Drishyam The Conclusion mania EXPLODES! Theatres add post-midnight shows BEFORE release; exhibitors asked to match Spider-Man, Dhurandhar The Revenge pricing

/ October 02, 2026

In November 2022, Drishyam 2 was among the first major films of the post-pandemic era to witness post-midnight and early morning shows, as theatres responded to the tremendous demand for the Ajay Devgn-led thriller. Four years later, history is repeating itself with Drishyam The Conclusion. The much-awaited third instalment of the franchise is all set for a historic opening today, October 2, and the unprecedented demand is already visible in the way exhibitors have opened up post-midnight shows even before release day.

Unlike Drishyam 2, where several post-midnight shows were added only in the second half of the opening day, exhibitors have acted much earlier this time. Realizing that the advances for Day 1 are exceptionally strong and anticipating historic collections, several theatres began opening bookings for post-midnight shows as early as October 1, a day before the film's release.

In Mumbai and the surrounding areas, post-midnight shows have been opened at PVR Lower Parel, Cinepolis Seawoods, Metro Inox, Inox R City Ghatkopar, Maxus Borivali, Inox Malad, PVR Oberoi Mall Goregaon, PVR Phoenix Market City Kurla, PVR Juhu, PVR Citi Mall Andheri, Inox Sky City Mall Borivali, PVR Chakala, PVR Orion Panvel, PVR Palava, Cinepolis Bhandup, Funcity Big Cinema Ulhasnagar, Inox Raghuleela Kandivali, Cinepolis Andheri, PVR Infiniti Andheri, PVR Infiniti Malad and Miraj Dombivali.

Interestingly, Maxus Bhayander has gone a step further and is showing Drishyam The Conclusion practically round the clock. The cinema has scheduled shows at 12:35 am, 1:05 am, 2:05 am, 3:05 am, 4:05 am and 5:05 am, making it a 24/7 affair for the film.

The trend isn't restricted to Mumbai. In Pune, post-midnight shows have been opened at Inox Megaplex Wakad, PVR Phoenix Market City, Cinepolis Seasons Mall, Inox Chinchwad, PVR Icon The Pavilion, PVR Hinjawadi, PVR Kumar Pacific, Inox Jai Ganesh Akurdi, Inox Royal Heritage Mall, Inox Royal Heritage Mall and Inox Bund Garden Road. In Ahmedabad, the film has also begun getting post-midnight shows at Connplex Prahladnagar, Classic Cinema Gandhinagar, PVR Motera, Connplex SBR, The Cinestar Miniplex SP Ring Road and CLEXA.

More cinemas across different cities are also expected to add post-midnight shows as the day progresses, especially given the strong advance booking response. The unprecedented demand for Drishyam The Conclusion has clearly prompted exhibitors to start adding shows much earlier than they did for Drishyam 2, setting the stage for a potentially historic opening for the franchise.

The other interesting aspect is the high-ticket pricing. Despite the steep rates, there is tremendous demand among audiences to watch Drishyam The Conclusion as soon as possible. As per exhibition sources, theatres have been asked to price tickets for the film on par with Spider-Man: Brand New Day and Dhurandhar The Revenge.

Also Read: EXCLUSIVE: CBFC clears Drishyam The Conclusion WITHOUT a single cut; is 8 minutes longer than Drishyam 2



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In November 2022, Drishyam 2 was among the first major films of the post-pandemic era to witness post-midnight and early morning shows, as theatres responded to the tremendous demand for the Ajay Devgn-led thriller. Four years later, history is repeating itself with Drishyam The Conclusion. The much-awaited third instalment of the franchise is all set for a historic opening today, October 2, and the unprecedented demand is already visible in the way exhibitors have opened up post-midnight shows even before release day.

Unlike Drishyam 2, where several post-midnight shows were added only in the second half of the opening day, exhibitors have acted much earlier this time. Realizing that the advances for Day 1 are exceptionally strong and anticipating historic collections, several theatres began opening bookings for post-midnight shows as early as October 1, a day before the film's release.

In Mumbai and the surrounding areas, post-midnight shows have been opened at PVR Lower Parel, Cinepolis Seawoods, Metro Inox, Inox R City Ghatkopar, Maxus Borivali, Inox Malad, PVR Oberoi Mall Goregaon, PVR Phoenix Market City Kurla, PVR Juhu, PVR Citi Mall Andheri, Inox Sky City Mall Borivali, PVR Chakala, PVR Orion Panvel, PVR Palava, Cinepolis Bhandup, Funcity Big Cinema Ulhasnagar, Inox Raghuleela Kandivali, Cinepolis Andheri, PVR Infiniti Andheri, PVR Infiniti Malad and Miraj Dombivali.

Interestingly, Maxus Bhayander has gone a step further and is showing Drishyam The Conclusion practically round the clock. The cinema has scheduled shows at 12:35 am, 1:05 am, 2:05 am, 3:05 am, 4:05 am and 5:05 am, making it a 24/7 affair for the film.

The trend isn't restricted to Mumbai. In Pune, post-midnight shows have been opened at Inox Megaplex Wakad, PVR Phoenix Market City, Cinepolis Seasons Mall, Inox Chinchwad, PVR Icon The Pavilion, PVR Hinjawadi, PVR Kumar Pacific, Inox Jai Ganesh Akurdi, Inox Royal Heritage Mall, Inox Royal Heritage Mall and Inox Bund Garden Road. In Ahmedabad, the film has also begun getting post-midnight shows at Connplex Prahladnagar, Classic Cinema Gandhinagar, PVR Motera, Connplex SBR, The Cinestar Miniplex SP Ring Road and CLEXA.

More cinemas across different cities are also expected to add post-midnight shows as the day progresses, especially given the strong advance booking response. The unprecedented demand for Drishyam The Conclusion has clearly prompted exhibitors to start adding shows much earlier than they did for Drishyam 2, setting the stage for a potentially historic opening for the franchise.

The other interesting aspect is the high-ticket pricing. Despite the steep rates, there is tremendous demand among audiences to watch Drishyam The Conclusion as soon as possible. As per exhibition sources, theatres have been asked to price tickets for the film on par with Spider-Man: Brand New Day and Dhurandhar The Revenge.

Also Read: EXCLUSIVE: CBFC clears Drishyam The Conclusion WITHOUT a single cut; is 8 minutes longer than Drishyam 2



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Indian cinema’s premier leading ladies are continually redefining international style standards, bringing high-octane glamour, sharp tailoring, and rich sartorial heritage to prestigious global stages. From the historic fashion capitals of Paris and London to star-studded international red carpets in Cannes, Milan, and Riyadh, these powerhouse actors have established themselves as undeniable global fashion icons. This list highlights five leading Indian actresses who truly aced international fashion events, perfectly combining high-fashion couture with confident individuality.

Deepika Padukone: ⁠Making a striking impression at Paris Fashion Week for the Louis Vuitton Fall/Winter 2025 presentation (#LVFW25), global House Ambassador Deepika Padukone exuded timeless, old-world Parisian sophistication in a sharply tailored light-grey trench coat featuring an oversized white lapel collar, styled effortlessly with dark leather gloves, sheer black tights, classic pumps, and a statement wide-brimmed white hat.

 

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Priyanka Chopra Jonas: Stepping out for an exclusive, star-studded evening with Bvlgari in Milan, Italy, Priyanka Chopra Jonas commanded the room in a dramatic, body-sculpting black mermaid gown designed with a plunging sweetheart neckline and an avant-garde folded shoulder accent, beautifully offset by a sparkling high-jewelry diamond necklace and a sleek pulled-back updo.

 

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Kriti Sanon: Taking front-row center stage at London Fashion Week for the Burberry show, Kriti Sanon defined autumn-winter chic in a structured dark mocha-brown textured trench coat thoughtfully styled with an eye-catching geometric teal scarf tucked along the neckline, an updoupdoop-knotd a sleek luxury shoulder bag.

 

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Alia Bhatt: Gracing the opening night of the prestigious Cannes Film Festival on behalf of global beauty giant L'Oréal Paris, Alia Bhatt delivered pure fairytale romance on the French Riviera in a soft blush-pink strapless gown with a deep plunge neckline, seamlessly anchored by a light, flowing sheer train draped elegantly around her arm.

 

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Shraddha Kapoor: Representing Indian cinema at the prestigious Joy Awards during Riyadh Season in Saudi Arabia, Shraddha Kapoor fused regal Indian tradition with modern Middle Eastern couture in a mesmerizing black saree-style gown lavishly detailed with intricate gold metallic hand-embroidery across the bodice, sheer sleeves, and trailing pallu.

 

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With these standout international appearances, these actors continue to elevate Indian talent on the global fashion stage, proving that whether on the red carpet or front row at fashion week, their sartorial choices remain undeniably world-class.

Also Read: From Priyanka Chopra Jonas, Deepika Padukone to Bhumi Pednekar: Bollywood actresses who turned heads at global fashion events



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Bigg Boss 20 Week 4 has had its share of fights, nominations, task drama and shifting equations, but the overall energy inside the house has remained relatively subdued. With Friday set for the Weekend Ka Vaar shoot, there are several issues from the week that deserve to be put under the spotlight. From Love Gill’s increasingly complicated group dynamics to Gullu’s captaincy and Qazi Touqeer’s growing disconnect with his own allies, here are four things Salman Khan should address.

1. Love Gill needs to STOP playing peacemaker at her own expense Love Gill’s biggest problem right now may not be her game, but her tendency to constantly keep the peace within her group.

Across the past few weeks, Love has repeatedly found herself apologising to her friends and group members after confrontations. One of the earliest examples came after Yung DSA lost his life, with the group suspecting that Gullu had played a role in the decision. At the same time, Gullu’s equation with Love, including their flirting, appeared to create discomfort among some members of the group.

Aamrapali Dubey subsequently confronted Love over the situation. While Love initially stood her ground, she eventually apologised to Aamrapali.

 

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A similar pattern emerged when Aasif Khan expressed his frustration over Love seemingly prioritising Scout OP and Yung DSA and relying more heavily on their opinions.

