Ahead of the teaser launch tomorrow, the makers have just dropped a striking new poster featuring Ali Fazal, from the much-awaited Mirzapur: The Movie, and it is everything fans have been waiting for. With the teaser set to drop tomorrow, the buzz around the film has officially hit fever pitch.

The poster showcases Ali Fazal in his iconic avatar, radiating intensity and power. With a fierce expression and commanding presence, the character's look hints at the high-stakes drama, revenge, and power battles that have become synonymous with the Mirzapur franchise. While the poster offers no clues about the storyline, it successfully reignites excitement among fans eager to witness the return of one of the most loved characters from the Mirzapur universe. The visual serves as a reminder that the battle for power is far from over and that the world of Mirzapur is gearing up for an even grander cinematic experience. As excitement builds, all eyes are now on the teaser, which promises to offer the first glimpse into the film's action-packed narrative and larger-than-life scale. Presented by Amazon MGM Studios and Excel Entertainment, Mirzapur: The Movie is directed by Gurmeet Singh, written by Puneet Krishna, and produced by Ritesh Sidhwani and Farhan Akhtar under the banner of Excel Entertainment. The film is co-produced by Kassim Jagmagia and Vishal Ramchandani and will release in Hindi and Telugu and is set for a worldwide theatrical release on September 4, 2026.

Also Read : Father’s Day special: Hottest new dads in B-town – Bollywood’s leading men embracing fatherhood

The makers of Tera Yaar Hoon Main have announced a new release date for the upcoming romantic drama while also unveiling the teaser of its title track. Starring debutant Aman Indra Kumar alongside Akanksha Sharma, the film is now scheduled to arrive in cinemas on July 24, 2026, one week earlier than its previously announced release date.

The latest announcement was accompanied by a glimpse of the film's title song, which offers audiences a peek into the emotional world of friendship, love, and relationships that forms the core of the story. The full track is expected to be released tomorrow. Release date revised for the third time Tera Yaar Hoon Main has seen multiple changes to its release schedule over the past few months. The film was initially slated to release on May 22, 2026. It was later postponed to July 31, 2026. With the latest update, the makers have advanced the release by a week, locking July 24 as its final theatrical release date.

The revised schedule allows the film to avoid a direct clash with the Hollywood tentpole Spider-Man: Brand New Day, which is set to release in India on July 30. However, Tera Yaar Hoon Main will now face competition from The India Story, starring Shreyas Talpade and Kajal Aggarwal, which is also scheduled to hit theatres on July 24.

INDRA KUMAR'S SON AMAN MAKES HIS ACTING DEBUT: 'TERA YAAR HOON MAIN' TITLE SONG TEASER OUT NOW – NEW RELEASE DATE ANNOUNCED... #TeraYaarHoonMain is now set to hit theatres on 24 July 2026, arriving *one week earlier* than previously announced.

The makers have also unveiled the… pic.twitter.com/Ry5vHYlk18 — taran adarsh (@taran_adarsh) June 23, 2026

Aman Indra Kumar makes acting debut The film marks the acting debut of Aman Indra Kumar, son of filmmaker Indra Kumar. He stars opposite Akanksha Sharma, while veteran actor Paresh Rawal plays a pivotal role in the narrative. Directed by Milap Milan Zaveri, the project is positioned as a relationship-driven entertainer that explores themes of companionship, emotions, and personal bonds.

The title track teaser hints at these elements, featuring moments that reflect the film's youthful and emotional tone. While the teaser keeps key plot details under wraps, it establishes the central dynamic between the lead characters and sets the stage for the full song launch.

Tera Yaar Hoon Main is presented by Ajay Murdia in association with Mumbai Films, BIK Productions, and Enter10 Television. The film is produced by Ajay Murdia, Bina Indra Kumar, and Manish Singhal, with Subhash Kale serving as co-producer.

The project is a Camera Take Films production and marks another directorial venture for Milap Milan Zaveri, known for films across the action and commercial entertainment space.

The film's arrival will also serve as an important launchpad for Aman Indra Kumar as he steps into the industry carrying forward a well-known filmmaking legacy while attempting to establish his own identity on screen.

Also Read: EXCLUSIVE: Meet Neha Khan, the bold, stunning and stylish surprise in Milap Zaveri’s Tera Yaar Hoon Main

The much-awaited teaser of Eetha has finally been released on digital platforms, giving audiences a glimpse of Shraddha Kapoor in what appears to be one of the most transformative roles of her career. Backed by Maddock Films and directed by Laxman Utekar, the film stars Kapoor as legendary Marathi Tamasha artist Vithabai Narayangaonkar and is slated to arrive in cinemas on August 28 during the Raksha Bandhan weekend.

The teaser had first been screened theatrically alongside Maddock Films' Cocktail 2, which released on June 19. Following strong audience curiosity and growing social media chatter, the makers have now officially unveiled it online. Shraddha Kapoor unveils a striking new avatar Running for 2 minutes and 18 seconds, the teaser opens with a charged atmosphere as an enthusiastic crowd calls for a performance from a dancer named Eetha. While the setup initially hints at a conventional star entry, the film quickly takes a different route.

Shraddha Kapoor makes an unexpected appearance, instantly establishing the tone of the character and the world she inhabits. Known for films across genres, the actress appears to have undergone a significant transformation to portray Vithabai Narayangaonkar, one of Maharashtra's most celebrated folk performers.

The teaser highlights her expressive performance, energetic dance sequences and commanding stage presence. Her portrayal appears deeply rooted in the traditions of Tamasha and Lavani, suggesting extensive preparation and research for the role.

Eetha posters build anticipation ahead of teaser launch Just two hours before the teaser dropped, the makers released a set of posters featuring Shraddha Kapoor in vibrant traditional attire. One of the visuals shows the actress dressed in a striking yellow saree adorned with ghungroos, walking through a sea of lanterns and cheering spectators.

The imagery captures the larger-than-life aura associated with Vithabai Narayangaonkar and offers a glimpse into the colourful world of Tamasha theatre that the film seeks to recreate on screen.

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  A post shared by Shraddha ✶ (@shraddhakapoor)

A powerful team reunites after Chhaava Eetha reunites director Laxman Utekar and producer Dinesh Vijan following the success of Chhaava. The film also features Randeep Hooda and Mohammed Zeeshan Ayyub in pivotal roles, while the music has been composed by Ajay-Atul.

The teaser suggests that the film aims to blend spectacle with an emotionally driven narrative. While the story remains largely under wraps, glimpses of intense dramatic moments indicate that the film will explore both the personal and professional journey of the iconic performer.

Also Read: Toxic vs Khosla Ka Ghosla 2 vs Vvan vs Eetha: Yash’s film triggers RARE 4-way Raksha Bandhan clash; Sidharth Malhotra and Kiara Advani set for FIRST box-office face-off

After redefining horror for a generation and becoming one of the most recognisable faces of the genre in Indian cinema, Emraan Hashmi is set to headline Rooh, a high-concept musical-horror spectacle designed for a theatrical experience. The film is slated for a 2027 theatrical release in Hindi, Tamil and Telugu.

Directed by Mayank Sharma, the creator-director of the highly acclaimed Prime Video’s Breathe Franchise, Rooh brings together a unique blend of new-age horror, music and emotion, envisioned as a spine-chilling cinematic experience. Known for his command over psychological depth, atmosphere and character-led storytelling, Mayank brings his immersive vision to a film built for the big screen.

Rooh brings Emraan Hashmi into a world that is close to his heart and deeply connected to the kind of cinema audiences have always loved him for. The film is written by Mayank Sharma and Vishal Kapoor, known for Lapachhapi and Chhorii, and produced by Vikram Khakhar and Sunny Khanna, a Vicked Films Productions.

Speaking about the film, Emraan Hashmi shares, “Rooh is a film that immediately connected with me because it brings together new-age horror, emotion and music in a very powerful way. This is a space that audiences have always associated with me, and the world Mayank is creating feels intense, emotional and cinematic. That is what excited me the most about Rooh, and I am really looking forward to audiences experiencing it on the big screen.”

Speaking about the film, director Mayank Sharma adds, “As someone who has always loved the horror genre... Rooh is my attempt to create a film that goes beyond fear. It’s emotionally layered and immersed with unsettling atmosphere and presented with contemporary cinematic treatment… I’m thrilled to collaborate with Emraan for this deeply layered character. My entire team and I hope to bring audiences a truly unique and unforgettable horror experience.”

With Rooh, the intent is to create a haunting, immersive and emotionally charged cinematic journey that goes far beyond the conventions of a regular horror film.

Adding to the film’s commercial strength is its music. In true Emraan Hashmi style, Rooh will carry a powerful soundtrack, with the first glimpse of its tune already hinting at the kind of melody, longing and emotional recall that audiences have always associated with his films. The combination of horror and memorable music gives the film a strong edge across cinema, digital, music, youth and wider audiences.

Industry insiders suggest that the project is also being developed with global ambitions, backed by international creative and technical collaborations that elevate the film’s visual scale and overall cinematic experience.

More than a conventional horror film, Rooh blends fear, emotion, music and supernatural power into a theatrical world designed for audiences in India and beyond. With Emraan Hashmi, Mayank Sharma’s immersive vision and music as a major commercial driver, Rooh is shaping up to be one of the most exciting horror properties to watch out for.

Also read: Awarapan 2: Vishesh Bhatt welcomes Shabana Azmi as Nafisa, here’s how she became an important part of the Emraan Hashmi starrer

The month of June is expected to end on a comic note thanks to the release of Welcome To The Jungle. It is arguably the biggest multi-starrer of Hindi cinema and hence, the excitement is expected to be tremendous. Accordingly, the distributing partner, Star Studio18, has gone all out with the release strategy.

