Filmmaker Imtiaz Ali has revealed the first poster of his upcoming film Main Vaapas Aaunga, offering audiences an early glimpse of the project ahead of its teaser launch today at 1 PM. The film stars Diljit Dosanjh in the lead role alongside Naseeruddin Shah, Vedang Raina and Sharvari Wagh.

Sharing the poster on social media, Ali announced, “Main Vaapas Aaunga. Teaser out today at 1 PM,” confirming that the film will arrive in theatres on June 12, 2026.

The film is backed by Applause Entertainment and Window Seat Films, with Mohit Choudhary also attached as a producer. According to the makers, the project is described as a story exploring themes of love and longing. One of the notable aspects of the film is the reunion of Ali with composer A. R. Rahman and lyricist Irshad Kamil. The trio have previously collaborated on films such as Tamasha, Highway and the 2024 biographical drama Amar Singh Chamkila, which also featured Dosanjh in the lead role.

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Main Vaapas Aaunga also marks another collaboration between Ali and Dosanjh following Amar Singh Chamkila, which premiered on Netflix in 2024. The actor, known for working across Punjabi and Hindi cinema, has built a strong presence both as a singer and performer in Indian films over the past decade.

Earlier reports about the film noted that it brings together Dosanjh, Raina and Sharvari on screen for the first time, with Shah adding veteran presence to the ensemble cast. Production on the film began in 2025 and the project is currently in post-production as it gears up for its theatrical release in June 2026. With the poster now out, the teaser dropping later today is expected to offer the first visual glimpse of Ali’s next directorial venture.

Also Read: Imtiaz Ali film starring Diljit Dosanjh, Vedang Raina and Sharvari to release on June 12, 2026

The much-awaited Dhurandhar: The Revenge is all set to release in less than a week, on March 19. To capitalize on the excitement, Jio Studios decided to organize paid previews on Wednesday, March 18, from 5:00 pm onwards. The response to the ticket sales is historic. Despite the exorbitant ticket rates, shows are filling fast across the country. Meanwhile, from Thursday, March 12, Jio decided to increase the shows of Dhurandhar’s first part and also re-release it in several cinemas where it was discontinued.

It’s interesting to note that Dhurandhar’s Part 1, which was released on December 5, 2025, continued to play in several cinemas throughout this period. In fact, today marks the film’s 99th day in theatres, and tomorrow, March 14, it will complete a glorious 100-day run. There was a time when blockbuster films routinely achieved such milestones, but over the years, such feats have become increasingly rare. Hence, Dhurandhar stands out as a rare post-Covid film to enjoy such a long theatrical run.

Almost 1 ½ months ago, it dropped on Netflix. Usually, viewership in cinemas drops once a film is available online. But Dhurandhar’s first part continued to find steady audiences in certain theatres, due to which it was never discontinued. And now it has been re-released in several theatres, where it had ended its run, giving viewers a chance to recap before watching the sequel next week. Interestingly, the re-release has also happened worldwide. As per the official communication on March 12, Dhurandhar’s first part is currently running in 1000+ screens worldwide with more than 1250 shows.

Dhurandhar’s first part will continue to run in cinemas until the afternoon of March 18, after which it will be replaced by Dhurandhar: The Revenge. This marks the first time ever that the first part of a film has remained in cinemas until the release of its sequel. In short, the first installment has created history in more ways than one, and it now remains to be seen how many records Dhurandhar: The Revenge will go on to break.

Also Read: Dhurandhar: The Revenge trailer gets a luxe twist – Ranveer Singh sports Rs. 25 lakhs worth Rolex Daytona as Hamza

In a move aimed at making the movie-going experience more inclusive, the Central Board of Film Certification has made subtitles mandatory for films across languages. The CBFC’s directive will come into effect from March 15, 2026. Henceforth, all Indian films will be required to include subtitles, along with audio descriptions wherever applicable.

The move is intended to improve accessibility for audiences who are hearing or visually impaired, allowing them to experience films more fully regardless of language or physical limitations.

However, not all netizens are happy with the CBFC’s decision to make subtitles mandatory. Many have taken to social media to express their dissatisfaction, arguing that subtitles can be distracting and interfere with the immersive movie-viewing experience.

Also Read: EXCLUSIVE: CBFC asks for 15 cuts and modifications in The Kerala Story 2: Goes Beyond; reduces kiss and rape visuals by 50%

The excitement around the Dhurandhar franchise is reaching new heights as the original film returns to theatres worldwide ahead of the sequel’s release. Backed by Jio Studios and B62 Studios, the global blockbuster Dhurandhar is getting a rare international theatrical re-release, building momentum for the upcoming sequel Dhurandhar The Revenge, which arrives in cinemas on March 19.

The re-release began in India on March 12 across around 250 screens and will expand overseas from March 13 with another 250 screens. In total, the film is returning to approximately 500 screens worldwide, offering audiences a chance to revisit the action-packed spy thriller on the big screen before the next chapter unfolds.

For fans of the franchise, the move provides a unique opportunity to experience the original film again just days before the sequel’s release. The strategy allows audiences to watch both instalments back-to-back in theatres, recreating the excitement that made Dhurandhar a major cinematic event.

International re-releases of Hindi films remain rare, making this decision particularly notable. The strong global demand for the franchise is evident in markets such as North America, where the film is returning to nearly 185 screens.

Adding to the anticipation, Dhurandhar The Revenge will hold special Wednesday premiere shows across the United States and Canada on March 18, a day before its global release. Many of these screenings will take place on Premium Large Format (PLF) screens equipped with immersive sound systems like Dolby Atmos, expansive wall-to-wall screens, enhanced projection, and luxury seating—formats typically reserved for large-scale Hollywood event films. Early reports indicate that several of these premiere shows are already sold out.

The recently launched trailer for Dhurandhar The Revenge has generated significant buzz among audiences and industry insiders alike, with trade analysts and exhibitors expecting a strong international run. The decision to bring the first instalment back to cinemas just days before the sequel’s arrival has further amplified excitement among fans.

Presented by Jio Studios and produced by B62 Studios, the film is written, directed and produced by Aditya Dhar, with production by Jyoti Deshpande and Lokesh Dhar. The high-octane spy-action thriller will release worldwide on March 19, 2026 in five languages — Hindi, Tamil, Telugu, Malayalam and Kannada.

The film’s release also coincides with festive celebrations including Gudi Padwa, Ugadi, and the period leading up to Eid al-Fitr. With the first instalment returning to the big screen and the sequel arriving just days later, the stage is set for the Dhurandhar saga to once again capture audiences worldwide.

Also Read: Dhurandhar goes ballistic: Rs. 20 crore in paid previews with 7 days still to go

The excitement around the upcoming horror-comedy Bhooth Bangla starring Akshay Kumar continues to build, and the makers have now taken a unique step to involve fans in the film’s promotional journey. Ahead of the official teaser launch scheduled for tomorrow, the team organized a special fan screening event where attendees got an exclusive first glimpse of the much-anticipated teaser.

The event, hosted by the makers of Bhooth Bangla, brought together a select group of fans who were treated to the teaser before its official digital debut. The initiative was aimed at creating early buzz around the film while also rewarding fans who have been eagerly waiting to see Akshay Kumar return in a spooky yet comedic avatar.

Sources close to the development reveal that the atmosphere at the screening was electric, with fans reacting enthusiastically to the first look of the film’s tone, visuals, and Akshay Kumar’s character. The teaser reportedly blends eerie elements with the signature humour that the actor is known for, hinting at a film that promises both chills and laughs.

The special preview event also allowed the makers to gauge the audience’s immediate response before the teaser drops across digital platforms tomorrow. With fan engagement becoming an increasingly important aspect of film promotions, such early screenings have proven to be an effective way to generate organic excitement on social media.

Bhooth Bangla marks a much-awaited collaboration between Akshay Kumar and veteran filmmaker Priyadarshan, a duo known for delivering some of Bollywood’s most memorable comedy entertainers. Their reunion for a horror-comedy has already sparked significant curiosity among audiences and industry watchers alike.

With the official teaser of Bhooth Bangla set to release tomorrow, the early fan screening has successfully amplified the buzz around the project. All eyes are now on the digital launch to see how audiences across the country respond to the first full glimpse of the film.

Also Read: Akshay Kumar hangs upside down in spooky new Bhooth Bangla poster; teaser to drop on March 12

The advance booking of the paid previews of Dhurandhar: The Revenge has received an unbelievable response. What has surprised the trade and industry is that despite the ‘Super Blockbuster Plus’ rates, shows are filling fast. In short, the ticket prices are the highest ever, surpassing those of Pushpa 2 – The Rule (2024), Stree 2 (2024), Oppenheimer (2023), and others. In December 2024, Bollywood Hungama was the first to report that the costliest ticket was sold for Pushpa 2 at Rs. 3000 at Maison PVR, located in Jio World Drive, BKC, Mumbai. We have now learned that with Dhurandhar: The Revenge, one cinema has gone past even this exorbitant ticket rate.

At Inox Megaplex in Sky City Mall, Borivali, inaugurated in August 2025, the ticket rates of the 10:15 pm and 11:15 pm shows in the Insignia class are available for Rs. 2900 and Rs. 3100. Viewers will be stunned to know that despite such rates, the Recliner Prime class, whose tickets are available for Rs. 3100, are almost full. As of 8:30 am on March 12, only one ticket is yet to be sold in this class for both shows.

The other theatre in India that comes close to this rate is Inox M5 Ecity, Bengaluru. The ticket price range in the Dine-In screen is between Rs. 2000 and Rs. 2900. As for Maison PVR in Mumbai, which created a record with Pushpa 2, it is selling Recliner class tickets for Rs. 2500 and Rs. 2550 for Dhurandhar: The Revenge.

