Producer Anupriya Nagar, who is just 21 years old, has opened up about the initial struggles faced by Hanuman Ansh after its release. In an interview with Siddharth Kanan, Anupriya recalled how the film’s declining screen count and lack of support left her questioning whether she wanted to continue in the film industry.

Speaking about the film’s early box office performance, Anupriya said, “It was disheartening to see that the film was not doing well at the box office. I wasn’t disheartened because we weren’t making money. I was disheartened because people weren’t watching the film. I couldn’t understand whether devotees were not going to watch it or whether they were going and not enjoying it. We simply didn’t understand what was happening. That was one of the most difficult times,”

She revealed that she decided to personally step in and create awareness around the film. “I thought, I am one of the producers of this film, and I have invested my hard-earned money in this project so that people watch it and know about Maharaj Ji. I couldn’t just sit with my hands folded,”

Anupriya travelled to Delhi, met leaders and devotees and also turned to podcasts and interviews to generate word of mouth. “I went to Delhi and thought I would meet whoever I could. I met top leaders, I met a lot of his devotees and tried to get them to post something from their handles, so that there could be some word of mouth. I wanted some kind of movement to happen. I thought, let me do podcasts. Honestly, at that time nobody knew me. Nobody knew that Hanuman Ansh was coming or that it was about Maharaj Ji. I also want to thank those podcasters and interviewers who gave me the opportunity to speak through their channels at that time,”

The situation became even more difficult when the makers were informed that the film’s screen count had fallen sharply. “We got a call on the eighth day saying, ‘Your film has gone from 300 screens to 30 screens. Maybe tomorrow your film will be out because two more films are coming.’ We were told that perhaps only a miracle could save the film and that it might be out of theatres the next day,”

Recalling the uncertainty within the team, she added, “There were people in the team who were thinking that everything was over and that perhaps we should get a good OTT deal so that we could recover the money. That was the most difficult time we saw,”

Anupriya admitted that the experience even made her consider leaving the industry. “When the film was declared a flop, I thought maybe I would pack my bags and go back to Zurich. I thought this industry was not meant for me. I had reached that stage where I was thinking I would leave the industry and go back,”

She also recalled how difficult it had been to find investment for the film during its initial stages. “Since the beginning, even before I came on board, the Hanuman Ansh team had gone to many people for investment for post-production, but nobody agreed to invest, even though it wasn’t a very big investment.”

According to Anupriya, the film was initially viewed as a small-budget project without established names. “Before the release, there were a handful of people who supported us, but many people didn’t believe in the project. They thought it was a small-budget film, the director was making his first film, and the actors were also new. They thought the film would come and go. People didn’t have that belief.”

However, she says the perception around the film has since changed. “I am so glad the industry’s thought process has now changed. Everyone in the industry is supporting us,” she said.

She further revealed that several producers have since reached out to congratulate the team and acknowledge their initial doubts. “Lots of producers have reached out and it is very sweet. They have congratulated us. Some of them have actually come to me and said, ‘First of all, I apologise because this film had come to us. We are sorry we couldn’t join you. That was the biggest mistake I made.’”

“They said, ‘You have made us realise that a small film can do so much. You have given a lesson to the industry.’ They told us, ‘Whatever you want, we are with you.’ It is very sweet. I don’t blame them because it was a very small film,” she added.

Hanuman Ansh is a biographical drama directed by Vishal Chaturvedi and based on the life and teachings of Neem Karoli Baba. The film stars Shobhinaw Satyaa, Vihaan Shedge, Chandan Anand, Purnima Tiwari, Anil Rastogi and Gulshan Pandey in key roles. Hanuman Ansh released in cinemas on August 7, 2026

Also Read: Hanuman Ansh Box Office: Film collects Rs. 3.43 cr on Day 48, takes total closer to Rs. 280 cr

This Friday will see the release of several Hollywood films, one of which is Primetime. The film has caught some attention due to its subject, treatment and casting of Robert Pattinson. 3 days before release, the India distributors completed the censor process. In this article, Bollywood Hungama will focus on the same.

The Central Board of Film Certification (CBFC) passed the film with an 'A' certificate. However, they asked the makers to make some changes. Obscene words were muted in two places. Frontal nudity visuals, lasting 7 seconds, were asked to be deleted. Finally, a disclaimer-cum-warning was added at the beginning of the film, which read, "This film is strictly intended for adult audiences due to its sensitive theme and the disturbing nature of certain visuals and sequences. Viewer discretion is strongly advised".

Once these changes were made, the censor certificate was handed over to the studio, PVR Inox Pictures, on September 22. The length of the film, as mentioned on the certificate, is 110.15 minutes. In other words, Primetime is 1 hours, 50 minutes and 15 seconds.

Primetime is adapted from the 2007 Esquire article 'Tonight on Dateline This Man Will Die' by Luke Dittrich. It tells the story of Chris Hansen (Robert Pattinson), an NBC TV journalist and host of ‘To Catch A Predator’, in which he exposed suspected online child predators by luring them to suburban decoy homes rigged with hidden surveillance cameras. The film premiered in the competition section of the 83rd Venice International Film Festival. Besides Robert Pattinson, Primetime also stars Skyler Gisondo, Merritt Wever, Matthew Maher, Phoebe Bridgers, Anna Faris and others.

Bollywood's biggest stars have long commanded massive fan followings and impressive box office numbers, but their fortunes increasingly extend far beyond films. The M3M Hurun India Rich List 2025 offers a glimpse into the business empires built by some of the industry's most prominent personalities, with Shah Rukh Khan and family emerging as the wealthiest Bollywood names on the list.

According to the report, Shah Rukh Khan and family have a reported wealth of Rs. 12,490 crore, placing them at the top of the list of Bollywood's wealthiest personalities. The actor's association with Red Chillies Entertainment has evolved into a diverse entertainment business, making his wealth significantly broader than his earnings as a performer.

Taking the second position is Juhi Chawla and family, with a reported wealth of Rs. 7,790 crore. A major factor behind the family's business interests is their association with Knight Riders Sports, giving the actress a significant presence beyond the film industry.

Hrithik Roshan occupies the third spot with wealth pegged at Rs. 2,160 crore. His business portfolio is represented by HRX, the brand that has expanded his presence into the lifestyle and fitness space. His ranking highlights how celebrity-led consumer brands have become an important part of the modern Bollywood business ecosystem.

At number four is filmmaker and producer Karan Yash Johar, who has a reported wealth of Rs. 1,880 crore. His association with Dharma Productions remains central to his business identity, with the production house continuing to be one of the prominent names in the Hindi entertainment industry.

Completing the top five is Amitabh Bachchan and family, with reported wealth of Rs. 1,630 crore. Unlike the other entries, the table lists investments as the associated business category, reflecting the wider financial interests built by the veteran actor and his family over the years.

Together, the five entries represent a reported Rs. 25,950 crore in wealth. More significantly, the ranking illustrates how Bollywood's biggest names have transformed their stardom into wider business portfolios, spanning entertainment, sports, brands and investments.

Also Read: Shah Rukh Khan leads India’s richest actors with Rs 10,000 crores net worth; despite Rs 2,490 crores drop in estimated wealth

This year, December is going to be a treat for moviegoers. Shraddha Kapoor’s much-awaited period drama, Eetha, will release on December 4. Two weeks later, December 18 will witness the epic clash between Avengers: Doomsday and Dune: Part Three. A week later, on December 24, Jumanji: Open World will clash with Shah Rukh Khan’s highly anticipated flick, King. While there’s tremendous excitement among audiences to watch these four diverse films during the holiday season, there’s also concern over how screen-sharing will play out. Many expect an intense tussle for screens, especially at single-screen cinemas.

Bollywood Hungama exclusively spoke with Kamal Gianchandani, Chief Business Planning & Strategy at PVR INOX Limited and CEO of PVR INOX Pictures Limited, about this aspect. When asked whether he expects screen-sharing problems to arise, he replied, “It’s a good problem to have! We have a very experienced team who have been doing it for ages. We’ll handle it. There’s no problem with respect to capacities. In India, we have enough and more capacity to now handle 2 or 3 big releases in the same week. We’ll handle it easily.”

Two days from now, on Friday, September 25, Avengers Endgame: Encore will release and is expected to open with a bang. Kamal Gianchandani predicted, “The advances are fantastic. It’ll smash all re-release records without a doubt.”

Interestingly, the hype surrounding the re-release of Avengers Endgame: Encore also indicates the enormous anticipation for the next film in the franchise, Avengers: Doomsday, which is expected to put up a huge number on its opening day.

Kamal Gianchandani agreed, “It’s a foregone conclusion. If Endgame is having this sort of a response, you can imagine the response that Doomsday will have. It’ll be a monstrous December with Doomsday, Dune: Part Three, Jumanji: Open World and King. December is shaping up to be absolutely massive this year.”

Also Read: EXCLUSIVE: PVR INOX’s Kamal Gianchandani on Hollywood’s record-breaking India run: “People are tired of consuming films at home”; predicts Avengers Endgame: Encore will “SMASH all re-release records”; CONFIRMS India releases of Godzilla Minus Zero, Artificial

Shah Rukh Khan has retained his position as the richest Indian actor in the Hurun India Rich List 2026. According to the latest ranking, the actor’s estimated net worth stands at Rs 10,000 crores. His wealth includes his business interests, including production company Red Chillies Entertainment and his involvement with Knight Riders Sports.