As per the mail sent to the exhibitors, the distributor has asked for all shows in single-screen cinemas. In two-screen cinemas, they have asked for 7 or 8 shows, while they require 9 or 10 shows in three-screen cinemas. In 4-screen multiplexes, the requirement is 11 or 12 shows, while 13 or 14 shows are required in 5-screen plexes. For cinema halls with 6 screens, Welcome To The Jungle needs to be played in 15 or 16 shows. Finally, in multiplexes with more than 6 screens, the studio has asked them to play 3 shows of the comic caper per screen.

A trade source told Bollywood Hungama, “Welcome To The Jungle is a grand film meant for the big screen. Due to the humour quotient and sprawling star cast, the film should open with a bang and hence, the studio is intending for a wide release.”

It now remains to be seen whether the demand for all shows in single-screens and 7-8 shows in two-screen cinemas causes any issue, especially regarding the holdover releases. The trade source explained, “Cocktail 2 has a decent hold while Main Vaapas Aaunga refuses to slow down. Some Gujarati and Marathi releases have also put up fair numbers. Also, Hollywood superhero flick Supergirl and the much-awaited Punjabi film, Carry On Jatta 4, are up for release this Friday as well. These films will also require sufficient shows and hence, let’s see how things unfold in the next 48 hours.”

Welcome To The Jungle stars Akshay Kumar, Suniel Shetty, Disha Patani, Jacqueline Fernandez, Arshad Warsi, Jackie Shroff, Paresh Rawal, Raveena Tandon, Lara Dutta, Farida Jalal, Johny Lever, Shreyas Talpade, Tusshar Kapoor, Rajpal Yadav, Krushna Abhishek, Kiku Sharda, Daler Mehndi, Aftab Shivdasani, Mukesh Tiwari, Yashpal Sharma, Kiran Kumar, Zakir Hussain, Vindu Dara Singh, Urvashi Rautela, Hemant Pandey, Brijendra Kala, Feroze Khan (Arjun), Late Pankaj Dheer Ji, Puneet Issar, Sudesh Berry, Jeetu Verma, Vrihi Kodvara, Adityaa Singgh and Bhagya Bhanushali.

Also Read: BREAKING: Welcome To The Jungle goes Dhurandhar and Bhooth Bangla way; to have paid previews from Thursday, June 25

Riding on the box office returns of Border 2, producer Nidhi Dutta has unveiled an ambitious five-title slate at JP Films, the banner founded by her father, filmmaker JP Dutta. The projects span military dramas, a war hero biopic, a digital series on her grandfather, and a treasure-hunt franchise rooted in Indian history and mythology. She revealed her plans during an interview with Variety India.

Border 3 and the military slate The most prominent title on the slate is Border 3, currently in early development in partnership with Bhushan Kumar. Dutta said the third instalment “represents our continued commitment to telling stories of bravery and national pride on the biggest possible canvas.”

Alongside the franchise, JP Films is also developing a biopic on war hero General Harbaksh Singh, who commanded the Indian Army during the Indo-Pakistani War of 1965 and was awarded the Padma Vibhushan in 1966. “The film aims to bring an important chapter of Indian military history to a new generation while telling the story of a man whose courage shaped history,” Dutta said.

The third military project is a contemporary Air Force drama set during and after Operation Sindoor, focused on the personal and emotional costs of service. “While it delivers scale and action, it is ultimately a deeply human story about duty, family, and sacrifice,” she said. A franchise and a family legacy Marking a different direction for the banner, Dutta is also developing a large-scale treasure-hunt action-adventure film conceived as the first entry in a three-part franchise. “We expect it to be among the first projects to move into production. It’s the first time I’ve written something like this and it’s a franchise film, so it will have two more parts,” she said.

Rounding out the slate is a long-form digital series on her grandfather, filmmaker OP Dutta, described by Nidhi as the studio’s most personal project. She said the series would tell a story about “perseverance, passion, family, and an unwavering belief in cinema despite immense challenges, and the journey of my family legacy.”

Dutta confirmed that production timelines are being finalised and that some titles from the slate are expected to begin shooting over the next couple of months, with individual announcements to follow.

Also Read: Main Vaapas Aaunga, Border 2, Dhurandhar The Revenge: The FASCINATING Sardar connection in 2026’s most-loved Hindi films

Actress Samantha Ruth Prabhu is preparing for a new chapter in her personal life. Months after marrying filmmaker Raj Nidimoru, the actress is expecting her first child, a development that has now been confirmed by her Maa Inti Bangaaram director BV Nandini Reddy.

The confirmation comes after days of speculation on social media, where videos from the success celebrations of Maa Inti Bangaaram led many fans to believe that Samantha was pregnant. While the actress and her husband have not yet made an official announcement, Reddy's recent comments appear to have put an end to the rumours. Maa Inti Bangaaram director confirms Samantha’s pregnancy Speaking to Cinema Express, BV Nandini Reddy confirmed the news and expressed happiness over the timing of the development. “Her pregnancy comes at a beautiful time, as our film Maa Inti Bangaaram has become a success,” the filmmaker said.

The statement marks the first public confirmation of Samantha's pregnancy from someone closely associated with the actress.

Pregnancy rumours surrounding Samantha began circulating after videos and photographs from the success celebrations of Maa Inti Bangaaram surfaced online. Several social media users pointed to what appeared to be a visible baby bump during the event.

Addressing the discussion around those viral visuals, Reddy reportedly noted that Samantha was aware of the attention and had made a conscious choice while appearing at the event before any public announcement was made.

The actress herself has remained silent on the speculation so far.

Samantha Ruth Prabhu married filmmaker Raj Nidimoru in December 2025 after dating for several years. The couple chose to keep the ceremony intimate, with only close friends and family members in attendance. The wedding took place at Sadhguru’s Isha Yoga Centre in Coimbatore, at the Linga Bhairavi Temple.

Also Read: Samantha Ruth Prabhu turns fierce action hero in Maa Inti Bangaaram trailer; film set for June 19 release

Bijendra Nath Tiwari, the brother of acclaimed actor Pankaj Tripathi, has reportedly sustained serious injuries following an alleged attack in Bihar. According to reports, the incident took place in Belsand village, which falls under the jurisdiction of the Madhopur police station.

As per information shared by news agency IANS, Tiwari was injured in a sharp-weapon assault that is believed to be connected to a long-standing dispute. Following the attack, he was initially taken to a local medical facility before being shifted to Patna for advanced treatment due to the severity of his condition. Attack on Pankaj Tripathi’s brother allegedly linked to old rivalry Reports suggest that the attackers had allegedly been waiting in the village and targeted Tiwari over an old feud. According to the complaint cited in media reports, the assailants allegedly launched a sudden attack using sharp weapons, leaving him with serious injuries.

IANS shared an update on social media regarding the incident, stating, “Bijendra Nath Tiwari, sustained critical injuries in a sharp-weapon attack linked to an old dispute. He was shifted to Patna for advanced treatment, while police formed a special team and launched raids to apprehend the accused.”

Following the assault, family members and locals reportedly rushed Tiwari to the Model Sadar Hospital for emergency treatment. Doctors allegedly described his condition as extremely critical while administering first aid.

Given the seriousness of his injuries, medical professionals referred him to a hospital in Patna, where he is currently undergoing treatment under the supervision of specialist doctors. At present, there has been no official update regarding his recovery or overall condition.

Also Read: Pankaj Tripathi launches handloom venture Tulo to empower local artisans and celebrate India’s rich weaving heritage

A tragic incident on the set of Sanjay Leela Bhansali's upcoming film Love & War has reignited concerns about safety standards and working conditions in the film industry. A 42-year-old carpenter, Chandradhari Yadav, lost his life while working on the film's set at Royal Pump Studio in Goregaon East, Mumbai, in the early hours of June 17.

According to representatives of the Film Studio Setting and Allied Mazdoor Union (FSSAMU), the incident occurred around 3 am. While the exact cause of death is yet to be confirmed, initial reports suggest that an electric shock caused by a possible short circuit may have led to the accident. Authorities are awaiting the post-mortem report for clarity.

Chandradhari Yadav is survived by his wife and two daughters. Following the incident, the Federation of Western India Cine Employees (FWICE) and FSSAMU approached the producers of Love & War seeking financial assistance and support for the family.

The film's production house has reportedly offered Rs 40 lakhs as compensation to Yadav's family. However, union representatives say additional support is necessary to secure the future of his dependents. FWICE president B.N. Tiwari, according to a TOI report, said, “Apart from monetary compensation, we have requested the producer to take responsibility for the children's education. Workers are often made to work far beyond the prescribed eight to ten hours, and there is a limit to how much a person can physically stretch themselves at work.”

He added, “Once the post-mortem report comes, we will decide our next course of action. No matter how big the producer is or how big a film is being made, workers' lives cannot be put at risk.” Questions Over Working Hours FWICE honorary general secretary Ashok Dubey revealed that Yadav had reportedly been working continuously on the set for several days. “Chandradhari had been working continuously on the set for the past three days and had been on duty from 7 am until 3 am on the day of the incident. According to those present, he suffered an electric shock and was rushed to hospital, where he passed away,” Dubey said.

He further stated that the federation has requested employment opportunities for Yadav's wife within the production house. Ashoke Pandit, president of the Indian Film and Television Directors' Association (IFTDA) and chief advisor to FWICE, stressed the need for regular inspections and compliance checks.

