Actor Shefali Shah has spoken about her experience with therapy, recalling how she first sought professional help after struggling to manage certain aspects of her life. In an interview with Bollywood Hungama, the actor discussed her journey with mental health professionals, the importance of finding the right therapist and how therapy has helped her recognise emotional lows before they become overwhelming.

Shefali, who recently made her debut as an author with The Audacity of Being: A Sort-of Memoir, published by Bloomsbury on October 1, 2026, has been discussing personal experiences as part of conversations around her book. During the interview, she explained that her decision to seek therapy did not stem from one major incident but from a growing realisation that she needed professional guidance. Shefali Shah recalls how she first sought professional help Shefali traced her first experience with a mental health professional to a visit to her children's school, where a psychiatrist had spoken about attention deficit disorder and attention deficit hyperactivity disorder (ADD and ADHD). At the time, Shefali believed her son might have the conditions and approached the psychiatrist with her concerns.

Recalling the incident, she said, “My children's school had a psychiatrist who came and spoke about ADD and ADHD. So I went to her one day saying, ‘My son definitely has ADD, ADHD, everything.’ She asked me to bring him in, but after meeting him, she said he was fine. Then she asked me, ‘What is your problem?’”

Shefali said the exchange eventually became a joke between them. However, she later approached the psychiatrist again when she was struggling with sleep.

“I remember once going to her saying that I cannot sleep. I need something to sleep. She asked me how long it had been since I had slept, and I said around 22 hours. I had come from the gym and hadn't eaten anything,” she recalled.

The experience prompted Shefali to consider that she might need help managing her own concerns. “I just thought that I wasn't equipped to handle it,” she said, explaining that she gradually began seeing the psychiatrist. “I have to go to a dermatologist” Shefali said her decision to continue therapy was not necessarily linked to a single life-changing event. Instead, she came to understand that professional support could help her navigate difficult periods.

“I don't remember if anything happened which was earth-shattering. But things happen in your life and, at some point, I hope people realise that you need a third person who's a professional, who knows this better than me,” she said.

Comparing mental health support with seeking treatment for a physical condition, Shefali added, “I can't keep putting a cream on an allergy rash. I have to go to a dermatologist.”

She also acknowledged that, initially, she would turn to therapy mainly when she was going through a crisis, such as a period when work was scarce and she was feeling depressed. After some years, however, she felt that her existing approach was no longer helping her in the same way. Shefali Shah on finding the right therapist Shefali eventually met Dr Vishal Sawant after someone introduced them. She said one of the things that stood out about their first interaction was that he did not rely on her previous assessments to define her experience.

“When I told him what I thought was happening and showed him my report, he said, ‘I don't want to look at it.’ He never labelled me, which was fantastic,” she said.

According to Shefali, the therapist helped her understand that people experience emotional highs and lows differently, and that she might feel certain emotions more intensely than others.

“He said everybody goes through a low phase or a high phase. You might feel it more acutely than somebody else. That's how it started, and he's been a huge support, somebody who's made my life so much simpler,” she said.

Shefali added that therapy has gradually become less about seeking help only when something goes wrong. There are times when she meets her therapist simply because she feels the need to check in.

She recalled one of his early goals for her: “One of the first things he told me was that he wanted to reach a point where I didn't need him.”

Learning to recognise emotional lows Shefali said she has become more aware of her emotional state and can increasingly recognise when she is beginning to feel low. While she is unsure whether she has reached the point her therapist hoped for, she believes the process has helped her develop a better understanding of herself.

Discussing the role of therapy amid the pressures of everyday life, she explained that a therapist does not necessarily tell someone what decisions to make. Instead, the process can help a person understand their situation and decide how to respond.

“This person is not the one who will tell you what to do. He will just tell you, ‘This is what it is. Now you figure what you want to do.’ You have to choose your way, which is what you need anyway in life,” she said.

Shefali added that gaining perspective can sometimes mean stepping back emotionally and assessing a situation before deciding whether it deserves further attention.

Her account highlights how her understanding of therapy has evolved over time, from seeking help during difficult phases to developing greater awareness of her emotional well-being. Through her experience, the actor has also underlined the value of professional support in navigating life's pressures.