While Shah Rukh Khan continues to lead the list, his reported net worth has declined compared to the previous year. The Hurun India Rich List 2025 had estimated his net worth at Rs 12,490 crores. This marks a drop of Rs 2,490 crores, or around 20%, in the latest estimate. Earlier this year, the Hurun Global Rich List had placed his net worth at Rs 10,800 crores. A significant part of Shah Rukh Khan’s wealth is linked to his business ventures. Red Chillies Entertainment, which he runs with his wife Gauri Khan, is among his key business interests. The company has been involved in film production as well as visual effects through its associated ventures. The actor is also associated with Knight Riders Sports, the group behind cricket franchises including Kolkata Knight Riders. His involvement in the sports business forms another part of his overall financial portfolio. Shah Rukh Khan has been away from the big screen since 2023, when he starred in Pathaan, Jawan and Dunki. All three films were released in the same year and marked his return to leading roles following a period away from the big screen. The actor is now preparing for his next theatrical release, King. The film is directed by Siddharth Anand and stars Shah Rukh Khan alongside his daughter Suhana Khan. King is scheduled to release on December 24. With his latest reported net worth of Rs 10,000 crores, Shah Rukh Khan remains at the top among Indian actors featured in the Hurun India Rich List 2026. His reported wealth, however, is lower than the estimate recorded for him in the previous edition of the list.

Also Read : SHOCKING: Sameer reveals, “Nadeem Saifi heard Zamaana Deewana’s script and told Ramesh Sippy, ‘Aisi WAHIYAAD kahani maine nahin suni’!”

Filmmaker Aditya Dhar attended the 72nd National Film Awards with wife and actor Yami Gautam, as their 2024 film Article 370 emerged as one of the major winners at the ceremony. The film won Best Feature Film, while Yami was honoured with Best Actress for her performance. Article 370 also won Best Music Direction for Shashwat Sachdev.

However, when Aditya Dhar was asked about his much-anticipated film Dhurandhar during a red carpet interaction, the filmmaker kept the focus firmly on the film being celebrated that evening. Aditya Dhar says, “Today, it is all about Article 370” During the interaction, Aditya Dhar was asked about making what was described as one of the biggest films in the Indian film industry. While the question referred to Dhurandhar, Dhar pointed out that the occasion was about Article 370 and its National Award recognition. “We are here for Article 370, we will discuss Dhurandhar hopefully if we come next year also. But, today, it is all about Article 370,” he said.

The comment comes as Dhurandhar continues to remain a major talking point around Dhar’s upcoming work. Since the current National Film Awards recognise films from the 2024 eligibility cycle, Dhurandhar is not part of this year’s awards. The film could be considered for a future edition, subject to the applicable eligibility rules.

Watch | We will discuss Dhurandhar if we come next year also, but today it's about Article 370: Dhurandhar Maker Aditya Dhar at Ektanagar in Gujarat for National Film Awards with his Actress Wife Yami Gautam pic.twitter.com/AxsgUcaMBV — DeshGujarat (@DeshGujarat) September 22, 2026

Yami Gautam Dhar calls National Award the “biggest validation” For Yami Gautam, the evening marked a major milestone as she received her first National Film Award for her performance in Article 370. Speaking about the honour, the actor said, “It feels great. We were just discussing, this is the biggest validation for any artist. I think it is the highest honour presented to you by your country. I don't think I will be able to express right now. I am smiling, but from inside I am feeling like an energy of a newcomer for whom everything is so big, everything is so new and special,” Yami said.

The actor's win came alongside Article 370 being named Best Feature Film and Shashwat Sachdev receiving the award for Best Music Direction. Article 370’s National Film Awards recognition Directed by Aditya Suhas Jambhale, Article 370 was among the films recognised at the 72nd National Film Awards. The ceremony was held on September 22, 2026, in Ekta Nagar, Kevadia, Gujarat. It marked the first time the National Film Awards ceremony was held outside Delhi.

Also Read: Aditya Dhar teases wife Yami Gautam over Nayyi Navelli poster; says, “So this is what i married into”

Vir Das is set to take yet another significant step in his remarkable international comedy journey as he brings his ongoing global tour, I Say We Run, to the iconic Radio City Music Hall in New York on January 30, 2027.

One of India’s biggest and most internationally recognised stand-up comedians, Vir Das has consistently taken Indian comedy to some of the world’s most prestigious stages. From the Sydney Opera House and Esplanade in Singapore to Carnegie Hall in New York, Das has built a global audience through his distinctive brand of stand-up, becoming one of the most prominent Indian comedians to establish a sustained international presence.

With his upcoming performance at Radio City Music Hall, Das adds another legendary venue to that list. Synonymous with some of the most celebrated live performances in the world, Radio City Music Hall has hosted generations of iconic artists and remains one of New York City’s most recognisable cultural landmarks.

The January 30 performance will be part of Das’ ongoing international tour, I Say We Run, which made its debut at the iconic Royal Albert Hall in London. The tour will also make its way to Coca-Cola Arena in Dubai next month, before continuing its global run and arriving at Radio City Music Hall in New York.

The performance will mark one of the largest and most iconic venues he has headlined to date.

For Das, the Radio City Music Hall performance represents another landmark moment in a career that has seen Indian stand-up comedy travel far beyond its traditional boundaries. From performing for audiences across North America, Europe, Australia and Asia to becoming a familiar face on the international comedy circuit, Das has steadily built a career that bridges Indian and global audiences.

Speaking about the upcoming performance, Vir Das said, “Radio City Music Hall is one of those venues you grow up seeing and hearing about. To be able to walk onto that stage and perform my own comedy there is a pretty surreal feeling. I’ve been fortunate enough to perform at some incredible venues around the world, but every new room comes with its own sense of occasion. I can’t wait to bring this tour to New York and experience Radio City with the audience.”

The announcement comes at a time when Das continues to expand the global footprint of Indian comedy. His international touring journey has seen him perform at some of the most prestigious venues and comedy festivals worldwide, while his work across stand-up, television, film and writing has made him one of India’s most recognisable comedic voices internationally.

Also Read: Vir Das completes Baara Number shoot; calls found-footage psychological thriller an “incredibly intense” experience

Nani, Sonali Kulkarni, Raghav Juyal and Kayadu Lohar attended the press meet of The Paradise in Mumbai. On September 21, it came to light that the action entertainer was passed by an ‘A’ certificate by the Central Board of Film Certification (CBFC). Nani was asked about it and he explained the rationale behind the rating.

Nani said, “Of course, when your film has received an ‘A’ certificate, you’ll miss out on kids and a chunk of moviegoers. But I also understand where it's all coming from. There’s a lot of violence in The Paradise.”

He continued, “There are some films, which are fully focused on violence and have violence for the sake of violence. The Paradise is not like that. Our film is a solid drama. It’s an emotional, commercial film and everybody will relate to it very well, regardless of the age group. Even families can come and watch it. You can go with your parents and watch it. You’ll enjoy it completely. But children can’t view the film because there’s a lot of violence.”

Nani further stated, “Everything that happens in the film is what we see around and what we can relate to. There’s drama, emotions and a love story; that is, everything which films, in general, have. But the violence portions are a little higher than other films.”

Did the makers try to secure a U/A rating? Nani replied, “No. We were prepared while shooting itself that we would receive an adult rating.”

The Paradise releases in cinemas on September 24.

The censor cuts

The makers were asked to replace alternate visuals of crow on National Flag. The visuals of a pregnant woman in the beginning were asked to be modified. A foul word was allowed in one place and muted in the rest of the scenes. A scene of a character having a tattoo with a foul word was covered with CGI. The word 'denotified tribe' was asked to be deleted.

The duration of violent stabbing visuals was reduced. In fact, ten other violent scenes replete with torture and blood spills were removed. In three places, words on armed struggle against the country were modified or muted. A reference to a real-life assassination and historical event was muted. Similarly, a reference to a real-life cigarette brand was asked to be censored.

Also Read: High DRAMA before The Paradise Mumbai press meet; Raghav Juyal’s driver ‘STEALS’ fellow resident’s car by mistake; confusion causes delay

Indian cinema is set to make its mark in Western Australia with the announcement of the inaugural Indian Festival of Perth, taking place across multiple locations in Perth from November 12 to November 15, 2026. The four-day festival is the latest expansion of the team behind the Indian Film Festival of Melbourne (IFFM) and the Indian Film Festival of Sydney (IFFS), two established celebrations of Indian cinema in Australia. The Perth edition marks the team’s expansion into a third major Australian city, bringing the diversity of Indian and South Asian cinema to audiences in Western Australia for the very first time.

The special announcement was made during Western Australian Premier Roger Cook’s visit to India, where he announced the inaugural festival during his keynote address, highlighting the growing cultural and creative ties between India and Western Australia.

The inaugural edition will showcase more than 30 films across Indian and South Asian languages, offering audiences an opportunity to discover stories and filmmakers from across the subcontinent.

Announcing the festival, Western Australian Premier Roger Cook said, “I am pleased to announce the inaugural Indian Festival of Perth, which will take place across multiple locations in Perth from November 12th to November 15th this year. The festival will showcase more than 30 films across Indian and South Asian languages. And the inaugural festival will welcome a select group of celebrated Indian Filmmakers who will get to witness Western Australian hospitality and visit Perth Film Studio".

Mitu Bhowmick Lange, who is behind both the Indian Film Festival of Melbourne and Indian Film Festival of Sydney, said, “We are incredibly excited to bring Indian cinema to Perth for the very first time. The launch of the Indian Festival of Perth is a natural extension of what we have been building across Melbourne and Sydney, and it is wonderful to now create a platform for audiences in Western Australia to experience the incredible diversity of Indian and South Asian cinema. Beyond the films, we hope the festival will create meaningful connections between filmmakers, audiences and the wider creative community, and open up new conversations and collaborations between India and Western Australia.”

