pandit (1999)

Also Read: Vicky Kaushal comments ‘Aabasaheb’ on Riteish Deshmukh starrer Raja Shivaji poster; revives Chhaava connection and wins hearts

Bollywood star Ranbir Kapoor and his family are taking a major step toward reviving their cinematic legacy by leasing five floors in a commercial complex in Andheri East, Mumbai, for 20 years to establish a new iteration of the legendary RK Studios. The development, reported by multiple outlets, signals a significant return for a brand that once defined Hindi cinema.

The original RK Studios, founded by Ranbir’s grandfather, the late “Showman” Raj Kapoor — was located in Chembur but was sold in 2018 after a devastating fire and mounting maintenance challenges. This new lease is seen as a bold attempt to bring the prestige and infrastructure of the studio back to life in a modern setting. According to industry reports, the five-floor space at Kanakia Wall Street will be transformed into a cutting-edge production and creative hub. Plans include soundstages equipped for virtual production, editing and post-production suites, screening rooms, VFX facilities and dedicated offices for the Kapoor family’s creative and administrative teams. The project reportedly also plans for hospitality areas and archival storage to house extensive RK memorabilia and film history.

While financial terms of the lease have not been disclosed, sources suggest that operations could begin as early as mid-2026, contingent on final clearances and approvals. The facility is expected to host multiple film and advertising shoots simultaneously, making it a competitive entrant among Mumbai’s production spaces.

The revival comes amid broader speculation about Ranbir Kapoor’s creative ambitions, with insiders hinting that the new studio could serve as the base for his future directorial ventures. Industry observers see the move as not only a tribute to RK Studios’ storied past but also a strategic investment in the future of Indian cinema.

Also Read: Ranbir Kapoor’s ‘Dad’ moment with Raha steals attention as Alia Bhatt joins Neetu at a wedding

The stage is set for what promises to be one of the most ambitious mytho-fantasy spectacles in Indian cinema. Zee Studios’ Umesh Kr Bansal and producer Prerna Arora have officially joined hands with creator, co-producer and writer Keerthan for an untitled epic mythological fantasy starring Kiran Abbavaram in the lead.

While the title remains tightly under wraps, the scale and vision of the project have already generated strong industry buzz.

Pre-production is underway in full swing for the Telugu-Hindi bilingual, and the makers have initiated the search for a powerful female lead opposite Kiran Abbavaram, a character said to play a pivotal role in the film’s mythological universe.

The film is being mounted on a grand scale, blending mythology, fantasy and cutting-edge visual effects. Creator-writer Keerthan, who has carved a niche for himself in the advertising world with visually compelling storytelling, has begun intensive preparation for the film’s large-scale, VFX-driven mythological sequences. Sources reveal that the team is working meticulously to ensure the film delivers a never-before-seen visual experience for audiences.

Grand set construction is expected to commence soon, with extensive shoot schedules being planned across Kerala, Kodaikanal, Karnataka, the Western Ghats and the historic landscapes of Hampi locations that promise to enhance the mystical and epic tone of the narrative.

The makers are targeting a September start for principal photography, with a clear vision to craft a cinematic spectacle rooted in mythology and mounted with contemporary scale and technical finesse.

Also Read: Anupama Parmeswaran to headline psychological thriller backed by Prerna Arora; shoot begins May 2026

Actor and filmmaker Arbaaz Khan has reportedly purchased a premium apartment in Mumbai’s Jogeshwari locality, further strengthening his real estate portfolio. As per property registration documents accessed by Zapkey, the transaction is valued at approximately Rs.2.78 crore.

The apartment has been acquired from Mutistar Builders LLP at a rate exceeding Rs.22,000 per square foot. The residence measures 1,243 square feet in RERA carpet area and is situated on the 27th floor of the upcoming residential project, Autograph Residency, located on Link Road in Jogeshwari. In addition to the apartment, the deal also includes two dedicated parking spaces, adding to the overall value of the purchase.

Official records indicate that the transaction was registered on February 17, 2026. For the same, a stamp duty of over Rs.16 lakh was paid, along with a registration charge of Rs.30,000. The building is currently under construction, with possession of the apartment expected in December 2030.