Bollywood Hungama went through the ticket rates of other theatres to find out how many of them are selling tickets for Rs. 2000 plus. In PVR Lower IMAX, Mumbai, the recliner seats are sold for Rs. 2500. In Inox Malad, the Insignia class tickets for the 11:00 pm and 11:50 pm shows are sold for Rs. 2200.

In PVR Versova, one can buy tickets for Recliner class for Rs. 1900 or Rs. 2100. In Inox Maison BKC, one will have to shell Rs. 2200 for Recliner seats while in Inox Nariman Point, one will have to pay Rs. 2300 and Rs. 2500 for Recliners. Rs. 2500 is the rate of one ticket in PVR Drive In, also located in Jio World Drive.

In Delhi-NCR, too, the rates are above Rs. 2000 in cinemas like PVR Vegas Dwarka (Luxe), PVR Superplex Logix Noida (Rs. 2300 in Gold Class), PVR Ambience Gurugram (Rs. 2000 and Rs. 2400 in Gold Class), PVR Select Citywalk (between Rs. 2000 and Rs. 2400 in the Recliner Section), PVR Cinemagic Pitampura (rates ranging from Rs. 1800 to Rs. 2400), PVR Director's Cut in Delhi and Noida (flat rate of Rs. 2400), Inox RCube Monad Mall Delhi (an Insignia-only theatre with a flat rate of Rs. 2400), MovieMax Edition Luxe Noida (recliners-only theatre with tickets sold at Rs. 2100 and Rs. 2400) and Inox Ardee Mall Gurugram (an Insignia-only theatre with tickets sold between Rs. 1800 to Rs. 2200).

In Bengaluru, the other theatre to sell tickets for Rs. 2000 was Cinepolis Nexus Shantiniketan for the VIP class.

Coming back to Mumbai, even in single screens, the prices have gone through the roof. Gaiety-Galaxy aka G7 multiplex, had increased the ticket price to Rs. 200 for the balcony and Rs. 180 for the stall for the first time for Pushpa 2 – The Rule. For Dhurandhar: The Revenge, while the stall rates are still maintained at Rs. 180, the balcony tickets are sold for Rs. 220. The same price points are also set for Maratha Mandir. The cheapest ticket in Mumbai is sold at Nishat Cinema. The Lower Stall ticket is available for just Rs. 150, while that of the Upper Stall is sold for Rs. 180. As for the balcony, one will need to pay Rs. 200 to buy a ticket. These rates are quite skyhigh for the humble cinema hall, which usually sells tickets for Rs. 70, Rs. 80 and Rs. 100.

Also Read: Dhurandhar: The Revenge trailer gets a luxe twist – Ranveer Singh sports Rs. 25 lakhs worth Rolex Daytona as Hamza

Amidst unnecessarily alarming reports on Sanjay Leela Bhansali’s health, there are also reports of multiple delays in the shooting of his Ranbir Kapoor-Alia Bhatt-Vicky Kaushal love triangle Love & War…which are absolutely untrue.

In a conversation that this writer had with Bhansali, he has confirmed that 90% of Love & War is complete and that remaining 10% will be completed in the next two months.

A source close to the project revealed, “These attempts to sabotage the project are nothing new to Sanjay Bhansali. Every time he makes a film, the same stories of delay and budget-pressures are spread. The truth is, the actors of Love & War have shot for the number of days they were signed for.”

Also Read: BREAKING: Ranbir Kapoor’s Love And War bows out of Eid 2026 clash with Yash’s Toxic; to release post June 2026

The makers of Bhooth Bangla have unveiled a brand-new poster featuring Akshay Kumar, offering fans another intriguing glimpse into the film’s quirky horror-comedy world. The poster announcement also comes with exciting news — the teaser of the film is set to be released on Thursday, March 12.

Shared by Balaji Motion Pictures, the newly released visual highlights the film’s playful blend of spooky thrills and comedy. In the poster, Akshay Kumar is seen hanging upside down from a tree branch, sporting a hilariously eerie expression that mixes mischief with madness. The unusual pose instantly grabs attention and hints at the film’s unconventional narrative style.

The background further enhances the spooky vibe, with a dark forest setting and bats fluttering around the actor. Despite the eerie elements, the image maintains a light-hearted tone, suggesting that Bhooth Bangla will lean heavily into comic mayhem while playing with supernatural themes.

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The film marks the much-awaited reunion of Akshay Kumar and filmmaker Priyadarshan, a duo known for delivering several memorable comedy hits in Hindi cinema. Over the years, the actor-director pair has collaborated on popular entertainers that continue to enjoy a loyal fan following, making their latest project one of the most anticipated comedy releases in recent times.

With Bhooth Bangla, the duo appears ready to revisit their trademark blend of chaotic humour, quirky characters, and fast-paced storytelling. The new poster hints that the film will combine horror elements with Priyadarshan’s signature comedic style, creating a unique genre mix.

Apart from Akshay Kumar, the film features an ensemble cast including Wamiqa Gabbi, Paresh Rawal, Tabu, and Rajpal Yadav. The presence of seasoned performers known for their comic timing has further heightened expectations from the film.

Bhooth Bangla is produced by Akshay Kumar along with Shobha Kapoor and Ektaa R Kapoor under the banner of Balaji Motion Pictures, a division of Balaji Telefilms Ltd. The film is also presented in association with Cape of Good Films.

With the teaser scheduled to arrive tomorrow, the makers seem set to kick off the promotional campaign for the film in style. Bhooth Bangla is slated for a theatrical release on April 10, 2026, promising audiences a dose of supernatural fun mixed with Priyadarshan-style comedy chaos.

Also Read: Assets of Bhooth Bangla, Raja Shivaji, Cocktail 2 attached with Dhurandhar: The Revenge

India’s billionaire ranks continue to expand, with the latest Hurun Global Rich List 2026 adding 57 new names and pushing the country’s total tally to 308 billionaires. Among the notable entrants this year is filmmaker and visual effects entrepreneur Namit Malhotra, whose journey from a modest editing setup in his father’s garage to heading one of the world’s most celebrated VFX studios that will now be producing the much-awaited Ranbir Kapoor, Yash starrer Ramayana, has become a remarkable success story.

Malhotra is the founder and CEO of DNEG, the global visual effects and animation company known for its work on several award-winning international films. Over the years, DNEG has earned multiple Academy Awards for its groundbreaking VFX contributions to Hollywood productions, cementing its reputation as a powerhouse in the global film industry.

Beyond his work in visual effects, Malhotra has also been actively involved in large-scale film production. He is currently backing one of the most ambitious projects in Indian cinema—Ramayana, a two-part cinematic retelling of the ancient epic. Directed by Nitesh Tiwari, the film is designed as a grand mythological spectacle aimed at both Indian and global audiences. The first installment is expected to release during Diwali 2026, with the second part planned for a Diwali 2027 release.

The film features an impressive ensemble cast that brings together actors from across Indian cinema. Ranbir Kapoor will portray Lord Ram, while Sai Pallavi plays Sita. Yash, widely known for the KGF franchise, will appear as Ravana, and Sunny Deol takes on the role of Hanuman. Actor Ravi Dubey has been cast as Lakshman.

What makes the project particularly noteworthy is its scale. With a reported budget of around $100 million (approximately Rs.835 crore) for the first instalment alone, Ramayana is being positioned as one of the most expensive films ever produced in India. The production also relies heavily on cutting-edge technology, including advanced motion-capture techniques and large-scale visual effects.

Malhotra’s DNEG is overseeing the film’s VFX work, ensuring world-class visual storytelling. He has previously emphasised that the project has been developed with a “reverence-first” approach, with years of pre-production dedicated to honouring the epic’s cultural significance while presenting it with global cinematic standards.

With his entry into the Hurun billionaire list and the mounting anticipation around Ramayana, Namit Malhotra’s influence across both technology and filmmaking continues to grow on the world stage.

Also Read: Namit Malhotra to introduce all characters of Ramayana at a grand event on Ram Navami, deets inside

A new development has emerged around the upcoming film being developed by filmmaker duo Raj Nidimoru and Krishna DK. Just days after reports surfaced that Salman Khan had been roped in to headline the project, fresh updates suggest that actor Samantha Ruth Prabhu is also in discussions to join the film.

The director duo, popularly known as Raj & DK, are widely recognised for creating successful streaming series such as The Family Man and Guns & Gulaabs, while also backing films as producers. With their next venture, the filmmakers are reportedly aiming for a larger cinematic scale, bringing together a unique blend of genres. According to a report in Mid-Day, Samantha is currently being considered for a key role in the project. A source told the publication, “Samantha is very much in the conversation. She shares a strong creative equation with the makers, and they feel she fits the part."

Bollywood Hungama had earlier reported that Salman Khan’s role in the film will offer a fresh take on the superhero genre. The narrative is expected to mix humour with action while presenting the actor in an unconventional avatar. “Salman Khan will be seen as a superhero who wants to hang up his cape and retire from saving the world, having grown weary of doing the same thing on repeat. But circumstances refuse to let him live in peace and keep pulling him back into action time and again, eventually pushing him into a larger conflict. The narrative blends broad comedy with superhero beats essentially, a high-concept superhero comedy,” a source informed Bollywood Hungama.

If Samantha comes on board, the project will mark an exciting collaboration between the actor, also marking her Hindi film debut. Meanwhile, Salman Khan is currently preparing for the release of his next film Battle of Galwan, which is based on real-life events. Directed by Apoorva Lakhia, the film features Chitrangda Singh alongside Salman and is scheduled to release on April 17, 2026. The actor is also expected to collaborate with producer Dil Raju on another upcoming project, though further details about that film remain under wraps.