“We have repeatedly urged producer bodies, studios and government authorities to conduct regular audits of sets, electrical wiring and cabling, considering that 150 to 200 workers are often present on a set,” he said.

“There are lives at stake and significant investments involved in building these sets. Mandatory compliance with fire, electrical and structural safety norms and comprehensive SOPs is the need of the hour.”

Also Read: Sanjay Leela Bhansali’s Love & War gears up for 15 to 20-day song schedule in May

After creating a strong impact with its gripping motion poster, Batwara 1947 has now unveiled a compelling series of character posters that reflect courage, innocence, resilience, and unwavering determination. Presented by Aamir Khan Productions, the film promises a deeply emotional story of sacrifice, hope, and the indomitable human spirit.

As excitement for the film continues to build, Karan Deol, son of Sunny Deol, who will be sharing screen space with his father for the first time in Batwara 1947, penned a heartfelt note on Father's Day.

Taking to social media, Karan Deol shared some adorable stills from the film and expressed his love and admiration for his father, Sunny Deol. While the duo is set to share screen space in Batwara 1947, Karan conveyed his immense affection and respect for his father through an emotional message. He also shared the caption: "There are moments that feel destined. Telling Papa once on his set about my dream of acting with him was one of them. And to be able to share the screen with him today, while watching him up close, makes this Father's Day truly special. On 14th Aug 2026 is the moment that dream comes true and I get to share the silver screen with my Papa in Batwara 1947 and it is a feeling I will never be able to put fully into words and it's one that I'll cherish for life."

He further added, "I've seen him as a son, a brother, a father, an actor, and a legend loved by millions. But standing beside him on set reminded me that his greatest role is simply being himself; honest, humble, strong, and deeply committed in everything he does. Happy Father's Day Papa - my biggest teacher, my strongest support, and my first hero. Feeling incredibly grateful to live this moment with you."

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  A post shared by Karan Deol (@imkarandeol)

Directed by National Award-winning filmmaker Rajkumar Santoshi, BATWARA 1947 marks the much-awaited reunion of Rajkumar Santoshi and Sunny Deol after nearly three decades. The film is produced by Aamir Khan and Aparna Purohit under the banner of Aamir Khan Productions.

Adding to its grandeur, the music is composed by A. R. Rahman, with lyrics penned by Javed Akhtar. BATWARA 1947 is slated for a worldwide theatrical release, this Partition Day, August 14, 2026.

Also Read: SCOOP: Batwara’s special promo, featuring Sunny Deol and Karan Deol, expected to be unveiled on Father’s Day

After months of speculation and multiple postponements, the makers of Toxic have finally announced a new release date for the highly anticipated film. Headlined by Yash and directed by Geetu Mohandas, the action drama is now slated to release in cinemas worldwide on August 26, 2026.

The announcement comes a day after the film's official social media handles sparked excitement among fans with a cryptic post that read, “Got plans for tomorrow?” The message immediately fuelled speculation that a major update was on the way. As expected, the makers have now confirmed the film's theatrical release date, bringing an end to months of uncertainty surrounding the project. A Long Journey to the Big Screen Toxic has witnessed an eventful release journey. When the film was first announced, it was scheduled to arrive in theatres on April 10, 2025. However, the ambitious scale of the production and an extensive shooting schedule resulted in delays.

Honour Thy Father...#Toxic In Cinemas Worldwide from 26-08-2026#ToxicTheMovie#ToxicOn26thAug@TheNameIsYash#Nayanthara @advani_kiara #TaraSutaria @humasqureshi @rukminitweets #GeetuMohandas @VishalMMishra #RajeevRavi #UjwalKulkarni #TPAbid #MohanBKere #SandeepSadashiva… pic.twitter.com/FMstz2MY4R — KVN Productions (@KvnProductions) June 21, 2026

Featuring a star-studded cast including Yash, Kiara Advani, Nayanthara and Huma Qureshi, the film's principal photography reportedly continued longer than anticipated before wrapping up in October 2025. This prompted the makers to shift the release to March 19, 2026.

Just weeks before that release date, another postponement was announced. The producers cited geopolitical tensions in the Middle East as a major factor behind the decision. Given the importance of the region for Indian cinema's overseas business, the team chose to avoid a potentially affected international rollout.

The film was then moved to June 4, 2026, but another delay followed as the makers continued refining the project. Toxic Vs Eetha The newly announced August 26 release places Toxic just two days ahead of the release of Shraddha Kapoor's Eetha, which is scheduled to arrive in theatres on August 28, 2026.

While there are currently no other major releases announced for the period, the proximity of the two films could make the final week of August one of the most closely watched windows at the box office.

Also Read: Team Toxic celebrates director Geetu Mohandas’ birthday with special BTS footage, watch

Corsets have often brought a sense of regal charm to the fore when it comes to fashion that blends tradition with sophistication. And our Bollywood divas have shown just how to pull traditional corset looks, especially in golden. Take a look:

Kareena Kapoor Khan: Kareena Kapoor Khan stunned in a handwoven silver tissue saree with a golden corset, featuring detailed embellishments that nearly define the outfit’s mood. Letting the outfit speak for itself, the actress layers her look with selective silver jewellery and a statement bindi.

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  A post shared by Rhea Kapoor (@rheakapoor)

Bhumi Satish Pednekkar: Bhumi Satish Pednekkar looks straight out of an Egyptian frame, dressed in a golden outfit by Ekaya Banaras, featuring a body-hugging matching corset. The Daldal star lets her ensemble steal the spotlight while she fuels her look with statement, heavy jewellery pieces.

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  A post shared by Bhumi Satish Pednekkar (@bhumisatishpednekkar)

Alia Bhatt: Alia Bhatt keeps it clean and polished in a golden Indo-western drape with an embroidered corset, serving a standout, chic look. The Alpha star accessorises her look with intricate diamond jewellery, featuring a choker, studs and rings.

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  A post shared by Brides Today (@bridestodayin)

Janhvi Kapoor: Janhvi Kapoor looks straight out of a royal frame in a fully embellished corset featuring a generous train from around her shoulders and a dramatic cut across the waistline. The Peddi star dishes some serious cues to traditionalize a statement corset.

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  A post shared by Janhvi Kapoor (@janhvikapoor)

Kiara Advani: Kiara Advani brings a blend of traditional sophistication by donning a detailed, worked-up corset paired with a pleated drape. The actress keeps her overall look rich and clean by accessorising her look with selective diamond jewellery.

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  A post shared by FARAZ MANAN (@farazmanan)

Which of these traditional corset looks are you adding to your wardrobe next?

Also Read: Alia Bhatt, Kriti Sanon, Katrina Kaif, Tamannaah Bhatia, and Triptii Dimri: Bollywood actresses serving major yellow fashion inspiration this summer

Veteran actors Sunny Deol and Akshaye Khanna are clearly on a high right now. Sunny’s career got a boost with the blockbuster success of Gadar 2 (2023). Jaat (2025) was a decent grosser while Border 2 (2026) was a huge hit, which proved that Gadar 2’s success was not a fluke. Meanwhile, Akshaye Khanna went on another level with his performance as Rehman Dakait in Dhurandhar (2025). Both these stars will now share screen space in Ikka. The film will release directly on Netflix on July 10; however, lucky fans are expected to get a chance to catch the film on the big screen.

A Twitter handle named ‘LegendDeols’ revealed on June 19 that fan screenings of the film will be held in July 8 in 3-4 cities, that is, two days before the release. The handle further asked the fans to show interest in the post so that they can get tickets to this screening.

Bollywood Hungama enquired about it and learned that such a screening is indeed in the works. A source told us, “The makers are indeed planning to show Ikka to fans on the big screen. However, the July 8 date is not locked. A decision will be taken in the coming days.”

The source further said, “Ikka is a commercial film and watching it on the big screens in the presence of excited fans, amid hoots and whistles, will be truly an experience to cherish.”

Exclusive Fans special screening of #IKKA is there on 8th july only for Sunny Deol fans on 3-4 cities .

Get ready to watch the film in big screens , drop your name or Dm for tickets. https://t.co/sTKDaqV3FM — LegendDeols (@LegendDeols) June 19, 2026

Ikka is a courtroom thriller directed by Siddharth P Malhotra of Maharaj (2024) and Hichki (2018) fame. It marks Sunny Deol’s first-ever Netflix original film.

The legal drama brings together Sunny Deol and Akshaye Khanna for a gripping face-off, reuniting the two actors on screen after decades. Set against the backdrop of a high-stakes courtroom battle, Ikka explores themes of justice, morality, family, and the consequences of choices made in the past.

Ikka also features acclaimed actors Tillotama Shome and Dia Mirza in significant roles. While Tillotama essays a determined public prosecutor committed to securing justice, Dia portrays a wife and mother striving to keep her family together amid growing uncertainty and emotional turmoil.

Also Read: Sunny Deol vs Akshaye Khanna! Netflix unveils Ikka, a high-voltage courtroom thriller set for July 10 premiere

 The Delhi High Court on Friday deferred the hearing on actor Salman Khan's plea seeking to restrain the filming, promotion, and release of the proposed film Kala Hiran: The Battle for Legacy. The matter was postponed after counsel representing the filmmakers sought additional time to file a response to the application. The case was heard by the vacation bench of Justice Madhu Jain, which has now listed the matter before the roster bench on July 1.

Salman Khan has approached the court alleging that the proposed film and its promotional material are based on incidents linked to him and unlawfully exploit his personality and publicity rights.