Known for his work in Hindi cinema as well as projects in Telugu, Urdu and Malayalam industries, Arbaaz has built a diverse career over the years. Apart from acting in films, he has established himself as a producer and has also hosted several reality and chat shows. In 2019, he marked his foray into the digital space with his web series debut, expanding his presence across platforms.

On the personal front, Arbaaz welcomed a baby girl in 2025 with his second wife, Sshura Khan, marking a new chapter in his life as a father for the second time. He was previously married to Malaika Arora; the former couple share a 23-year-old son, Arhaan. They officially separated in 2017.

With this latest acquisition in Jogeshwari, Arbaaz Khan joins a growing list of Bollywood celebrities investing in Mumbai’s evolving residential hubs, particularly in high-rise projects that promise long-term value and modern amenities.

Also Read: Photos: Salman Khan, Arbaaz Khan, Salim Khan, Helen and others snapped at Sohail Khan’s birthday party in Bandra

Bollywood actor Ranveer Singh has allegedly received an extortion threat demanding Rs 10 crores, with investigators suspecting links to the gang of jailed gangster Lawrence Bishnoi. The threat was conveyed through a WhatsApp voice note sent from an American number, according to Mumbai Police officials.

The Mumbai Crime Branch has initiated a preliminary enquiry into the matter and is working to trace the origin of the number used to send the message. Officials said they have reached out to relevant authorities in the United States through official channels as part of the investigation.

Preliminary findings suggest that a key associate of the Bishnoi gang, identified as Harry Boxer, allegedly sent the voice note to Ranveer Singh’s manager, demanding Rs 10 crore. Investigators indicated that the voice in the message matches that of Harry Boxer, though further forensic examination and corroborative evidence are being gathered to substantiate the claim.

Crime Branch officials said the threat message was received shortly after the firing incident outside filmmaker Rohit Shetty’s residence. The voice note was sent to the manager’s mobile number following that episode, prompting heightened concern within security agencies.

After the alleged threat came to light, security around Ranveer Singh was tightened as a precautionary measure. The Crime Branch has recorded the statement of the actor’s manager and is continuing its probe into the matter.

As of now, no First Information Report (FIR) has been registered. Police said a preliminary enquiry is underway, and further action will be taken based on the findings of the ongoing investigation.

Also Read: Ranveer Singh receives threat; security heightened at Mumbai residence as police launch probe

Actor Kritika Kamra and television presenter and cricket commentator Gaurav Kapur are all set to embark on a new chapter in their lives as they formalize their union in an intimate signing ceremony on March 11, 2026, at Gaurav’s residence in Mumbai.

The couple will exchange vows in the presence of immediate family, followed by a private celebration with closed family and closest friends.

Continuing the festivities, on March 12, 2026, Kritika and Gaurav will host a thoughtfully curated celebration that reflects their personalities - elegant, understated, and timeless. Moving away from the conventional larger-than-life wedding format, the duo has chosen to embrace a more personal and meaningful approach.

The evening will feature an intimate gathering infused with luxury rather than opulence, culminating in a grand Bollywood celebration attended by their families, close friends, and colleagues from both the cricketing and film fraternities. The highlight of the celebrations will be a grand party in Mumbai, blending sophistication with contemporary flair.

A source close to the couple shares, “Kritika and Gaurav wanted their wedding to feel authentic and personal rather than extravagant. While they deeply value tradition, they also wanted the celebrations to mirror who they are warm, rooted, elegant and surrounded by the people who truly matter to them. The 12th party is being planned with a grand thought in Mumbai that beautifully captures their shared love for timeless aesthetics and meaningful gatherings.”

Also Read: Kritika Kamra, Gaurav Kapur to wrap work by early March ahead of wedding

The family of veteran screenwriter Salim Khan has expressed displeasure over the public disclosure of his medical condition and has requested that no further updates be shared with the media. The development comes after his treating doctor addressed the press about his health following his recent hospitalisation.