Samantha Ruth Prabhu, on the other hand, has an active slate of projects ahead. She will next be seen in the Telugu action drama Maa Inti Bangaram, which also marks her debut as a producer. The film features an ensemble cast including Gulshan Devaiah, Diganth Manchale, Gautami Tadimalla, and Sreemukhi, and is directed by BV Nandini Reddy. It is currently slated for a worldwide theatrical release on May 15, 2026.

In addition to that, Samantha will also appear in the much-anticipated web series Rakht Brahmand, which stars Aditya Roy Kapur, Ali Fazal, and Wamiqa Gabbi.

Also Read: SCOOP: Salman Khan partners with Raj-DK and Mythri on “Sultan meets Pushpa” action comedy; to go on floors in August 2026

The walls seem to be closing in on Vijay, both personally and professionally. While his defiant stance on his alleged relationship with actress Trisha took a dramatic turn when the two appeared together at a wedding, on the professional front, Vijay is facing the music over a stampede case on September 27 last year resulting in the deaths of more than 40 people.

Now, Vijay has been asked to appear before the Central Bureau of Investigation (CBI) for an enquiry into the Karur stampede case.

However, sources close to Vijay say the actor-politician is in the “chill mode”.

“He is taking it all on the chin. Vijay feels all of these problems are happening to him simultaneously with a reason. God wants him to tackle all the problems headlong and emerge stronger. He also feels there is a concerted effort to downsize his image by political opponents. But Vijay is unperturbed.”

Also Read: Thalapathy Vijay spotted with Trisha Krishnan at wedding reception amid reports of marital trouble

Thamma, a genre-bending supernatural romance, reimagines love through an unexpected lens, blending emotion, mystery and mythology into a deeply human story. Flipping the classic Beauty and the Beast trope, the film explores beauty, vulnerability and the idea of the ‘beast’ in a fresh, contemporary way. Don’t miss the world television premiere of Thamma only on Sony MAX on Saturday, March 21, 2026, at 8 PM.

On the occasion of the world television premiere of Thamma on Sony MAX, Director Aditya Sarpotdar shares that he had always wanted to collaborate with Ayushmann Khurrana. “From the very beginning, he was my first and only choice. Ayushmann has an inherent emotional honesty that allows audiences to instantly connect with him, even in the most unconventional worlds. We needed an actor who could ground an out-of-the-world narrative with sincerity and depth, and he does that effortlessly. His ability to make the extraordinary feel relatable made it easy to convince him, and I truly believe he brings a rare warmth and believability to this supernatural romance,” he says.

Ayushmann Khurrana plays Alok Goyal, a city-based journalist whose routine life is upended when he falls in love with Tadaka/Tarika, played by Rashmika Mandanna. Thamma is the fifth installment in the Maddock Horror Comedy Universe, and comes after Stree, Roohi, Bhediya, Munjya and Stree 2. The film was helmed by Munjya director Aditya Sarpotdar and also stars Nawazuddin Siddiqui, Paresh Rawal and Sathyaraj in pivotal roles.

Don’t miss the world television premiere Thamma only on Sony MAX on Saturday, 21st March 2026 at 8 PM.

Also Read: Western Railway earns RECORD Rs. 1.72 cr through film and ad shoots in 2025-26; spokesperson reveals, “Shoojit Sircar FIRST filmmaker to shoot aboard Vande Bharat; John Abraham’s Maria IPS and Ayushmann Khurrana-Sharvari’s Yeh Prem Mol Liya shot on WR premises”

Veteran singer-composer Leslee Lewis is set to make a comeback as a playback singer in Hindi cinema after a gap of 26 years, marking a significant moment in his long musical journey. Known for shaping India’s Indi-pop movement in the 1990s, Lewis is returning with the song Zorr Ka Dhakka, which will mark his re-entry into Bollywood playback singing.

Lewis rose to national fame as part of the iconic duo Colonial Cousins alongside Hariharan. Their fusion of Indian classical and Western pop in the mid-1990s helped redefine the independent music scene in India and earned them international recognition, including the MTV Asia Viewer’s Choice Award and the Billboard Viewer’s Choice Award.

Speaking about his return, Lewis shared his excitement about reconnecting with Bollywood after decades. “I was relevant then and I’m still relevant now,” he said while discussing his comeback and his continued passion for music. He added that singing for a composition by another musician after so many years feels refreshing and gives him the opportunity to explore a different creative process.

Over the years, Lewis has remained active in music through independent projects, composing advertising jingles and working on various albums and collaborations. His contribution to India’s pop and fusion music landscape extends beyond Bollywood, with several successful independent releases and musical experiments. Reflecting on the evolution of the music industry, Lewis noted that while trends may change, the essence of music remains the same. “What keeps you going is authenticity and passion,” he said, emphasising that originality continues to matter in an industry often driven by formulas. With his upcoming playback track, the veteran musician hopes to reconnect with audiences across generations.

Also Read: Leslee Lewis on returning to playback singing in Hindi films after 26 years with ‘Zorr Ka Dhakka’, “It’s exciting to be back, whole track is so cool”; also says he has been putting “zero efforts” to stay relevant for 30 years

The upcoming YRF Spy Universe film Alpha, starring Alia Bhatt and Sharvari, has officially locked its theatrical release date. The much-anticipated spy thriller is scheduled to hit cinemas on July 10, 2026, marking a significant addition to the blockbuster franchise created by Yash Raj Films.

Directed by Shiv Rawail, Alpha is expected to be the first female-led installment in the YRF Spy Universe, which previously delivered major box-office successes with films such as Pathaan and War 2. The film places two women at the centre of a high-octane espionage narrative, expanding the scope of the franchise that has so far largely revolved around male protagonists.

While the makers have kept specific plot details under wraps, the film is described as a gritty, globe-trotting espionage thriller. The narrative reportedly follows Alia Bhatt and Sharvari as elite secret agents undertaking a high-stakes mission. Unlike some of the more stylised entries in the spy franchise, Alpha is said to adopt a rugged and raw aesthetic, focusing on a more grounded and intense depiction of field intelligence operations.

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The film also brings together a strong ensemble cast. With Alia, Sharvari leading the narrative, Bobby Deol is set to play the primary antagonist. The actor’s role was previously teased through a brief appearance in the post-credits sequence of War 2. Veteran actor Anil Kapoor will also be seen in the film, portraying Vikrant Kaul, a senior intelligence official within the story’s spy network. Additionally, Hrithik Roshan is expected to make a special appearance, reprising his role as Major Kabir Dhaliwal, further connecting the film with the broader timeline of the YRF Spy Universe.

Behind the scenes, the screenplay has been written by Shridhar Raghavan, who has been associated with several action-driven projects. The film is being mounted on a large scale, with extensive action set pieces and visual effects work forming a key part of its cinematic experience.

Alpha has seen multiple shifts in its release schedule. The film was initially slated for a Christmas 2025 release before being moved to April 17, 2026. The project has now settled on the July 10, 2026 date, allowing the makers additional time to complete its extensive visual effects work.

Addressing speculation surrounding the delay, a YRF spokesperson said the team wanted to ensure the film was presented at its best possible scale, adding that Alpha is being mounted as a major theatrical spectacle and that the studio aims to present it in its most cinematic form.

Also Read: Aditya Chopra makes way for Salman Khan, moves Alpha from April 17th for Battle of Galwan!

Actor Darsheel Safary has officially joined the cast of an upcoming cross-border international feature film that also stars Mohit Raina and National Award-winning actor Priya Mani. The yet-untitled project is being mounted as a global co-production between Mumbai-based Azure Entertainment and US-based Red Bison Productions.

The film will mark the first on-screen collaboration between Mohit Raina and Priya Mani, bringing together two performers known for their work across both theatrical cinema and streaming platforms. With Darsheel Safary joining the ensemble, the project brings together actors from different cinematic spaces, spanning mainstream films, prestige streaming content, and internationally recognised storytelling formats.

According to the makers, the film is positioned as a premium international project and is expected to be released on a global streaming platform. The story will reportedly explore themes of identity, resilience, and human connection across borders while blending cinematic scale with intimate human drama.

Darsheel Safary, who gained worldwide recognition with his debut performance in Taare Zameen Par, is said to play a key role in the narrative. Sources close to the production indicate that his character will act as an emotional bridge between the Indian and international worlds portrayed in the film, forming a central part of the story’s emotional arc.

Speaking about joining the project, Darsheel Safary shared, “This story moved me deeply. It speaks about courage, vulnerability, and choices that define who we become. I’m grateful to be part of a film that transcends geography and speaks to universal emotions.”

The untitled feature is based on a true story and will follow the emotional journey of an immigrant family navigating questions of identity, belonging, and life beyond the traditional idea of the American Dream. The narrative is described by the makers as intimate yet cinematic, focusing on themes that resonate across cultures and geographies.

The project is written and directed by Harsh Mahadeshwar and is currently in advanced pre-production. Principal photography is scheduled to commence later this year, with the film expected to be shot across multiple international locations. The production will be backed by an international team spanning India and the United States, with the makers aiming to combine high production values with a global distribution strategy.

Azure Entertainment, known for producing films such as Badla, Kesari, and Rocky Handsome, is collaborating with Red Bison Productions to bring the story to the screen. With its cross-border narrative and internationally mounted production, the film aims to appeal to audiences both in India and overseas.