The latest incident involving Yung was even more telling. After Love danced on Gullu’s bed, Yung made a comment that she found inappropriate. Love confronted him, but the situation escalated, with Aamrapali also getting involved. Love eventually apologised to Yung.

The most interesting part is that Love herself has admitted to Aasif that she does not feel she can completely be herself within the group.

That is precisely where Salman could ask her to take a step back and assess her game. Being diplomatic is one thing, but constantly trying to keep everyone happy can prevent a contestant from establishing an individual identity. Love has shown that she can stand her ground. The question is whether she will continue doing so when it comes at the cost of keeping her group happy. 2. Gullu needs to move beyond the safety net of captaincy Kushal Tanwar, aka Gullu, entered the Bigg Boss house with expectations attached to him. As a winner of MTV Roadies XX: Double Cross, he already had a reality-show history built around tasks, strategy and confrontations.

Yet, three weeks into Bigg Boss 20, his contribution to the central drama has often felt quieter than expected.

His biggest advantage has been his position as captain. Gullu has managed to keep himself safe for two consecutive weeks, but that also means his game has not been tested in the same way as several other contestants.

Salman had already questioned Gullu during the previous Weekend Ka Vaar after he failed to take a strong stand while serving as sanchalak during the diss battle. Bigg Boss also took a dig at him over his relatively passive approach.

This week, Gullu became captaincy contender again, but even his leadership came under scrutiny. During the housemates' rose-based assessment of his captaincy, several contestants criticised him for being careless, people-pleasing and insufficiently strict. The messy-house footage shown by Bigg Boss further added to the criticism.

 

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Salman does not necessarily need to question Gullu simply because he has not been involved in every fight. Instead, the bigger question is whether he is using his position to actively shape the game.

If Gullu wants to establish himself beyond the captain's badge, this could be the week to ask him to take more decisions, drive tasks and take clear positions instead of relying on safety. 3. The entire house needs a wake-up call If there is one larger issue Salman should address, it is the overall energy of the house.

Week 4 has had individual incidents, but very few moments have managed to sustain momentum. The ration and captaincy task created some conflict, the Love-Yung argument added another layer to the group dynamics and Qazi's remarks sparked a confrontation with Kanika. Beyond these moments, however, the house has often felt quieter than it should at this stage of the season.

That is where a larger Weekend Ka Vaar intervention could help.

Kanika Mann, in particular, is an interesting case. She has had strong opinions on several issues and has not shied away from calling out behaviour she disagrees with. Her objection to Qazi's use of the word “lollipop” during their interaction was one example. However, she has also frequently chosen to discuss her frustrations with the cameras rather than directly with the person involved.

 

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The latest confrontation with Qazi showed that Kanika is capable of taking the issue directly to the person concerned. That side of her game could potentially be more impactful than repeatedly discussing the same concerns privately.

The same applies to the rest of the house. At this point, the contestants need to realise that simply reacting to one another is not enough. They need to actively play the game. 4. Qazi Touqeer needs to realise what is happening within his own group Qazi Touqeer has been involved in several conversations and confrontations this week, but there is another aspect of his game that could make for an interesting Weekend Ka Vaar discussion.

While Qazi appears to be comfortable with his group, some of the people around him have also been critical of him behind his back.

His recent clash with Kanika over the “lollipop” remark is already one issue Salman could revisit. Kanika had objected to the word earlier, and the matter eventually became a direct confrontation. But beyond that incident, Qazi could benefit from being made aware of how some of his own group members perceive him when he is not around.

The purpose would not simply be to create another fight. Instead, it could force Qazi to reassess his equations and understand whether the people he considers allies view the relationship in the same way.

That could also test how Qazi handles uncomfortable information when it comes directly from Salman rather than through another contestant. This Weekend Ka Vaar needs to shake things up Week 4 has not been completely devoid of drama. There have been nominations, ration cuts, captaincy politics, personal clashes and questions around individual gameplay. However, the bigger issue is that very few contestants have managed to consistently drive the narrative.

That makes this Weekend Ka Vaar particularly important. Love needs to examine whether keeping her group happy is coming at the cost of her individual game. Gullu needs to prove that his captaincy is more than a route to safety. Kanika needs to take her opinions directly to the people involved, while Qazi may need to look more closely at the equations within his own group.

If Salman addresses these issues, the focus can move beyond simply revisiting isolated fights and towards the larger question of how each contestant intends to play Bigg Boss 20 from here.

Also Read: Bigg Boss 20: Rhiti Tiwari evicted in surprise mid-week exit after captaincy task? Here’s what we know!



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After impressing audience with Queen (2014), Goodbye (2022) and Shaitaan (2024), Vikas Bahl is all set with his next directorial. The untitled film stars Jimmy Shergill, Siddhant Chaturvedi, Mona Singh and Alizeh Agnihotri in lead roles. The coming-of-age drama is set against a defining cultural moment, where a generation of immigrants found belonging, rebellion and a voice through music.

Set in Britain in the early 1990s, the film unfolds against the rise of the UK Punjabi music movement, a turbulent and exhilarating time when a generation growing up between cultures began turning up the volume from garages, backrooms, pirate radio stations and underground gigs.

It was a time when Punjabi dhol collided with basslines and when young Brown artists, with their unique sound, fought their way to music charts, making their whole community visible. Set against this cultural explosion, the film is a coming-of-age story about music, identity, family, friendship and belonging.

The film brings together an ensemble of Indian and international actors, musicians and performers to recreate a moment when an entire generation began to discover that perhaps belonging wasn't something they needed to ask permission for.

Also Read: Ayushmann Khurrana says influencers and YouTubers have changed the definition of stardom: “It used to be exclusive club earlier but not anymore”



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Mumbai is gearing up for a glittering global night, and Alia Bhatt will be right at the heart of it. The actor, producer and entrepreneur will be among the leading names from the worlds of film, music, sport and entertainment at The Earthshot Prize 2026 Awards Night, where she will present one of the five Earthshot Prize awards.

The ceremony will bring together 5,000 guests to celebrate people and organisations working on solutions to some of the world's most pressing environmental challenges. Alia will share the stage with Oscar-winning actor Rami Malek, cricket legend Sachin Tendulkar and British actress and musician Simone Ashley, among other presenters and special guests. The evening will be hosted by Karan Johar, with more names expected to join the celebrations.

For Alia, the night is a chance to applaud the people behind the ideas and solutions driving environmental action around the world. Speaking about the occasion, she said: "The Earthshot Prize is really about hope… but hope that comes with ideas, action and people who are finding new ways forward. That's what makes it so inspiring to be a part of. There are people across the world doing incredible work to protect and repair our planet, often in ways we may never have imagined. And to have Mumbai bring all these people together feels very special. I'm proud that India gets to be part of this moment, and I'm really looking forward to celebrating the people behind these solutions and the work they're doing for all of us."

The 2026 Awards Night will also mark the first time the event is streamed globally on Prime Video, with audiences in more than 240 countries and territories able to watch the celebration in more than 40 languages.

On the work front, Alia is preparing for the release of the highly anticipated Love & War, in which she stars alongside real-life husband Ranbir Kapoor and Vicky Kaushal. Directed by Sanjay Leela Bhansali, the film will hit cinemas in January 2027. The actress also has Tumbbad 2 in the pipeline, where she will play a key role.

Speaking about The Earthshot Prize, founded by Prince William, it is the world's most prestigious environmental award, created to identify, back and celebrate groundbreaking environmental leadership. Built around five challenges, it aims to discover 50 winners over 10 years with the power to repair the planet.

Also Read: Daughter’s Day 2026: Alia Bhatt quips daughter Raha “bosses everybody around,” as she talks about women’s empowerment at the Mijwan fundraiser



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Yami Gautam, Adinath Kothare, Sushmita Mukherjee, Mita Vashisht, producers Nikhil Madhok, Aanand L Rai and Himanshu Sharma, director Balaji Mohan and others attended the trailer launch of Nayyi Navelli at a multiplex in Mumbai. The event marked Yami’s first major public appearance after receiving the National Award and, naturally, the actress was asked about how the recognition has impacted her.

When asked whether she now feels a greater sense of responsibility, Yami replied, “Yes, I do feel the sense of responsibility even more. I have always, as an actor, looked out for roles which interest me as an actor. But the audience in me is always looking out for something original. We don’t know what’s good or bad, but does it excite me to come on the set every day and spend every second and every cell of my mind in that moment or not? And not just within the periphery of being an artist, but also as a team member – just someone who’s in service of making films. That’s it.”

She added, “And I think the National Film Award is a really, really big honour. It’s also a true validation for any artist, across all languages and all formats, that you can receive in our country. And I take it with all humility.”

Yami further admitted, “I’ll be lying if I say that nothing has changed. You do feel that there’s an added responsibility in me as an artist or actor who’ll try to push even more, be even more diverse, work even harder and try to win and earn this love and respect that you all have literally bestowed upon me — someone who has come from a small town and reached till here. I still feel there’s a long, long way to go. There’s so much for me to learn.”

Another journalist asked Yami whether she was aiming for an Oscar next. She responded, “Aapke sapne sirf aapko aur aapke mann ko pata hona chahiye. Otherwise, I don’t like to share much. I believe in my work. When work is your expression, then you don’t need to say much.”

He also asked if she continues to be grounded even after winning a National Award. Yami said, “Pair zameen pe hi hai aur pair jitne zameen se jude rahenge, utna achha rahega. One thing I’ve learned in my life, and whenever I see great personalities around me, is that success will come and go. Today, you are doing so many films; who knows whether you’ll be doing so many films tomorrow? But one thing that is in your hands is your humility. That makes one more memorable than anything else, in my opinion.”

Nayyi Navelli releases in cinemas on October 16.

Also Read: Yami Gautam brings warmth, mystery and mischief as Mohini in Nayyi Navelli trailer, out now



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Veteran film producer Vashu Bhagnani has reportedly been hospitalised in London, according to news agency ANI. The reason for his hospitalisation has not been disclosed so far.

When contacted by ANI, Bhagnani asked to be left “alone”. No further details about his health condition or the duration of his hospital stay are currently available.