Salman Khan seeks interim relief

During the hearing, Senior Advocate Sandeep Sethi, appearing on behalf of Salman Khan, urged the court to grant interim protection against the film's release and promotional activities. "He is producing a film on my life and tearing up the notice. He has no right to make a film of my life. I am seeking an interim injunction. The teaser has already been released," Sethi submitted before the court.

According to Khan's legal team, the actor's consent was never obtained for the project despite alleged references to events associated with his life and legal history. The filmmakers' counsel, however, requested time to place their response on record, stating that they had received a copy of the application only recently.

Dispute over alleged use of actor's identity

Salman Khan's plea centres on claims that Kala Hiran: The Battle for Legacy draws inspiration from the 1998 blackbuck hunting case, despite not explicitly naming the actor.

According to the application, promotional material released for the film contains visual and contextual references that make Khan identifiable to the public. The plea cites a poster released in May 2026 that allegedly depicts a character resembling the actor and wearing a bracelet similar to his well-known blue one.

The actor has also objected to promotional content that allegedly portrays the character carrying a firearm, arguing that such depictions create a misleading impression, particularly since he was acquitted in proceedings related to the Arms Act.

Concerns over pending legal matters

The application further argues that portions of the proposed film appear to be based on issues that are still pending before higher courts. According to Khan's legal team, the dissemination of such material could potentially influence public perception and affect ongoing legal proceedings.

During the hearing, Sethi also argued that the respondents should not be permitted to continue using Salman Khan's identity and public image for promotional purposes without authorization.

Filmmakers oppose interim injunction

The respondents opposed the grant of any interim relief.

During the proceedings, counsel representing the filmmakers informed the court that he had allegedly been receiving death threats and had filed an FIR in connection with the matter.

After hearing submissions from both sides, the court noted that counsel for the producer and director had only recently received the complete pleadings. It directed Salman Khan's legal team to provide the full set of documents to the respondents during the day.

The respondents in the case include producer Amit Jani, Jani FireFox Films, director Bharat Shrinate, Akshay Pandey, and other individuals associated with the project.

Also Read: “Salman Khan isn’t God, he can’t stop me”: Kala Hiran director fires back amid legal notice row over alleged similarities

Cocktail 2 has struck a chord with audiences thanks to the crackling chemistry between Shahid Kapoor, Kriti Sanon and Rashmika Mandanna. Amid the romance, drama and entertaining twists, viewers were treated to an unexpected surprise as Pulkit Samrat made a special cameo appearance in the film.

The makers successfully kept Pulkit's role under wraps, making his entry one of the film's biggest wow moments. Pulkit features in a fun and playful sequence alongside Shahid Kapoor, Kriti Sanon and Rashmika Mandanna, bringing an added dose of entertainment to the narrative. The light-hearted interaction between the four actors creates one of the film's most enjoyable moments, adding to the overall charm and leaving audiences pleasantly surprised.

Released yesterday (June 19), Cocktail 2 has been receiving praise for its engaging storyline and the chemistry shared by Shahid Kapoor, Kriti Sanon and Rashmika Mandanna. While the lead trio has won hearts, Pulkit Samrat's surprise cameo has quickly become one of the film's standout moments, with fans loving his unexpected appearance and the fun dynamic he brings to the screen.

Also Read: EXCLUSIVE: Karan Anshuman says “Glory is the OPPOSITE of Dangal”; BREAKS silence on Season 2 plans; hails Pulkit Samrat: “Most stars don’t have time to prep hard; wanted someone who would be there 24×7”

Even before its official digital launch, the first glimpse of the upcoming film Eetha starring Shraddha Kapoor in the lead, has found its way online and is already creating a buzz among fans. As exclusively reported earlier by Bollywood Hungama, audiences were expected to get their first look at the film alongside the theatrical screenings of Cocktail 2. While the makers have not yet released the teaser on social media, a leaked clip recorded inside a cinema hall has surfaced online, offering a sneak peek into Shraddha’s much-anticipated transformation.

The viral clip features an intense sequence showcasing Shraddha Kapoor in the role of legendary Marathi Tamasha artist Vithabai Narayangaonkar. In the scene, the actress appears heavily pregnant and is seen going into labour while preparing for a stage performance. The background dialogues suggest that her character is engaged in a heated argument about returning to the stage immediately after childbirth to fulfil her commitment to perform.

The emotionally charged moment appears to highlight the resilience and dedication of the iconic folk artist, whose life story serves as the inspiration behind the film. Although only a brief portion of the teaser has leaked, it has already managed to leave a strong impression on viewers.

Videos circulating on social media indicate that the teaser was screened in theatres, where it received an enthusiastic response from audiences. Loud cheers, applause, and whistles could be heard as the glimpse unfolded on the big screen, with many fans praising Shraddha Kapoor’s intense screen presence and dramatic makeover.

Teaser of #Eetha @ShraddhaKapoor is back with bang 💥 #ShraddhaKapoor pic.twitter.com/CSS2CAAgMp — heyitsme____ (@wbu_g_) June 19, 2026

The leak has only heightened anticipation for the film, which marks one of the most challenging roles of Shraddha’s career. Directed by Laxman Utekar, Eetha chronicles the life and journey of Vithabai Narayangaonkar, one of Maharashtra’s most celebrated Tamasha performers.

Apart from Shraddha Kapoor, the film also features Randeep Hooda and Mohd Zeeshan Ayyub in pivotal roles. The project has been generating considerable curiosity ever since its announcement, with audiences eager to see Shraddha step into a powerful biographical character.

Scheduled for a theatrical release on August 28, coinciding with the Raksha Bandhan festive period, Eetha is expected to be one of the major releases of the season. With the teaser already sparking conversations online, fans are now eagerly waiting for the makers to unveil the official first look across digital platforms.

Also Read: Eetha teaser attached with Cocktail 2; Shraddha Kapoor STUNS in a never-before-seen avatar

On June 16, Bollywood Hungama was among the first ones to inform readers that the teasers of Rajkummar Rao’s Prahaar – The Ujjwal Nikam Story and Shraddha Kapoor’s Eetha will be attached with Cocktail 2. The romcom released this Friday and as predicted, both the assets have indeed been hard-locked into the prints of the Shahid Kapoor-Kriti Sanon-Rashmika Mandanna starrer. In this article, we’ll speak about the contents of the teaser of Prahaar – The Ujjwal Nikam Story.

As the title suggests, Prahaar - The Ujjwal Nikam Story is based on the life of prominent special public prosecutor Ujjwal Nikam. Rajkummar Rao plays the titular role in the film, which also stars Wamiqa Gabbi, Jaideep Ahlawat and Sikandar Kher. It is directed by Avinash Arun, who has also helmed the upcoming web series Pritam And Pedro, starring Arshad Warsi and marking the debut of Rajkumar Hirani’s son, Vir Hirani. The web series will be out on Jio Hotstar two weeks from now, July 3, while Prahaar - The Ujjwal Nikam Story releases in cinemas on August 7. On June 8, the Central Board of Film Certification (CBFC) passed its 1 minute and 57-second-long teaser with a U/A 16+ certificate.

The teaser makes it clear that although Ujjwal Nikam has fought several high-profile cases in his illustrious career, the film primarily focuses on one of the most discussed cases of his life - the trial of Ajmal Kasab, one of the terrorists involved in the 26/11 Mumbai terror attacks.

Rajkummar Rao, as expected, appears to have delivered another transformative performance and gets completely into the skin of the character. His command over Marathi further adds authenticity to the portrayal. Another USP of the film are it's hard hitting dialogues. Hence, expect lots of claps in cinemas when you watch this film.

Interestingly, this marks the second time Rajkummar Rao will be seen playing a real-life lawyer after Shahid (2012). He already boasts an enviable body of work, and Prahaar – The Ujjwal Nikam Story looks set to be another notable addition to his filmography.

Also Read: Rajkummar Rao to lead Maddock Films’ Prahaar – The Ujjwal Nikam Story; to release on August 7, 2026

The makers of Vvan: Force of the Forest are leaving no stone unturned to ensure that the upcoming folk thriller delivers a compelling cinematic experience. The team has reportedly planned a 10-day additional shoot to expand and enhance certain portions of the film, with particular focus on the climax and a few other crucial sequences.

According to a report by Mid-Day, the decision was taken after the makers reviewed the film's latest cut. While the team is satisfied with the overall progress of the project, they identified opportunities to further elevate some moments that play an important role in the story's emotional and dramatic payoff.

The report quoted a source associated with the film, saying, “The team simply felt there was scope to make some scenes bigger and more dramatic. When you're building a world as unique as Vvan, every detail matters.”

Sharing further insight into the team's approach, the source added, “The makers are extremely happy with the film. These additions will give audiences an even richer payoff in the final act.”

Directed by Deepak Kumar Mishra and Arunabh Kumar, Vvan: Force of the Forest has generated curiosity for its unique blend of mythology, mystery, and forest lore. The film stars Sidharth Malhotra and Tamannaah Bhatia in lead roles and promises to transport audiences into an immersive world shaped by legends and unexplained phenomena.

While the makers have remained selective about revealing plot details, the film has steadily emerged as one of the more intriguing projects on the release calendar due to its distinct genre and thematic setting. The film is currently slated for a theatrical release on August 28, 2026.