Also Read: Mohit Raina and Priya Mani to star in first Indo-Hollywood collaboration by Azure Entertainment and Red Bison

Veteran actress Neena Gupta was seen looking radiant at the wedding reception of Rashmika Mandanna and Vijay Deverakonda. However, what truly caught the internet’s attention was a noticeable bump that quickly sparked pregnancy rumours on social media.

When this writer reached out to the outspoken actress, Neena Gupta burst into laughter. “This is all I need, a real-life Badhai Ho,” she joked. For those who may recall, Neena Gupta famously played a woman who becomes pregnant in her 60s in the hit film Badhaai Ho.

Turning serious after the joke, the actress clarified, “There is no Badhai Ho. I am not pregnant. The truth is, the saree material was thick, so it made me look bulky at the reception. But I must say, I love all this speculation about my pregnancy at my age. It shows we are evolving as a nation.”

Also Read: Neena Gupta and Sanjay Mishra overwhelmed as Vadh 2 enters 3rd week: “The love is pouring in the form of messages, reviews, recommendations”

The makers of Dhurandhar: The Revenge have unveiled a gripping new trailer that promises a more intense and action-packed continuation of the story. The film serves as the sequel to Dhurandhar and is the second installment in a planned duology. Directed by Aditya Dhar, the upcoming spy action thriller stars Ranveer Singh in the lead role alongside Arjun Rampal, Sanjay Dutt, R. Madhavan, Sara Arjun, Rakesh Bedi, Danish Pandor, and Gaurav Gera. Several supporting actors from the first film are also set to reprise their roles.

The trailer begins with a voiceover that references the aftermath of the death of Rehman Dakait aka Akshaye Khanna, setting the stage for a darker and more dangerous chapter in the story. It also offers brief glimpses of Ranveer Singh’s character Jaskirat Singh Rangi before he takes on the identity of Hamza Ali Mazar, hinting at the deeper layers of his undercover mission.

In the film, Singh plays an Indian intelligence operative who continues his high-stakes infiltration into Karachi’s criminal networks and political power structures in Pakistan. As the narrative unfolds, the agent’s mission becomes more personal as he seeks to avenge the devastating attacks in India while confronting new threats that put both his cover and life at risk. The film has been produced by Jyoti Deshpande, Aditya Dhar, and Lokesh Dhar under the banners of Jio Studios and B62 Studios.

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Interestingly, the sequel was shot back-to-back with the first installment. Principal photography began in July 2024 in Bangkok and continued across several locations including Punjab, Chandigarh, Maharashtra, Ladakh, and Himachal Pradesh. Some international sequences were also filmed in Thailand, which doubled for Pakistan-based settings in the story. The technical team behind the film includes music composer Shashwat Sachdev, cinematographer Vikash Nowlakha, and editor Shivkumar V. Panicker.

With its mix of espionage, revenge, and high-octane action, Dhurandhar: The Revenge aims to expand the scale established by the first film while delving deeper into the protagonist’s journey. The film is scheduled to release in theatres on March 19, 2026, coinciding with festive occasions including Gudi Padwa, Ugadi, and Eid al-Fitr.

Also Read: BREAKING: Dhurandhar: The Revenge to have paid previews on March 18 from 5:00 pm onwards

Actor Vivek Oberoi has spoken about the situation in Dubai amid the ongoing tensions linked to the Israel–Iran conflict. After Lara Dutta shared her perspective earlier, Oberoi also took to social media to address his fans and followers, highlighting the efforts of the Government of the United Arab Emirates in supporting residents during the situation.

The actor shared a video on Instagram along with a note thanking the leadership and airline staff who helped maintain calm during the tense period. In the caption, he wrote, “My deepest gratitude to the UAE leadership, the frontline heroes, and the wings of @emirates for their incredible guardianship. It’s good to be back.”

In the video, Oberoi reflected on what the recent days felt like for residents of the country. He said, “For all of us from over 200 nationalities who live here, UAE is simply home. These past few days, as geopolitical tensions grew, the distance between where I was and where my family waited felt heavier than ever. Returning to Dubai, I felt every person on that Emirates plane had a silent story in their eyes.”

Speaking about the flight crew and the emotional atmosphere during the journey, he added, “Hats off to the Emirates crew for maintaining the calm and taking care of everyone with a smile despite their own fears. The moment we touched down, the atmosphere shifted from silent anxiety to a collective surge of relief. Walking through the terminal, I couldn't help but be moved to tears as I saw daughters throwing themselves into the parents' arms and fathers finally lifting their little ones into the air.”

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The actor also spoke about the anxiety he experienced while thinking about his children during the journey. “I had spent the entire journey with my own heart racing, my thoughts fixed entirely on my kids. A heartfelt thank you Emirates for being the bridge that brought us back together in a world that felt like it was shifting, you remained constant. Thank you for the safety you carry in your wings and for providing the quiet peace we all needed to find our way back.”

Expressing gratitude to the country’s leadership, Oberoi further said, “Today, I am more grateful than ever for the resilience of the UAE government in the face of global uncertainty. Your steady leadership and unwavering calm provided the safety we needed to come back. You have built a nation that doesn't just function, it protects.”

He concluded his message by acknowledging the country’s support for Indian residents. “As a proud Indian, on behalf of all the Indians settled in the UAE, thank you for keeping us safe and for standing with us as one of us rather than just meeting from a distance. Thank you.”

Oberoi’s post comes as several public figures continue to share their experiences and messages of reassurance for residents amid the evolving geopolitical situation in the region.

Also Read: Lara Dutta reveals stressful days in Dubai amid Israel–Iran conflict; thanks UAE government for protection

The wait is finally over for fans of raw, grounded action. A leaked image from the sets of the highly anticipated Force 3 has set social media ablaze, offering a first glimpse into the world of ACP Yashvardhan Singh’s return. The candid shot, captured during a creative discussion, features the franchise spearhead John Abraham alongside the new additions to the Force family: the current box-office favourite Harshvardhan Rane and the versatile Tanya Maniktala.

Standing at the centre of the frame is the man tasked with modernizing this iconic franchise—director Bhav Dhulia. Having earned massive acclaim for his gritty realism in Khakee: The Bihar Chapter, Dhulia’s presence suggests that Force 3 will pivot away from stylized stunts toward the hard-hitting, "desi" action that made the 2011 original a cult classic.

The biggest talking point of the leak is undoubtedly that Harshvardhan Rane looks ready for duty. Fresh off the massive success of Ek Deewane Ki Deewaniyat, Rane has been vocal about his admiration for John Abraham, often referring to him as a mentor.

Adding that bit of glamour to the action is Tanya Maniktala, known for her soulful and nuanced performances in A Suitable Boy and Kill, her inclusion marks a significant shift for the franchise. Dressed in an elegant yet practical ethnic outfit in the photo, industry insiders suggest her character is far from a traditional "flowerpot" role.

While plot details are being guarded with the utmost secrecy, a well-paced industry source shared an exciting update, "The film is officially going on floors this March, and the scale is massive. The audience can expect high-octane action that stays true to the franchise’s roots."

With John Abraham having reacquired the rights to the franchise to ensure it stays true to his vision, Force 3 is shaping up to be the definitive action event of late 2026.

Also Read: Harshvardhan Rane joins John Abraham starrer Force franchise; actor reveals he will take the legacy forward

While Yash has played it safe with his Toxic, relocating it as far away from Dhurandhar: The Revenge as possible, another braveheart has decided to take on Aditya Dhar’s sequel head-on.

Pawan Kalyan ambitious project Ustaad Bhagat Singh has been preponed from March 22 to March 19, thereby precipitating a direct clash with Dhurandhar 2. Pawan took this flash decision following the postponement of Yash’s Toxic from March 19 to June 4.

A source very close to Dhurandhar told this writer that Pawan Kalyan’s airdrop means nothing to the Dhurandhar team. They were not perturbed by the release of Toxic on March 19, they are not taking the competition from Ustaad Bhagat Singh seriously.

However, Pawan Kalyan is taking the clash to the highest level.

A source close to Pawan revealed, “He firmly feels the March 19 slot and its Eid and Rama Navami holidays offer enough room for more than one blockbuster. He will be vigorously promoting his film and urging his supporters to back the Telugu product over the Hindi one.”

On the other hand, the team of Dhurandhar: The Revenge is not doing any promotional activity. “Do we need to do any promotion?” Madhavan who plays key role in Dhurandhar: The Revenge wants to know.

Also Read: Ranveer Singh announces Dhurandhar: The Revenge trailer launch for March 7; actor asks fans to ‘brace themselves’

Actor Ranveer Singh has officially announced the trailer launch of his upcoming action thriller Dhurandhar: The Revenge. Taking to Instagram, the actor shared a new poster from the film while revealing that the trailer will be unveiled on Saturday, March 7, at precisely 11:01 AM.

The poster shared by the actor includes the exact timing of the launch, hinting at a carefully planned promotional rollout for the film. Along with the visual, Ranveer kept his caption short but intriguing, writing, “Brace Yourself,” which has further heightened curiosity among fans awaiting the sequel.

The film serves as the continuation of Dhurandhar (2025), which emerged as a major box-office success and helped establish the franchise as a significant entry in the spy-action genre. With the first installment receiving a strong response, expectations around the second part have grown considerably over the past year.

Interestingly, the film’s theatrical prospects appear to have strengthened after the release date shift of Toxic: A Fairy Tale for Grown-Ups, starring Yash. The latter was initially expected to arrive around the same period but has since been postponed to June, giving Dhurandhar: The Revenge a clearer window at the box office.