The development comes shortly after reports of Income Tax Department searches at multiple locations linked to Bhagnani, his daughter-in-law and actor Rakul Preet Singh, and Panorama Studios. Income Tax Department searches 12 locations The Income Tax Department reportedly carried out searches at 12 locations in Mumbai on September 28. The premises were linked to Vashu Bhagnani, Rakul Preet Singh and Kumar Mangat-led Panorama Studios.

According to reports, the searches were part of an inquiry into suspected financial irregularities involving film-related transactions. Investigators are reportedly examining allegations that funds may have been routed overseas under the guise of financing film projects.

Multiple teams were said to be examining documents, financial records and details of alleged overseas transactions. However, the Income Tax Department has not publicly disclosed its findings or confirmed that any tax violation has been established.

The searches also reportedly covered premises associated with Panorama Studios, which is led by producer Kumar Mangat Pathak. The nature and extent of the transactions under scrutiny have not been disclosed publicly. Vashu Bhagnani and Rakul Preet Singh yet to respond Reports of the Income Tax searches emerged on September 28, with multiple publications reporting that the department was examining financial records connected to the film industry.

Neither Vashu Bhagnani nor Rakul Preet Singh has publicly responded to the reports about the searches so far. The investigation is understood to be ongoing, and further details are awaited.

Importantly, the Income Tax searches and Bhagnani’s hospitalisation have been reported as developments occurring around the same time. There is currently no official information establishing a connection between the two.

For now, further information regarding Bhagnani’s health is awaited.

Also Read: Will the Vashu Bhagnani controversy benefit Hai Jawani Toh Ishq Hona Hai? Trade experts comment; also open up on 50% offer on release day: “You are UNDERMINING a star’s potential”



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The controversy surrounding Shah Rukh Khan, Ajay Devgn and Tiger Shroff’s Vimal Elaichi advertisement has moved to the next stage. Maharashtra Food and Drug Administration (FDA) Commissioner Tukaram Mundhe has confirmed that responses from all three actors have been received following the show-cause notices issued over the campaign.

Mundhe said that two of the actors had requested a hearing and that those hearings have now been completed. The FDA is subsequently proceeding with the matter. “Regarding those notices, responses from all three have come. Two of them had asked for a hearing. Their hearing was finished yesterday, and we are proceeding further,” Mundhe said.

#WATCH | Mumbai: On notices to Bollywood actors Shah Rukh Khan, Ajay Devgn and Tiger Shroff over Vimal advertisement, Maharashtra FDA Commissioner Tukaram Mundhe says, "Regarding those notices, responses from all three have come. Two of them had asked for a hearing. Their hearing… pic.twitter.com/0MV5yNtNua — ANI (@ANI) September 29, 2026

Why did the Maharashtra FDA issue notices? The Maharashtra FDA issued show-cause notices to Shah Rukh Khan, Ajay Devgn and Tiger Shroff in August 2026 over their appearance in a Vimal Elaichi advertisement released in 2024.

The regulator alleged that the campaign could amount to surrogate advertising for Vimal Pan Masala. According to the FDA, the Vimal brand is primarily associated with pan masala, while Vimal Elaichi is presented as a cardamom mouth freshener.

The notices stated that the advertisement appeared to create an association between Vimal Elaichi and Vimal Pan Masala. The FDA cited the prohibition on the manufacture, storage, transportation, distribution and sale of the relevant prohibited pan masala products in Maharashtra.

The notices were issued on August 11 and gave the actors 15 days to respond. They were also asked to discontinue their participation in the campaign and remove related promotional material from their social media accounts and other platforms. What did the FDA seek from the actors? Apart from asking the actors to explain their involvement in the advertisement, the notices sought details related to their endorsement contracts and the due diligence carried out before associating with the campaign.

The regulator also sought clarification on whether Vimal Elaichi was an independent product or whether its branding and presentation created a link with Vimal Pan Masala.

The FDA's position is that the use of the Vimal branding and the manner in which the product is presented raise questions about indirect or surrogate promotion of a prohibited product. The agency has said the action is based on the applicable food safety and advertising regulations.

Also Read: Maharashtra FDA Commissioner Tukaram Mundhe says, “Shah Rukh Khan, Ajay Devgn and Tiger Shroff not shielded by celebrity status in Vimal ad case”



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The jail doors are set to open once again, allowing new inmates to assemble. Following a landmark season that became a cultural phenomenon and a constant source of conversation both on and off screen, Netflix announces the return of Lock Upp: Sach Ya Sazaa for a second season. Produced by Ekta Kapoor, Shobha Kapoor and Manisha Sharma, and showrun by Malaya Pradhan, the new season promises to blur the lines between spectacle and vulnerability.

Centered on its distinctly Indian format, Lock Upp: Sach Ya Sazaa resonated with audiences worldwide, with its most shareable moments driving 5 billion+ views across social and word of mouth. The series demonstrated how a homegrown reality format can become a shared cultural experience: one that audiences don't simply watch, but participate in and carry with them.

Inside the jail in Season 1, contestants were pushed to own their truth, confronting the perceptions and narratives that had long surrounded them. Confessions became talking points, confrontations became debates, unexpected relationships became turning points, and raw moments became what audiences remembered most. What viewers witnessed was more than captivity and competition; it was celebrities taking ownership of their personal stories.

The upcoming season builds on that world, bringing audiences back inside the jail for another chapter where personalities collide, dynamics shift, and every secret has the potential to change the game.

Monika Shergill, VP- Content, Netflix India said: "Lock Upp: Sach Yaa Sazaa became appointment viewing overnight. Viewers invested, debated, and kept coming back. It captured the zeitgeist - not just as entertainment, but also as a space where celebrities talked about topics they rarely do, owned their choices and confronted past trauma. Ekta’s bold homegrown idea and the scaled adaptation on Netflix led to entertainment maxxing. Season 2 will be about recreating the same Netflix effect with many new surprises for our audiences."

Ekta Kapoor, Joint Managing Director, Balaji Telefilms & Creator of Lock Upp said: “Lock Upp: Sach Ya Sazaa on Netflix went far beyond what we imagined. The conversations, the inmates, and their most memorable moments continued to live with audiences even after the finale. That’s what makes the return of Lock Upp so exciting. The next season will take audiences back into a world they know, but with an entirely new set of stories, personalities, and surprises. And Farah and Riteish will continue to helm Lock Upp as the formidable jailer duo, bringing their own energy, unpredictability, and dynamic to the next chapter.”

As audiences wait to discover who will enter the jail this time, one thing is certain: the game, the inmates, and the tasks may change, but the conversations are about to begin all over again!

Also Read: Did Harshad Chopda accidentally reveal Lock Upp Season 2 winner? His comment on Shreya Kalra has fans convinced



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Ravi Kishan is currently enjoying a terrific phase. The actor, who also emerged as an Internet sensation, is riding high on the huge success of Mirzapur The Movie (2026) as well as his award-winning performance in Laapataa Ladies (2024), Maamla Legal Hai, etc. And now, the veteran actor has added yet another exciting project to his slate. Bollywood Hungama has exclusively learned that Ravi Kishan is all set to headline a high-concept spiritual film presented by Mahaveer Jain Films. Interestingly, this marks Ravi Kishan and Mahaveer Jain’s second collaboration after Naagzilla.

A source told Bollywood Hungama, “This will be one of those rare Hindi films in which Ravi Kishan will be the sole leading man and will carry the film on his shoulders. The makers strongly felt that Ravi has the talent, popularity and personality needed for the part. More importantly, he fits the character perfectly. When the film was offered to him, Ravi was deeply impressed by the script and immediately agreed to come on board.”

The project also comes at an interesting time for Mahaveer Jain Films. The banner recently delivered the chartbuster title song of Yeh Prem Mol Liya and also announced RamBola, which will be directed by Vishal Chaturvedi of Hanuman Ansh fame. The production house is now joining forces with Ravi Kishan for what is being described as a soulful and highly conceptual spiritual film.

Revealing more about the premise, the source added, “It is a contemporary story and revolves around a man and his deep devotion to God. For the protagonist, God is not just the Supreme Being but also his closest friend. The film explores this beautiful relationship in a touching and entertaining manner.”

The source further said, “It is being designed as a clean, wholesome entertainer that families can watch together. While spirituality and devotion form the core of the film, it will also have humour, strong emotions and plenty of drama.”

Bollywood Hungama has also learned that the soulful devotional film is being written and directed by Amit Aarryan. It will be presented by Mahaveer Jain Films and produced by Mahaveer Jain Films – Mrighdeep Singh Lamba, Vinayak Kumar, Kavin Shah and Shikha K Ahluwalia – along with RatPack Stories’ Vijay Subramanium and Kshitij Mehta.

The source further revealed, “The film will go on floors in January. The title is yet to be locked and the makers are expected to finalize it soon, following which an official announcement will be made.”

Also Read: Sonal Chauhan talks about her age-gap romance with Ravi Kishan in Mirzapur: The Movie: “We did not try to show anywhere that there is no age gap”



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Tara Sutaria has often spoken about different aspects of her life in the public eye, but during a recent appearance on Fashionably Pernia, the actor opened up about something more personal: the way she and her sister were raised by their parents. Speaking about her childhood, Tara said her parents made a conscious effort to treat both daughters as equals and gave their opinions importance from an early age. According to the actor, being treated with that level of respect helped her develop confidence and a stronger sense of self.

“My mom and dad kind of always treated my sister and me like we were equals. We were kind of treated like adults when we were kids, and our opinions always mattered,” Tara said.

The actor believes that allowing children to feel heard can have a lasting impact on their confidence. For Tara, this was also reflected in the way disagreements were handled at home. “I think that gives a child so much confidence. We also enjoy arguing, which I think sometimes families feel… out of respect, kids might not feel comfortable having a healthy argument. Like our family loves to agree to disagree. And I love that about our family,” she shared.