The launch further strengthens the cultural bridge between India and Australia, with the festival creating a new platform for Indian storytelling in Western Australia and expanding the footprint of Indian cinema across the country.

Also Read: EXCLUSIVE: Sai Tamhankar on Bol Bol Rani releasing in Melbourne and Perth on August 16, “It’s a wonderful feeling to see the film travel beyond borders”

Filmmaker Meghna Gulzar has opened up about how films portray patriotism differently, comparing her 2018 directorial Raazi with the more action-driven Dhurandhar. According to Meghna, the difference lies in the stories being told rather than the level of patriotism displayed by their characters.

The filmmaker discussed the subject during her appearance on the podcast Learn By KK Create. Asked about Dhurandhar and whether her approach to patriotism differs from that seen in other films, Meghna said that the characters in Raazi are not less patriotic simply because their patriotism is expressed differently on screen.

“The difference is in the story. I don't think Raazi's characters aren't any less patriotic than Dhurandhar's characters. It is their actions because of the way the story is. That is how they are depicted. One does not have to be right, and the other has to be wrong. Patriotism and prayers don't need volume. And they aren't expressed in one particular way. Every individual has their own way of expression,” she said. Meghna Gulzar on patriotism and moral choices in Raazi Released in 2018, Raazi starred Alia Bhatt as Sehmat, a young Indian woman who is recruited as an undercover operative and sent to Pakistan during the 1971 Indo-Pak war. The film explores her mission through personal relationships, sacrifice and the moral consequences of her actions.

For Meghna, the character's patriotism does not necessarily translate into an absence of moral conflict. When asked whether there was a limit to the kind of patriotism she would portray on screen, she said the character's own boundaries were what mattered. “There is no limit. If the character does not have a limit, how will I have a limit? And there was no limit of Raazi's character's patriotism. She had a limit when it came to her moral compass,” Meghna said.

On the professional front, Meghna Gulzar is currently gearing up for her latest directorial, Daayra, which stars Kareena Kapoor Khan and Malayalam actor Prithviraj Sukumaran.

Also Read: EXCLUSIVE: “Meghna Gulzar gave me a character that had real weight; sharing screen space with Kareena Kapoor was an experience,” says Upendra Chauhan on Daayra

The makers of The Vvaan: Force Of The Forrest have acquired the sync rights to a recording of ‘Aigiri Nandini’ after musician Sargam Vaish alleged that his master recording was used in the film’s trailer without his permission.

Vaish had raised the issue on September 20, when he took to Instagram and claimed that a recording of ‘Aigiri Nandini’ created by him had been used in the trailer of the Sidharth Malhotra-starrer without obtaining his consent. The recording, according to Vaish, was originally created for a Ram Gopal Varma film, and he holds the master rights to it. Balaji Motion Pictures legal team meets musician Within 24 hours of Vaish publicly raising the issue, Balaji Motion Pictures’ legal team met with the musician. Vaish told Mid-Day that executives and lawyers from Ektaa R Kapoor’s production house met him on the evening of September 21 and subsequently acquired the sync rights for the recording.

Speaking about the meeting, Vaish said, “Balaji’s executives and lawyers have been cooperative. We met them today; they were kind and apologetic, even though they didn’t cause [the leak]. They are taking the sync rights for the track. I am grateful for the fact that we were able to resolve it so smoothly.” Sargam Vaish says he was not approached for permission Vaish recalled being surprised when he heard his version of Aigiri Nandini in the trailer of the Deepak Kumar Mishra-directed feature. “This is the version I had created for Ram Gopal Varma’s film. I own the master rights. No one had approached me for an NOC or permission,” he said. Source of recording leak remains unknown While the sync rights have now been acquired, Vaish said that he and the concerned parties are still trying to determine how his recording reached the Vvaan team in the first place. “The source of the leak is not known to us yet. We are trying to trace how this happened,” he added.

The Vvaan: Force Of The Forrest stars Sidharth Malhotra in the lead and is directed by Deepak Kumar Mishra. The film is backed by Balaji Motion Pictures and is scheduled to release on September 25.

Also Read: Sidharth Malhotra and Tamannaah Bhatia bring their dance moves to The Vvaan’s ‘Thummak Thummak’; song out now

Comedian Samay Raina and actress Medha Shankr have reacted to reports claiming that they are planning to get married in December 2026. The speculation surfaced online after an anonymous Reddit post alleged that the two were planning to tie the knot later this year.

The post went viral on social media and claimed that Samay and Medha were currently vacationing together. It also alleged that Samay wanted to marry the 12th Fail actress “as soon as possible”. However, neither Samay nor Medha has publicly confirmed that they are in a relationship.

The two have now addressed the wedding speculation, with Samay responding to the reports in his trademark humorous style. Samay Raina jokes about “postponing” wedding Reacting to the reports, Samay shared an Instagram story and tagged Medha. He jokingly pointed out that his India tour is scheduled for December and wrote, “December mai toh mera India tour hai @medhashankr sorry will have to postpone."

Medha reshared Samay’s story and responded with laughing emojis, appearing to play along with the joke surrounding the viral reports. The actress later shared another meme on her Instagram story, adding the caption, “Me scrolling past all the baseless wedding rumours like."

Speculation around Samay and Medha’s equation has previously surfaced online. Medha recently appeared on Samay Raina’s India’s Got Latent Season 2, where she joined Varun Dhawan and Sharon Verma on the panel.

Also Read: Nawazuddin Siddiqui to feature on India’s Got Latent; actor shoots episode with Samay Raina and Bhuvan Bam

Bigg Boss 20 contestant Kanika Mann received a special shoutout from Sidharth Malhotra during the latest Weekend Ka Vaar episode. The actor, who appeared on the show with Tamannaah Bhatia to promote their upcoming film The Vvaan: Force of the Forrest, spoke to the contestants and had a few words of appreciation for Kanika.

During his interaction with the housemates, Sidharth praised Kanika's personality and the way she has been conducting herself inside the Bigg Boss house. He referred to her as a “true alpha” and also revealed that his mother has been following her journey on the reality show.

The shoutout came as Kanika continues to navigate the various equations and disagreements inside the Bigg Boss house. The actress has frequently expressed her opinions during conversations with fellow contestants and has been involved in several discussions as the season progresses.

Sidharth's mention of his mother watching Kanika's journey added a personal touch to the interaction. His appreciation also gave Kanika a moment of recognition during the Weekend Ka Vaar episode.

Meanwhile, Sidharth and Tamannaah appeared on the show as part of the promotions for The Vvaan: Force of the Forrest. Their appearance included interactions with Salman Khan and the contestants, with Kanika's shoutout emerging as one of the highlights for the actress.

For Kanika, the moment marked a notable interaction with Sidharth, particularly after the actor acknowledged her presence and personality on the show.

Rohed Khan’s stint in the Bigg Boss 20 house may have come to an end, but the contestant walked out with words of appreciation from none other than host Salman Khan. Rohed has become the first contestant to be eliminated from the season.

As Rohed prepared to bid farewell to the house, Salman Khan acknowledged his journey and appreciated the way he carried himself during his time on the show. Salman praised Rohed for maintaining his dignity through the highs and lows of the Bigg Boss experience.

Addressing him, Salman said, “Job well done. Well played with dignity. Your are a good man.”

The appreciation made Rohed’s final moments on the show particularly meaningful. During his stint, he found himself navigating changing equations, nominations and different dynamics inside the house, while getting the opportunity to showcase his personality to the audience.

The farewell also turned into a memorable exchange when Rohed opened up about his desire to work with Salman in the future. Expressing his admiration for the superstar, Rohed said, “I really want to work with you.”

Salman’s response left the door open for a possible collaboration someday. Salman Khan told Rohed, “One day we will work.”

The encouraging exchange added an emotional touch to Rohed’s exit and gave his Bigg Boss journey a positive closing moment.

Although his Bigg Boss 20 journey has concluded, Rohed’s exit was marked by Salman’s appreciation for the way he conducted himself with dignity. With Salman Khan's words of encouragement and the possibility of working together in the future, Rohed left the show on a memorable note.

Also Read: Bigg Boss 20: Mahhi Vij, Mary Kom lock horns after Love Gill provokes boxer over ration task, watch promo!

Nikkhil Advani began his career as an assistant director before making a smashing directorial debut with Kal Ho Naa Ho (2003). After helming several significant films, he switched gears and carved a niche for himself in the OTT space with shows like Mumbai Diaries, Freedom at Midnight and the recently released The Revolutionaries. He has also produced acclaimed shows such as The Empire, Rocket Boys and Adhura, along with films like Airlift (2016) and Mrs Chatterjee vs Norway (2023), further adding to his impressive body of work. In a recent interview, Nikkhil opened up like never before about his family migrating from Sindh during the Partition and also spoke about how younger generations are reacting to his films.

After Kal Ho Naa Ho, Nikkhil Advani’s next directorial was Salaam-E-Ishq (2007), followed by Chandni Chowk To China (2009). The latter, starring Akshay Kumar and Deepika Padukone, didn’t receive a favourable response from the audience at the time. However, Nikkhil revealed that Gen Z viewers have since appreciated the film, with many even asking him to make a sequel to Chandni Chowk To China.

Nikkhil Advani told Mumbai Mirror, “The people asking me for a Chandni Chowk sequel today were four years old when it was released (laughs). They didn’t care about narrative structure; they just saw Akshay Kumar [who plays a chef in the film] fighting a giant potato and somehow it worked for them.”