Directed, written and co-produced by Aditya Dhar, the film is backed by producers Jyoti Deshpande, Aditya Dhar and Lokesh Dhar. The project is produced under the banners of Jio Studios and B62 Studios. The film is positioned as the second and concluding chapter of the Dhurandhar duology.

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Apart from Ranveer Singh, the film features a multi-starrer cast including Arjun Rampal, Sanjay Dutt, R. Madhavan, Sara Arjun, Rakesh Bedi, Danish Pandor and Gaurav Gera, along with several actors reprising their roles from the first installment.

Both parts of the franchise were reportedly shot simultaneously, allowing the makers to maintain narrative continuity between the two films. The sequel is expected to delve deeper into the character arc of Jaskirat Singh Rangi and explore his transformation into Hamza Ali Mazari, a development that forms a crucial part of the storyline.

With the trailer set to arrive this weekend, the promotional campaign for the film is now entering its next phase. Dhurandhar: The Revenge is scheduled to release in cinemas worldwide on March 19, 2026, in multiple languages including Hindi, Telugu, Tamil, Kannada and Malayalam.

Also Read: The Grahan effect: The real reason why Dhurandhar: The Revenge’s trailer won’t release on March 3

Actor Preity Zinta has reportedly sold an apartment in Mumbai’s upscale Pali Hill neighbourhood in Bandra for Rs 18.50 crores. The transaction details emerged through property registration documents reviewed by real estate data analytics platform CRE Matrix.

The property is located in the Rustomjee Parishram building and measures approximately 1,770 square feet. Records indicate that the transaction was officially registered on March 2, 2026. The apartment was purchased by Priya Nagar and Rajeev Nagar, who are US citizens of Indian origin. As part of the transaction process, the buyers paid a stamp duty amount of Rs 1.11 crore, along with a registration fee of Rs 30,000, according to the documents.

This marks the second property sale by the actor within a span of four months. In November 2025, property registration records had shown that Zinta sold another apartment in the same building for more than Rs. 14 crore. That unit, measuring around 1,474 square feet, was also located on the 11th floor of the building. The apartment involved in the latest transaction was allotted to Zinta in April 2025 after the redevelopment of her earlier residential building. Following the redevelopment process, the actor received the apartment as part of a standard housing arrangement provided to existing residents.

According to CRE Matrix, the allotment of the apartment was formalised under a redevelopment agreement between the housing society and developer Keystone Realtors, which operates under the brand Rustomjee. The redevelopment project resulted in the construction of the current building where the actor had been allotted her residence. "Under a redevelopment agreement between the society and the developer (Keystone Realtors/Rustomjee), the flat was officially allotted to her as Permanent Alternate Accommodation. This arrangement was formalised in an agreement executed on October 23, 2023," CRE Matrix said.

Zinta has owned property in the building for several years and received the redeveloped apartment through the allotment process associated with the project. The actor, who divides her time between India and overseas commitments, has not publicly commented on the latest property transaction so far.

Zinta, known for her work in films such as Kal Ho Naa Ho and Veer-Zaara, continues to remain active across business and entertainment ventures while maintaining a relatively low profile in terms of real estate investments and property dealings. The actress is currently gearing for her big screen comeback alongside Sunny Deol in Lahore 1947 that is directed by Rajkumar Santoshi and produced by Aamir Khan.

Also Read: Preity Zinta shares relief while celebrating Holi: “So grateful to be back home in Mumbai after a very stressful trip”

Bollywood Hungama has been at the forefront in delivering exclusive news about one of the most-awaited films of 2026, Naagzilla, starring Kartik Aaryan. We are now back with another interesting piece of information – the talented actress Preity Mukhundhan, who has made a mark down South, will be launched in Bollywood with this promising flick.

A source told Bollywood Hungama, "Preity Mukhundhan fits the role perfectly and the makers are quite happy to have her on board. She’ll be seen in a hilarious role and her character contributes tremendously to the narrative. She’s also excited about the role as she’ll get a chance to exhibit a different side of her to the audience.”

Preity made her debut in the 2024 Telugu horror comedy Om Bheem Bush, followed by her Tamil debut in Star.

Naagzilla is produced by Karan Johar’s Dharma Productions and Mahaveer Jain’s Mahaveer Jain Films. The fantasy comedy features Kartik as a shape-shifting naag and, reportedly, Ravi Kishan essays the role of the antagonist. It marks the first association of Kartik Aaryan and Mahaveer Jain, Mahaveer Jain and Karan Johar and the second film for Kartik and KJo after Tu Meri Main Tera Main Tera Tu Meri.

Earlier, Bollywood Hungama had reported that a three-week-long schedule of Naagzilla will take place in Delhi in February 2026. Our source has got an update about the same, “The Delhi schedule has been successfully completed. Now, just 7 days of shooting remain. It’ll take place in Mumbai this month, that is, March 2026. Once the shoot is completed, Mrighdeep Singh Lamba’s complete focus would be on post-production and ensuring that their labour of love turns out to be an exciting and fascinating piece of cinema for the audiences.”

Naagzilla is scheduled to be released in cinemas on Independence Day 2026.

Also Read: Kartik Aaryan shoots crowd sequence at Delhi’s Connaught Place for Naagzilla with rainbow flags and banners, watch video

Subedaar has released today, March 5, and it has generated excitement due to lead actor Anil Kapoor’s massy performance and an exciting trailer. Viewers who would watch this film on Amazon Prime Video will be in for a surprise. This is because Nana Patekar also features in the film.

In a crucial scene in the film, Nana Patekar appears on screen all of a sudden. His presence adds to the fun and madness; in fact, if Subedaar was a theatrical film, Nana’s entry would have led to a frenzy in cinemas.

Anil Kapoor and Nana Patekar first shared screen space in Parinda (1989). Eighteen years later, they reunited in Welcome (2007) and struck gold. Nana played the unforgettable Uday Bhai, while Anil played his subordinate, Majnu Bhai. Together, their banter turned iconic and helped the film attain cult status. They came together once again in Welcome Back (2015), which remains their last on-screen collaboration to date. Ever since, fans have been demanding a full-fledged Uday Bhai-Majnu Bhai reunion, and Subedaar finally brings the duo back. It is sure to be lapped up by viewers.

Besides Anil Kapoor, Subedaar also stars Radhikka Madan, Mona Singh, Aditya Rawal, Saurabh Shukla, Faisal Malik and Kushboo Sundar in a cameo. It is directed by Suresh Trivedi of Tumhari Sulu (2017), Jalsa (2022) and Daldal (2026) fame.

Last week, a grand trailer launch was held at a restobar by the beach in Mumbai, where the whole team was present in full force. Anil said, “I shot the most difficult and crucial scene in the film amid thousands of bystanders. They were shouting 'Jhakaas' and 'Aye jee o jee'! However, I switched off the noise. I focused on my scene. If you want something from the bottom of your heart, you'll be able to achieve it.”

Also Read: Anil Kapoor brings back his swagger in ‘Balam Subedaar’ in Prime Video’s Subedaar, watch

Karan Aujla’s live concert in Delhi on February 28 turned into a free-for-all arena. A violent altercation broke out at the venue Jawaharlal Nehru Stadium during Karan Aujla’s concert. The concert, reportedly drawing a crowd of 75,000, was one of the largest single-day gatherings for a Punjabi artiste in India. Videos of the incident quickly spread across social media, igniting concerns regarding event safety and crowd control at large-scale music events.

Aujia’s concert in Mumbai on Tuesday at the MMRDA Grounds was an instant-replay version of the Delhi concert. Supreme chaos reigned at the Mumbai concert with attendees complaining about the absence of basic amenities such as drinking water.

Following the Delhi and Mumbai concert, Karan Aujla’s P-POP Culture India Tour is scheduled to continue across ten Indian cities, including Mumbai, Pune, Ahmedabad, Chandigarh, Bengaluru, Kolkata, Jaipur, Lucknow, and Ludhiana. The incidents in Delhi and Mumbai have intensified calls for improved safety measures at major entertainment events.

This is not the first time that the crowd at the singer's concert turned violent. Previously, the ‘Tauba Tauba’ singer's concert at Loud Park in Kharghar, Navi Mumbai, on November 23, 2025, part of the Rolling Loud India festival, was disrupted after a physical altercation erupted in the crowd. The incident involved Nigerian influencer Agu Stanley Chiedozie and another male attendee.

Also Read: Karan Aujla announces 6-city India leg of P-POP CULTURE world tour for 2026, with debut stadium shows in Delhi and Chandigarh

A new Public Interest Litigation (PIL) has been filed before the Kerala High Court challenging the title and release of the recently released film The Kerala Story 2. The petition, submitted on March 3 by a retired social science teacher and a practicing lawyer, calls for the removal of the word “Kerala” from the film’s title, arguing that it unfairly associates the State with sensitive and controversial themes.

According to the plea, the petitioners contend that the film’s title and subject matter risk portraying Kerala in a negative light. They have alleged that the narrative reportedly depicts the State as a centre for forced religious conversions, a portrayal they believe could damage its social and cultural image.

The petition also references an ongoing legal tussle involving the filmmakers. It notes that the producers have approached a Division Bench of the High Court challenging a recent interim order issued by a Single Bench, which had temporarily stayed the film’s release. The stay, the plea points out, was granted at a stage when the film was allegedly yet to be uploaded or publicly screened.

Beyond concerns over the State’s image, the petitioners have flagged the potential social repercussions of the film’s content. They argue that the narrative, as understood from available material, may foster hostility against members of the Muslim community in Kerala. The plea suggests that such a portrayal could disturb communal harmony and deepen existing sensitivities.