Also Read: Team Vvan at Comic Con Mumbai 2026: Tamannaah Bhatia calls Sidharth Malhotra ‘India’s heartthrob’: “I got calls from many friends and their nieces, excited that I was working with Sid”

On June 16, Bollywood Hungama was among the first to inform readers that the teasers of Rajkummar Rao’s Prahaar – The Ujjwal Nikam Story and Shraddha Kapoor’s Eetha would be attached to Cocktail 2. The romcom released this Friday and, as predicted, both assets have indeed been hard-locked into the prints of the Shahid Kapoor-Kriti Sanon-Rashmika Mandanna starrer. In this article, we take a look at the Eetha teaser.

Eetha features Shraddha Kapoor in the role of legendary Marathi Tamasha artist Vithabai Narayangaonkar. Directed by Laxman Utekar of Chhaava (2025) fame, the film also stars Randeep Hooda and Mohd Zeeshan Ayyub. It is scheduled to release in cinemas on August 28 on the occasion of Raksha Bandhan.

The teaser was passed by the CBFC with a U/A 13+ rating on June 17 and has a runtime of 2 minutes and 18 seconds.

The teaser opens with a crowd demanding a performance from a dancer named Eetha. One expects a typical massy entry for the lead actress. Instead, Shraddha Kapoor appears on screen in a completely unexpected manner.

Shraddha Kapoor has delivered several memorable performances over the years, but Eetha hints at a strikingly different avatar. Her dance and expressions stand out, and the teaser suggests that she has put in significant effort to portray the character authentically.

Despite the Maharashtrian flavour, Eetha has chances to open with a bang across the country. And needless to say, it'll be a riot in Maharashtra.

Also Read: Teasers of Rajkummar Rao’s Prahaar – The Ujjwal Nikam Story and Shraddha Kapoor’s Eetha expected to be attached with Cocktail 2

July is expected to be huge for Hollywood in India, as two highly anticipated films are set to arrive in cinemas. The Odyssey will release on July 17, while Spider-Man: Brand New Day will hit theatres in India on July 30. Though both films are still a month away from release, their advance bookings have already opened for Indian audiences. The bookings of The Odyssey went live on June 8, while yesterday, June 17, viewers got a chance to book tickets for Spider-Man: Brand New Day. The tickets of both films are selling like hot cakes, indicating that they are headed for a strong start at the box office.

Spider-Man films have traditionally enjoyed an IMAX release, but Spider-Man: Brand New Day will be an exception. As of now, bookings have opened only in PXL, 4DX, ScreenX, Marco XE and other such premium formats. A user asked in the comments section of the film’s trailer, posted by Sony Pictures India, whether Spider-Man: Brand New Day would release in IMAX. Sony confirmed, “No IMAX release for Spider-Man: Brand New Day in India, but the film will be available in premium large-format (PLF) screens for an epic big-screen experience”.

As expected, this development has dampened the excitement of fans to some extent. A source explained that this has happened because the superhero film is releasing just two weeks after Christopher Nolan’s period epic. The source told Bollywood Hungama, “The Odyssey is the first film to be shot entirely on IMAX’s 70mm film cameras. Hence, the film will obviously get preferential treatment in the IMAX format. Accordingly, all IMAX screens across the world, including in India, will exclusively play The Odyssey for three weeks.”

The source added, “After three weeks, depending on the response, IMAX theatres will take a call on whether to retain the shows of The Odyssey or reduce them. But if one goes by the performance of Nolan’s last film, Oppenheimer (2023), in IMAX, there’s a slim chance that IMAX screens would reduce the shows of The Odyssey. It’s common knowledge that watching a Nolan film in IMAX is a must. Hence, The Odyssey is expected to continue playing in IMAX for many weeks successfully. In such a scenario, Spider-Man: Brand New Day would obviously lose out on getting an IMAX release.”

Thankfully, it hasn’t affected the hype for the film much. The source added, “Fans have already started booking tickets for Spider-Man: Brand New Day in other formats like PXL, ScreenX, 4DX, Marco XE and other premium formats, which also enhance the moviegoing experience. They have also understood that Nolan’s films require IMAX screens for many weeks.”

Interestingly, Spider-Man: Brand New Day is not the only Marvel film to lose out on IMAX. Avengers: Doomsday, which is scheduled to release later in December, is also expected to skip an IMAX release in several markets, as it clashes with Dune: Part Three. In fact, Disney announced earlier this year that it will introduce a new PLF certification called ‘Infinity Vision’ to screen its multi-starrer superhero film.

Also Read: Spider-Man: Brand New Day opens advance bookings in India almost a month and a half before release

Salman Khan's upcoming slate continues to expand. After signing an action-comedy with filmmaker duo Raj Nidimoru and Krishna D.K., and while shooting for his untitled film with director Vamshi Paidipally and co-star Nayanthara, the superstar is now reportedly exploring another major project.

According to a report by Pinkvilla, Salman is currently in discussions with actor-filmmaker Farhan Akhtar for a large-scale historical action drama that could mark their first collaboration. A source close to the development told the publication, “Salman Khan and Farhan Akhtar have been meeting regularly over the last month and discussing a potential collaboration. Salman has loved what he has heard so far and has shown keen interest in the project.”

The source added that conversations are still in the early stages. “The talks are still at an early stage and have not yet reached the paperwork phase, but both sides are excited about the possibility of coming together for the first time.” If the project moves forward, it could become one of the most ambitious films of Salman Khan's career. The proposed venture is reportedly being designed as a grand period action drama based on one of the most celebrated figures in Indian history.

Sharing more details about the scale of the film, the insider revealed, “It is a massive period action drama mounted on a grand scale. The idea is to tell the story across 2 films.”

The project is expected to be produced under the banner of Excel Entertainment by Farhan Akhtar and Ritesh Sidhwani. If everything falls into place, production is likely to begin in the summer of 2027.

The development comes at a busy time for Salman Khan. The actor is currently filming an untitled project directed by Vamshi Paidipally, which features Nayanthara in a leading role. He is also expected to start work on Raj and DK's action-comedy entertainer around October 2026. The film reportedly revolves around a retiring superhero and promises a blend of action and humour.

Meanwhile, Salman’s much-discussed collaboration with director Apoorva Lakhia, titled Maatrubhumi: May War Rest In Peace, remains in limbo with no official update on its production timeline.

Also Read: Kala Hiran controversy deepens: Sonu Mishra talks about exiting the film based on Salman Khan blackbuck case; says ‘I didn’t want to be a part of such a film’

On June 10, the National Company Law Tribunal (NCLT), Mumbai Bench III, permitted the release of Vikram Bhatt's horror film Haunted – Echoes Of The Past on June 12, even as the project remains embroiled in an insolvency-related legal dispute. However, the Tribunal has imposed strict conditions to safeguard the interests of the ongoing Corporate Insolvency Resolution Process (CIRP).

The order was passed in connection with proceedings involving K Sera Sera & Vikram Bhatt Studiovirtual World Pvt. Ltd. and Hare Krishna Media Tech Pvt. Ltd. While hearing the matter, the NCLT noted that the Resolution Professional (RP) had sought to restrain the film's release and prevent the creation of third-party rights in the movie. The Tribunal also allowed the RP to implead four additional respondents in the matter and directed them to file their replies before the next hearing.

A Resolution Professional is an insolvency professional appointed by the NCLT to manage the affairs of a company undergoing the Corporate Insolvency Resolution Process under the Insolvency and Bankruptcy Code (IBC). The RP is responsible for protecting the company's assets, preserving value for creditors and ensuring transparency in financial transactions during the insolvency proceedings.

The Tribunal recalled that it had earlier declined to stay the release of the film. Instead, it had directed the respondents to disclose all revenue generated from the film to the RP, who would then place the details before the Committee of Creditors (CoC) for its consideration.

During the latest hearing, counsel representing some Respondents informed the Bench that they had acquired rights in the film through an agreement dated January 30, 2024, prior to the commencement of the insolvency proceedings. They further stated that the film was scheduled for release on June 12 and voluntarily undertook to deposit all revenue generated from the film – including theatrical collections, music rights and other exploitation rights – into a separate bank account.

Accepting this undertaking, the NCLT permitted the release of Haunted – Echoes Of The Past, subject to two key conditions. All revenue earned from the film must be deposited in a separate bank account, and weekly statements of revenue and expenditure must be shared with the Resolution Professional. The RP has also been granted liberty to approach the Tribunal if any extraordinary expenditure is detected. The matter has now been listed for further hearing on July 27, 2026.

Also Read: Vikram Bhatt says Haunted: Echoes of the Past 3D survived financial crisis, legal hurdles and delayed release; recalls 75 days in prison: “Ten days into the shoot, money ran out”

To celebrate the global theatrical debut of his new mythic action epic, The Odyssey, Academy Award®-winning filmmaker Christopher Nolan is set to arrive in Mumbai this July, accompanied by film stars Matt Damon, Tom Holland, and Academy Award®-winning producer Emma Thomas. The Odyssey will be the first Christopher Nolan film ever to premiere in India.

The filmmakers and Universal Pictures International have designated Mumbai as an official stop on The Odyssey's global premiere tour, placing Mumbai alongside London, Paris and New York. The Odyssey arrives in theaters worldwide July 17.

Shot across the world using brand new IMAX® film technology, The Odyssey is the first feature film shot entirely with IMAX® cameras. The India premiere will be held at PVR Icon IMAX®: Phoenix Palladium in Mumbai.

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The film stars Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong’o, Samantha Morton, Zendaya and Charlize Theron, and is produced by Emma Thomas and Christopher Nolan for their company, Syncopy.

Written for the screen and directed by Nolan, The Odyssey brings Homer’s foundational saga of Odysseus's decade-long voyage home after the fall of Troy to IMAX® screens worldwide. The film’s Mumbai premiere marks one of the most significant Hollywood visits ever staged in India.