Also Read: EXCLUSIVE: Shefali Shah reveals Vipul Shah advised her against doing Waqt; says, “He told me don’t do it”

Farhan Akhtar’s Shah Rukh Khan starrer Don: The Chase Begins Again (2006) completed 20 years today. The film was a remake of Chandra Barot’s Don (1978), starring Amitabh Bachchan. Produced by Excel Entertainment and also starring Priyanka Chopra Jonas, Om Puri, Boman Irani, Arjun Rampal and Isha Koppikar, the action flick became a success at the box office. It was a major moment for mainstream Hindi cinema as sequels weren’t a regular feature back then.

Even after two decades, Don doesn’t appear old. A major reason for this is the visuals provided by cinematographer KU Mohanan. Interestingly, this was the first time he had worked in a mainstream commercial film. Mohanan revealed that there were apprehensions because of this before he came on board in an exclusive interview with Bollywood Hungama.

He said, “At that time, I was mainly doing advertising work. I was quite big in advertising films. Maybe, that’s why Farhan got an idea about my work. But he knew I hadn’t done any big feature film before. He was a little apprehensive also in the beginning if I would be able to pull it off. This was a huge film. He expressed his concerns and asked me if I would like to do it. I said I will try because even I was not very sure about myself. But I took it as a challenge and accepted the film.”

Challenges of shooting action sequences

Mohanan faced that challenge of shooting high-octane action sequences for the first time. “It was very challenging,” he said. “But we had a good team, like the second unit director and the action team. The main person was from Australia. He had worked in many Hollywood and international films. We really wanted to make it look world class. Most of the action scenes were done in real. The chase sequences were done in that speed. There wasn’t too much of cheating. Certain things which we couldn’t do in real were done with a little VFX. At that time, VFX was not very popular. It wasn’t easy to do VFX.”

Shah Rukh Khan’s daredevilry made things easier

Mohanan shared that SRK made things easier and he was amazed by his commitment towards shooting action scenes. “He will do anything you tell him,” he recalled. “He used to get very excited for action, even at times when I used to get scared. I was sitting behind him in the car with the hand-held camera during a chase scene. He was driving the car and hitting the water barrel that was coming on the windscreen and then hitting a road roller. Everything is done by him. There was no duplicate.”

One particular scene involving fire astonished Mohanan about the kind of risks Khan was ready to take. “There is also a scene where the car is going through a fireball. That car is driven by Shah Rukh Khan. It wasn’t a stunt double. There was a camera mounted in front of the car, so you can see the actor. He did it twice. He is the greatest star I have worked with. He is a such a great, gentle and warm human being. He is a very hardworking actor and very supportive to everybody. He is a dream to work with. More than a star, I am a huge fan of Shah Rukh Khan as a person,” he said.

Don started a good professional bond between Mohanan and SRK, which continued in various projects in the years to come. “Shah Rukh is very fond of me maybe because of the quality of work I come with. He really appreciated the way I worked in Don. That’s the reason I did Raees (2017) and Jab Harry Met Sejal (2017). After that, I did innumerable TV commercials with him,” he recalled.

The end twist played a major role in Don’s box office success

Interestingly, KU Mohanan is a big fan of the original Don. It released when he was a school student in Kerala. He was glad to know that Farhan Akhtar’s remake threw in a major twist in the end. “It was so exciting for me to re-do that film as a cinematographer,” he said. “When I read the script and saw the twist, I felt it was very interesting. Otherwise, what is the point of making it exactly like before? That’s a great twist that Farhan brought in. Maybe that’s one of the reasons why the film worked at the box office. We had a very strong team along with the great vision of Farhan Akhtar. He is very supportive as a director and a great producer, along with Ritesh Sidhwani.”

Don’s international look was an effort to break the existing pattern in Bollywood back then

Don had an international look to it. Mohanan said that this is what they always aimed for. “We were trying to break the regular pattern of Bollywood cinema existing at that time,” he said. “Anyways, I am exposed to international cinema. Actually more than Hollywood, I am exposed to other kind of cinema – the cinema from Europe, Japan, etc. So, I have a different kind of way of looking at things. Maybe that worked in the film actually. That’s why it looks different.”