In addition to seeking changes to the title, the petitioners have requested judicial intervention to ensure that the film, if released, carries a clear disclaimer stating that the story is entirely fictional. They have urged the court to direct the Central Government and the Central Board of Film Certification (CBFC) to mandate such a disclaimer to prevent audiences from interpreting the narrative as factual.

The PIL further calls for broader regulatory reforms. Specifically, it seeks directions to the Centre and the CBFC to frame comprehensive guidelines governing film titles and taglines. According to the plea, such norms should ensure that no cinematic work denigrates or maligns any State, region, caste, or religion through its branding or promotional material.

The matter is expected to come up for consideration before the High Court in the coming days, adding another chapter to the ongoing debate around creative freedom, censorship, and the responsibility of filmmakers in handling sensitive socio-political themes.

Also Read: Madras High Court restrains illegal broadcast of The Kerala Story 2 until March 23

In an explosive, soul-bearing interview with Bollywood Hungama, actress and activist Mandana Karimi opened up about the personal and professional toll her advocacy for Iran has taken. The actress, who has been vocal against the Iranian regime amid the escalating Middle East conflict, revealed that her career in India has come to a standstill due to her outspoken political stance.

“Well since January, I've literally have left my work. I'm not working anymore. All my contract got cancelled. I've become too activist I've become too open about politics and I have messaged. I have emailed to platforms. I've said let's talk about it. I have videos I have images from Iran - Why are you not covering it?” Karimi shared, underscoring her frustration at what she describes as silence despite having access to ground-level material.

The actress, known for her appearance on Bigg Boss 9 and films like Kyaa Kool Hain Hum 3, also criticised sections of the Indian media for what she called skewed reporting. “No one has covered it and if they have covered it they were talking about how strong the regime is. They've kind of sold themselves into the whole propaganda of the government and Iranian government is very known for having these kind of Influencers or certain reporters to go to Iran and cover the situation. So I've been very disheartened from the media in India, and they haven't been covering well. Even now, when you look at India today, you know the way they're covering the news. It's so one-sided. It's not accurate - the answers and questions,” she stated.

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Karimi went on to urge Indian news platforms to provide space to opposition voices, specifically naming exiled Crown Prince Reza Pahlavi.“I would request Indian media - to whoever is watching this video from media – ‘Indian media, if you have brought the regime murderous Cabinet to India and you've actually given your platform to interview them and ask their opinion about what's happening in Iran; why aren't you bringing Reza Shah Pahlavi? Why aren't you bringing people who are working with Reza Shah Pahlavi? We want to also tell our side of the story’,” she urged.

She concluded with a pointed reminder: “Every story has two sides. It's never one-sided, right? You're a reporter, right? You're supposed to report the news. So why aren't you inviting Reza Pahlavi to your channel and let's talk.”

Her remarks come amid heightened tensions in the region. As of March 2026, the conflict has intensified following joint US-Israeli strikes targeting senior Iranian officials and military sites, prompting retaliatory missile attacks from Tehran and disruptions in the Strait of Hormuz. With reports of internal unrest and uncertainty within Iran’s leadership, the humanitarian situation continues to deteriorate, adding urgency to calls for broader global coverage of the crisis.

Also Read: EXCLUSIVE: Mandana Karimi plans to return to Iran if regime changes amid conflict; says, “I feel like I don’t have a voice in India”

Photos of Ranbir Kapoor from the sets of Ramayana have surfaced online, drawing widespread attention and sparking discussion among fans. The images, which began circulating on Reddit on Tuesday morning, appear to show the actor in costume during a shoot, holding a bow and dressed in traditional attire while crew members stand nearby with umbrellas and production equipment.

In the pictures, Kapoor is seen wearing long hair styled in waves, a tilak on his forehead, and period-style clothing. The images quickly made their way across social media platforms, where reactions were divided. While some fans expressed excitement about seeing a glimpse of the much-anticipated project, others criticised elements of the styling.

One Reddit user wrote, “All that $400 million budget and they couldn't arrange for a decent-looking wig?” Another commented, “Bollywood really sucks in the fake hair & fake beard department. You can notice this in any movie or TV show.” He looks so bad honestly 😭 by u/AgreeableScarcity568 in bollynewsandgossips

Producer Namit Malhotra has previously stated in interviews that the two-part adaptation of Ramayana is mounted on a budget of approximately $400–500 million, positioning it among the most expensive Indian film projects to date. However, the makers have not issued any statement regarding the leaked photos.

Alongside the images, a purported global promotion schedule for Ramayana also began circulating online. According to the unverified plan, the film’s trailer is slated for launch at the San Diego Comic-Con on July 23, 2026, followed by appearances at the Toronto International Film Festival. It further mentions promotional events at the Pingyao International Film Festival, the Tokyo International Film Festival, and the BFI London Film Festival, among others.

The schedule also lists a musical performance at London’s Royal Albert Hall featuring Hans Zimmer and A. R. Rahman, in addition to promotional events across India before a reported Diwali release on November 8, 2026.

As of now, none of these promotional details have been officially confirmed or denied by the production team.

Also Read: Love & War update: Ranbir Kapoor debuts clean-shaven look; sparks buzz around Sanjay Leela Bhansali’s next

Actor Esha Gupta has safely returned to India after being stranded in the United Arab Emirates during the recent escalation in tensions between the United States and Iran. Taking to Instagram, Gupta informed her followers about her return and expressed gratitude to the airline authorities, the UAE government and hotel staff for their support during the uncertain hours.

“Back home. Thank you all for your prayers and wishes. It was very tough to be in the situation that we all were. Truly gods blessing to safe!” she wrote.

Recounting the sequence of events, Gupta revealed that the situation began when she was at the airport on Sunday, the 28th. “It started when I was at the airport on the 28th (Sunday). By 1pm the airport was closed, chaos all around as none of us knew what happened. Then the news started coming of the missile attack and no one knew what the next minute held for us. Strangers consoling each other, all calling their families back home (sic),” she shared.

Several Indian celebrities were reportedly stuck in the UAE following the escalation, which saw heightened security concerns and disruptions across parts of the Gulf region. According to reports, airports faced temporary closures as news of missile and drone activity surfaced.

Gupta said she was at the Abu Dhabi airport when operations were halted. Praising the authorities, she added, “Here, I would like to mention, that what I saw was strength of a country which is UAE. We were at the Abu Dhabi airport. The ground staff and airport security immediately lunged to action and stayed calm throughout even though we were all in this situation together.”

The actor mentioned that she had not yet checked in for her flight when the airport shut down, prompting her to return to her hotel in Abu Dhabi. “I hadn't checked in myself by then so I took a turn and left back to my hotel in Abu Dhabi. Following are the stories that we heard first hand from the people we met later in our hotel that night (sic),” she wrote, indicating that many fellow travellers had similar accounts of confusion and uncertainty.

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Her post struck a note of relief and gratitude, with the actor acknowledging both the anxiety of the moment and the collective composure displayed by officials and travellers alike.

Also Read: Esha Gupta says “we are safe” amid the Iran–Israel crisis; hopes to return home soon

On Sunday, March 1, Bollywood Hungama announced that the trailer for Dhurandhar: The Revenge would be released digitally on Tuesday, March 3. However, by Monday, it emerged that Jio Studios was no longer planning to drop the highly anticipated promo on the stated date. Bollywood Hungama reached out to reliable sources to understand what triggered the last-minute change behind the scenes.

A source told Bollywood Hungama, “Reports of Dhurandhar: The Revenge’s trailer release on March 3 weren’t mere rumours. The makers genuinely planned to unveil it that day. But they were later informed that March 3 witnesses a Chandra Grahan (lunar eclipse), which is considered inauspicious for new beginnings. The inauspicious period is said to be from 9:39 am to 6:46 pm. Trailers are usually launched around noon, and this timing falls within the window. Hence, the team decided to postpone the trailer release.”

In February 2026, Bollywood Hungama had reported that the trailer of Dhurandhar: The Revenge would be launched on March 5 at Mumbai’s iconic Nita Mukesh Ambani Cultural Centre (NMACC). That plan was eventually dropped, and a digital launch was scheduled for March 3. Now, however, it appears the makers might unveil the trailer on March 5 or March 6 on digital platforms, without an event. The suspense continues on the exact date.

The Dhurandhar series stars Ranveer Singh, Akshaye Khanna, Sanjay Dutt, R Madhavan, Arjun Rampal, Sara Arjun and Rakesh Bedi. The first part told the story of an Indian spy who infiltrates Pakistan’s criminal syndicate and political system and creates havoc.

Interestingly, Dhurandhar: The Revenge will have a gigantic clash at the box office with Toxic: A Fairy Tale For Grown-Ups. Directed by Geetu Mohandas, it marks the return of Yash of KGF fame and also stars Kiara Advani, Nayanthara, Huma Qureshi, Akshay Oberoi and others. The trailer of this mass-appealing flick will be unveiled on March 8 in Bengaluru at a grand event.

Also Read: No Dhurandhar: The Revenge trailer launch on Holi? Here’s what we know

Actor Ahaan Panday has revealed that he underwent a major shoulder surgery following the release of Saiyaara, a procedure he describes as one of the most painful with the longest recovery period. In an interview with Esquire India, the actor shared that the decision to go under the knife stemmed from an old injury. A few years ago, Panday was involved in a snowmobile accident that resulted in a shoulder subluxation. The lingering impact of the injury began affecting his fitness goals, particularly as he prepared for an action film.

“I actually got a whole surgery done after the release of Saiyaara last year,” Panday said. “And it’s one of the most painful surgeries you can do, with the longest recovery time.”