For Tara, the ability to disagree openly became another part of growing up in an environment where her voice was valued. She suggested, “So I think that brings maturity, confidence and a certain... again, adds to your sense of self.” Tara Sutaria’s Work Front On the work front, Tara Sutaria was most recently seen in Toxic: A Fairy Tale for Grown-Ups, which released theatrically on August 26, 2026. Directed by Geetu Mohandas and led by Yash, the pan-India action film features Tara as Rebecca Almeida, a character with a vintage-inspired look and a romantic arc opposite Yash in the first half of the film.

The Kannada-English bilingual also stars Nayanthara, Kiara Advani, Huma Qureshi and Rukmini Vasanth. The film was released in multiple languages, including dubbed versions.

As of now, no new feature film has been officially announced as Tara’s next project.

Also Read: Tara Sutaria has always loved old Hollywood glamour: 7 looks to prove it!



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Veteran actor Anupam Kher has received a Certificate of Recognition in Toronto for his contribution to cinema, storytelling, education and mentorship. The actor shared the news on social media on September 29, expressing his gratitude for the honour and reflecting on how his work has reached audiences beyond India.

Kher shared a picture from the ceremony and revealed that he received the certificate from Ruby Sahota, Member of Parliament for Brampton North, Caledon. Sharing his reaction, the actor wrote, “CERTIFICATE OF RECOGNITION!❤️🇨🇦What a wonderful feeling to receive this Certificate of Recognition in Toronto from the Hon. Ruby Sahota, Member of Parliament for Brampton North—Caledon. I am touched by her words about my work in cinema, storytelling, education and mentorship.🙏😳😍”

He further spoke about what the recognition means to him as an actor who has spent decades working across films, television and theatre. Kher wrote, “An actor begins by hoping to connect with the person sitting in front of the stage or screen. To learn that the work has travelled across borders and touched people here in Canada means a great deal to me.”

The actor also thanked Sahota and the residents of Brampton North, Caledon, while acknowledging the people who have been part of his journey. He added, “Thank you, Ruby Sahota ji, and the residents of Brampton North, Caledon, for this generous honour. I accept it with gratitude and share it with everyone who has been part of my journey. Lots of love. Jai Ho!”

 

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Anupam Kher’s North American theatre tour The Toronto honour comes at a significant point in Kher’s ongoing North American theatre tour. The actor is currently travelling across the US and Canada with the Hindi musical play Jaane Pehchaane Anjaane, in which he stars opposite Swaroop Sampat.

The play recently marked its 25th show in Toronto on September 27. Kher described the milestone as an important moment for the production and said that Toronto had continued to give him “amazing love.” The play, written and directed by Gajendra Iyer, has been touring several North American cities.

On the film front, Kher has several projects lined up. He will next be seen in Sooraj Barjatya’s Yeh Prem Mol Liya, which stars Ayushmann Khurrana and Sharvari. The film is scheduled to release theatrically on November 27, 2026.

He is also part of Fauzi, starring Prabhas and directed by Hanu Raghavapudi. The film is currently listed for release on December 3, 2026.

Kher is set to reprise his popular character Kamal Khosla in Khosla Ka Ghosla 2. The sequel had been announced for release in August 2026, but its release was subsequently postponed and a new date has not been locked yet.

The actor has also announced his 555th film, although details about the project and its title have not yet been revealed.

Also Read: Anupam Kher advises Govinda amid rumoured affair: “Don’t allow your personal life or habits to overshadow your entire life”



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Namit Malhotra’s Ramayana, directed by Nitesh Tiwari, is among the most highly anticipated films of the year. With anticipation around the epic continuing to soar with every new reveal, the makers recently released the trailer and posters of the film, leaving everyone even more excited for its arrival. Now, as the cast and crew of the film gathered to meet American YouTuber MrBeast during his visit to India, the popular YouTuber had a great time interacting with them.

Taking to his social media, MrBeast shared a glimpse from the red carpet, where he is seen posing with the film’s cast and crew, including Ranbir Kapoor, Sai Pallavi, Ravie Dubey, producer Namit Malhotra, and director Nitesh Tiwari. While tagging the cast and crew, he captioned the post: "Had a great time at the Ramayana red carpet :D"

Bringing to life one of the greatest tales ever told, Nitesh Tiwari’s Ramayana seeks to translate the epic’s scale, emotion and timeless characters into a cinematic spectacle. Ranbir Kapoor essays Lord Ram, Sai Pallavi plays Sita, Yash takes on the role of Ravana, Sunny Deol portrays Hanuman, while Ravi Dubey plays Lakshman. The film will be released in Hindi, Tamil, Telugu, Kannada, and Malayalam in India.

Directed by Nitesh Tiwari and produced by Namit Malhotra’s Prime Focus Studios in association with 8-time Oscar-winning DNEG and Yash’s Monster Mind Creations, the two-part epic will release worldwide in IMAX, with Part 1 arriving in Diwali 2026 and Part 2 in Diwali 2027.

Also Read: SHOCKING: MrBeast’s Ramayana event leaves media FURIOUS; several journalists WALK OUT after 3½-hour delay



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Filmmaker Sanjay Gupta has questioned the continued use of smoking imagery in Bollywood film promotions, pointing to what he sees as a contrast between smoking visuals in posters and the anti-smoking messages audiences are shown in cinemas. On Sunday, September 27, Gupta shared a collage on X featuring Ranbir Kapoor in Animal, Ranveer Singh in Dhurandhar and Vicky Kaushal in Love & War. The three posters showed the actors with cigarettes as part of their respective character looks.

Sharing the images, Gupta questioned the purpose of the anti-smoking messages that audiences encounter while watching films in theatres. He wrote, "What is the point of those unpleasant anti-smoking reels we have to endure before and during films when these are the posters of the films (sic)?"

The filmmaker's post quickly prompted a discussion on X, with users debating whether smoking continues to be presented as a part of a leading man's screen image despite the presence of tobacco-related health warnings.

What is the point of those unpleasant anti smoking reels we have to endure before and during films when these are the posters of the films? pic.twitter.com/oQSkEWkTZl — Sanjay Gupta (@_SanjayGupta) September 27, 2026

Sanjay Gupta responds to criticism over Kaante One user brought up Gupta's 2002 film Kaante while responding to his post. The user pointed to the film's song ‘Rama Re,’ which contains a reference to cigarette smoke, and questioned the filmmaker's stance on smoking imagery. Gupta responded by highlighting the difference between the regulatory environment then and now. "There were no non smoking ads then you genius (sic)," he wrote.

There were no non smoking ads then you genius. — Sanjay Gupta (@_SanjayGupta) September 27, 2026

Debate comes amid updated film certification guidelines Gupta's comments also come at a time when India's rules around the depiction of substance use in films are undergoing renewed attention. The Ministry of Information and Broadcasting published revised guidelines for the certification of films for public exhibition on September 18, 2026.

The updated certification framework includes provisions concerning the depiction of narcotic drugs and psychotropic substances, alongside existing areas such as violence, sensitive subjects and content that could affect India's international relations. Recent reports on the revised guidelines state that films depicting the consumption, use or trafficking of illicit narcotics are required to carry an anti-drug warning on screen.

Also Read: Sanjay Gupta slams IMDb after Satluj’s 9.5 rating disappears: “This proves how bogus they are”



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After months of spectacular performances, and unforgettable dance moments to the theme of India Wala Dance on Sony Entertainment Television’s India’s Best Dancer Season 5, Raipur’s Ritesh Pal, together with choreographer Pratik Utekar, crowned the winners of the season. From the very beginning, Ritesh’s journey stood out for his passion, versatility and determination. He consistently pushed his boundaries, won the coveted Battle trophy thrice this season, and earned appreciation for his powerful and well curated dance performances. The journey also challenged him to step beyond his comfort zone, explore different dance forms and showcase his versatility as a performer. The duo together with their exceptional talent, consistency and dedication, emerged victorious, lifting the coveted trophy after a thrilling Grand Finale.

Ritesh Pal’s journey culminated in a spectacular finale, where he and his choreographer Pratik, competed against fellow finalists Dipali Borkar, Prathamesh Mane, Anshika Dhara and Geetanjali Marwaha. Showcasing their versatility across dance forms, Ritesh and Pratik continued to impress the judges and audiences through the season, ultimately earning the title of India’s Best Dancer Season 5.

The Grand Finale was truly a star-studded affair with the presence of the judges Karisma Kapoor, Jaaved Jaaferi, Geeta Kapur and Terence Lewis, who have mentored and guided the contestants throughout their journey this season. Adding to the glitz and glamour were actors Jackie Shroff, along with special guests Tamannaah Bhatia and Sidharth Malhotra, who joined the judges and finalists in marking the grand culmination of an unforgettable season.

Ritesh Pal, Winner of India’s Best Dancer Season 5, said, “Dance has always been my passion, and winning India’s Best Dancer Season 5 is a dream come true. I feel truly fortunate to be a part of this journey with Sony Entertainment Television. India Wala Dance pushed me beyond my comfort zone and helped me grow as a performer. I am grateful to Karisma Ma’am, Jaaved Sir, Geeta Maa and Terence Sir for their guidance, with Geeta Maa holding a special place in my heart. A special thank you to my choreographer Pratik Utekar Sir for believing in me and transforming my journey. I have learnt so much from my fellow contestants. This trophy makes every challenge worthwhile.”

Choreographer Pratik Utekar said, “Winning India’s Best Dancer Season 5 with my shishya Ritesh Pal is an incredibly proud and emotional moment. I am so happy to see his growth, and Ritesh has always trusted my vision and wholeheartedly accepted my guidance. Since we both come from a contemporary dance background, India Wala Dance challenged us to step out of our comfort zone and explore new dance forms. We overcame every challenge together, and lifting this trophy with him makes this victory truly special.”

With Raipur’s Ritesh Pal taking home the coveted trophy, India’s Best Dancer Season 5 concludes another memorable chapter, celebrating India's finest dancing talent and bringing together powerful performances, diverse dance forms, and inspiring journeys on one stage.

Also Read: India’s Best Dancer Season 5: Karisma Kapoor reveals her “unusual” connection to the Fiza song ‘Mehboob Mere’



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Actor Kubbra Sait has spoken about women’s safety in India in a video shared on social media, questioning why conversations about safety often place responsibility on women rather than addressing the behaviour that makes them unsafe. In the video, Kubbra begins by saying, “Safety is a place called Narnia. Yes, it’s fictional,” before referring to incidents involving girls and women in everyday situations. She points out that age, location, time or circumstance does not necessarily guarantee safety.