Mohanan made it clear that despite taking inspiration from international cinema, his aim was never to copy anything from foreign films. “You can get inspired by someone else’s work. You can get influenced by people who worked before us. It’s like carrying a baton forward. I tried to make it look very unique and our own. To an extent, I think, I succeeded in doing Don. It wasn’t a copy of Hollywood. But it also wasn’t like the regular Hindi cinema of that period,” he said.

The green colour palette

One can easily notice the green colour palette to the film right from the onset. Sharing the thought behind this, Mohanan said, “When we did the camera and look test, Farhan, myself, the production designer Aradhana Seth and the costume designer Aki Narula discussed decided that we will go with one particular colour palette. It’s a collaborative work, actually. We also decided that we will cut off certain type of a colour. For example, there are no warm colours in the film; it’s a very cold film. You have shades of blue, green and black. We thought this looks like a good colour palette for the film. Otherwise, Hindi cinema was not doing any colour palette at that time. There wasn’t a properly paletted film. It was all haywire. There is only one song (‘Yeh Mera Dil Pyaar Ka Deewana’) where there is a lot of warmth, like red, orange, etc.”

Don started a healthy working relationship between KU Mohanan and Excel Entertainment

Don was a pleasurable experience for KU Mohanan. It became a start to a long collaboration with Excel Entertainment, with movies like, Talaash: The Answer Lies Within (2012), Fukrey (2013) and Raees. He laughingly said, “Most of my filmography is produced by Excel Entertainment. They are very good producers. They are very straightforward and very quality conscious. That’s the reason I did most of my films with them. Ritesh Sidhwani is a very great producer.”

Surprisingly, Mohanan wasn’t a part of Don’s sequel Don 2: The Chase Continues (2011). When pointed this out, he said, “I was busy with some other work actually.”

Also Read: EXCLUSIVE: Shah Rukh Khan’s birthday to witness a KING-sized BLAST; Siddharth Anand gears up to launch EXPLOSIVE teaser on November 2

Filmmaker SS Rajamouli has extended his wishes to the team of Ramayana Part 1 ahead of the film's worldwide theatrical release on November 5. The filmmaker praised director Nitesh Tiwari and producer Namit Malhotra for bringing the epic to the screen on a large scale.

Rajamouli shared his thoughts on X, describing Ramayana as a story that Indian storytellers have long aspired to bring to the screen. He wrote, "It's a joy to see @niteshtiwari22 and @malhotra_namit bring it to the screen on such a grand scale. Each actor brings these timeless characters to life with depth."

Directed by Nitesh Tiwari and co-written by Shridhar Raghavan, Ramayana Part 1 stars Ranbir Kapoor as Prince Rama, Sai Pallavi as Sita and Yash as Ravana. The film also features Sunny Deol, Ravie Dubey, Anupam Kher, Kajal Aggarwal, Rakul Preet Singh, Vivek Oberoi, Kunal Kapoor, Adinath Kothare, Arun Govil, Indira Krishnan and Lara Dutta in key roles.

#Ramayana is a story every Indian storyteller grows up aspiring to tell. It's a joy to see @niteshtiwari22 and @malhotra_namit bring it to the screen on such a grand scale. Each actor brings these timeless characters to life with depth. Looking forward to 5th November. Best wishes to the entire team. https://t.co/zRAQ54SfJm

— rajamouli ss (@ssrajamouli) October 17, 2026

Ramayana Part 1 brings together a large ensemble The film's cast includes actors from different parts of Indian cinema, with Yash making his Hindi film debut as Ravana. The project brings together several performers for a new cinematic adaptation of the epic.

The music for the film has been composed by Oscar-winning composers Hans Zimmer and AR Rahman. The makers are also planning a worldwide theatrical release, including IMAX screenings.

Ramayana Part 1, also referred to as Ramayana: Rise of a Legend, is scheduled to release in cinemas worldwide on November 5.

Also Read: Yash calls himself “Radhikapati” at Ramayana international trailer launch in Bengaluru, credits wife Radhika Pandit for her support

Amit Trivedi had a conversation with Komal Nahta in which he revealed that he had a dream run as a music composer in the initial phase of his career. However, he got a reality check while working on Ek Main Aur Ekk Tu (2012), starring Imran Khan and Kareena Kapoor Khan.