In the same interview, the acclaimed filmmaker revealed that in the summer of 1947, just before the Partition, his great-grandfather flew with his whole family from Sindh to Mumbai, before the former became a part of Pakistan.

Nikkhil Advani also revealed that during the journey, his grandfather carried a heavy money belt strapped around his waist. The money was not his savings. According to the article, “He worked for Habib Bank, which was shifting its headquarters to Karachi at Muhammad Ali Jinnah’s behest”. Hence, he was entrusted to deliver the cash to its Bombay branch. And his grandfather "handed over every rupee".

Also Read: Akshay Kumar and Vipul Shah’s Samuk takes authenticity to another level in London; makers use REAL helicopter for dramatic sequence instead of VFX

Lyricist Sameer had a conversation with Komal Nahta and spoke about the banners and filmmakers he particularly enjoyed working with over the years. Sameer said, “I had a wonderful time working with Yash Chopra and his production house. I haven’t done a lot of work with them; I wrote songs for Aaina (1993), Yeh Dillagi (1994), Dhoom (2004), Dhoom 2 (2006) and Dhoom 3 (2013). Unke yahaan kaam karne ka mazaa hai kyunki bahut sensibility ke saath kaam hota hai. While working with them, you’d feel like you are a part of their family. They understand cinema, the craft, lyrics, poetry, etc.”

Sameer continued, “I wrote 3 films for B R Chopra – Kal Ki Awaz (1992), Baghban (2003) and Baabul (2006). I can’t tell you the contribution of Chopra saab during Baghban. I had a good time working with Karan Johar. I only did two films with him – Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabhie Gham (2001). Lekin jo kaam karne ki samajh uss aadmi mein hai, khaas kar music ko leke, it's praiseworthy.”

Sameer revealed, “At one point, Jatin-Lalit almost quit Kabhi Khushi Kabhie Gham. They were pressurized by the presence so many stars of different generations. I told them, ‘Yeh film aap log mat chodo. Bas Karan ko follow karo’. That’s what I did. The song ‘Say Shava Shava’ was difficult as it had so many actors – Amit ji bhi hai, Jaya ji bhi hai, Shah Rukh bhi hai, Rani bhi hai, Kajol bhi hai. But that man (Karan Johar) narrates so minutely that it became very easy. Mujhe pata bhi nahin chala maine Kabhi Khushi Kabhie Gham ke gaane kab likh diye!”

Sameer then started, “The first song of Kuch Kuch Hota Hai, which was released, was, ‘Tum Paas Aaye, Yun Muskuraaye’. David Dhawan heard the song. He called and told me, ‘Bada ganda gaana likha hai tune, yaar. Meri picture mein aisa gaana likhna mat’ (laughs)! I asked him, ‘Teri picture ka gaana hai? Tu kyun pareshan ho raha hai? Jaane de na’. He said, ‘Meri film ke gaane bhi release hue hain. Uss film ke music ko khatam nahin kar diya toh tu mujhe bata’!”

The film David Dhawan mentioned was Bade Miyan Chote Miyan (1998) and Sameer wrote the songs for it as well. Sameer added, “Both films (Kuch Kuch Hota Hai and Bade Miyan Chote Miyan) were released on the same day and the songs of both the movies were blockbusters.”

Also Read: Subhash Ghai celebrates Ishita Deshmukh as Gondhal becomes India’s official Oscar entry

Lyricist Sameer had a conversation with Komal Nahta, during which he went down memory lane and shared several anecdotes related to prominent films and stars. He also spoke about the importance of music in cinema.

Sameer said, “A film can become a hit even without a song. For example, a film like Kanoon (1960) did work. But viewers will go to watch such films once. Film ki repeat value gaana hota tha. Once you see the film and know it story, toh aap baar baar kya wohi dekhne jaoge? During Aashiqui (1990), I witnessed viewers entering the theatre to see the song. Once the song would end, they would go out, have tea and then come back again to catch the next song. They had calculated the gap between the two songs and would enter the theatre accordingly! Imagine the importance of music. Also, in the 90s, we gave maximum hits with newcomers. Phool Aur Kaante (1991) was Ajay Devgn’s first film. Kya music tha uss film ka.”

He then spoke about music director Nadeem Saifi of Nadeem-Shravan fame, “Nadeem saw Ajay Devgn and told director Kuku Kohli, ‘Isko mat leke aana. Mujhe depression ho jaayega. How will we be inspired to write songs? Tumko yehi ek actor mila tha.’ But when he saw him in the film, he congratulated him. He accepted that (he made a mistake). I don’t know if Kuku ever told Ajay about this episode!”

Sameer continued, “That’s how Nadeem is. He would not mince words. Ramesh Sippy offered a film to us, Zamaana Deewana (1995; starring Shah Rukh Khan and Raveena Tandon). We did the film eventually. Ramesh ji narrated the film to us for 2 ½ hours and then asked him, ‘Nadeem bhai, kaisa laga?’. Any other person would hesitate, especially when sitting in front of such a big director. But Nadeem told him, ‘Aisi wahiyaad kahani maine nahin suni’ (laughs)!”

Also Read: Kajol talks about AI vs human creativity: “A machine has thoughts already in a library”

Protein brand Isopure has issued a statement after actor Bipasha Basu alleged that she found worms in a newly opened container of its protein powder. In a video shared on social media, Bipasha claimed the product was contaminated, prompting an immediate response from the company.

“ISOPURE remains firmly committed to maintaining high standards of product quality and consumer safety. We connected promptly with the concerned Indian celebrity consumer, addressed her immediate concern, and appreciate her acknowledgement of our response. Our Quality team is currently evaluating the pack for authenticity and quality,” the company said in its statement.

In the clip circulated by the actress, Bipasha showed what appeared to be a small worm on her finger and stated that there were several others inside the container. “This Isopure is full of small worms. Tiny, tiny worms. The new dabba that we’ve opened,” she said while displaying the contents. Adding, “These are the worms inside it, full of it,” Bipasha alleged that the product was compromised.

The actor also sought regulatory intervention by tagging Tukaram Mundhe, Commissioner of Maharashtra's Food and Drug Administration (FDA). In her Instagram Story, she wrote, “@tukaram ias You are our only hope... So, we don't get spoilt or adulterated stuff in everything we purchase.”

Bipasha’s post arrives amid heightened attention on food safety and hygiene concerns involving products and establishments in Maharashtra. However, the specific allegation regarding the protein powder has not been independently verified at this stage.

The incident follows Bipasha’s recent digital cover appearance for Elle, where she discussed work, motherhood and making bold choices despite being advised against them. Her latest social media update, however, shifted focus from professional projects to a consumer safety concern that has quickly sparked widespread discussion online.

As Isopure’s quality team evaluates the pack, all eyes will be on the outcome of the investigation and whether further regulatory action follows.

Also Read: Bipasha Basu seeks Tukaram Mundhe’s help after she finds worms in protein powder: “You are our only hope”

Katrina Kaif has opened up about her evolving skincare journey, revealing how post-pregnancy changes made her routine more careful and intentional. Her comments to The Hollywood Reporter arrive at a time when the actress has faced extensive trolling over her recent post-pregnancy appearance, making her beauty insights particularly resonant for fans navigating similar concerns.

Katrina explained that her skin’s needs changed significantly after becoming a mother. “Post-pregnancy, my skin became even more sensitive, so it was a really tricky time because I had to understand what products were working for me. I found myself looking for products that felt soothing, calming and restorative,” she said.

This phase led her to prioritize barrier health in her regimen. Speaking about her own range of products, Kaif added, “It reinforced my belief that focusing on your barrier support and repair is so important, as it’s our skin’s first line of defence to environmental stressors.”

Reflecting on how her approach to beauty has evolved over the years, Katrina noted a shift from external stereotypes to internal well-being. “It’s changed a lot. When I started out early through my modelling and acting career, there were a lot of stereotypes about what the beauty standards were. Now for me, looking my best is really about feeling my best, and that comes from taking care of myself as a whole,” she stated.

She listed several non-negotiables that influence how her skin behaves: “A healthy diet, keeping the inflammation in your body under control, staying active, meditation, a phone-free daily hour of your morning and getting natural light first thing in the morning. It all makes a huge difference to how I feel, and ultimately how my skin behaves. I think when you feel healthy, that confidence naturally reflects on the outside.”

Katrina also emphasized the importance of being responsive to her skin’s changing needs. “I’ve learnt to be adaptable and responsive to what my skin needs at a particular phase or time. Stress, inflammation and environment all play a big factor. Sensitive skin can behave very differently from one day to the next,” she said.

At present, her focus is on hydration and resilience. “Right now, in this phase, I’m focusing on deep cellular hydration, supporting and strengthening my skin barrier and keeping it calm and resilient. Even makeup application is hugely improved when the skin is cared for,” Katrina added.

With her candid breakdown, the actress offers a blueprint that goes beyond products—centring on barrier care, lifestyle balance and self-trust in a phase of life that many women find confusing and highly scrutinized.

Also Read: Katrina Kaif expands Kay Beauty into skincare with Hydra Glaze Essence and Hydra Base Water Crème

Ajay Devgn is currently gearing up for the much-awaited Drishyam The Conclusion. The thriller releases in cinemas on October 2 and marks the veteran actor’s second release of the year after the super-hit Dhamaal 4. His next film, tentatively-titled Ranger, co-starring Sanjay Dutt and Tamannaah Bhatia, was expected to arrive in cinemas on December 4. However, since last month, there have been reports that the film has been pushed to 2027.