Salim Khan was admitted to Lilavati Hospital in Mumbai after suffering a minor brain haemorrhage. Dr Jalil Parkar, who is overseeing his treatment, confirmed to the media that the screenwriter was stable but on ventilator support. He also stated that Khan had undergone a medical procedure earlier this week.

However, according to a source close to the family who spoke to Variety India, the family was unhappy with the public nature of the statement. “Health is a private matter. Ideally, no updates should be shared with the media and any communication should be left entirely to the family, if and when they choose to address fans and well-wishers,” the source said.

The source further revealed that the family conveyed their concerns directly to hospital authorities. “Salman and his family were displeased with the doctor’s public statement and have clearly conveyed to the authorities that they do not want any further details disclosed,” the source added.

The hospital, which has previously issued regular updates regarding high-profile patients, has reportedly agreed to respect the family’s wishes in this case.

Despite the intense public interest in his condition, the family has emphasised that medical information remains confidential and that they wish to avoid speculation or unnecessary media scrutiny.

Over the past two days, several members of the family have been seen visiting the hospital, including his wife Salma Khan, sons Salman Khan and Arbaaz Khan, daughters Alvira and Arpita, and Helen.

Salim Khan continues to receive treatment at Lilavati Hospital.

Also Read: Salim Khan stable after minor brain procedure at Lilavati Hospital; doctor shares health update!

Filmmaker Navjot Gulati has alleged that his long-delayed film Pooja Meri Jaan remains unreleased due to ongoing pricing disagreements, revealing that his father’s last wish was to see the film before he passed away in 2024.

In an interview with Variety India, Gulati said his father repeatedly asked about the film’s release during the final months of his life. “He kept asking me ‘Kab aayegi teri Pooja’ and I kept telling him soon. But it was not to be,” Gulati shared, adding that his father died waiting for the film to see the light of day.

The director further claimed that the film’s co-producer, Amar Kaushik, has not responded to his calls or messages since October 2025. “I'm tired of calling and texting and yet not hearing back. The only reason I'm telling this to the world is because they refuse to have any sort of accountability,” he said.

According to Gulati, Pooja Meri Jaan has faced multiple postponements — first slated for 2024, then pushed to 2025, and now still awaiting release in February 2026. He stated that while a streaming platform has shown interest in acquiring the film, negotiations over pricing have continued for nine months without resolution, calling it an “unending cycle.”

The film was originally commissioned as an OTT release and was set to stream on JioCinema. However, after the platform merged with Disney+ Hotstar, the producers were reportedly informed that they could explore selling the film to other platforms.

Gulati alleged that the production house, Maddock Films, is holding out for a higher price. While he said he understands the commercial considerations, he questioned why alternative release strategies are not being considered. Referring to Luv Films’ recent release Vadh 2, which was originally commissioned for OTT but later released theatrically, Gulati asked why a similar approach could not be adopted for his film.

“They will never sell it unless they don't get the price they're looking for. The reality is, they are so consumed by big movies now that they don't care about the small films they have made,” he said.

Expressing his fears, Gulati added that he does not want Pooja Meri Jaan to meet the fate of Shoebite, directed by Shoojit Sircar, which remains unreleased despite years of discussion.

In a social media note shared in January last year, Gulati wrote about losing his father in November and described the lingering regret that he could not show him what he called his “life’s best work.” The post, tagged with actors Mrunal Thakur and Vikram Singh Chauhan, expressed hope that the film would eventually release.

As of now, the makers of Pooja Meri Jaan have not publicly responded to Gulati’s latest remarks.

Also Read: Maddock Films-backed Pooja Meri Jaan, Rumi Ki Sharafat, and Sarvagunn Sampanna face delays due to OTT valuation issues: Report

Shahid Kapoor’s O'Romeo is having a decent run at the box office and is enjoying a good word of mouth. Moviegoers, who ventured out to see the film on the big screen, were surprised to see the mention of Aamir Khan in the opening disclaimer. Many expected that the superstar might have a cameo in the crime drama. However, Aamir is not present in the film and this made many moviegoers curious about his connection to O'Romeo.

Bollywood Hungama has learned the reason behind the special thanks to Aamir. Director Vishal Bhardwaj exclusively told us, “Aamir wanted to hear the script of O'Romeo. And when he heard it, he gave me this idea, that someone should be killed at a crucial point in the film.”