Amit Trivedi said, “For Dev D, I made 18 songs and all of them got selected. The same happened with Aamir. There was a requirement of 5 songs. I only composed 5 songs and they all got selected. This was repeated with Udaan (2010) as well. I began to assume, ‘Wow. Aise hi hota hoga. This industry is amazing’ (laughs). Then, I got a shock of my life when Karan Johar came into my life. That’s also when mainstream Bollywood came into my life.”

He explained, “I signed Shakun Batra’s film, Ek Main Aur Ekk Tu, which was produced by Karan Johar. While working on the film, I asked myself, ‘Yeh kya ho raha hai?’. It was completely contrary to my previous experiences. Until then, I had worked in 5-6 films, including a song in Karan Johar’s Wake Up Sid (2009), that is, ‘Iktara’. Woh gaana bhi one shot tha. Everything was smooth. But during Ek Main Aur Ekk Tu, mere nakshatra badal gaye! Every song got bounced. If Shakun would like it, Karan sir won’t like it, and vice versa. Aur mujhe kuch samaj mein nahin aa raha tha!”

Amit Trivedi revealed, “At that time, I felt very vulnerable and sad. I even cried. I had self-doubt. I asked myself, ‘Am I not good enough? Don’t I know how to make good music? But then how did I manage to work on so many films? Also, many of those songs were hits as well. So, I am not the problem. The problem is somewhere. But Karan sir is also vastly experienced’.”

Also Read: Kiran Rao and Saba Azad react to Imran Khan facing legal trouble over Mumbai protest; come in support of the actor

Late actor Nana Patekar’s son, Malhar Patekar, has addressed the allegations made against his father by actor Tanushree Dutta, while also dismissing reports about his parents’ relationship and family dynamics. In an interview with Hindustan Times, Malhar said the legal case related to the allegations had already concluded and questioned why the matter kept being discussed. Without naming Tanushree, he said he had nothing further to add.

“Without naming anyone, I want to say that the case people are bringing up unnecessarily is already over. Judiciary se clear hua hain, case khatam ho chuka; phir bhi bol rahe [the case is over; they still keep talking],” he said.

Malhar added, “Aise logo ko mein unko kuch nahi bolunga; joh sach hai wahi rahega, bhagwan unka bhala kare [I have nothing to say to such people. The truth will remain the truth. May God bless them], this is what I have to say to them.” What Tanushree Dutta had alleged against Nana Patekar In 2018, Tanushree Dutta accused Nana Patekar and others of sexual harassment on the sets of Horn OK Pleasss. She had alleged that an incident took place during the filming of the movie and subsequently quit the project.

The allegations resurfaced during India’s #MeToo movement, with Tanushree reiterating her claims against Nana, choreographer Ganesh Acharya and the film’s producer.

Following Nana Patekar’s death on October 8 in Goa, Tanushree shared a video on her Instagram Stories in which she referred to the late actor as an “evil dead”. She later spoke to the media about the allegations and said that she would not forget what she claimed had happened on the sets of the film.

Nana Patekar died of a heart attack in Goa after reportedly experiencing chest pain early in the morning. He was later cremated with full state honours at his farmhouse in Pune in the presence of family, friends and members of the film fraternity.

Also Read: Nana Patekar’s autopsy CONFIRMS heart attack caused by blood clot in left main coronary artery: Report

The international trailer of Ramayana: Part 1, directed by Nitesh Tiwari, was unveiled in Bengaluru on October 15, marking the beginning of Sony Pictures’ global campaign to take Namit Malhotra’s ambitious adaptation of the Indian epic to audiences across international markets. The launch was attended by Ranbir Kapoor, Sai Pallavi, Yash, Ravi Dubey, composer A. R. Rahman and director Nitesh Tiwari, among other members of the cast and crew.

Hosted by Prime Focus Studios and Yash’s Monster Mind Creations, the event offered audiences a fresh look at the film ahead of its worldwide theatrical release. The international trailer presents the story on an expansive fantasy scale, centring on the cosmic conflict between light and darkness and the battle against tyranny.