The actor then lists some of the precautions women are routinely advised to take. “Cover up. Don’t go out at night. Don’t hang out with boys. Share your location. Carry pepper spray. Be careful. How much more careful are we supposed to be?” she asks. Kubbra then shifts the focus towards what boys and men are taught about consent and boundaries. “When are these instructions reaching the boys?” she asks, before listing the behaviours that need to be addressed. “Don’t stalk her. Don’t follow her. Don’t threaten her. Don’t punish her for rejecting you. Take no for an answer,” she says.

Kubbra Sait questions "Boys-Will-Be-Boys" approach

Using satire, Kubbra also suggests measures such as a “reformation camp, consent camp, ego detox, patriarchy de-addiction centre” for boys, adding, “Because ‘boys will be boys’ — this strategy of parenting is not working.” She further addresses the meaning of feminism, saying, “Feminism is nothing but the simple idea that women are people.”

Kubbra connects the argument to everyday activities that women should be able to undertake without fear, including studying, travelling, meeting friends, buying stationery or simply being in a public space.

 

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The actor’s video ultimately questions the expectation that women should continually alter their behaviour and routines to avoid becoming victims of harassment or violence. Her message instead calls for greater focus on the people responsible for such behaviour and on how boys are taught to understand consent, boundaries and respect.

Kubbra concludes by questioning how much women are expected to change their lives before society also begins asking those who make them unsafe to change their behaviour.

Also Read: Kubbra Sait visits Chennai Snake Park, discusses cruelty towards snakes during Nag Panchami in new vlog



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Ramayana, produced by Namit Malhotra and directed by Nitesh Tiwari, is one of the most anticipated films of 2026. With every asset, from its teaser to its trailer, the excitement surrounding the film has been continuously soaring. Now, amidst the rising exhilaration, the makers have dropped an endearing poster featuring Ranbir Kapoor, Sai Pallavi and Ravie Dubey as Lord Ram, Mata Sita and Lakshman, respectively.

In the poster of Ramayana, Ranbir Kapoor as Lord Ram looks composed, calm and courageous, carrying an aura of nobility with effortless grace. On the other hand, Sai Pallavi radiates grace, innocence, devotion, patience and fearlessness as Mata Sita, while Ravie Dubey as Lakshman stands as a true embodiment of loyalty, love and protectiveness. The poster holds immense significance as it brings Lord Ram, Mata Sita and Lakshman together in a single frame, making it a truly special moment in this epic.

The poster further fuels the excitement to witness Ranbir Kapoor, Sai Pallavi and Ravie Dubey bring these iconic characters to life on the big screen. In many ways, the casting has been one of the most crucial aspects of the project, and this poster says it all.

 

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Bringing to life one of the greatest tales ever told, Nitesh Tiwari’s Ramayana seeks to translate the epic’s scale, emotion and timeless characters into a cinematic spectacle. Ranbir Kapoor essays Lord Ram, Sai Pallavi plays Sita, Yash takes on the role of Ravana, Sunny Deol portrays Hanuman, while Ravie Dubey plays Lakshman. The film will be released in Hindi, Tamil, Telugu, Kannada, and Malayalam in India.

Directed by Nitesh Tiwari and produced by Namit Malhotra’s Prime Focus Studios in association with 8-time Oscar-winning DNEG and Yash’s Monster Mind Creations, the two-part epic will release worldwide in IMAX, with Part 1 arriving in Diwali 2026 and Part 2 in Diwali 2027.

Also Read: VIRAL moment: Ranbir Kapoor teaches MrBeast to say “Jai Shri Ram”; Namit Malhotra explains Ramayana’s bow challenge to MrBeast with The Odyssey reference



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Alisha Chinai had a conversation with Komal Nahta in which she shared fascinating and not-so-known trivia about singing the iconic song ‘Kajra Re’ from Bunty Aur Babli (2005). She began by saying, “The makers told me that it was an item song and that maybe Aishwarya Rai Bachchan would be doing it. Moreover, Shankar-Ehsaan-Loy were the composers, while Gulzar saab had written the lyrics. I was completely spellbound by the whole experience, especially how Gulzar saab wrote the song. The alaap in the song was created on the spot. He wrote it in 10-15 minutes. I sang the song and completed the recording. Then he said, ‘Something is missing’. That’s how he came up with the alaap. I was wowed!”

Alisha then revealed how she was approached to sing ‘Kajra Re’, “I was chilling in my house in Alibaug. I am a loner. Main duniyadaari mein bahut zyada vishwas nahin rakhti. I have no social skills, though I am learning. So, Ehsaan called me and asked, ‘Can you get here in 2 hours?’. I replied, ‘No. I am chilling in Alibaug’. He replied, ‘Alisha, it’s a very important song. Please get here’. I asked him, ‘Can’t we do it another day?’. His answer was, ‘No. We have to do it now’.”

Alisha continued, “So, I quickly left and reached Purple Haze Studio. I was pleasantly surprised as everybody was waiting for me – Shankar-Ehsaan-Loy, Gulzar saab, Rani Mukerji and Abhishek Bachchan. Shankar started playing it and I asked him, ‘Mera gaana kahaan hai?’. He said, ‘This is the song you have to sing’. I replied, ‘Yeh toh qawwali type gaana hai’! He said, ‘Yes. Sing it your way’. I liked that because they made a modern pop qawwali out of it. The way I sang it, it just sounds different. That worked wonders. It was like magic. On top of it, there was Aishwarya Rai; oh my God! And it doesn’t end there. Mr Bachchan and his son, too, featured in the song.”

Alisha Chinai then added, “I finished recording the song in just 2 hours. They called me back a week later. I was told that Mr Aditya Chopra wanted more of Alisha’s voice in it. I was like, ‘Wow. Ok. Thank you’! So, I came back and sang another verse. I can’t remember now what exactly it was.”

Alisha Chinai also stated that she was amazed with the response to ‘Kajra Re’ in cinemas, “Sab paise fek rahe the in theatres. As for Aishwarya, she looked like a Goddess. Also, my voice (matched her); it seemed like she herself was singing the song.”

Also Read: Alisha Chinai on turning 60, “I feel like a cat who has survived nine lives”



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Planning your next getaway but not sure where to go? Sometimes, the best travel inspiration comes from the places our favourite celebrities choose to escape to. From picturesque European cities and tropical island getaways to breathtaking African landscapes, Bollywood stars have given us plenty of destination envy over the years.

Whether you are looking for a romantic escape, a relaxing beach holiday or an adventure-filled trip, these celebrity-approved destinations deserve a spot on your travel bucket list. This World Tourism Day, take some inspiration from Bollywood’s favourite travel spots and start planning your next holiday. Kareena Kapoor Khan – Greece If crystal-clear waters, sun-soaked islands and laid-back luxury are what you are looking for, Greece should be high on the list. Kareena Kapoor Khan’s holiday moments from Greece have offered plenty of inspiration for anyone dreaming of an idyllic Mediterranean escape.

From the iconic blue-and-white views of Santorini to the beaches and vibrant atmosphere of Mykonos, Greece offers the perfect balance of relaxation and exploration. It is a destination that works just as well for a romantic getaway as it does for a fun-filled holiday with family or friends.

 

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Aamna Sharif – France For those who dream of a holiday filled with timeless architecture, charming streets, beautiful cafés and effortless fashion, France makes for the perfect escape. Aamna Sharif has often embraced the beauty of the country during her travels, making it easy to see why France continues to be a favourite among travellers.

From exploring the streets of Paris and taking in its iconic landmarks to enjoying the slower pace of the French countryside, there is plenty to discover. Add in the food, art and unmistakable European charm, and France has everything you need for a memorable holiday.

 

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Parineeti Chopra – Maldives For travellers who would happily spend their holiday surrounded by turquoise waters and pristine beaches, the Maldives is hard to beat. Parineeti Chopra’s tropical getaways have showcased exactly why the island destination remains one of the most popular choices for a relaxing holiday.

With private villas, beautiful lagoons, water activities and sunsets that look straight out of a postcard, the Maldives is ideal for anyone looking to disconnect from the everyday routine. Whether it is a quiet island retreat or an adventure on the water, the destination offers plenty of ways to unwind.

 

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Alia Bhatt – Africa For those who want their holiday to go beyond sightseeing, Africa offers an experience unlike any other. Alia Bhatt’s travels have brought attention to the continent’s stunning landscapes and immersive experiences, making it an exciting addition to any travel bucket list.

From unforgettable wildlife encounters and expansive safaris to dramatic landscapes and unique local experiences, Africa is a destination for travellers looking for adventure and something truly different. A safari across the continent can offer a chance to experience nature up close while creating memories that stay with you long after the holiday is over.

 

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Sara Ali Khan – Switzerland Few destinations capture the magic of a classic holiday quite like Switzerland. Sara Ali Khan’s travels have given fans a glimpse of its snow-covered mountains, scenic landscapes and picture-perfect surroundings.

Whether it is exploring charming Swiss towns, taking a scenic train journey through the Alps or simply soaking in the views, Switzerland offers something for every kind of traveller. It is particularly perfect for those who want a holiday that feels straight out of a postcard, with breathtaking scenery at almost every turn.

 

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Also Read: World Tourism Day Special: Let Ananya Panday, Mrunal Thakur and more celebs inspire your next dream vacation



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Gurmeet Choudhary and Isha Malviya are set to share the screen for the first time in Tum Mere Ho, which marks Isha’s Bollywood debut. The makers have released the teaser of the upcoming romantic drama, offering a glimpse into the relationship at the centre of the film.

The teaser presents Gurmeet and Isha as two characters caught in an intense romantic relationship, with emotional moments and visually stylised sequences forming a major part of the preview. The story appears to explore love and attraction against the backdrop of changing relationships, including the growing prevalence of casual connections and situationships.