Bollywood Hungama has now learned that the film has indeed been postponed and will release only next year. A source told us, “The film should release after Eid, which falls in March 2027. Hence, expect Ranger to be a summer release, which would be apt. It’s a jungle adventure and would be an ideal film to release during the school and college holidays.”

December 4, meanwhile, will now see the release of Akshay Kumar-Vidya Balan-Raashii Khanna’s untitled comic caper, directed by Anees Bazmee. It will clash with Shraddha Kapoor-starrer Eetha. There’s also a possibility of Prabhas’ period action drama, Fauzi, releasing on December 3. However, as per trade sources, it’s unlikely and like Ranger, it maybe pushed to 2027.

This means Ajay Devgn will have just two releases in 2026. According to an August report in Mid-Day, Ranger features Ajay as a forest officer determined to protect tigers. However, his mission is made increasingly difficult by an inefficient team, corrupt superiors and a ruthless gang of poachers led by Sanjay Dutt, who plays the antagonist.

The Mid-Day report also said that the climax was shot last month in Mumbai, after which the makers plan to film a special dance number with Tamannaah Bhatia and Ajay Devgn.

Ranger is produced by Luv Ranjan and directed by Jagan Shakti. In an exclusive interview with Bollywood Hungama in January 2026, Luv said, “Ajay sir and Sanju sir have worked together so many times in these 25 years. Yet, they have never done an action film together. It is very shocking. It is extremely exciting that we’ll get to see them in an action film for the first time.”

Also Read: Alia Bhatt REACTS to Ajay Devgn’s Drishyam The Conclusion trailer: “Hat-trick incoming”

Lyricist Sameer Anjaan recently revisited a difficult chapter from the early stages of his career during an appearance on Komal Nahta’s Game Changers: The Music Series. The lyricist recalled an incident involving a music director, who he chose not to name, and revealed how the encounter became a moment of self-doubt before eventually motivating him to continue pursuing songwriting.

Sameer, son of veteran songwriter Anjaan, recalled that the incident took place before he met music director Usha Khanna. He said the unnamed music director was a good acquaintance of his father. After listening to several of Sameer’s songs, the music director reportedly questioned his decision to pursue songwriting.

Sharing details of the interaction, Sameer said, "There was an incident before I visited Usha Khanna. I will not disclose the name of the music director, but he was a good acquaintance of my father.” He further recalled, “I showed him a few of my songs. After listening to 15–20 songs attentively, he said, 'You have a good education, you had a job, and you are the son of such a good ‘Shayar’; why would you ruin his reputation? I can give you in writing that you will never become a songwriter. Don’t waste your time here. If you need money, I will give it to you; go back to Banaras.' In anger, he threw my music diary from the third floor,” he shared.

The incident left Sameer questioning his abilities as a songwriter, particularly because the criticism had come from someone who knew his father. However, he said he remembered a line from his father’s work, which gave him the motivation to continue.

He went on to add, “While I was going down to retrieve it, I had so many questions in my mind. This music director was a friend of my father. He had listened to my songs for 45 minutes to an hour, and if his reaction was like this, was there a problem with my skills? Then I remembered a line from my father’s work: 'Jag abhi jeeta nahi hai, tu abhi haara nahi hai. Faisla hone se pehle haar mat swikaar karna.' I found new motivation in those words. I picked up my diary and went straight to Santa Cruz, to Usha Khanna’s house in Khar Road."

Sameer Anjaan is among the prolific lyricists in Indian cinema and holds a Guinness World Record for writing the highest number of film songs. His appearance on Game Changers: The Music Series offered a glimpse into the struggles that preceded his established career.

This version keeps the focus on the incident and Sameer’s recollection, while avoiding unverified conclusions about the unnamed music director or adding details beyond the supplied material.

Also Read: EXCLUSIVE: “Don’t know if Hera Pheri 3 will be made, there is no clear picture,” says Sameer Anjaan

Sara Ali Khan is in New York for Fashion Week, where she is set to attend the Tommy Hilfiger Spring 2027 runway show. Ahead of the showcase, the actor spoke to Lifestyle Asia India about her approach to fashion, the pieces currently inspiring her, and how she likes to spend her time in the Big Apple.

For Sara, personal style is less about following a fixed set of fashion rules and more about letting individuality take the lead. When asked about a fashion rule she has stopped following, she shared a simple philosophy: “Impress other people, express yourself is my new one.”

She also believes that an outfit should complement the person wearing it rather than become the focus of attention. “Just don't let the outfit wear you, be yourself in whatever you wear and then your personality will come through is what I think,” Sara said. Sara Ali Khan’s current fashion moodboard While Sara has experimented with vibrant and colourful looks over the years, her current fashion moodboard is taking a more understated direction. The actor said she has been enjoying minimal silhouettes and a more restrained colour palette. “Minimalistic, monotones, I'm enjoying that. I've done so much like colourful shock and awe in my life that it's kind of nice to do some basics,” she said.

Her current preference also reflects her broader approach to fashion. Rather than building her wardrobe around every new trend, Sara said she prefers dressing in a way that feels comfortable and authentic. “I don't never really follow trends, I think just be yourself and be comfortable in your own skin has been what I do,” she said. From fashion staples to everyday favourites When it comes to the pieces she is most drawn to, Sara has a soft spot for practical wardrobe staples. Asked about her biggest fashion weakness between shoes, bags, jewellery and jackets, she picked two. “Well, I love winter jackets and I like tote bags, so it's between the two depending on where I'm going,” she said.

For the one fashion piece she believes everyone should own, Sara chose a classic from the brand she is set to watch on the runway. “I think a Tommy Hilfiger cable net,” she said, referring to the label's cable-knit style. What would be on Sara’s fashion soundtrack? Fashion and music often go hand in hand, and Sara took a personal route when asked what song would accompany her outfit for the evening. “My outfit tonight, I don't know something like reminds me, maybe my Columbia school anthem,” she said.

The answer is also a nod to her connection with New York. Sara studied at Columbia University and has previously spoken about her time in the city. Sara Ali Khan’s Perfect New York Day For Sara, a day off in New York is not necessarily about ticking off tourist attractions. Her ideal day involves a mix of exercise, food and plenty of walking. “Barry's Boot Camp, Whole Foods, Mamo, walking, more walking, some desserts, some more Mamo, then you're too tired for Barry's Boot Camp,” she said.

Having lived in the city, Sara also finds that some of the most quintessentially New York experiences are the everyday ones. Asked about the most New York thing she has done on this trip, she said, “I've lived here, so I don't know like what the most New York thing is, like take a subway, talk to a stranger, eat a pizza on the road, just these things.”

From keeping her fashion moodboard minimal to choosing comfort and individuality over trends, Sara’s approach to style appears to be rooted in making fashion work for her rather than the other way around. And as she heads to the Tommy Hilfiger Spring 2027 showcase, her current fashion philosophy seems to be less about making a statement for others and more about expressing herself.

Also Read: Sara Ali Khan taking a Swiss Alps escape with mom is pure bliss; “Mommy & Mountain” poem goes viral

Akshay Kumar and Vipul Amrutlal Shah’s Samuk is continuing to build an eclectic ensemble, and we hear acclaimed actor-filmmaker Rajat Kapoor is the latest name to come on board the sci-fi action thriller.

According to sources, Kapoor is said to be playing a pivotal part in the Kanishk Varma directorial, which is being produced by Vipul Amrutlal Shah under Sunshine Pictures and co-produced by Aashin A Shah. The film, currently being shot in the UK, is being mounted as a large-scale theatrical spectacle combining science fiction, action and survival elements.

Kapoor is known for bringing a certain assured nuance and intelligence to his performances. Over the years, he has moved fluidly between character-driven parts and mainstream Hindi cinema, with performances in films such as Monsoon Wedding (2001), Bheja Fry (2007), Kapoor & Sons (2016), Mulk (2018), Drishyam (2015), Drishyam 2 (2022), Gehraiyaan (2022), etc., thus forming part of an unusually varied body of work. Recently, Rajat Kapoor was part of the ensemble of Netflix’s Raat Akeli Hai: The Bansal Murders (2025) and was also seen in Imtiaz Ali’s Main Vaapas Aaunga (2026).

Rajat Kapoor brings a very different quality to the ensemble. He has the ability to deliver an assured performance which amps up the movie, and that is important for a film like Samuk. The role has weight within the story, and the makers felt he was the right fit.

Kapoor’s reported addition gives Samuk yet another interesting casting, bringing together performers with very different screen energies around Akshay Kumar.

Samuk marks the reunion of Akshay Kumar and producer Vipul Amrutlal Shah after a gap of 13 years. The project has been in development for over two years and is being mounted on a large scale for theatrical audiences.

Also Read: BREAKING: Akshay Kumar and Vipul Shah’s Samuk takes authenticity to another level in London; makers use REAL helicopter for dramatic sequence instead of VFX

Director Meghna Gulzar recently opened up about her experiences of working with several prominent actors, including Irrfan Khan, Vicky Kaushal, Deepika Padukone, Alia Bhatt, Tabu, Sushmita Sen, Kareena Kapoor Khan and Prithviraj Sukumaran. During a conversation for The Indian Express’ Expresso series, Meghna reflected on the different working styles of the actors she has collaborated with over the years. The filmmaker, known for films such as Raazi, Talvar and Sam Bahadur, is currently preparing for the release of Daayra, which stars Kareena and Prithviraj.

Irrfan Khan

Talking about her experience with Irrfan Khan in Talvar, Meghna said she had very little to do when it came to directing him. “I really had nothing to do. Everything he did, he made me look good,” she said. However, she revealed that there was one aspect of their collaboration that she still does not have an answer to. “I still don’t know which side of Talvar’s perspective he believes or agrees with,” she said.