Vishal Bhardwaj further revealed, “Killing the lawyer Anjum Ansari (Resh Lamba) in the restaurant was his idea. This is the reason why I thanked him. This suggestion changed so many things for me. Because from there, the protagonist, Ustara (Shahid Kapoor) gets attracted towards the girl (Afshan, played by Triptii Dimri). He realizes, ‘Oh my God, she can do anything to exact revenge’. So, he starts taking her seriously and even nurses her back to health after she gets injured.”

Vishal Bhardwaj continued, “So, the whole love story starts from there. That was a big plot point for me. And that's why I wanted to thank Aamir from the bottom of my heart.”

Besides Shahid Kapoor, O'Romeo also stars Triptii Dimri, Nana Patekar and Avinash Tiwary while Vikrant Massey, Tamannaah Bhatia and Disha Patani feature in special appearances. It is produced by Sajid Nadiadwala. Incidentally, the enterprising and dashing producer celebrated his 60th birthday yesterday, on February 18.

As for Aamir Khan, he delivered the successful film, Sitaare Zameen Par (2025) last year and was also seen in an interesting cameo in Rajinikanth-starrer Coolie (2025). At present, he’s gearing up for Lahore 1947. While it features Sunny Deol and Preity Zinta in prominent roles, Aamir reportedly has an extended cameo. Directed by Rajkumar Santoshi, it also stars Ali Fazal, Shabana Azmi and others. Recently, Aamir Khan Productions announced that Lahore 1947 will be released on August 13 this year. Before the partition saga, the banner will also release Ek Din on May 1. It stars Junaid Khan and marks the debut of South sensation Sai Pallavi in Hindi cinema.

Also Read: O’Romeo actor Kashyap Shangari writes an emotional letter to Vishal Bhardwaj: “To become a part of your cinema, I have gathered a lifetime’s worth of treasure”

A section of moviegoers is eagerly awaiting the reunion of Akshay Kumar and Priyadarshan in Bhooth Bangla, which is scheduled to release on April 10, 2026. While anticipation around the project continues to build, fans may soon get a glimpse into the film’s world.

Industry buzz suggests that a promotional song from Bhooth Bangla could be attached to Dhurandhar: The Revenge, which is slated to hit theatres on March 19.

According to a report by Mid-Day, a source said, “Akshay and Priyadarshan’s 2007 horror comedy Bhool Bhulaiyaa benefited immensely from its title song, ‘Teri Aankhein Bhool Bhulaiyaa’, which became wildly popular. So, this time, with Pritam having composed another song that has the potential to become a chartbuster, Ektaa felt it would catch on among listeners and create buzz around Bhooth Bangla. Attaching it to Dhurandhar: The Revenge made sense as it’s among the most awaited films.”

The source further added, “The song was filmed on a grand scale with Akshay and over 100 background dancers. Given the film’s theme, a set of a spooky mansion was built.”

However, there has been no official confirmation regarding the development. Audiences will likely have to wait until Dhurandhar: The Revenge releases in cinemas to see if the promotional strategy materialises.

It is also worth noting that Bhooth Bangla has seen multiple release date changes. The film was initially slated for April 3, 2026, before being postponed to May 15 to avoid the anticipated wave around Dhurandhar 2. The makers later finalised April 10, 2026, as the release date, ensuring a relatively comfortable window. Dhurandhar 2 is expected to clash with Yash’s Toxic at the box office.

For now, fans await official word on whether the promotional song will indeed be unveiled alongside Dhurandhar: The Revenge.

Also Read: Bhooth Bangla has no connection with Bhool Bhulaiyaa franchise, clarifies T-Series

Actor Sidharth Malhotra is mourning the loss of his father, Sunil Malhotra, who passed away in Delhi on February 14. The actor shared the news with his followers through a heartfelt message on social media, accompanied by a series of family photographs reflecting moments from the past.

In his note, Sidharth described his father as a man defined by principle and quiet resilience. “He was a man of rare honesty, integrity and culture. He lived by values that never bent. Discipline without harshness. Strength without ego. Positivity, even when life tested him beyond measure,” he wrote.