The nearly two-and-a-half-minute preview opens in a mythic era of celestial order, when men and gods are depicted as coexisting, with Kunal Kapoor appearing as Lord Indra. The narrative then shifts to the rise of Yash as Ravana, who declares, “Before me, every head will bow”, establishing the central conflict that drives the epic.

Ranbir Kapoor as Lord Rama is presented as a righteous figure confronted with an extraordinary destiny, with the character emerging as humanity’s hope against the looming threat. The trailer features Rama’s resolve in the line, “If I don’t stop him, the world will fall”. Sai Pallavi as Sita also features in glimpses that hint at the emotional dimension of the story, while the preview places considerable emphasis on large-scale battles, ancient architecture, atmospheric landscapes and visual effects by DNEG.

The film’s score, composed by Hans Zimmer and A. R. Rahman, further shapes the trailer’s expansive presentation of the epic. The preview offers a glimpse of the scale on which the makers have envisioned the story for the big screen, combining its mythological setting with large-scale fantasy elements.

Ramayana stars Ranbir Kapoor as Lord Rama, Sai Pallavi as Sita, Yash as Ravana, Sunny Deol as Hanuman and Ravi Dubey as Lakshman. Directed by Nitesh Tiwari, the two-part saga is produced by Namit Malhotra’s Prime Focus Studios in collaboration with DNEG and Yash’s Monster Mind Creations.

With Sony Pictures spearheading its international campaign and handling distribution globally outside India, the film is being positioned for audiences across markets. Dharma Productions will distribute it in the Hindi-speaking market. The film will release in IMAX and in Hindi, Tamil, Telugu, Kannada and Malayalam across India.

Ramayana: Part 1 is scheduled to release worldwide in cinemas on November 5, 2026. The second instalment is slated to arrive during Diwali 2027.

Also Read: Ramayana international trailer to be unveiled at Bengaluru event; Ranbir Kapoor, Yash, Sai Pallavi to attend

Salman Khan made a dashing entry on Koffee With Karan Season 9, bringing his trademark humour and decades-long camaraderie with host Karan Johar to the couch. However, what began as a playful exchange soon took an interesting turn when the superstar brought up his highly publicised fallout with Shah Rukh Khan, leaving the filmmaker at the centre of a conversation about one of Bollywood’s most talked-about feuds.

During their conversation, Karan Johar admitted that Salman had always made him nervous, saying, “No one gets me more stressed, nervous, and hyper than you. I don't know why, it hasn't changed.” Salman was quick to respond with a teasing question: “Is it because of you or is it because of somebody else?” The remark appeared to allude to Shah Rukh Khan, with whom Salman shared a close friendship before their relationship reportedly soured in 2008.

The fallout between Salman and Shah Rukh became one of the biggest talking points in Bollywood at the time. The two superstars, who had shared a warm equation through the 1990s and appeared together in films, reportedly had a disagreement at a birthday party hosted by Katrina Kaif in 2008. The incident was widely discussed in the media, with reports linking the rift to tensions surrounding Salman’s personal life and his relationship with Aishwarya Rai Bachchan. However, the precise circumstances behind their disagreement have remained a subject of public discussion over the years.

Karan Johar’s presence at the party also became part of the conversation, given his close friendship with Shah Rukh and Gauri Khan. Against that backdrop, Salman’s playful interrogation of the filmmaker on the Koffee With Karan couch carried an added layer of significance.

Putting the matter into perspective, Salman told Karan, “Right now you should not be stressed because everything is all good. It's been good for the longest time,” referring to the now-repaired equation between him and Shah Rukh. The two actors famously appeared to put their differences behind them when they reunited at politician Baba Siddique’s Iftaar party in 2013, after years of speculation surrounding their relationship. Salman, however, was not done teasing the filmmaker. He added, “At one point of time, it was not good. So, I could have understood that you were scared of me because of not you, because of Shah Rukh.”

Karan chose not to prolong the discussion, but Salman’s candid remarks brought the spotlight back to a chapter in Bollywood history that continues to intrigue fans. With the two superstars having since maintained a cordial relationship and supported each other’s film appearances, the exchange offered a reminder of how far their equation has evolved since the highly publicised fallout.