Advance Tickets for The Odyssey in IMAX® are already on sale in cinemas across India.

Also Read: SHOCKING: Christopher Nolan’s The Odyssey IMAX tickets touch Rs. 3000 in Pune; Delhi’s Paras keeps it LOWEST at just Rs. 370

Actor Vedang Raina has shared an emotional note reflecting on his journey in the film industry and the impact of his latest release, Main Vaapas Aaunga. The actor took to social media to express gratitude towards director Imtiaz Ali, his co-stars, and audiences who have supported the film since its release. Alongside a series of behind-the-scenes photographs from the sets of Main Vaapas Aaunga, Vedang opened up about the moment he realized acting was what he wanted to pursue.

“I came home one day after an audition (I was 19) and told my parents that acting is what makes me feel the most alive. I didn’t expect to say that and I was as surprised as they were,” he wrote. The actor revealed that it has been nearly two-and-a-half years since he entered the entertainment industry and said his instincts about choosing acting as a profession proved to be right.

Reflecting on the significance of Main Vaapas Aaunga in his career, Vedang described the film as a turning point. “Maybe it’s too early to say but Main Vaapas Aaunga is a film that’s changed everything for me. What I’ve learned, how I’ve grown as an artist and more importantly as a human being is not something I can quantify with an Instagram caption,” he shared.

Vedang also thanked filmmaker Imtiaz Ali for trusting him with the role of Keenu and spoke about the opportunity to work alongside some of the industry's most respected artists. “@imtiazaliofficial thank you for taking me on this journey and letting me be your Keenu. Thanks for letting me collaborate with artists I’ve always looked up to and gotten to learn so much from @naseeruddin49 @diljitdosanjh @arrahman @irshadkamilofficial @sharvari,” he wrote.

Calling the film “special,” “relevant,” and “pure,” the actor expressed gratitude for being part of the project and for the response it has received from audiences. “I’m as passionate as ever and I’m driven to keep working and perfecting. I love what I do. I feel alive. Thank you for showering us with so much love. Thank you for your blessings,” he added.

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  A post shared by Vedang Raina (@vedangraina)

The post quickly drew reactions from fans and members of the film's cast. Co-star Sharvari left a warm comment that read, “Keenu forever 🤍✨ and sooooooo proud of you!”

Directed by Imtiaz Ali, Main Vaapas Aaunga features an ensemble cast including Diljit Dosanjh, Naseeruddin Shah, Sharvari, and Vedang Raina. The film arrived in cinemas alongside Vikram Bhatt’s Haunted: Echoes of the Past 3D and Kangana Ranaut’s Bharat Bhhagya Viddhaata. It also faced competition from the Hollywood release Obsession, which has continued its strong run at the box office.

Also Read:Sharvari drops glimpse of birthday celebration; features childhood photo cake and a sweet tribute to Main Vaapas Aaunga 

Actor Disha Patani has added another notable transaction to her real estate portfolio. The actor has leased out her luxury apartment in Mumbai's upscale Khar West locality at a starting monthly rent of Rs 2.85 lakhs. According to property registration documents accessed through Zapkey, the leave-and-license agreement was officially registered on June 1, 2026. The lease has been signed for a period of two years.

The apartment is located in Rustomjee Paramount, one of the premium residential developments in Khar West. The property measures over 1,000 square feet and is situated on one of the higher floors of the residential tower.

As per the registration documents, the apartment has been rented to Kamlaben Mangalbhai Gujjar. The tenant has paid a security deposit of Rs 8.55 lakh, which is equivalent to three months' rent.

The agreement also includes a rent escalation clause. While the monthly rent for the first year has been fixed at Rs 2.85 lakhs, it will increase by 5 percent after the completion of 12 months. This will take the monthly rental amount to approximately Rs 2.99 lakhs during the second year of the lease.

With the increase factored in, the apartment is expected to generate close to Rs 71 lakhs in rental income over the 24-month period.

On the professional front, Disha is currently awaiting the release of Welcome To The Jungle. Directed by Ahmed Khan, the comedy entertainer features a large ensemble cast and is scheduled to arrive in theatres on June 26.

Also Read: Ahmed Khan calls Akshay Kumar “absolutely dashing and handsome” and Disha Patani “his favourite” as ‘Ucha Lamba Kad Forever’ drops

Sanjay Leela Bhansali's ambitious period drama Love & War is set to resume filming on June 18 after a brief production break. The upcoming schedule will bring lead actors Ranbir Kapoor, Alia Bhatt and Vicky Kaushal back together for one of the film's biggest sequences to date.

The project has been in the spotlight in recent months due to speculation surrounding its shooting schedule and release plans. However, Bhansali recently clarified that the film remains largely on track, with around 90 per cent of the principal photography already completed.

According to a report by Mid-Day, the next phase of filming will focus on an elaborate song sequence mounted on a massive scale. The sequence is expected to feature nearly 200 dancers along with the lead cast. A production insider told the publication, “It's being designed as a spectacle. It was originally to kick off on June 8, but is now starting on the 18th at Royal Palms.”

The song will reportedly be filmed over several days on a specially designed set. Preparations for the sequence have been underway for weeks, with choreography, costumes and production design being finalised well before the cameras begin rolling.

The source further revealed, “The choreography, costumes, and production design have been in preparation for weeks. The scale is enormous, even by Bhansali standards. Every frame has been meticulously storyboarded, which is why the shoot was pushed by two weeks.”

The upcoming schedule follows a temporary pause due to the lead actors' commitments to other projects. Ranbir Kapoor recently shifted his attention to Ramayana: Part Two, as director Nitesh Tiwari moves ahead with the next phase of the mythological franchise. Meanwhile, Vicky Kaushal has been preparing for and filming Mahavatar, in which he will portray Lord Parashuram.

Earlier this year, reports suggested that the remaining portions of Love & War, particularly the climax, were facing scheduling challenges due to the stars' busy calendars. The latest schedule appears to mark the beginning of the film's final stretch.

Once filming is completed, the focus will shift to post-production, which is expected to be extensive given the film's scale and visual requirements. The makers have reportedly moved away from earlier release targets, including Christmas 2025, Eid 2026 and August 2026. The decision was taken to allow sufficient time for visual effects and post-production work.

Another factor influencing the release strategy is Ranbir Kapoor's Ramayana: Part One, which is expected to arrive in theatres in late 2026. To avoid a clash between two major Ranbir Kapoor releases, the team behind Love & War is now believed to be targeting a theatrical release in January 2027, possibly around the Republic Day holiday period.

Also Read: Alia Bhatt picks Love & War to premiere at Cannes Film Festival; describes her style as “dreamy, ethereal, princessy”

The controversy surrounding Kala Hiran: The Battle for Legacy has taken a fresh turn after producer Amit Jani issued a legal notice to veteran actor Govind Namdev. The notice comes after Namdev publicly distanced himself from the film and alleged that he had been misled about the nature of the project.

In an interview with Amar Ujala, Namdev stated that he had agreed to be part of a film he believed was titled Sambhal and was told it would focus only on courtroom proceedings related to Salman Khan's blackbuck case. The actor later claimed he was shocked after watching the teaser of Kala Hiran, saying the final product was very different from what had been explained to him.

He had also stated that he would never knowingly participate in a project that targeted Salman Khan, whom he considers a friend.

Responding to those remarks, producer Amit Jani announced that legal action had been initiated against the actor. Taking to X, Jani wrote, "Govind Namdev ko legal notice diya. 7 din mein sarvajanik maafi maange aur production house ko 50 lakh rupaya jurmana de; anyatha kanooni karyavahi hogi."

गोविन्द नामदेव को लीगल नोटिस दिया 7 दिन मे सार्वजनिक माफ़ी मांगे और प्रोडक्शन हाउस को 50 लाख रुपया जुर्माना दे अन्यथा कानूनी कार्यवाही होगी — Amit Jani (@AmitJaniIND) June 15, 2026

Translated into English, the statement means that a legal notice has been issued to Govind Namdev demanding a public apology within seven days and compensation of Rs 50 lakh to the production house. Jani added that legal proceedings would follow if the demands were not met.

The producer also disputed Namdev's claims about being unaware of the film's content. According to Jani, the actor had not only signed Kala Hiran but had also agreed to be associated with its proposed sequel.

गोविंद नामदेव जी के गले में क़ानून का पट्टा डालकर अदालत में लेकर आयेंगे हम- अमित जानी #kalahiranmovie #amitjani #janifirefox #upcomingmovies pic.twitter.com/ih9n1aFucd — Amit Jani (@AmitJaniIND) June 14, 2026

The controversy stems from allegations that Kala Hiran closely resembles real-life events linked to the actor and the 1998 blackbuck poaching case. Salman Khan has approached the Delhi High Court seeking an immediate stay on the film's promotion, release and distribution.

According to his legal team, the film unlawfully uses his personality and publicity rights for commercial gain. They have also argued that promotional material for the film presents a misleading and defamatory narrative. One of the concerns raised relates to posters showing a character resembling Khan holding a firearm, despite the actor having been acquitted in the Arms Act case.

Khan's lawyers have further argued that any cinematic portrayal of matters still under legal consideration could influence public perception regarding ongoing proceedings connected to the blackbuck case.

The Delhi High Court has issued a formal notice to the filmmakers and sought their response.

Also Read: Kala Hiran row: Govind Namdev distances himself from film targeting Salman Khan; accuses producers of misleading him

Actor and BJP MP Kangana Ranaut's latest film Bharat Bhhagya Viddhaata has received a major boost in Haryana. Chief Minister Nayab Singh Saini announced that the film will be declared tax-free in the state after attending a special screening in Chandigarh.