Gurmeet and Isha’s pairing is one of the key highlights of the teaser, with the two actors sharing several emotionally charged moments. The background score also plays a prominent role in establishing the mood of the film.

Tum Mere Ho is directed by Aashish Panda and written by Niranjan Iyengar and Purva Naresh. The film is produced by Aarti S and Debina Bonnerjee under Reva Creative House and DebGuru Films, and co-produced by Romanch Mehta and Amman Riyastee. Shaan R Grover and newcomer Anushkaa Luhar are also part of the cast.

The film features music by Mithoon, Sanju Rathod, Vivek Verma, Krish, Uddipan Sharma and Arjuna Harjai, with lyrics by Rashmi Virag Mishra, Mithoon, Azeem Shirazi, Sanju Rathod, Vivek Verma and Geet Sagar. Saregama is associated with the music, while PVR Pictures is handling the distribution.

Tum Mere Ho is scheduled to release in theatres on October 23, 2026.

Also read: Isha Malviya makes Bollywood debut alongside Gurmeet Choudhary in Tum Mere Ho; arrives in cinemas on October 23



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A day after Ranbir Kapoor’s first look from Sanjay Leela Bhansali’s much-awaited Love & War was unveiled, Alia Bhatt’s first look from the film has now caught attention online. The actor’s dramatic cabaret-inspired appearance also received a special shoutout from veteran actor Zeenat Aman, who expressed her appreciation for the look.

On Friday, Alia shared two posters featuring her character from Love & War. The posters show the actor performing on stage in a striking cabaret-themed outfit. She can be seen wearing a dramatic feathered headpiece, a crop top and a skirt with a thigh-high slit, which she paired with boots.

The look quickly drew reactions on social media, including one from Zeenat Aman, who is known for her iconic screen appearances in several films featuring cabaret performances during the 1970s. Zeenat Aman calls Alia a “showgirl” Reacting to Alia’s posters, Zeenat wrote in the comments, “Well, well…SLB has unleashed a showgirl! (sparkle and purple heart emojis)”

Alia responded to the veteran actor’s comment and revealed that Zeenat had frequently been discussed on the sets of Love & War. She wrote, “@thezeenataman Thank you so much, Zeenat Ma’am (yellow heart emoji) We’ve spoken about you countless times on set, so this feels extra special (sparkle emojis)”

Zeenat also shared one of Alia’s Love & War posters on her Instagram Stories. Alongside the picture, she wrote, “The 70’s are back and cabaret never looked this good!” She tagged Alia in the post and added a purple heart emoji.

Love & War is written, directed and produced by Sanjay Leela Bhansali. The filmmaker is also involved in editing and composing the film. The project stars Ranbir Kapoor, Alia Bhatt and Vicky Kaushal in the lead roles.

While details about the plot are being kept under wraps, Love & War is reportedly set against the backdrop of war and revolves around a love story. Earlier leaked looks had reportedly suggested that Ranbir and Vicky could be seen portraying military officers, although the makers have not revealed the complete details of their characters.

The film is scheduled to arrive in theatres on January 21, 2027. Further details about the characters and storyline are awaited.

Also Read: Kareena Kapoor Khan REACTS to Alia Bhatt’s Love & War poster: “Killingggg it Alooooooo”



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Anil Kapoor recently opened up about his relationship with wife Sunita Kapoor while discussing travelling alone on the upcoming episode of India Ke Top 1%: The Anil Kapoor Show. A passing reference to Kangana Ranaut’s 2013 film Queen led the actor to share a personal anecdote about Sunita and their honeymoon.

During the conversation, Anil was reminded of Sunita when the topic of travelling alone came up. Recalling an incident from their early years together, he said, “Sunita akele gayi thi honeymoon par, main saath mein nahi gaya tha.” The actor then added an affectionate note while referring to his wife as his own Queen. Anil said, “Sunita hi meri Queen hai, aur hamesha rahegi.”

Anil and Sunita Kapoor have been married since 1984 and have three children, Sonam Kapoor, Rhea Kapoor and Harsh Varrdhan Kapoor. Over the years, the couple has often spoken about their long-standing relationship and family life.

The anecdote comes during an episode of India Ke Top 1%: The Anil Kapoor Show, where conversations around general topics often lead the actor to share personal stories. In this instance, a discussion about travelling solo brought up the story of Sunita travelling alone for their honeymoon, before Anil drew a connection to Queen and described his wife as the Queen in his life.

India Ke Top 1%: The Anil Kapoor Show airs this weekend at 8 PM on Star Plus and streams on JioHotstar.

Also Read: Anil Kapoor appeals to CEOs to consider Shiv Kumar after contestant shares job loss story on India Ke Top 1%: “Shiv Kumar se zaroor contact kijiye”



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Madhuri Dixit has added a new brand association to her portfolio. The actress has been appointed as the brand ambassador of Madhusudan Frozen, the frozen foods arm of the Madhusudan brand, for a two-year association. Through the partnership, the company plans to build awareness around its range of frozen vegetables and ready-to-cook food products.

The association sees Madhuri lend her name to a category that is increasingly becoming part of urban household cooking, with convenience emerging as one of the key factors driving demand for frozen and ready-to-cook foods. Madhusudan Frozen offers farm-picked, rapidly frozen vegetables as well as ready-to-cook options, with the company following a farmer-to-freezer approach that involves working with farmers and processing produce soon after harvest.

Speaking about the collaboration, Madhusudan Frozen managing director Amit Aggarwal said the company sees the frozen foods category as the next step in its expansion beyond its established dairy business. He highlighted quality and convenience as the key areas of focus and said Madhuri’s connect with Indian households and enduring popularity made her a suitable choice for the association. He added that the company hopes the two-year partnership will help introduce more consumers to its range and the convenience it offers for everyday meals.

Madhuri, meanwhile, highlighted the journey of the produce before it reaches consumers. According to the actress, what appealed to her about the association was the brand’s focus on working closely with farmers and processing vegetables soon after harvest. She noted that the combination of produce sourced at the farm level and the convenience of ready-to-cook formats is relevant to the way families cook today. Madhuri added that she was looking forward to helping consumers discover the ease, variety and flexibility that frozen foods can offer.

As part of its ready-to-cook range, Madhusudan Frozen also offers Chaaps, positioned as a protein-rich option that can be prepared quickly. The company has entered the category at a time when India’s frozen foods market is expanding. According to IMARC, the market was valued at Rs 21,659 crore in 2025 and is projected to reach Rs 64,364 crore by 2034, with changing lifestyles and demand for convenient meal solutions among the factors contributing to the growth.

For Madhuri, the new association comes amid her continued presence across films and streaming projects. On the work front, the actress was last seen in Maa Behen, which also starred Triptii Dimri, Dharna Durga and Ravi Kishan. The film premiered on Netflix on June 4.

Also Read: Madhuri Dixit turns host for Kon Honar Crorepati; actress unveils first promo in Maharashtrian avatar



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Producer Anupriya Nagar, who is just 21 years old, has opened up about the initial struggles faced by Hanuman Ansh after its release. In an interview with Siddharth Kanan, Anupriya recalled how the film’s declining screen count and lack of support left her questioning whether she wanted to continue in the film industry.

Speaking about the film’s early box office performance, Anupriya said, “It was disheartening to see that the film was not doing well at the box office. I wasn’t disheartened because we weren’t making money. I was disheartened because people weren’t watching the film. I couldn’t understand whether devotees were not going to watch it or whether they were going and not enjoying it. We simply didn’t understand what was happening. That was one of the most difficult times,”

She revealed that she decided to personally step in and create awareness around the film. “I thought, I am one of the producers of this film, and I have invested my hard-earned money in this project so that people watch it and know about Maharaj Ji. I couldn’t just sit with my hands folded,”

Anupriya travelled to Delhi, met leaders and devotees and also turned to podcasts and interviews to generate word of mouth. “I went to Delhi and thought I would meet whoever I could. I met top leaders, I met a lot of his devotees and tried to get them to post something from their handles, so that there could be some word of mouth. I wanted some kind of movement to happen. I thought, let me do podcasts. Honestly, at that time nobody knew me. Nobody knew that Hanuman Ansh was coming or that it was about Maharaj Ji. I also want to thank those podcasters and interviewers who gave me the opportunity to speak through their channels at that time,”

The situation became even more difficult when the makers were informed that the film’s screen count had fallen sharply. “We got a call on the eighth day saying, ‘Your film has gone from 300 screens to 30 screens. Maybe tomorrow your film will be out because two more films are coming.’ We were told that perhaps only a miracle could save the film and that it might be out of theatres the next day,”

Recalling the uncertainty within the team, she added, “There were people in the team who were thinking that everything was over and that perhaps we should get a good OTT deal so that we could recover the money. That was the most difficult time we saw,”

Anupriya admitted that the experience even made her consider leaving the industry. “When the film was declared a flop, I thought maybe I would pack my bags and go back to Zurich. I thought this industry was not meant for me. I had reached that stage where I was thinking I would leave the industry and go back,”

She also recalled how difficult it had been to find investment for the film during its initial stages. “Since the beginning, even before I came on board, the Hanuman Ansh team had gone to many people for investment for post-production, but nobody agreed to invest, even though it wasn’t a very big investment.”

According to Anupriya, the film was initially viewed as a small-budget project without established names. “Before the release, there were a handful of people who supported us, but many people didn’t believe in the project. They thought it was a small-budget film, the director was making his first film, and the actors were also new. They thought the film would come and go. People didn’t have that belief.”

However, she says the perception around the film has since changed. “I am so glad the industry’s thought process has now changed. Everyone in the industry is supporting us,” she said.

She further revealed that several producers have since reached out to congratulate the team and acknowledge their initial doubts. “Lots of producers have reached out and it is very sweet. They have congratulated us. Some of them have actually come to me and said, ‘First of all, I apologise because this film had come to us. We are sorry we couldn’t join you. That was the biggest mistake I made.’”

“They said, ‘You have made us realise that a small film can do so much. You have given a lesson to the industry.’ They told us, ‘Whatever you want, we are with you.’ It is very sweet. I don’t blame them because it was a very small film,” she added.