Also Read: Salman Khan REACTS as Karan Johar revisits ‘Are You Still A Virgin?’ moment in Koffee With Karan Season 9 promo: “Control yaar, Brother”

A physical altercation between Kushal Tanwar, popularly known as Gullu, and Nakul Dhull has sparked a fresh controversy inside the Bigg Boss 20 house. Following the confrontation, Gullu’s team has accused Nakul of entering the Salman Khan-hosted reality show with an intention to pick a fight with him and has questioned how details of the incident allegedly surfaced before it took place.

Tuesday’s episode appeared to hint at some history of conflict between the two contestants. During the confrontation, Nakul was heard threatening Gullu, saying, “Gurgaon mein aa ke marunga, jab bole tab.” Gullu responded by calling him out, saying, “Story kaa badmash hai tu.”

Nakul then referred to an alleged earlier incident involving Gullu, saying, “Goa bhaga tha na tu. Mere gaon ke ladke aaye the na, Goa bhag gaya tha tu.” As the argument escalated, Mahhi Vij intervened and remarked, “Ye firak mein hai do din se maarne ki.”

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Gullu’s team questions how fight was allegedly leaked beforehand

Following the altercation, Gullu’s team addressed the incident through his social media channel. The team questioned why someone with alleged unresolved issues with Gullu was allowed to enter the reality show. “This is so unfair. How are people like this even allowed to enter the house in the first place, and for what reason?” the team wrote.

Gullu’s team further alleged that Nakul had entered the house “with a plan to fight with Gullu” and questioned whether the confrontation was pre-planned. The team also raised questions about reports surrounding the altercation allegedly emerging on Saturday, a day before the fight reportedly took place on Sunday.

“Physical altercation between him and Gullu was leaked on Saturday when the actual fight happened on Sunday. How could such specific information about an incident be out a day before it even happened? Because, at that point, the incident hadn’t even taken place in real time,” the team stated. Team demands action against Nakul Dhull Gullu’s team also condemned what it described as unnecessary physical violence and an alleged breach of personal boundaries inside the Bigg Boss 20 house.

“Secondly, unnecessary physical violence and crossing someone’s personal boundaries are absolutely unacceptable. Bigg Boss is a show, not a place where people should be allowed to threaten or physically attack others,” the team said.

Maintaining that Gullu had entered the reality show to participate in the competition rather than be targeted, his team called for action against Nakul. It referred to Nakul as a “goon” and concluded its statement with a demand for his eviction.

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Also Read: Bigg Boss 20: ScoutOp’s friend questions Salman Khan’s criticism; accuses makers of targeting him

Singer Sona Mohapatra has questioned Congress leader Rahul Gandhi over his remarks on democracy and the BJP-led government, asking him to focus on governance in Himachal Pradesh before speaking about “repairing democracy”.

Taking to X, Sona said she was shocked by the condition of the state after returning to Himachal Pradesh following nine years. She claimed that she saw garbage-strewn hills and rivers affected by pollution, and urged the Congress to make the state an example of good governance.

“Dear @RahulGandhi, before repairing democracy, could you start by repairing Himachal Pradesh? I returned after 9 years and was shocked by garbage-strewn hills and choking rivers. Make this Congress-governed state a model of governance. Earn the people’s mandate, don’t just demand it,” she wrote. Sona Mohapatra responds to Rahul Gandhi's remarks Sona's post came after Rahul Gandhi commented on the Chief Election Commissioner and the BJP-led government. In a Hindi post on X, the Congress leader said that the departure of Chief Election Commissioner Gyanesh Kumar and the current government would pave the way for changes in the country's democratic system.

While responding to those remarks, Sona shifted the focus to Himachal Pradesh, which is governed by the Congress. Her comments centred on civic conditions and governance in the state, based on what she said she observed during her return after several years.

Dear @RahulGandhi, before repairing democracy, could you start by repairing Himachal Pradesh?I returned after 9 years & was shocked by garbage-strewn hills and choking rivers. Make this Congress-governed state a model of governance.Earn the people’s mandate,don’t just demand it🙏🏾 — Sona Mohapatra (@sonamohapatra) October 13, 2026

The singer also called on the Congress to demonstrate its governance record in Himachal Pradesh, rather than only seeking electoral support at the national level.