Vicky Kaushal

Meghna also discussed her working relationship with Vicky Kaushal, whom she directed in Raazi and Sam Bahadur. Describing their understanding, she said, “I don’t need to complete a sentence. He knows what I am going to say if I want him to do something differently. That connection is just superb.” She added that finding another role bigger than Sam Bahadur could be difficult. “After Sam Bahadur, it is going to be very difficult to find a role that is larger than that. And the desire to work with him is very much there,” she said.

Deepika Padukone

On Deepika Padukone, who worked with her in Chhapaak, Meghna said, “She is a deep actor. She’ll never stay on the surface. She will go beneath the surface of the character, of the scene, of the story.” She also joked about their similarities, saying, “She’s a bigger OCD than I am.”

Alia Bhatt

Discussing Alia Bhatt, Meghna described her as spontaneous and instinctive. “She is spontaneous and instinctive to a point where she can hurt herself,” she said, recalling the running sequence in Raazi. “The running scene in Raazi is where she would get hurt every day. That is the difficult part. She tends to hurt herself,” she added.

Tabu and Sushmita Sen

Meghna also recalled working with Tabu and Sushmita Sen in Filhaal. While she found Tabu’s performance easy to work with, she admitted that directing an already established actor was not simple. “She is already an accomplished, senior actor. To be telling her what to do and how to do it was not easy,” she said.

Speaking about Sushmita, Meghna said, “What you see is what you get. Very, very not layered at all. The relationship was very easy.” Asked about the difficult part, she simply said, “There was nothing difficult with her.”

Kareena Kapoor Khan and Prithviraj

On her current collaborators Kareena and Prithviraj in Daayra, Meghna said both actors required very little instruction. “The easy part has been their proficiency as actors. I don’t have to talk about that. There was very little instruction required,” she said. She further noted that their interpretations had gone beyond what she had originally envisioned. “The interpretation they have given for their characters has elevated them more than I had imagined on paper, or between the lines. That’s the very gratifying part,” she said.

However, Meghna admitted that the trust placed in her by the two actors also comes with responsibility. “The immense trust they put in me is very scary. That makes it difficult,” she said.

Also Read : Parvathy Thiruvothu lends her voice to Kareena Kapoor Khan’s Ajooni in Malayalam version of Daayra

Amaal Mallik has responded strongly to social media users targeting his family amid the ongoing discussion surrounding his song ‘Main Hoon Hero Tera’. The composer took to social media to address the criticism and made it clear that while he may respond to comments directed at him, he would not accept remarks aimed at his family.

On Wednesday, Amaal shared a post on X, formerly known as Twitter, drawing a distinction between criticism of his work and comments about his family. He wrote, “A statutory warning to the entire audience on each & every social platform of the world… Not a word about my family will be tolerated.”

Amaal was referring to the controversy surrounding ‘Main Hoon Hero Tera’, the 2015 song sung by Salman Khan. Addressing the discussion around the song's credits, he explained the contributions of everyone involved in its making. Amaal wrote, “Firstly, know that Armaan Malik has sung the main version, because of which it could be presented to the actor-producer Mr Salman Khan and director Mr Nikhil Advani. I made it, @kumaarofficial sir wrote it, @ArmaanMalik22 sang it; hence it got approved and then @BeingSalmanKhan sir sang it. That’s how the cookie crumbles, and that’s exactly how it happened, okay? FYI, without Me & Kumaar sir, there would be no song to sing. Without Armaan, there would be nothing to play to Salman, sir. Without SK’s face & voice version, the song wouldn’t be where it is today; never denied that. But does anyone even pause to think how much goes into creating a song and then get left out of every celebration post every year.”

A statutory warning to the entire audience on each & every social platform of the world…

Not a word about my family will be tolerated.

Targeting me is part of your game plan, gives you some likes and eyeballs - GREAT!

You are welcome ;)

Last few days I have been seeing… pic.twitter.com/nEx3qvLr3e — Amaal Mallik (@AmaalMallik) September 16, 2026

The composer further warned that he would publicly address those who make comments about his family. He also spoke about standing by his father, Daboo Malik, and his family despite their estrangement.

“I will expose each one of you here if I find you saying anything against my family. Also, if anyone from the film industry, without probable cause or reason, stands up against me and mine, watch out, I’ll be coming for you… Music ka #Srk hoon main, Magar gussa mera #SalmanKhan Aur #SanjayDutt wala hai. Yeh sab doosro ko saath chalta hoga, Daboo Malik aur unki family ke saath Bilkul nahi… Amaal Mallik unke saath khada tha, hai aur rahega bhi. So, bhidna at your own risk. (This might happen with others, but definitely not with Daboo Malik and his family… Amaal Mallik stood with them, stands with them, and will continue to stand with them. So, clash at your own risk).”

The controversy began after Salman Khan Films shared a social media post marking 10 years of ‘Main Hoon Hero Tera’ without initially mentioning Amaal Mallik as the composer. Amaal subsequently called out the omission, following which the post was edited to include his credit.

The incident also led to criticism of Amaal on social media, with some users calling him ‘ungrateful’ towards Salman Khan. Amaal and his singer-brother Armaan Malik subsequently defended his position publicly, resulting in further discussion online.

Also Read : Sau Aasmaan Turns 10: Amaal Malik, Armaan Malik and Neeti Mohan reflect on ‘Baar Baar Dekho’ song˝

The casting of Ranbir Kapoor as Lord Rama in Nitesh Tiwari’s Ramayana has been a topic of discussion since the release of the film’s first teaser. While some viewers have questioned whether the actor fits the role, others have responded positively to his appearance as the revered mythological character. Amid the ongoing debate, Ravie Dubey, who plays Lakshman in the film, has spoken in support of his co-star and shared his experience of working with him.\

In an interview with Variety India, Ravie Dubey praised Ranbir Kapoor’s approach to his work and described him as “simply the best”. Addressing the criticism around Ranbir’s casting as Lord Rama, Ravie said, “I think Ranbir is simply the best we have. He is a superstar of epic proportions, but what has stayed with me even more is the human being and the artiste I have witnessed at close range. The sincerity with which he comes onto a set is unparalleled. His work ethic, etiquette, intensity and preparation; I had heard so much about these things, but I had the privilege of witnessing them firsthand.”

Ravie further spoke about Ranbir’s personality away from his stardom and added, “And alongside all of that is this incredibly grounded, warm and inclusive nature. There is no weight of his stardom in the way he interacts with people. I find that enormously inspiring. It is my great good fortune to be a part of this journey alongside Ranbir, Namit (Malhotra), Nitesh (Tiwari), Yash, Sai Pallavi and every single person associated with Ramayana.”

Ranbir had earlier confirmed that he will be seen in the dual roles of Lord Rama and Lord Parshurama in Ramayana. Speaking about playing both characters in an interview with Collider, he said, “Lord Vishnu had different avatars. Lord Rama was an avatar, and Lord Parshurama was an avatar before Lord Rama. Just to get the opportunity, you know, how I got to play Lord Rama, to also play Lord Parshurama was fantastic.”

About Ramayana

Directed by Nitesh Tiwari, Ramayana is based on Valmiki’s ancient Sanskrit epic and follows the life and trials of Lord Rama, the Prince of Ayodhya. The film features Ranbir Kapoor, Ravie Dubey in his film debut as Lakshman, Sai Pallavi, Sunny Deol, Yash in his Hindi film debut, Anupam Kher, Kajal Aggarwal, Rakul Preet Singh, Vivek Oberoi, Kunal Kapoor, Adinath Kothare, Arun Govil, Indira Krishnan and Lara Dutta.

The two-part film is backed by Namit Malhotra and Yash under Prime Focus Studios, Monster Mind Creations and DNEG. Mounted on a reported budget of Rs 4,000 crores, Ramayana is slated to release in two parts, with the first instalment scheduled for Diwali 2026 and the second part arriving on Diwali 2027.

Also Read : BREAKING: 4-minute-15-second-long trailer of Ramayana passed by CBFC with a ‘U’ certificate

Rabya Khan, the mother of the late actress Jiah Khan, has issued her first public response after actor Sooraj Pancholi’s name appeared in the Central Bureau of Investigation (CBI) First Information Report (FIR) regarding celebrity manager Disha Salian’s death. Expressing deep concern over the handling of the investigation, Rabya drew sharp parallels between the ongoing developments and her late daughter’s legal journey, questioning the potential loss or destruction of critical forensic material.

Taking to social media without naming specific individuals, Rabya voiced her apprehension regarding the resurgence of familiar names after several years. “When I hear that the same name has surfaced in another young Disha Salian murder six years ago, it deeply saddens me and this must alarm everyone,” she wrote. Concerns over evidence destruction and investigation handicaps Highlighting the pivotal role of forensic integrity, Rabya stressed that once vital evidence is compromised, establishing the facts becomes extremely difficult for both investigative agencies and affected families. She claimed personal insight into how evidence can be manipulated, stating she knows what happens when crucial material is “destroyed” or replaced in a way that can “fool victims”.

She also cited what she called “serious discrepancies” previously noted by the High Court regarding the initial probe into Disha Salian's death. Rabya argued that conducting a fresh inquiry years after an event poses severe challenges if foundational proof is no longer intact.

“No wonder they have specifically said no one is accused without evidence. But when crucial evidence has already been destroyed or lost, a fresh investigation will face an enormous handicap,” she noted.