Hanuman Ansh is a biographical drama directed by Vishal Chaturvedi and based on the life and teachings of Neem Karoli Baba. The film stars Shobhinaw Satyaa, Vihaan Shedge, Chandan Anand, Purnima Tiwari, Anil Rastogi and Gulshan Pandey in key roles. Hanuman Ansh released in cinemas on August 7, 2026

Also Read: Hanuman Ansh Box Office: Film collects Rs. 3.43 cr on Day 48, takes total closer to Rs. 280 cr



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This Friday will see the release of several Hollywood films, one of which is Primetime. The film has caught some attention due to its subject, treatment and casting of Robert Pattinson. 3 days before release, the India distributors completed the censor process. In this article, Bollywood Hungama will focus on the same.

The Central Board of Film Certification (CBFC) passed the film with an 'A' certificate. However, they asked the makers to make some changes. Obscene words were muted in two places. Frontal nudity visuals, lasting 7 seconds, were asked to be deleted. Finally, a disclaimer-cum-warning was added at the beginning of the film, which read, "This film is strictly intended for adult audiences due to its sensitive theme and the disturbing nature of certain visuals and sequences. Viewer discretion is strongly advised".

Once these changes were made, the censor certificate was handed over to the studio, PVR Inox Pictures, on September 22. The length of the film, as mentioned on the certificate, is 110.15 minutes. In other words, Primetime is 1 hours, 50 minutes and 15 seconds.

Primetime is adapted from the 2007 Esquire article 'Tonight on Dateline This Man Will Die' by Luke Dittrich. It tells the story of Chris Hansen (Robert Pattinson), an NBC TV journalist and host of ‘To Catch A Predator’, in which he exposed suspected online child predators by luring them to suburban decoy homes rigged with hidden surveillance cameras. The film premiered in the competition section of the 83rd Venice International Film Festival. Besides Robert Pattinson, Primetime also stars Skyler Gisondo, Merritt Wever, Matthew Maher, Phoebe Bridgers, Anna Faris and others.



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Bollywood's biggest stars have long commanded massive fan followings and impressive box office numbers, but their fortunes increasingly extend far beyond films. The M3M Hurun India Rich List 2025 offers a glimpse into the business empires built by some of the industry's most prominent personalities, with Shah Rukh Khan and family emerging as the wealthiest Bollywood names on the list.

According to the report, Shah Rukh Khan and family have a reported wealth of Rs. 12,490 crore, placing them at the top of the list of Bollywood's wealthiest personalities. The actor's association with Red Chillies Entertainment has evolved into a diverse entertainment business, making his wealth significantly broader than his earnings as a performer.

Taking the second position is Juhi Chawla and family, with a reported wealth of Rs. 7,790 crore. A major factor behind the family's business interests is their association with Knight Riders Sports, giving the actress a significant presence beyond the film industry.

Hrithik Roshan occupies the third spot with wealth pegged at Rs. 2,160 crore. His business portfolio is represented by HRX, the brand that has expanded his presence into the lifestyle and fitness space. His ranking highlights how celebrity-led consumer brands have become an important part of the modern Bollywood business ecosystem.

At number four is filmmaker and producer Karan Yash Johar, who has a reported wealth of Rs. 1,880 crore. His association with Dharma Productions remains central to his business identity, with the production house continuing to be one of the prominent names in the Hindi entertainment industry.

Completing the top five is Amitabh Bachchan and family, with reported wealth of Rs. 1,630 crore. Unlike the other entries, the table lists investments as the associated business category, reflecting the wider financial interests built by the veteran actor and his family over the years.

Together, the five entries represent a reported Rs. 25,950 crore in wealth. More significantly, the ranking illustrates how Bollywood's biggest names have transformed their stardom into wider business portfolios, spanning entertainment, sports, brands and investments.

Also Read: Shah Rukh Khan leads India’s richest actors with Rs 10,000 crores net worth; despite Rs 2,490 crores drop in estimated wealth



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This year, December is going to be a treat for moviegoers. Shraddha Kapoor’s much-awaited period drama, Eetha, will release on December 4. Two weeks later, December 18 will witness the epic clash between Avengers: Doomsday and Dune: Part Three. A week later, on December 24, Jumanji: Open World will clash with Shah Rukh Khan’s highly anticipated flick, King. While there’s tremendous excitement among audiences to watch these four diverse films during the holiday season, there’s also concern over how screen-sharing will play out. Many expect an intense tussle for screens, especially at single-screen cinemas.

Bollywood Hungama exclusively spoke with Kamal Gianchandani, Chief Business Planning & Strategy at PVR INOX Limited and CEO of PVR INOX Pictures Limited, about this aspect. When asked whether he expects screen-sharing problems to arise, he replied, “It’s a good problem to have! We have a very experienced team who have been doing it for ages. We’ll handle it. There’s no problem with respect to capacities. In India, we have enough and more capacity to now handle 2 or 3 big releases in the same week. We’ll handle it easily.”

Two days from now, on Friday, September 25, Avengers Endgame: Encore will release and is expected to open with a bang. Kamal Gianchandani predicted, “The advances are fantastic. It’ll smash all re-release records without a doubt.”

Interestingly, the hype surrounding the re-release of Avengers Endgame: Encore also indicates the enormous anticipation for the next film in the franchise, Avengers: Doomsday, which is expected to put up a huge number on its opening day.

Kamal Gianchandani agreed, “It’s a foregone conclusion. If Endgame is having this sort of a response, you can imagine the response that Doomsday will have. It’ll be a monstrous December with Doomsday, Dune: Part Three, Jumanji: Open World and King. December is shaping up to be absolutely massive this year.”

Also Read: EXCLUSIVE: PVR INOX’s Kamal Gianchandani on Hollywood’s record-breaking India run: “People are tired of consuming films at home”; predicts Avengers Endgame: Encore will “SMASH all re-release records”; CONFIRMS India releases of Godzilla Minus Zero, Artificial



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Shah Rukh Khan has retained his position as the richest Indian actor in the Hurun India Rich List 2026. According to the latest ranking, the actor’s estimated net worth stands at Rs 10,000 crores. His wealth includes his business interests, including production company Red Chillies Entertainment and his involvement with Knight Riders Sports.

While Shah Rukh Khan continues to lead the list, his reported net worth has declined compared to the previous year. The Hurun India Rich List 2025 had estimated his net worth at Rs 12,490 crores. This marks a drop of Rs 2,490 crores, or around 20%, in the latest estimate. Earlier this year, the Hurun Global Rich List had placed his net worth at Rs 10,800 crores. A significant part of Shah Rukh Khan’s wealth is linked to his business ventures. Red Chillies Entertainment, which he runs with his wife Gauri Khan, is among his key business interests. The company has been involved in film production as well as visual effects through its associated ventures. The actor is also associated with Knight Riders Sports, the group behind cricket franchises including Kolkata Knight Riders. His involvement in the sports business forms another part of his overall financial portfolio. Shah Rukh Khan has been away from the big screen since 2023, when he starred in Pathaan, Jawan and Dunki. All three films were released in the same year and marked his return to leading roles following a period away from the big screen. The actor is now preparing for his next theatrical release, King. The film is directed by Siddharth Anand and stars Shah Rukh Khan alongside his daughter Suhana Khan. King is scheduled to release on December 24. With his latest reported net worth of Rs 10,000 crores, Shah Rukh Khan remains at the top among Indian actors featured in the Hurun India Rich List 2026. His reported wealth, however, is lower than the estimate recorded for him in the previous edition of the list.

Also Read : SHOCKING: Sameer reveals, “Nadeem Saifi heard Zamaana Deewana’s script and told Ramesh Sippy, ‘Aisi WAHIYAAD kahani maine nahin suni’!”



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Filmmaker Aditya Dhar attended the 72nd National Film Awards with wife and actor Yami Gautam, as their 2024 film Article 370 emerged as one of the major winners at the ceremony. The film won Best Feature Film, while Yami was honoured with Best Actress for her performance. Article 370 also won Best Music Direction for Shashwat Sachdev.

However, when Aditya Dhar was asked about his much-anticipated film Dhurandhar during a red carpet interaction, the filmmaker kept the focus firmly on the film being celebrated that evening. Aditya Dhar says, “Today, it is all about Article 370” During the interaction, Aditya Dhar was asked about making what was described as one of the biggest films in the Indian film industry. While the question referred to Dhurandhar, Dhar pointed out that the occasion was about Article 370 and its National Award recognition. “We are here for Article 370, we will discuss Dhurandhar hopefully if we come next year also. But, today, it is all about Article 370,” he said.

The comment comes as Dhurandhar continues to remain a major talking point around Dhar’s upcoming work. Since the current National Film Awards recognise films from the 2024 eligibility cycle, Dhurandhar is not part of this year’s awards. The film could be considered for a future edition, subject to the applicable eligibility rules.

Watch | We will discuss Dhurandhar if we come next year also, but today it's about Article 370: Dhurandhar Maker Aditya Dhar at Ektanagar in Gujarat for National Film Awards with his Actress Wife Yami Gautam pic.twitter.com/AxsgUcaMBV — DeshGujarat (@DeshGujarat) September 22, 2026

Yami Gautam Dhar calls National Award the “biggest validation” For Yami Gautam, the evening marked a major milestone as she received her first National Film Award for her performance in Article 370. Speaking about the honour, the actor said, “It feels great. We were just discussing, this is the biggest validation for any artist. I think it is the highest honour presented to you by your country. I don't think I will be able to express right now. I am smiling, but from inside I am feeling like an energy of a newcomer for whom everything is so big, everything is so new and special,” Yami said.

The actor's win came alongside Article 370 being named Best Feature Film and Shashwat Sachdev receiving the award for Best Music Direction. Article 370’s National Film Awards recognition Directed by Aditya Suhas Jambhale, Article 370 was among the films recognised at the 72nd National Film Awards. The ceremony was held on September 22, 2026, in Ekta Nagar, Kevadia, Gujarat. It marked the first time the National Film Awards ceremony was held outside Delhi.