The screening was held on Sunday evening and was attended by Kangana Ranaut, who personally welcomed the Chief Minister upon his arrival. She also briefed him about the film before the screening began.

After watching the film, Saini praised its message and said such films should reach a wider audience. Speaking to the media, the Haryana Chief Minister said, "I have said that such motivational films which inspire us should be watched by all of us. We will declare this 'tax-free' in Haryana because this inspires us and makes us feel our duties."

#WATCH | Chandigarh: After watching the film 'Bharat Bhagya Vidhata', Haryana CM Nayab Singh Saini says, "I have said that such motivational films which inspire us should be watched by all of us. We will declare this 'tax-free' in Haryana because this inspires us and makes us… https://t.co/t7WWlveQJN pic.twitter.com/XN9TCnvKBC — ANI (@ANI) June 13, 2026

His announcement is expected to make the film more accessible to viewers across the state by reducing ticket prices. Tax-free status is often granted to films that are considered socially relevant or educational in nature.

The development comes at a crucial time for Bharat Bhhagya Viddhaata. The film has been competing with several new releases and established titles at the box office. Industry reports suggest that the film has faced stiff competition from multiple releases that arrived in cinemas over the past week.

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Meanwhile, the makers have been taking steps to attract more audiences to theatres. On June 13, they announced a special Buy 1 Get 1 Free ticket offer for moviegoers across India. The offer is available through BookMyShow, where users can avail the benefit by applying the code "Bharat" while booking tickets.

The promotional campaign was launched in an effort to encourage larger footfalls and expand the film's reach among family audiences. Despite the promotional efforts, the box office race remains challenging. Hollywood thriller Obsession has continued its strong run in cinemas and entered its third week on June 12. The film reportedly collected Rs. 3.50 crore on its fifteenth day, surpassing the collections of several newer releases, including Bharat Bhhagya Viddhaata.

However, the Haryana government's decision to grant tax-free status could provide a fresh boost to Kangana Ranaut's film in the region. The announcement also reflects the positive response the film received from the state's leadership during the special screening.

With the tax exemption now in place and promotional offers running nationwide, the makers will be hoping that Bharat Bhhagya Viddhaata finds a wider audience in the coming days.

Also Read: Haunted, Main Vaapas Aaunga, Governor & Bharat Bhagya Vidhata Box Office: Mimoh Chakraborty defeats Diljit Dosanjh, Kangana Ranaut and Manoj Bajpayee by a huge margin

Veteran actor Govind Namdev has publicly distanced himself from the controversial film Kala Hiran: The Battle for Legacy, claiming that he was misled about the nature of the project and would never have agreed to be associated with it had he known its actual premise. Speaking to Amar Ujala, the actor said he initially believed he was working on a film titled Sambhal. He later learned that another project titled Kala Hiran was being made, but was told that it would focus only on courtroom proceedings related to Salman Khan's blackbuck case.

Recalling his reaction after watching the teaser, Namdev said, "As soon as I watched the trailer, I was shaken to the core. I instantly understood that the project is completely different from what I was shot for. We were never told that a character resembling Salman Khan would be created and misrepresented in this manner in the film. The moment I saw the trailer, I felt like I had been kept in the dark and used. There is a world of difference between what I was told and what has actually been made."

The 71-year-old actor further explained that he had no knowledge of the storyline when he initially joined the project. "I was told that we were making a film named Sambhal. At that time, I had absolutely no idea that the story would later take a completely different direction," he said.

Namdev added that the filmmakers had assured him that his role was limited to a courtroom sequence based on documented legal proceedings. "I was informed that there is only a long courtroom scene, and that is all I had to do. It was also mentioned that nothing new was being added from our end. We were only supposed to show the audience what had happened in court. I felt that if only the things recorded on file were being shown, then there was nothing wrong with it, which is why I said yes," he stated.

The veteran actor also made it clear that he shares a cordial relationship with Salman Khan and would never knowingly participate in a project aimed at tarnishing the actor's image. He further clarified that he does not identify with any narrative linked to the Bishnoi community or gang references surrounding the case. "I cannot consider any Bishnoi gang as my ideal. I cannot even think of such a thing. I believed that I was only performing the courtroom portion. However, what has come to light now has made me uncomfortable as well," Namdev concluded.

The film has been at the center of a growing controversy due to its apparent similarities to Salman Khan and the 1998 blackbuck poaching case. While the makers have described the project as a work of fiction, the recently released teaser features a character named Ayaan Khan, portrayed by Kashif Iqbal Khan, whose appearance, mannerisms, clothing style, and accessories closely resemble those of the Bollywood superstar.

The controversy escalated further after Salman Khan and his legal team approached the Delhi High Court seeking an immediate and permanent stay on the film’s production, promotion, and release. The actor's team has argued that the film violates his personality and publicity rights while allegedly damaging his reputation by portraying an ongoing legal matter in a misleading manner. The court has since issued notices to the filmmakers seeking their response.

Also Read: Delhi High Court issues notices to ‘Kala Hiran’ makers after Salman Khan moves court over personality rights

On June 10, Bollywood Hungama reported that the Central Board of Film Certification (CBFC) sprang a pleasant surprise by passing three crucial films of the week with zero cuts – Bharat Bhhagya Viddhaata, Haunted – Echoes Of The Past and Backrooms. However, the sole exception was Disclosure Day. The film received its censor certificate at the eleventh hour and was required to make a few cuts.

In a dialogue in the first act, the word ‘sex’ was muted. It occurs in the scene where Daniel Kellner (Josh O'Connor) learns that his girlfriend, Jane (Eve Hewson), was a nun. When asked whether she still follows the same religious commitments, Jane replies in the negative, pointing out that they’ve already had sex. It is in this dialogue that the CBFC made a change.

The other word that got muted was ‘f**k’, and it occurred twice in the film. Once these changes were made, Disclosure Day was passed with a U/A 13+ certificate on June 11. The length of the film, as mentioned on the censor certificate, was 145 minutes and 36 seconds. In other words, Disclosure Day is 2 hours, 25 minutes and 36 seconds long.

Disclosure Day is directed by Steven Spielberg, who reunites with screenwriter David Koepp. Both had earlier collaborated on Jurassic Park (1993), The Lost World: Jurassic Park (1997), War Of The Worlds (2005) and Indiana Jones And The Kingdom Of The Crystal Skull (2008). This is also legendary composer John Williams’s 30th film with the popular filmmaker.

Disclosure Day stars Emily Blunt, Josh O'Connor, Colin Firth, Colman Domingo and Eve Hewson. It tells the story of a small-time Kansas City reporter and cybersecurity specialist, Daniel Kellner. Both don’t seem to know the other, but they meet under mysterious circumstances while the world is in chaos.

The sci-fi film opened at 27.6 million USD worldwide and is expected to have a weekend of around 94 million USD. In India, it opened in the range of Rs. 1.75 crores and Rs. 2 crores. The start is fair considering the niche genre and the competition from new and holdover releases.

Also Read: Steven Spielberg reveals the 20-minute finale of Disclosure Day will “bring everyone to a united epiphany about what has been happening in the world”

The next two weeks are expected to be exciting for the film industry, with two keenly-awaited films gearing up for release – Cocktail 2 and Welcome To The Jungle. The former, starring Shahid Kapoor, Kriti Sanon and Rashmika Mandanna, is all set to arrive in cinemas on Friday, June 19, and has already generated tremendous buzz due to its franchise value, chartbuster music, youthful appeal and fresh casting.

The advance booking of Cocktail 2 opened at the stroke of midnight on June 14 and it has now come to light that the romcom has been passed by the Central Board of Film Certification (CBFC) with an ‘A’ certificate. Moreover, the film’s runtime is said to be 150 minutes. In other words, Cocktail 2 is 2 hours and 30 minutes long.

With this, Cocktail 2 becomes the first-ever adult-rated film of Kriti Sanon’s 12-year career. For Rashmika Mandanna, it marks her second ‘A’-rated Hindi film after the blockbuster Animal (2023). As for Shahid Kapoor, this is the fifth adult-rated film of his career after Kaminey (2009), Udta Punjab (2016), Kabir Singh (2019) and O'Romeo (2026). Interestingly, O'Romeo was also his last release, which means that for the first time in his career, Shahid will have two consecutive adult-rated films.

Cocktail's first part, which released in 2012, starred Saif Ali Khan, Deepika Padukone and debutante Diana Penty. Like Cocktail 2, it was directed by Homi Adajania and produced by Dinesh Vijan’s Maddock Films. However, unlike the sequel, the first installment had received a U/A certificate from the CBFC. It had a runtime of 146 minutes, and hence, it was four minutes shorter than Cocktail 2.

Also Read: Shahid Kapoor opens up about his role in Cocktail 2: “After very long I’m playing an extremely likeable, warm and endearing character”

There have been numerous releases this week and yet Obsession continues to remain rock-solid. The film entered its third week yesterday, on June 12, and collected Rs. 3.50 crores. This is higher than what it had collected on its second Friday – Rs. 3.30 crores. Hence, there’s a possibility that after collecting more in Week 2 than in Week 1, Obsession might collect more in its third week than in its second week. Moreover, the figure of Rs. 3.50 crores is higher than the collections of new releases like Haunted – Echoes Of The Past, Main Vaapas Aaunga, Bharat Bhhagya Viddhaata, Governor, Disclosure Day and Backrooms. Haunted – Echoes Of The Past has surprised the trade by collecting Rs. 2.72 crores, but it’s still short of Obsession’s 15th-day collection.