Rabya further compared the framing of the investigation to her daughter's case. She observed that while Jiah's death was ruled as an "abetment to suicide", there were serious questions over whether the alleged act of "abetting" was thoroughly examined. She claimed a similar pattern is currently unfolding in Disha’s case.

Jiah Khan’s mother says, "System repeatedly fails to protect evidence" In her statement, Rabya expressed worry that a lack of concrete forensic proof could ultimately result in an incomplete judicial process or lead to acquittals. “High Court order will give these accused acquittal due to no evidence,” she warned, questioning why evidence capable of uncovering the truth is allegedly not preserved, leaving grieving families “searching for answers”.

She went on to question institutional protocols surrounding high-profile cases, writing, “Think why the system repeatedly fails to protect the evidence that could establish the truth.” Reiterating her demand for transparency and justice, she concluded, “The people are not foolish, it’s different perception created to hide truth when the system tries to protect them,” adding firmly that “Disha deserves the truth, just as Jiah did.” Background on Jiah Khan’s Case Jiah Khan, who made her Bollywood debut in Nishabd (2007) alongside Amitabh Bachchan and later featured in hit films like Ghajini and Housefull, was found dead at her Mumbai residence on June 3, 2013, at the age of 25. Her death was initially investigated as a suicide, and her then-boyfriend Sooraj Pancholi was charged with abetment to suicide. Following a long trial, a Special CBI Court acquitted Pancholi in April 2023, citing a lack of concrete evidence. Rabya Khan has consistently rejected the suicide ruling, maintaining that her daughter was murdered.

Also Read: Sooraj Pancholi DENIES link to Disha Salian death case after CBI FIR names him alongside Aaditya Thackeray, Rhea Chakraborty: “Very unfair and extremely upsetting”

The Supreme Court on September 15, 2026, granted actor Rajpal Yadav a final two-week window to submit a concrete proposal for clearing his outstanding financial dues in multiple cheque-bounce cases. A three-judge bench headed by Chief Justice Surya Kant and comprising Justices Joymalya Bagchi and V Mohana extended the actor's exemption from surrendering until October 5, while directing him to deposit Rs 2 crore with the apex court registry.

The bench strongly criticized Yadav’s past non-compliance with judicial directions, observing that his conduct failed to inspire confidence. “He is perfect at doing drama but this court. Earlier orders of the court have not been complied with,” the bench remarked during proceedings, before deciding to grant him one last opportunity to prove his bona fides. Defense cites financial distress and industry support Appearing on behalf of the actor, senior advocate PS Patwalia urged the court to allow two weeks to present a detailed payment roadmap. He assured the bench that Yadav would deposit Rs 2 crore as a demonstration of good faith.

Patwalia informed the court that Yadav had already served four-and-a-half months in prison in connection with the matter, noting that the actor would need assistance from friends in the film industry to arrange the funds.

Representing the complainant, M/s Murali Projects Pvt Ltd, senior advocate Ajit Sinha emphasized that the firm was primarily focused on recovering the defaulted funds. He told the bench that Yadav had repeatedly failed to honor his financial commitments over the years.

The legal dispute traces back to financial assistance of Rs 5 crore allegedly extended to Yadav for a film project in 2010. According to the complainant, Yadav tendered seven cheques of Rs 1.05 crore each in 2013 as part of a settlement agreement, all of which subsequently bounced.

The complainant further stated that under a 2012 agreement, Yadav, his wife Radha Rajpal Yadav, and their company had agreed to repay approximately Rs 11 crore, inclusive of accumulated interest. The apex court is scheduled to hear the matter next on October 5.

Also Read: Rajpal Yadav gets interim relief from Supreme Court in cheque dishonour cases, asked to deposit Rs 5 crores

Filmmaker Rakesh Roshan has leased two commercial units in Mumbai’s Andheri West to Beingu Studios Private Limited. According to property registration documents accessed by CRE Matrix, the two offices have a combined area of 5,574 sq ft and are being leased for a monthly fee of Rs 7.30 lakh.

The commercial units are situated at Commerce Centre, off New Link Road in Oshiwara, Andheri West. The deal also includes two car parking spaces.

The leave and license agreement was registered on September 9, 2026. The lease has been signed for a period of three years, with a 5% annual increase in the monthly rent. The security deposit for the transaction stands at Rs 10.95 lakh. Rent To Increase Over Three-Year Lease As per the registered agreement, Beingu Studios will pay Rs 7.30 lakh per month during the first year of the lease. The monthly license fee will rise to Rs 7.66 lakh in the second year and further increase to Rs 8.04 lakh during the third year.

The escalation clause is part of the three-year leave and license agreement registered with the authorities.

Beingu Studios describes itself on its website as a content enterprise with operations spanning cinema, television, live concerts and digital platforms. Rakesh Roshan’s Recent Property Transactions The latest commercial lease comes a few months after Rakesh Roshan and his wife, Pramila Roshan, leased their apartment in Mumbai’s Juhu-Vile Parle Development Scheme. The residential property was leased for three years. Property registration documents accessed by CRE Matrix indicated that the agreement could generate approximately Rs 1.89 crore in rental income over the complete lease period.

The Roshan family has also been involved in several property transactions in Mumbai and other parts of the country in recent months.

In January 2026, Rakesh Roshan sold a 1.09-hectare land parcel in Pune district for Rs 15 crore. The transaction was recorded in property registration documents accessed by CRE Matrix.

Also Read: BREAKING: EXCLUSIVE footage of Ramayana to be screened at Big Cine Expo 2026, Chennai; Rakesh Roshan to receive Special Achievement Award

Yesterday, we reported that Anya Singh of The Ba***ds Of Bollywood fame has joined the star cast of Vikram Bhatt’s 1920: Cold Winter. We now bring you another exciting update about the upcoming horror film.

A source told Bollywood Hungama, “Music composer Himesh Reshammiya has signed the film. Vikram Bhatt’s horror films are known not just for jump scares and scary visuals, but also for soulful music. 1920: Cold Winter is no exception. This time, he really wanted the music to stand out and hence, he approached Himesh. Himesh Reshammiya was too happy to join hands with Vikram after a long time and signed on the dotted line.”

1920: Cold Winter marks the fifth film of Vikram Bhatt and Himesh Reshammiya. They previously collaborated on Footpath (2003), Fear (2007), Red: The Dark Side (2007) and Dangerous Ishhq (2012).

Meanwhile, another source told us, “Vikram Bhatt has shot for many of his films in Ooty. But for 1920: Cold Winter, he’ll be filming in Mussoorie. Moreover, the shoot takes place in the winter season at the end of the year, which will be perfect as per the film’s requirement.”

Bollywood Hungama has also learned that the other film for which Himesh Reshammiya has composed is the Sunny Deol-starrer Soorya. As per sources, the film is now called Suryaa - One Man Against The System. It is produced by Kamal Mukut and co-stars Manish Wadhwa, Ravi Kishan and others. It is the remake of the Malayalam film Joseph (2018), and just like the original, the action entertainer is directed by M Padmakumar. In this film, Sunny Deol plays a retired cop who takes on the organ harvesting mafia.

This is the third time that Himesh Reshammiya has composed music for a Sunny Deol starrer. Their previous collaborations were Fool & Final (2007) and Apne (2007); both films released 19 years ago.

The source also revealed, “Himesh Reshammiya’s music label, Himesh Reshammiya Melodies, has bagged the music rights of both 1920: Cold Winter and Suryaa - One Man Against The System. The label will also release songs from other films for which Himesh is composing the music, including the Emraan Hashmi-starrer Gunmaaster G9, the Ayushmann Khurrana-starrer Yeh Prem Mol Liya and Anil Sharma’s Utkarsh Sharma-Arjun Rampal starrer Arjun Naga.”

About 1920: Cold Winter

1920: Cold Winter was announced a few weeks after the release and surprising box office performance of Haunted – Echoes Of The Past (2026). Like the Mimoh Chakraborty-starrer, 1920: Cold Winter is also produced by Anand Pandit. Ahan Shetty has been locked in as the male lead. Interestingly, both Ahan Shetty and Anya Singh also shared screen space in this year’s super-hit war film, Border 2. While Ahan played the role of Lt Cdr Mahendra Singh Rawat, Anya was seen as his wife, Sudha Rawat. Hence, 1920: Cold Winter marks the second film in which Ahan Shetty and Anya Singh will be paired opposite each other.

Also Read: SCOOP: Himesh Reshammiya Melodies on a roll! After Yeh Prem Mol Liya and Gunmaaster G9, label bags music rights of Anil Sharma’s Arjun Naga

Actor Samantha Ruth Prabhu recently celebrated her traditional baby shower ceremony, known as Seemantham, with her husband and director Raj Nidimoru. The intimate ceremony comes as the couple prepare to welcome their first child in December 2026. The actor also opened up about her experience of participating in the ceremony and understanding the meaning behind the rituals.

For the occasion, Samantha opted for a dark yellow and gold ethnic ensemble, which she paired with traditional jewellery and fresh flowers in her hair. Raj was also present as the couple participated in the sacred rituals together.

The intimate gathering was held outdoors, with the space decorated with marigold flowers and traditional oil lamps. Among those present were close friends and members of Samantha’s creative circle, including designer Shilpa Reddy and stylist Neeraja Kona. Samantha Ruth Prabhu explains the significance of the ceremony Sharing pictures from the celebration, Samantha spoke at length about her relationship with Indian traditions and how the ceremony gave her a deeper understanding of their significance.

“I have always had a deep respect for our traditions. I may not understand the meaning behind every ritual, but I have always believed that there is something deeper at work… in the sound of a mantra, the energy created through chanting, and the careful way the ancient practices have been passed down through generations,” she wrote.