Also Read: Sona Mohapatra calls out lack of female-centric heartbreak songs in Bollywood; recalls being “flabbergasted” by ‘Zaalima’

Radhikka Madan has opened up about the pressure she faced to meet conventional beauty standards, recalling how she was told she was “too fat” to become a heroine after gaining weight for a film. The actress also spoke about the consequences of trying to meet those expectations, revealing that her efforts to lose weight eventually began affecting her health.

Recalling her transformation for Pataakha, Radhikka shared that she had gained 15 kilograms for the film and subsequently began losing the weight while working on Shiddat and Angrezi Medium. During this period, she faced comments about her appearance that pushed her to continue losing weight.

“I had gained 15 kgs for Pataakha, and I was losing that weight through Shiddat and Angrezi Medium. I was told that I was 'too fat. Heroine kaise banegi ye'. I kept losing weight and shooting back-to-back and fully became like bones. It started affecting my health, so I took a break,” she said.

The actress explained that the criticism continued even after her appearance changed, making her question why she was trying to satisfy other people’s expectations. She eventually decided to prioritise feeling healthy instead of chasing a particular body size. “Earlier, I was too fat, now I was too thin, and in between, I was neither here nor there. I asked myself why am I trying to please people when they will never be happy? So, I started focusing on feeling healthy rather than chasing a particular body size. Once you do that, others' opinions don't affect you as you become wiser. You don't know what insecurity they are coming from. But I have that security of knowing that now, I am chasing health,” she added.

Radhikka also reflected on how societal conditioning shapes perceptions of the so-called perfect woman, particularly for young girls who grow up seeing a narrow representation of beauty in magazines. She went on to share, “Us time pe aisa hota nahi hai (didn’t have money at that time) because we have this manicured idea and this burden, especially on girls, about how to look and what's a perfect size. And if you aren't fitting in that, you are going wrong. That conditioning comes from childhood as you see such women only on magazine covers. We have to realise that the idea of a perfect woman is fed to us.”

Looking back at her school years, the actress recalled having a unibrow and being very hairy but credited her positive upbringing with helping her develop self-confidence early on. She stated, “In school, I even had a unibrow and was really hairy, but because my parenting was quite positive, I was hyped so much that I felt people don't realise but I am beautiful.”

Radhikka was last seen alongside Ali Fazal in Lust Stories 3, which is currently streaming on Netflix.

Also Read: Radhikka Madan, Vijay Varma open up on intimate scenes leaking online: “You have to keep in mind that a leak is always a possibility”

Aishwarya Rai Bachchan extended birthday wishes to her father-in-law, Amitabh Bachchan, as the veteran actor turned 84 on October 11. The actor shared an unseen photograph of Amitabh with his granddaughter, Aaradhya Bachchan, on social media, accompanied by a heartfelt note for him.

Taking to Instagram on Sunday, Aishwarya posted a picture capturing a moment between Amitabh and Aaradhya. In the photograph, the veteran actor is seen wearing a tracksuit and a beanie, while Aaradhya hugs her grandfather as they pose together. The picture offered a glimpse into their family bond, with Aishwarya marking the special occasion with a personal message.

Sharing the photograph, she wrote, “Happy Birthday dearest Pa-Dadajiii. Love and God Bless always.”

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Aishwarya’s birthday post came as Amitabh received wishes from fans and members of the film industry on his special day. Several celebrities, including Sanjay Dutt, Shatrughan Sinha and Chiranjeevi, also extended their greetings to the actor through social media.

Amitabh Bachchan celebrates his 84th birthday

Amitabh celebrated his birthday on October 11, continuing a tradition that sees fans gather outside his Mumbai residence, Jalsa, to catch a glimpse of him. The actor stepped out to greet the crowd and acknowledge the wishes of his admirers, who assembled outside his home to mark the occasion.

The veteran star’s birthday is often marked by tributes from colleagues, fans and members of the film fraternity, reflecting his long-standing association with Indian cinema.

Amitabh Bachchan’s work front

On the work front, Amitabh Bachchan continues to host the 18th season of the television quiz show Kaun Banega Crorepati. He is also associated with the sequel to Kalki 2898 AD, returning to the science-fiction franchise following the first film.