Realizing that the film continues to attract considerable footfalls, theatres are adding its shows. Mumbai’s iconic single screen, Regal, began playing Obsession for the first time since its release from June 12 at 1:30 pm and 9:45 pm. It had allotted a show of Main Vaapas Aaunga at 4:00 pm and Bharat Bhhagya Viddhaata at 7:15 pm. But from Saturday, it is playing Obsession in all four shows, possibly as the Hindi releases didn’t get the desired footfalls.

Meanwhile, Obsession also began playing in theatres like Mukta A2 Sun City, New Excelsior and Gold Santacruz from June 12. A trade expert explained, “These are not cinemas where niche Hollywood films are released, that too in the English version. But then, Obsession is no longer niche. The word has spread and people want to check it out, including a section of the masses.”

The expert also said, “These theatres have reasonably priced tickets, even on weekends, and hence, viewers will now get a chance to see the film without burning a hole in their pocket.”

Regal is selling tickets of Obsession for just Rs. 150, Rs. 200 and Rs. 250. In Sun City, while the morning show is priced at just Rs. 130, the night show tickets are available for Rs. 220 and Rs. 250. In Gold Santacruz, one needs to spend a mere Rs. 150 and in New Excelsior, one needs to shell out only Rs. 200 to buy a ticket for the film.

Obsession collected Rs. 18.55 crores in Week 1 and Rs. 31.28 crores in its second week. It crossed the Rs. 50 crore mark on Friday and hence, its 15-day collections stand at Rs. 53.33 crores. If the film continues to remain steady this week and the next, it has the chance of entering the Rs. 100 crore club.

Also Read: Kangana Ranaut reveals Mukesh Chhabra messaged her 10 times for Bharat Bhhagya Viddhaata; calls him a ‘gateway’ for new talent

Netflix has officially announced Ikka, an upcoming courtroom thriller headlined by Sunny Deol and Akshaye Khanna. Directed by Siddharth P. Malhotra, the film is set to premiere on the streaming platform on July 10 and marks Sunny Deol’s first-ever Netflix original film.

The legal drama brings together Sunny Deol and Akshaye Khanna for a gripping face-off, reuniting the two actors on screen after decades. Set against the backdrop of a high-stakes courtroom battle, Ikka explores themes of justice, morality, family, and the consequences of choices made in the past.

At the heart of the story is a celebrated lawyer, played by Sunny Deol, who is compelled to defend a man from his past, portrayed by Akshaye Khanna. The unexpected return of this individual forces him to confront unresolved wounds while taking on a case that challenges his deepest convictions. As personal loyalties and professional responsibilities collide, the lawyer finds himself navigating a battle where every decision comes at a price.

The film also features acclaimed actors Tillotama Shome and Dia Mirza in significant roles. While Tillotama essays a determined public prosecutor committed to securing justice, Dia portrays a wife and mother striving to keep her family together amid growing uncertainty and emotional turmoil.

Speaking about the project, Monika Shergill, Vice President, Content, Netflix India said, “IKKA brings together everything audiences love about a great courtroom drama: high stakes, moral complexity and emotional conflict. Directed by Siddharth P. Malhotra, the film explores justice, truth and accountability through a gripping narrative that keeps audiences guessing until the very end, with layered characters, unexpected turns and moral questions that linger long after the verdict. The film also marks a landmark moment for us as Sunny Deol makes his Netflix film debut, returning to the courtroom as a lawyer more than three decades after his iconic turn in the genre. Joining him for an on-screen reunion, the immensely talented Akshaye Khanna makes for the perfect counterpart in what promises to be a riveting battle of wits. With Tillotama Shome and Dia Mirza in key roles, the film brings together exceptional talent in service of a story that is both deeply rooted in its context and universally resonant — the kind of storytelling we are proud to bring to audiences on Netflix.”

Produced by Alchemy Films, IKKA marks another collaboration between director Siddharth P. Malhotra and Netflix following the success of Maharaj. The filmmaker revealed that the project has been close to his heart for several years.

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Speaking about the film, Siddharth P. Malhotra shared, “As a storyteller, I'm always looking for stories that challenge me emotionally and creatively, and IKKA has been one such journey. I've always been a huge fan of courtroom dramas, and this is a subject that has been incredibly close to my heart for many years. In fact, it was one of the first stories I ever wanted to bring to the screen. What drew me to IKKA was the opportunity to tell a courtroom story that focuses as much on personal relationships and emotional dilemmas as it does on the pursuit of justice. To finally tell this story with a cast of the calibre of Sunny Deol, Akshaye Khanna, Dia Mirza and Tillotama Shome feels truly special. Having Sunny Deol step into the role of a lawyer, a character space audience have so loved him in, alongside such phenomenal performers, felt like everything coming together at the right time. After the incredible journey of Maharaj, it has been wonderful to collaborate with Netflix once again on a film that is deeply emotional, character-driven and rooted in powerful storytelling.”

With impossible choices, shifting alliances, emotional conflicts, and a courtroom battle that extends far beyond legal arguments, Ikka promises an intense viewing experience. The film will begin streaming exclusively on Netflix from July 10.

Also Read: Akshaye Khanna to be seen back-to-back as villain as Ikka is scheduled to release before Mahakali

The Delhi High Court on Friday issued notices to the makers of Kala Hiran: The Battle for Legacy after superstar Salman Khan approached the court seeking to stop the film’s release. Justice Neena Bansal Krishna directed notices to be served to producer Amit Jani, Jani FireFox Films, director Bharat Shrinate, casting director Akshay Pandey, and other concerned parties. The matter has now been scheduled for further hearing on June 19.

Representing Salman Khan, advocate Nizam Pasha informed the court that a promotional poster released on May 29 featured a character bearing a strong resemblance to the actor. He pointed out that the individual in the poster was also shown wearing a bracelet similar to the one widely associated with Khan. According to the counsel, the film allegedly breaches a Delhi High Court order dated December 11, 2025, which safeguarded the actor’s personality rights.

During the proceedings, Pasha reiterated that the project was in violation of the earlier judicial order protecting Khan’s identity and associated attributes. The court was further informed that although the makers had not officially announced a release date for the film, its trailer was launched on Friday, despite earlier indications that it would be unveiled on June 20.

Referring to the legal issues connected to the blackbuck poaching case, Pasha stated before the court that the matters remain pending adjudication. He noted that four FIRs had been registered in connection with the case, adding that Khan had already been acquitted in three of them, while a Special Leave Petition (SLP) was pending in the remaining matter without any operative order being passed. The counsel argued that the filmmakers were attempting to commercially benefit from Khan’s identity and sought an injunction restraining the film’s release.

When the court sought clarification regarding the film’s release plans, Khan’s legal team submitted that no official release date had been declared by the producers.

In his plea, the actor asserted that the film’s promotional materials contained clear references to him. The application stated that the character showcased in the publicity content closely resembled Khan and was seen wearing a bracelet that is instantly recognizable as one of his most distinctive personal identifiers.

Khan has maintained that the unauthorized use of his likeness, image, and identifiable characteristics amounts to a violation of his personality rights and legal protections.

Also Read: Salman Khan moves Delhi High Court against Kala Hiran makers; seeks halt over alleged violation of personality rights

The controversy surrounding Ranveer Singh's exit from Don 3 continues to generate discussion within the film industry. Although the Federation of Western India Cine Employees (FWICE) later withdrew its non-cooperation directive against the actor, the matter remains a talking point. Now, FWICE chief adviser Ashoke Pandit has shared details about the events that led to the federation's involvement. He also claimed that several prominent industry members, including Aamir Khan, attempted to resolve the issue before it reached FWICE.

Speaking to Hindi Rush, Ashoke stated that a producer and director approached the federation with a complaint regarding the project. According to him, the filmmakers informed FWICE that they had already invested approximately Rs 45 crores in pre-production and were preparing to begin filming.

Ashoke alleged that the lead actor exited the project just weeks before shooting was scheduled to commence. He further claimed that FWICE followed its standard procedure by contacting Ranveer Singh to hear his side of the matter. However, according to Ashoke, the federation did not receive a response from the actor. "We kept sending reminders for one-and-a-half months," Ashoke said, adding that no reply was received during that period.

He stated that FWICE subsequently reviewed documents and reports submitted by Ranveer's auditors. According to Ashoke, on the day the federation was preparing to announce the non-cooperation directive, it received an email informing them that two representatives from the actor's team would meet them.

Ashoke said the federation considered the matter serious and decided to proceed with the directive. However, he clarified that FWICE never imposed a ban on the actor.

He stressed that accountability should apply to everyone working in the film industry.

According to Ashoke, no individual, whether an actor, director, assistant director, cinematographer or spot boy, should be able to walk away from a committed project at the last moment without consequences.

He also revealed that efforts had been made within the industry to resolve the matter before it escalated. "Many people from the industry, including Aamir Khan, had been trying to resolve the issue before it came to us. That also didn’t work. Today it’s Ranveer Singh. Tomorrow it could be someone else. This is what Excel is going through. If it was someone else, they would have gone to hell. They would have sold their house. You may have ten valid reasons for not doing a film. But if money has been spent because you committed to the project, then those losses should be reimbursed," Ashoke said.

The remarks have once again brought attention to the circumstances surrounding Don 3 and the broader debate about commitments, accountability and financial losses associated with large-scale film productions.

Also Read: Ashoke Pandit reacts to the shocking confession of Shilpa Shinde; says “False allegations can destroy a person’s reputation”