According to him, his doctor had cautioned that post-surgery, his body would “go back to zero”, making it “nearly impossible” to achieve the desired physique for his next project. The warning did not deter him. Instead, Panday now says he feels satisfied being able to speak about the process and “prove everyone wrong.”

He reflected on how gym transformations in the film industry often serve as motivation, but pointed out that his journey was different. “I used to feel motivated by actors who had dramatic gym transformations,” he said, adding that those usually involved moving from an unhealthy body type to a healthier one. “This was different; I went from being injured, to not being able to move, to not being able to lift, to being able to lift.”

For months, Panday remained in a cast during recovery, a phase that he says largely went unnoticed. “I don’t know how nobody realised!” he remarked, amused. However, a few observant fans sensed something was off. Since Panday is not very active on social media, some turned to his mother’s fitness-focused social media pages, questioning why he appeared to be losing weight. “They were like, why is he losing so much weight,” he said, smiling at the memory.

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Having completed his recovery and returned to training, Panday is now focused on his upcoming projects. He will next be seen in a yet-untitled directorial by Ali Abbas Zafar, backed by Yash Raj Films. The actioner marks his second collaboration with the banner after Saiyaara, and the team has already commenced shooting.

Also Read: Ali Abbas Zafar on casting Ahaan Panday for next YRF film; says, “Audiences have connected with Ahaan because he’s simply present”

There was a time when it was not unusual for films to complete 50 or 100 weeks in cinemas. But as times passed and due to the shift in business models, increase in number of screens and rise of OTT platforms, it’s a feat even for a film to run for 50 days on the big screen. Hence, it’ll be a surprise for moviegoers to learn that a small-budget film, Ameena, is about to complete 100 weeks in theatres.

Ameena was released on April 12, 2024, that is, in the same week as Bade Miyan Chote Miyan and Maidaan. Since then, popular films and grossers like Stree 2, Pushpa 2, Chhaava, Saiyaara, Mahavatar Narsimha etc., have been released and none of them ran for more than 10 or 15 weeks (Bollywood’s biggest grosser, Dhurandhar, currently in its 13th week and will also complete 15 weeks). Meanwhile, Ameena is running non-stop at Mumbai’s extremely popular MovieTime Hub multiplex in the morning show. At present, it is running in its 99th week; on Friday, March 6, it’ll complete 100 weeks and thus create history.

An industry insider told Bollywood Hungama, “Ideally, if a film is pulling in so many viewers for nearly two long years, it would have become a talking point on social media, the way it happens with Dilwale Dulhania Le Jayenge (1995) or the longest running Gujarati film of all time, Chaal Jeevi Laiye (2019). People would have excitedly discussed the film’s plot, themes, performances, songs etc. But how many people do you know who have seen the film? Have you ever seen any tweet or Instagram post/story about it?”

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Ground reality check

Last week, when Ameena was in its 98th week, Bollywood Hungama decided to watch the film to get a first-hand sense of the ground reality. As per a ticketing website, 20 tickets had been sold for our show. The pattern seemed unusual because all seats in the screen were available at a flat price of Rs. 100. In a normal scenario, patrons would book the back rows first. But in the case of Ameena, 18 tickets were booked in the first two rows, followed by two seats in the third row from the front.

This writer purchased a ticket at the booking counter and, as expected, was the only person inside the auditorium. None of the 20 people who had supposedly booked tickets turned up. The show, however, began as scheduled. It was stifling inside, as the air-conditioning didn’t seem to be switched on. During the intermission, when this writer requested a staffer to turn on the AC, he looked in disbelief and asked if the writer was watching Ameena. When the writer nodded, the kind staffer assured it would be done, and he kept his word. It left us wondering: Is Ameena being screened every day to an empty hall

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Bollywood Hungama kept track of Ameena’s bookings on the ticketing website over the next few days and noticed a pattern: every day, 20 tickets for the show ‘get sold’ in the exact same order –18 in the first two rows, followed by two seats in the third row from the front.

That’s not all. The Instagram handle of the film’s production house, Kumar Raj Productions, has shared a video of a man informing his followers about Ameena’s unbelievable run. Text displayed throughout the video lists three phone numbers that viewers can call to get free tickets for Ameena. When the film was in its 65th week, a post mentioned in bold letters that tickets to the film were available for free.

Producer speaks up

Bollywood Hungama exclusively spoke to producer-director Kumar Raj, who also features in the film in a supporting role. He was very jovial and spoke warmly to us. He began by saying about his plans for the 100th week celebration, “We are going to call the press, party with them and gift them a 5-inch gold coin. Everyone who worked on the film would also be getting some gifts.”

He claimed that there’s a lot of demand even from foreign shores to write about Ameena, “I got a call from Time magazine. I don’t know if it was genuine or not! They were excited about the fact that Ameena is the first movie in the world to complete 100 weeks in the last 30 years. For 5 weeks, they were after me. Finally, I gave them an interview yesterday. I don’t know if they are going to publish a negative or positive report! As long as they are writing about our film, I am happy (smiles). They claimed that they are going to publish a full-page story along with posters of Ameena.”

The posters of Ameena, splashed across newspapers, mention that they are inviting OTT platforms to buy their film. Names of prominent streaming giants like Netflix, Amazon Prime Video, Zee5, SonyLIV, JioHotstar etc. are mentioned. Even Voot gets a mention, though it merged with JioCinema (which later merged with Hotstar).

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However, Kumar Raj said, “I started getting a lot of offers from OTT in the very first week itself. But I was clear, ‘Picture jab tak chalti hai, chalne do’. My film was also released in Tamil, Telugu, Malayalam and Kannada.”

He continued, “A famous distributor from down South has arrived in Mumbai. Tomorrow, he’s going to see the movie. He wants to screen this film in several cinemas. In fact, he asked me to send him a flight ticket so that he could come down to Mumbai. But I categorically told him to fly down at his own cost.”

When asked about the average occupancy of Ameena’s shows, Kumar Raj replied, “On the weekends, it is 75% full. During the holidays, the show is 100% sold out. We are getting a lot of repeat audiences as well. During weekdays, shows are approx. 30% full. This is a huge feat, as even the biggest of films don’t get such an audience. At times, when I watch a biggie in the theatre, there are barely 4-5 people in the auditorium.”

He added, “You can ask the team of BookMyShow. They’ll officially provide you with actual collections of the film.”

Kumar Raj also opened up about his earlier film, Tara: The Journey Of Love And Passion (2013), “It has amassed 16 million views on one of the websites (YouTube). It has won 600 international awards and has a mention in 35 book of world records. However, I don’t like to blow my own trumpet.”

Finally, we asked him about the belief in the industry that he’s himself buying the tickets of Ameena. He smiled and simply replied, “Kuch toh log kahenge, logon ka kaam hai kehna.”

About Ameena and Tara

Ameena stars Rekha Rana in the lead role of Meena, a theatre actor. One day, she is brutally raped by three men. She fears that she may not get justice in the court of law and hence, decides to eliminate her rapists. Help comes in the form of a cartel of those directly or indirectly affected by rape. The other actors in the film are Ananth Narayan Mahadevan, Utkarsh Kohli, Manu Malkan etc. The film has been shot not just in Mumbai but also in Los Angeles, Senegal, Dubai, Abu Dhabi, as well as Cannes.

Meanwhile, Kumar Raj’s earlier film, Tara: The Journey Of Love And Passion also starred Rekha Rana. While Ameena aims to complete 100 weeks, Tara ‘ran’ for 50 weeks, in Mumbai’s now-defunct single-screen cinema, Imperial.

Yesterday, March 1, Bollywood Hungama reported that Dhurandhar: The Revenge is expected to run between 220 minutes (3 hours 40 minutes) and 235 minutes (3 hours 55 minutes). The much-awaited film clashes with Toxic on Eid (March 19), and the face-off has sparked major buzz across the trade, industry and fans. Bollywood Hungama has now learned that, like Dhurandhar, Toxic too is likely to be a lengthy affair.

A source told Bollywood Hungama, “Toxic’s final length is yet to be locked, but it comes to around 200 minutes, that is, 3 hours and 20 minutes. The makers feel that there’s enough entertainment and mass-appealing moments in the film and that the audience won’t get bored or restless. Also, earlier, having a long film would lead to a negative perception. But it all changed with Animal (2023). It was 3 hours and 21 minutes long and ran very successfully. In recent times, Border 2 (2026) was released with a runtime of 3 hours and 19 minutes. Not to forget, the duration of Dhurandhar’s (2026) first part was 3 hours and 34 minutes. All these films were huge hits and it remains to be seen if Toxic also follows suit.”

However, the exhibitors were already at their wits' end over the clash and the news of the runtimes of Dhurandhar: The Revenge and Toxic have added to their woes. A single-screen cinema hall owner, said on condition of anonymity, sighed, “The distributors anyway were not going to be ready for show-sharing. But we hoped that it might be possible, especially if both films had concise lengths. But now, there’s no chance. It’ll be a challenge even for theatres with multiple screens to accommodate sufficient shows of both films.”

Meanwhile, it’s a crucial week as the trailer of Dhurandhar: The Revenge will be launched digitally on March 3, as confirmed by Bollywood Hungama yesterday in an article. As for Toxic, the makers have planned a grand trailer launch on March 8 in Bengaluru. Directed by Geetu Mohandas, it marks the return of Yash of KGF fame and also stars Kiara Advani, Nayanthara, Huma Qureshi, Akshay Oberoi and others.

Also Read: IMAX bets big on India: Ramayana, Toxic gets special mention in IMAX quarterly report amid RECORD $1.28 billion global box office earnings in 2025 from 1796 properties

Tiger Shroff celebrates his birthday today, March 2, and on this special occasion, Bollywood Hungama brings exciting news which will be lapped up by his fans. We have learned from reliable sources that Tiger’s upcoming film by director Ram Madhvani and producer Mahaveer Jain has been given a title.