Also Read: Aditya Dhar teases wife Yami Gautam over Nayyi Navelli poster; says, “So this is what i married into”



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Vir Das is set to take yet another significant step in his remarkable international comedy journey as he brings his ongoing global tour, I Say We Run, to the iconic Radio City Music Hall in New York on January 30, 2027.

One of India’s biggest and most internationally recognised stand-up comedians, Vir Das has consistently taken Indian comedy to some of the world’s most prestigious stages. From the Sydney Opera House and Esplanade in Singapore to Carnegie Hall in New York, Das has built a global audience through his distinctive brand of stand-up, becoming one of the most prominent Indian comedians to establish a sustained international presence.

With his upcoming performance at Radio City Music Hall, Das adds another legendary venue to that list. Synonymous with some of the most celebrated live performances in the world, Radio City Music Hall has hosted generations of iconic artists and remains one of New York City’s most recognisable cultural landmarks.

The January 30 performance will be part of Das’ ongoing international tour, I Say We Run, which made its debut at the iconic Royal Albert Hall in London. The tour will also make its way to Coca-Cola Arena in Dubai next month, before continuing its global run and arriving at Radio City Music Hall in New York.

The performance will mark one of the largest and most iconic venues he has headlined to date.

For Das, the Radio City Music Hall performance represents another landmark moment in a career that has seen Indian stand-up comedy travel far beyond its traditional boundaries. From performing for audiences across North America, Europe, Australia and Asia to becoming a familiar face on the international comedy circuit, Das has steadily built a career that bridges Indian and global audiences.

Speaking about the upcoming performance, Vir Das said, “Radio City Music Hall is one of those venues you grow up seeing and hearing about. To be able to walk onto that stage and perform my own comedy there is a pretty surreal feeling. I’ve been fortunate enough to perform at some incredible venues around the world, but every new room comes with its own sense of occasion. I can’t wait to bring this tour to New York and experience Radio City with the audience.”

The announcement comes at a time when Das continues to expand the global footprint of Indian comedy. His international touring journey has seen him perform at some of the most prestigious venues and comedy festivals worldwide, while his work across stand-up, television, film and writing has made him one of India’s most recognisable comedic voices internationally.

Also Read: Vir Das completes Baara Number shoot; calls found-footage psychological thriller an “incredibly intense” experience



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Nani, Sonali Kulkarni, Raghav Juyal and Kayadu Lohar attended the press meet of The Paradise in Mumbai. On September 21, it came to light that the action entertainer was passed by an ‘A’ certificate by the Central Board of Film Certification (CBFC). Nani was asked about it and he explained the rationale behind the rating.

Nani said, “Of course, when your film has received an ‘A’ certificate, you’ll miss out on kids and a chunk of moviegoers. But I also understand where it's all coming from. There’s a lot of violence in The Paradise.”

He continued, “There are some films, which are fully focused on violence and have violence for the sake of violence. The Paradise is not like that. Our film is a solid drama. It’s an emotional, commercial film and everybody will relate to it very well, regardless of the age group. Even families can come and watch it. You can go with your parents and watch it. You’ll enjoy it completely. But children can’t view the film because there’s a lot of violence.”

Nani further stated, “Everything that happens in the film is what we see around and what we can relate to. There’s drama, emotions and a love story; that is, everything which films, in general, have. But the violence portions are a little higher than other films.”

Did the makers try to secure a U/A rating? Nani replied, “No. We were prepared while shooting itself that we would receive an adult rating.”

The Paradise releases in cinemas on September 24.

The censor cuts

The makers were asked to replace alternate visuals of crow on National Flag. The visuals of a pregnant woman in the beginning were asked to be modified. A foul word was allowed in one place and muted in the rest of the scenes. A scene of a character having a tattoo with a foul word was covered with CGI. The word 'denotified tribe' was asked to be deleted.

The duration of violent stabbing visuals was reduced. In fact, ten other violent scenes replete with torture and blood spills were removed. In three places, words on armed struggle against the country were modified or muted. A reference to a real-life assassination and historical event was muted. Similarly, a reference to a real-life cigarette brand was asked to be censored.

Also Read: High DRAMA before The Paradise Mumbai press meet; Raghav Juyal’s driver ‘STEALS’ fellow resident’s car by mistake; confusion causes delay



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Indian cinema is set to make its mark in Western Australia with the announcement of the inaugural Indian Festival of Perth, taking place across multiple locations in Perth from November 12 to November 15, 2026. The four-day festival is the latest expansion of the team behind the Indian Film Festival of Melbourne (IFFM) and the Indian Film Festival of Sydney (IFFS), two established celebrations of Indian cinema in Australia. The Perth edition marks the team’s expansion into a third major Australian city, bringing the diversity of Indian and South Asian cinema to audiences in Western Australia for the very first time.

The special announcement was made during Western Australian Premier Roger Cook’s visit to India, where he announced the inaugural festival during his keynote address, highlighting the growing cultural and creative ties between India and Western Australia.

The inaugural edition will showcase more than 30 films across Indian and South Asian languages, offering audiences an opportunity to discover stories and filmmakers from across the subcontinent.

Announcing the festival, Western Australian Premier Roger Cook said, “I am pleased to announce the inaugural Indian Festival of Perth, which will take place across multiple locations in Perth from November 12th to November 15th this year. The festival will showcase more than 30 films across Indian and South Asian languages. And the inaugural festival will welcome a select group of celebrated Indian Filmmakers who will get to witness Western Australian hospitality and visit Perth Film Studio".

Mitu Bhowmick Lange, who is behind both the Indian Film Festival of Melbourne and Indian Film Festival of Sydney, said, “We are incredibly excited to bring Indian cinema to Perth for the very first time. The launch of the Indian Festival of Perth is a natural extension of what we have been building across Melbourne and Sydney, and it is wonderful to now create a platform for audiences in Western Australia to experience the incredible diversity of Indian and South Asian cinema. Beyond the films, we hope the festival will create meaningful connections between filmmakers, audiences and the wider creative community, and open up new conversations and collaborations between India and Western Australia.”

The launch further strengthens the cultural bridge between India and Australia, with the festival creating a new platform for Indian storytelling in Western Australia and expanding the footprint of Indian cinema across the country.

Also Read: EXCLUSIVE: Sai Tamhankar on Bol Bol Rani releasing in Melbourne and Perth on August 16, “It’s a wonderful feeling to see the film travel beyond borders”



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Filmmaker Meghna Gulzar has opened up about how films portray patriotism differently, comparing her 2018 directorial Raazi with the more action-driven Dhurandhar. According to Meghna, the difference lies in the stories being told rather than the level of patriotism displayed by their characters.

The filmmaker discussed the subject during her appearance on the podcast Learn By KK Create. Asked about Dhurandhar and whether her approach to patriotism differs from that seen in other films, Meghna said that the characters in Raazi are not less patriotic simply because their patriotism is expressed differently on screen.

“The difference is in the story. I don't think Raazi's characters aren't any less patriotic than Dhurandhar's characters. It is their actions because of the way the story is. That is how they are depicted. One does not have to be right, and the other has to be wrong. Patriotism and prayers don't need volume. And they aren't expressed in one particular way. Every individual has their own way of expression,” she said. Meghna Gulzar on patriotism and moral choices in Raazi Released in 2018, Raazi starred Alia Bhatt as Sehmat, a young Indian woman who is recruited as an undercover operative and sent to Pakistan during the 1971 Indo-Pak war. The film explores her mission through personal relationships, sacrifice and the moral consequences of her actions.

For Meghna, the character's patriotism does not necessarily translate into an absence of moral conflict. When asked whether there was a limit to the kind of patriotism she would portray on screen, she said the character's own boundaries were what mattered. “There is no limit. If the character does not have a limit, how will I have a limit? And there was no limit of Raazi's character's patriotism. She had a limit when it came to her moral compass,” Meghna said.

On the professional front, Meghna Gulzar is currently gearing up for her latest directorial, Daayra, which stars Kareena Kapoor Khan and Malayalam actor Prithviraj Sukumaran.

Also Read: EXCLUSIVE: “Meghna Gulzar gave me a character that had real weight; sharing screen space with Kareena Kapoor was an experience,” says Upendra Chauhan on Daayra



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The makers of The Vvaan: Force Of The Forrest have acquired the sync rights to a recording of ‘Aigiri Nandini’ after musician Sargam Vaish alleged that his master recording was used in the film’s trailer without his permission.

Vaish had raised the issue on September 20, when he took to Instagram and claimed that a recording of ‘Aigiri Nandini’ created by him had been used in the trailer of the Sidharth Malhotra-starrer without obtaining his consent. The recording, according to Vaish, was originally created for a Ram Gopal Varma film, and he holds the master rights to it. Balaji Motion Pictures legal team meets musician Within 24 hours of Vaish publicly raising the issue, Balaji Motion Pictures’ legal team met with the musician. Vaish told Mid-Day that executives and lawyers from Ektaa R Kapoor’s production house met him on the evening of September 21 and subsequently acquired the sync rights for the recording.

Speaking about the meeting, Vaish said, “Balaji’s executives and lawyers have been cooperative. We met them today; they were kind and apologetic, even though they didn’t cause [the leak]. They are taking the sync rights for the track. I am grateful for the fact that we were able to resolve it so smoothly.” Sargam Vaish says he was not approached for permission Vaish recalled being surprised when he heard his version of Aigiri Nandini in the trailer of the Deepak Kumar Mishra-directed feature. “This is the version I had created for Ram Gopal Varma’s film. I own the master rights. No one had approached me for an NOC or permission,” he said. Source of recording leak remains unknown While the sync rights have now been acquired, Vaish said that he and the concerned parties are still trying to determine how his recording reached the Vvaan team in the first place. “The source of the leak is not known to us yet. We are trying to trace how this happened,” he added.

The Vvaan: Force Of The Forrest stars Sidharth Malhotra in the lead and is directed by Deepak Kumar Mishra. The film is backed by Balaji Motion Pictures and is scheduled to release on September 25.

Also Read: Sidharth Malhotra and Tamannaah Bhatia bring their dance moves to The Vvaan’s ‘Thummak Thummak’; song out now



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