She further explained that the priest conducting the ceremony was a Srividya Upaasaka, who took her through the meaning behind each ritual. “As the priest, a Srividya Upaasaka, began explaining each step, I slowly understood how thoughtful and meaningful the ceremony was. Every mantra had a purpose. Every offering had a meaning. Every step had its place,” Samantha added.

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According to the actor, the ceremony included Kalaa Aavarana, also referred to as Sri Kalpam, a specialised ritual associated with the Srividya tradition. She explained that the ritual honours the 94 kalas of Devi through the seven chakras of the mother-to-be, with sacred water and mantras used as part of the ceremony.

Samantha also highlighted the way the ritual places the mother at the centre of the ceremony, describing her as Devi and as the creator through whom new life is taking form. Samantha describes the Sri Chakra Yantram ritual The actor went on to explain another important part of the ceremony involving the Sri Chakra Yantram. Following the abhishekam, the mother-to-be is seated at its sacred centre, known as the bindu. “At its centre is the bindu, a single point symbolising the source of creation and the blessings of Lalita Tripurasundari,” Samantha explained.

She also spoke about the recitation of the Devi Khadgamaala, during which the names of deities and divine energies associated with the nine enclosures of the Sri Chakra are chanted. “The recitation symbolically moves from the outer layers towards the centre, guiding the mind inward and invoking protection and blessings,” she wrote.

Samantha described the experience as deeply personal, adding that she initially knew little about the ceremony but left feeling a stronger connection to the traditions and rituals. “There was something incredibly powerful about sitting there, experiencing all of this while understanding what was being invoked for me and for the baby. I went in knowing almost nothing about the ceremony. I came away feeling deeply blessed and protected,” she said.

The actor concluded her post by expressing gratitude to Shilpa Reddy for giving her the opportunity to experience the ceremony, as well as to everyone involved in creating the sacred space. “Grateful for the wisdom in the ancient traditions that surround us. Grateful for the mother I am becoming, and for the little life entrusted to me.”

Also Read: Samantha Ruth Prabhu reacts to fan suggesting baby name Samraj with Raj Nidimoru: “A tad full of ourselves, don’t you think?”

Actor Sooraj Pancholi has addressed the renewed attention around his name following the Central Bureau of Investigation’s FIR in the death case of celebrity manager Disha Salian. The actor has denied ever meeting Salian or Shiv Sena (UBT) leader Aaditya Thackeray and said he is willing to cooperate with the investigation if required.

The CBI registered an FIR on September 14 in connection with Salian’s June 2020 death after the Bombay High Court directed the agency to investigate the circumstances surrounding the case. The development has once again brought several names associated with allegations and speculation around the case into focus. However, the High Court had directed the CBI to conduct the probe without naming anyone as an accused at that stage.

According to reports citing advocate Nilesh Ojha, who represents Salian’s father Satish Salian, the FIR contains the names of several individuals, including Sooraj Pancholi, Aaditya Thackeray, Rhea Chakraborty and Dino Morea. The reported inclusion of a name in an FIR does not by itself establish guilt or wrongdoing, and the investigation is ongoing. Sooraj Pancholi says he has never met Disha Salian Amid the renewed discussion, Pancholi took to social media late on September 14 to put out a detailed statement about his alleged connection to the case. He said his name has been repeatedly linked to the matter through media reports and statements despite, according to him, there being no connection between him and Salian.

“I have decided to put this out because I feel it is important to put certain facts clearly in the public domain. For the last few years, my name has been dragged into the controversy surrounding the unfortunate demise of late Disha Salian through various media reports and statements. I want to say this out loud and very clear. I have never met late Disha Salian in my life, directly or indirectly. I have also never met Aaditya Thackeray in my life!” he wrote.

Pancholi said he found it unfair that his name continued to be associated with the case and claimed there was no evidence connecting him to the matter. “It is honestly very unfair and extremely upsetting to see my name being dragged into something that I have absolutely nothing to do with, especially when there is no evidence or proof connecting me to this matter,” he added. Actor says he is willing to cooperate with CBI Pancholi also addressed his previous interactions with investigating agencies. According to the actor, he was questioned by the CBI and police several years ago and his statement was recorded during the earlier investigation. “Regarding this matter, I have already been investigated by the CBI/police and my statement was recorded by the agencies almost 4-5 years ago. I have nothing to hide,” he said.

The actor further stated that he would cooperate if the investigating agency requires additional information from him. “If any investigating agency feels that they need to question me again or require any further information from me, I am completely willing to cooperate and make myself available for any investigation,” Pancholi wrote.

The CBI’s latest probe follows the Bombay High Court’s September 2 order directing the agency to investigate Salian’s death. The court had said the investigation should cover all aspects surrounding the circumstances in which she lost her life. Sooraj Pancholi urges people not to treat speculation as fact Pancholi also spoke about the role of media reports and social media discussions in shaping public opinion around the case. He urged people to distinguish between allegations, statements and established facts.

“I strongly support a fair and thorough CBI investigation into the circumstances surrounding the unfortunate demise of late Disha Salian,” he wrote. “At the same time, I also believe that there should be an investigation into the malicious propaganda and false narratives being created around this unfortunate incident because someone’s death should never become a reason to destroy another person’s reputation without evidence.”

He further appealed to people to verify information before forming opinions. “And to everyone who is reading this, please don’t believe everything you see on the News or on social media! A headline is not evidence. A debate is not evidence. Someone saying something on television does not make it a fact. Please verify things before forming an opinion about someone’s life and character,” Pancholi said.

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The actor concluded his statement by reiterating that he has faith in the legal process and the investigating agencies. “I have faith in the law. I have faith in the investigating agencies. And I have faith that ultimately, the truth will come out. Let the fact speak. Let the investigation speak. Let the truth speak. Jai Hind.”

The actor captioned his post, “Please read because I’m sure the media won’t cover this!”

Also Read: Sooraj Pancholi breaks silence on Jiah Khan case; says, “I spent the next 14 years fighting to prove my innocence”

Neena Gupta has spoken openly about raising her daughter Masaba Gupta as a single mother and the choices that shaped their lives. In a recent conversation with Zoom, Neena reflected on Masaba’s childhood and her experience of growing up without her father, former West Indies cricketer Vivian Richards, being present in her everyday life.

Neena revealed that she has apologised to Masaba over the years for the circumstances of her upbringing. She acknowledged that some decisions made when she was younger had consequences that became clearer with time.

“I am so honest with her that many times I have said sorry to her that you didn't have a father with you when you were young. It is my fault, but she understands. We all make mistakes. When we are young, our parents tell us certain things and we don't listen. That wisdom comes later,” she said.

Neena also explained that she made a conscious effort to ensure Masaba learned about her father and their relationship directly from her. Rather than allowing her daughter to hear about the circumstances from others, she chose to have honest conversations with her as she grew older.

“I made her like her father. I told her why and what had happened as she grew up. So, there was no malice or anger towards me because I told her the truth. It is very important because, rather than her hearing something from outside, I thought it was better that I told her myself. I think that was a very sensible thing that I di,” she added.

Neena and Vivian Richards welcomed Masaba in 1989. In her autobiography Sach Kahun Toh, the actor had previously spoken about their relationship and the circumstances surrounding her pregnancy. "Vivian and I had an affair and I got pregnant. He had already returned home when I found out," she recalled.

She also remembered telling Richards about her pregnancy and asking whether he would object to her having his child. “I'm pregnant,” she told him. “Would you have a problem if I were to have your baby?" According to Neena, Richards told her to go ahead with the pregnancy.

The two continued their relationship for a few years despite often living apart. Neena later married chartered accountant Vivek Mehra in 2008. Masaba went on to establish herself in fashion before also entering acting. She married Satyadeep Misra in 2023, with both her parents present at the wedding.

On the work front, Neena was most recently seen in Netflix’s Chumbak, alongside Deven Bhojani, Arjun Bijlani, Sumeet Raghavan and others. The sitcom revolves around five multigenerational families living in row houses in the fictional Chumbak Colony. The series was created by Aatish Kapadia and Jamnadas “JD” Majethia.

 Also Read : Chumbak Trailer: Neena Gupta, Deven Bhojani, Arjun Bijlani, and Sumeet Vyas lead Netflix’s new family comedy

Govinda’s wife Sunita Ahuja, has added a new Mercedes-Benz to her car collection. Sunita was spotted at a luxury car dealership in Mumbai with her daughter, Tina Ahuja, as they arrived to take delivery of the new vehicle.

The mother-daughter duo was seen at the dealership before leaving with the new car. Their appearance also caught the attention of the paparazzi, who gathered around to capture pictures of the vehicle. During the interaction, Sunita responded to the photographers with a light-hearted remark. She said, “Humari gaadi toh aane se pehle hi bahut famous ho gayi hai!”

Tina accompanied her mother during the delivery ceremony. The two also participated in a traditional puja at the dealership, with Tina seen breaking a coconut as part of the ritual before they drove away in the new Mercedes-Benz.

The latest purchase adds to the Ahuja family's collection of premium cars. Sunita has previously been seen travelling in luxury vehicles, including a BMW 3 Series Gran Limousine that Govinda had gifted her on an earlier occasion.

Sunita and Tina's appearance at the dealership comes as the family adds another luxury vehicle to its garage. The new Mercedes-Benz was subsequently driven out onto the streets of Mumbai following the traditional ceremony.

Also Read : Sunita Ahuja urges Bollywood to contribute to Nepal flood relief; says, “Nepal is my matrabhoomi”