A source told Bollywood Hungama, “The film is named Vajra. The makers, as well as Tiger, feel that the title is apt for the storyline and also because it's connected with our rich Indian culture.”

The source continued, “In Vajra, Tiger Shroff will be seen in a never-seen-before avatar, one that blends raw power with emotional depth. He is extremely excited about Vajra and its concept and is working very hard. He's determined to give the audience an experience that they'll cherish. Ram Madhvani and Mahaveer Jain are also going all out to mount their spiritual big-budget action film on a grand scale.”

In November 2025, Bollywood Hungama was the first to report that Tiger Shroff had signed on for Ram Madhvani and Mahaveer Jain's film. At that time, a source had told us, “It's a spiritual action thriller. This has never been attempted before in Indian cinema. It has an appeal and huge potential for a global audience and not just the moviegoers of the Indian diaspora.”

The source continued, “Tiger Shroff will be undergoing extensive preparation for this ambitious film. It will go on floors in the second quarter of 2026. A major portion of the film will be shot in Japan.”

Also Read: Tiger Shroff delivers energetic stage performance on Valentine’s Day eve in Delhi

Sanjay Leela Bhansali is among the most celebrated directors of Indian Film industry, whose cinema has stood the test of time. His next, Love And War is a casting coup of the decade as the maverick filmmaker has brought Ranbir Kapoor, Alia Bhatt and Vicky Kaushal together for the first time. Earlier in the week, there were viral reports on how Love and War budget has shot up to Rs. 425 crores, and the production has gone into turmoil.

However, our reliable sources close to the project confirm that Love And War is proceeding as planned. "Love And War budgets have shot up for sure, but it happens with all Sanjay Leela Bhansali films. Initially, it was planned as a Rs. 250 crore epic, and the costs through the shoot have now shot up to Rs. 350 crores. SLB doesn't compromise on his vision, and he is passionately filming this, which he believes could be his best work to date. The Rs. 425 crore figure of cost of production is trying to harm the project on purpose, and there is no truth to the claims," a source shared with Bollywood Hungama.

The source told us further, "Unlike many high on VFX films, Love And War is largely shot on sets, with recreation of the era gone by. This doesn't cost much. Anyone who understands filmmaking would say that the Rs. 425 crore budget is a bluff. But truth finds its way, and it's for the people to know that Love And War is a Rs. 350 crore film, and the makers plan to splurge another Rs. 30 crore on marketing, taking total landing cost to Rs. 380 crore."

As for the release, Love And War will now be released in 2027, between the two Ramayana films. The shoot will be wrapped up by June.

Also Read: SCOOP: Ranbir Kapoor’s special request to Sanjay Leela Bhansali; release Love And War in June 2026

R Madhavan, his wife Sarita and son Vedaant, who are Dubai residents, got away from the current shutdown of the city.

The actor and his family are currently holidaying away from Dubai.

When this writer contacted Madhavan, he replied, “We are all fine. Thank you so much for the concern. I am in the US with the family.” Madhavan and his family intend to stay put in the US until Dubai returns to normal.

Kalpana Iyer, who is also a Dubai resident, confirmed to this writer that she is fine and safe.

Also Read: R Madhavan reveals how wife Sarita once ‘kicked him out’ during lockdown

On February 27, the Division Bench of the Kerala High Court, comprising Justice Sushrut Arvind Dharmadhikari and Justice P V Balakrishnan, stayed a Single Judge’s interim order that had halted the release of the film The Kerala Story 2: Goes Beyond for 15 days.

The Single Judge had relied on excerpts from the film’s teaser to conclude that the content had the prima facie potential to disturb communal harmony and that the Central Board of Film Certification (CBFC) may not have adequately applied its mind under Section 5B of the Cinematograph Act, 1952. However, the appellate Bench emphasized a critical constitutional principle: once the CBFC, a statutory expert body, has granted certification after viewing the film in its entirety, courts must ordinarily presume due application of mind.

In arriving at this conclusion, the Bench drew heavily from two landmark Supreme Court precedents. First, in Prakash Jha Productions v. Union of India, decided in 2011 in the context of the film Aarakshan, the Supreme Court held that once a film has been certified by the CBFC, States cannot suspend or prohibit its exhibition merely on apprehensions of law and order problems. The Court made it clear that maintaining public order is the responsibility of the State, not a ground to curtail certified expression.

Second, the Bench relied on Viacom18 Media Pvt. Ltd. v. Union of India, the 2018 judgment concerning the film Padmaavat. In that case, the Supreme Court reaffirmed that creative content is protected under Article 19(1)(a) of the Constitution. Once certification is granted, there exists a presumption that statutory guidelines, including those relating to public order and communal harmony, have been duly considered. States cannot pre-emptively block exhibition on speculative grounds.

The Kerala High Court noted that the petitioners had not viewed the film in full and were relying solely on teaser clippings. It further observed that the producer had incorporated modifications directed by the CBFC, reinforcing the inference of due scrutiny. Therefore, merely on the basis of selective excerpts, the finding of non-application of mind could not be sustained.

In Viacom18 Media Private Limited and others v. Union of India and others [(2018) 1 SCC 761], the Supreme Court of India stayed state-imposed bans (Gujarat, Rajasthan, etc.) on the film Padmaavat upholding freedom of expression. The court ruled that states cannot prohibit a film already certified by the CBFC, as maintaining law and order is a state responsibility, not a ground to curtail film exhibition.

Meanwhile, M/S Prakash Jha Productions & Anr vs Union Of India & Ors (2011) 8 SCC 372 is a landmark Supreme Court case affirming that state governments cannot ban films already certified by the Central Board of Film Certification (CBFC). The court held that once cleared, a film’s screening cannot be halted due to hypothetical public unrest, reinforcing freedom of speech.

Also Read: Kerala HC Division Bench lifts stay on The Kerala Story 2: Goes Beyond

Producer Vipul Amrutlal Shah has stated that The Kerala Story 2: Goes Beyond does not target the state of Kerala or its people. His remarks came after the Kerala High Court Division Bench vacated the interim stay on the film’s release on Friday, February 27, clearing the path for its theatrical run.

Addressing the media shortly after the court’s decision, Shah said that the legal hurdle had been removed and screenings had begun. He described the film as a “true” account made after considerable effort and rejected allegations from certain quarters that it promotes propaganda.

“The Kerala High Court Division Bench has withdrawn the stay that we got yesterday. And they have cleared the way for the release of the film. Now our shows have already started opening. So I request the people that this is a true film made with a lot of hard work. And the biggest proof of the truth of our film is that the Kerala court has vacated the stay order. If our film was a lie, then the Kerala court would have seen it and the stay order would not have been vacated,” he said.

#WATCH | Mumbai: Kerala High Court Division Bench lifts the stay on the release of the film Kerala Story 2 Kerala Story 2 Producer Vipul Amrutlal Shah says, "Neither our film, nor I, nor anyone in my team is against the state of Kerala or the people of Kerala. Kerala is a… pic.twitter.com/caiaeJcktn

— ANI (@ANI) February 27, 2026

Shah also expressed gratitude to the court on behalf of his team and appealed to audiences in Kerala to approach the film with an open mind. Emphasising that neither he nor his team holds any bias against the state—often referred to as ‘God’s Own Country’—he maintained that the intention behind the project was not to malign Kerala.

With the stay lifted, attention now shifts to the film’s release plans across theatres. The Kerala Story 2: Goes Beyond features Ulka Gupta, Aditi Bhatia, and Aishwarya Ojha in the lead roles.

An official update on its wider theatrical rollout is awaited.

Also Read: Kerala HC Division Bench lifts stay on The Kerala Story 2: Goes Beyond

Amid reports suggesting that Rohit Shetty’s Golmaal 5 would adapt the 1980 classic Do Aur Do Paanch, producer Deepak Mukut has set the record straight. Mukut, who owns the remake rights to the film, confirms that he, and not Shetty who is developing a new version of Do Aur Do Paanch, and intends to take it on floors soon.

“I don’t know where or how the news of someone else doing Do Aur Do Paanch came from. I had to issue a public notice to prevent anyone else from remaking it. I am very serious about doing the film. For nearly ten years, I wanted to remake it with Bobby Deol and Abhishek Bachchan,” says Mukut.

The original film, directed by Rakesh Kumar, featured Amitabh Bachchan and Shashi Kapoor as two small-time crooks posing as schoolteachers in a plot to kidnap a wealthy businessman’s son. Hema Malini played a genuine teacher at the same school, adding romance and comic tension to the caper.

Interestingly, when Do Aur Do Paanch released in 1980, it turned out to be a rare box-office disappointment in Amitabh Bachchan’s otherwise golden run. The film’s performance was affected by its proximity to Suhaag, directed by Manmohan Desai, which also starred Bachchan and Kapoor and had already become a major success.

Meanwhile, industry buzz suggests that a separate project may pair Ajay Devgn and Akshay Kumar in the comedy space for the first time. The two actors have collaborated on several action films in the past, beginning with Suhaag, directed by Kuku Kohli (not to be confused with Desai’s earlier film of the same name).

For now, however, Deepak Mukut remains firm: the remake of Do Aur Do Paanch is very much his project and he plans to bring the classic caper back to the big screen on his own terms.

Also Read: EXCLUSIVE: From 50 screens to 1200 screens – producer Deepak Mukut reveals how STUNNED exhibitors increased Sanam Teri Kasam’s shows due to CRAZY demand from fans