Sunil Malhotra had served as a Merchant Navy Captain and, according to reports, had been unwell for some time. Sidharth acknowledged his father’s determination through illness, recalling the strength he displayed even after a stroke left him wheelchair-bound. “From commanding the seas as a Merchant Navy Captain to facing illness with quiet courage, he never compromised, never lost his grace. Even when the stroke confined him to a wheelchair, his spirit stood tall,” the actor shared.

Concluding his tribute, Sidharth expressed gratitude for the values he inherited from his father. “Papa, your integrity is my inheritance. Your strength guides me every day. Your positivity still holds this family together. You left us peacefully in your sleep, but the space you leave behind is immeasurable. I am who I am because of you. And I will carry your name, your values and your light forward always. Love you Dad.”

View this post on Instagram

  A post shared by Sidharth Malhotra (@sidmalhotra)

Members of the film fraternity extended their condolences in the comments section. Actress Rakul Preet Singh wrote, “May he be in a better place .. sending lots of love and strength to you and your family.” Soni Razdan commented, “This is so sad - so sorry for your loss. Losing a father is really hard. Take care of your mom and yourself.” Filmmaker Karan Johar and actors including Arjun Kapoor and Priyanka Chopra Jonas were among others who offered their support.

Fans also flooded social media with messages of sympathy, standing by the actor during this difficult time.

On the professional front, Sidharth was last seen in Param Sundari alongside Janhvi Kapoor. He is set to appear next in Vvan – Force of the Forest opposite Tamannaah Bhatia.

Also Read: Sidharth Malhotra and Tamannaah Bhatia likely to film a folklore dance sequence for Vvan in Mumbai

Veteran Bollywood actor Rajpal Yadav has received temporary relief from the Delhi High Court in the long-running Rs. 9 crores cheque bounce case that has resurfaced dramatically in February 2026. The court has suspended his sentence, granting him bail to attend a family wedding on February 19, even as legal proceedings against him continue.

Recent reports suggest that the actor is supposed to attend his niece’s wedding due to which the court reached this decision. While the latest bail order offers temporary relief, it does not amount to a final acquittal. The actor has been directed to remain present—physically or virtually—at the next major hearing scheduled for March 18, 2026.

The case traces its origins back to 2010, when Yadav borrowed Rs. 5 crores from Murali Projects Pvt Ltd, a Delhi-based company, to finance his directorial debut, Ata Pata Laapata. Released in 2012, the film failed to perform at the box office, leaving the actor unable to repay the loan. The financial dispute soon escalated into multiple cheque-bounce cases. Over the years, accumulated interest and penalties reportedly pushed the total outstanding amount to nearly Rs. 9 crores.

In 2018, Yadav was sentenced to six months in prison and served three months in Tihar Jail before being released on bail pending appeal. However, the matter regained urgency this month after the High Court observed that the actor had breached multiple undertakings to settle the dues.

On February 2, 2026, the court noted that despite more than 25 adjournments granted for mediation and repayment discussions, there was a lack of “sincere and genuine measures” taken to clear the liability. Following the refusal to grant further extensions, Yadav surrendered on February 5 and was sent back to Tihar Jail to serve the remainder of his sentence.

During subsequent hearings on February 12 and 16, Justice Swarana Kanta Sharma underscored that restitution for the complainant remains the court’s top priority. The bench rejected a proposal to deposit funds via a Fixed Deposit Receipt (FDR), directing that payments be made through a Demand Draft (DD) to ensure immediate realization of funds.

Amid these developments, members of the film fraternity reportedly stepped forward to extend financial support. As of mid-February, Yadav’s legal team informed the court that approximately Rs. 1.5 crore had been deposited into the respondent’s bank account.

All eyes are now on whether Yadav can make substantial progress in settling the remaining dues before the case reaches its next decisive stage.

Also Read: Rajpal Yadav is still in Tihar jail; wife Radha dismisses release rumours: “We are hopeful that he will be out soon”

Few actors in Hindi cinema command the kind of quiet menace and psychological depth that Akshaye Khanna and Nawazuddin Siddiqui bring to morally complex roles. Whether it is Khanna’s recent turn as a formidable antagonist in Chhaava and his layered negative performance in Dhurandhar, or Siddiqui’s long-standing reputation for portraying unpredictable, grey-shaded characters, both actors have consistently elevated narratives with their intensity.

It is perhaps no surprise, then, that industry chatter suggests their names are being actively discussed for the primary antagonist in Tumbbad 2. A Villain to Match the Myth According to a report by Mid-Day, the sequel hinges heavily on its negative lead. “A powerful antagonist is central to the narrative of Tumbbad 2. The team is keen on elevating the sequel with a layered and formidable negative lead,” the report quoted a source as saying. “Akshaye Khanna and Nawazuddin Siddiqui are two names currently being discussed. Their ability to portray morally complex, unpredictable characters makes them compelling choices for the world of Tumbbad.”

The makers are reportedly looking for more than just a conventional villain. The aim is to craft a character who is psychologically dense and morally ambiguous — someone capable of standing toe-to-toe with Sohum Shah’s brooding presence in the expanding mythological universe.

The speculation comes at a time when Tumbbad 2 is gaining significant momentum. After officially joining forces with Pen Studios, led by Jayantilal Gada, the sequel is being positioned as a large-scale cinematic venture. Originally released in 2018, Tumbbad evolved from a sleeper success into a cult phenomenon celebrated globally for its atmospheric storytelling rooted in greed and folklore. Its 2024 re-release further expanded its audience base.

Also Read: EXCLUSIVE: Anand Gandhi opens up on Tumbbad 2: “NONE of the original creators, including me, are involved in the sequel; it’s HARD to see it as a true continuation…I hope it respects the sentiments of the fans”

The Brihanmumbai Municipal Corporation (BMC) has initiated strict action against filmmaker Aditya Dhar’s production banner, B62 Studios, over alleged violations during the Mumbai shoot of Dhurandhar: The Revenge. According to a report by The Indian Express, the civic body has recommended permanent blacklisting of the production house from seeking future filming permissions, citing repeated breaches of conditions.

According to officials from the BMC’s A ward office, a letter has been sent to the Deputy Municipal Commissioner (Zone 1) proposing that B62 Studios be barred from applying for shooting permissions through the state-run portal managed by the Maharashtra Film, Stage and Cultural Development Corporation Limited. Alleged Violations During February Shoot The controversy stems from a shoot conducted between February 7 and 8 in South Mumbai, specifically between Modi Street and Perin Nariman Street in A ward. Permission for the schedule had been granted on January 30 through the state film corporation.

However, authorities allege that the production team violated police conditions that explicitly prohibited the use of crackers and flammable materials on set.

Following these alleged breaches, a subsequent application was submitted by Komal Pokhriyal seeking permission to shoot on February 13 and 14. Citing earlier violations, officials cancelled the request. Second Incident and Seizure of Torches A fresh application was later filed for filming between 12:30 am and 4:00 am on February 14. This time, conditional approval was granted after the applicants assured authorities that no flammable materials would be used.

Despite this undertaking, police reportedly received complaints around 12:45 am on February 14 regarding the use of flammable torches during filming. A senior BMC official stated that civic officers reached the spot within 15 minutes and seized five lit torches from the location.

After the second alleged violation, the applicants reportedly informed authorities that fire-related visuals would instead be created using visual effects (VFX). Proposed Penalties and Blacklisting In addition to recommending permanent blacklisting, the civic body has proposed a fine of Rs 1 lakh for allegedly shooting on a building terrace and deploying two generator vans without proper authorisation. The Rs 25,000 security deposit submitted by the applicant has also been forfeited.

The A ward office has further sought approval to formally register the seized items and proceed with penalties against the applicants — Komal Pokhriyal, Nashir Khan — along with B62 Studios.

If approved, the action would prevent the production house and named applicants from securing future filming permissions through the state film corporation portal.

Also Read: Raveena Tandon on calling Yami Gautam after watching Dhurandhar:’Sorry, I am the biggest fan of your husband’