Also Read : Abhishek Bachchan shows interest in doing ‘Kajra Re’ 2.0 while recalling the song’s shoot, says, “You have got to convince Aishwarya and my dad”

Ramesh Taurani and Kumar Taurani spoke to Komal Nahta about remixes and recreated versions of old songs. While many believe that recreations are a worrying trend and that music composers should focus only on original compositions, Kumar Taurani had a different take.

He said, “More recreations should be made. Every film should have recreated songs. Certain classic songs have a long legacy, have been promoted extensively and enjoy strong recall value. When these songs are presented in a new avatar, they tend to work big time. This happened with the recreated versions of ‘Chunari Chunari’ (Hai Jawani Toh Ishq Hona Hai; 2026) and ‘Chamma Chamma’ (Fraud Saiyaan; 2019). Recently, ‘Aankhon Se Tune 2.0’ (Bhai Tera Star Hai; 2026) also worked. Usually, songs would get around 20,000 streams. But after being recreated, their streams suddenly jumped into the millions! This benefits the original versions as well.”

Ramesh Taurani added, “There was a film called Crew (2024). Two of its songs became famous, ‘Naina’ and ‘Choli Ke Peeche’. The signature ‘Ku Ku Ku Ku’ hook of ‘Choli Ke Peeche’ was also used extensively in the film's background score.”

Kumar Taurani revealed, “Shobha Kapoor ji herself told me, ‘Kumar ji, because of ‘Choli Ke Peeche’, I made Rs. 25 crores more in my pocket’. Imagine!”

Ramesh Taurani continued, “Dhurandhar is another huge example. It’s a Rs. 1000 crores grosser, and look at how many old songs were recreated, including ‘Tamma Tamma’, ‘Hum Pyaar Karne Waale’, ‘Na Toh Karvaan Ki Talaash Hai’, etc. They were so well woven into the narrative that they enhanced the impact of the scenes.”

Kumar agreed, “That’s because you are already familiar with most of these songs, and hence, you enjoy them even more.”

Also Read: Ramesh Taurani hails Akshay Kumar, Ajay Devgn, takes a DIG at actors scared of flops: “Bhale 10 hit chhoot jaaye lekin 1 flop nahin chahiye!”; reveals, “I always tell Aamir Khan, ‘Aap zyaada picturein karo’”

Ramesh Taurani and Kumar Taurani spoke to Komal Nahta and urged actors to sign more films. Ramesh Taurani said, “In the olden days, we used to promote our films extensively, put up hoardings, publish posters in film magazines, play the songs on TV and radio, etc. Hence, actors used to get excited when signing a film produced by a music company. We used to just share one-line idea of the story and at times, actors agreed to do the film over a phone call and without even physically meeting us. Woh bharosa tha aur luckily, woh bharosa rang laaya kyunki hamari sab picturein chali.”

Kumar Taurani then said, “Now, actors are very panicky, fearing that their film might flop. Actors should continue working, even if they deliver a couple of flops. They should not fear and should do at least 2-3 movies a year. At the same time, they should also be economical with the producers. From what I know, the actors and director of Dhurandhar opted for profit sharing; their upfront fees were not much.”

Ramesh Taurani added, “In the 90s and 2000s, there were not many revenue options. Now, actors can earn through stage shows, ads, endorsements, etc. So, they have a lot of money. Our judiciary follows this principle that bhale 100 gunehgaar chhoot jaaye, lekin ek begunaah ko faansi nahin honi chahiye. Similarly, actors think that bhale 10 hit chhoot jaaye, koi parwah nahin. Lekin 1 flop nahin chahiye! They don’t want their brand value to diminish.”

He continued, “In the long term, flops don’t matter. Akshay Kumar and Ajay Devgn deliver 4 films a year and are going strong for so many years. Drishyam The Conclusion is tracking so well. Salman Khan continues to work and has 3 films in 2 years for sure. I always tell Aamir Khan, ‘Bhai aap zyaada picturein karo’. Shah Rukh Khan’s King will release 3 years after his last release. Aise actors ka zyada kaam aana chahiye.”

Also Read: Kumar Taurani BREAKS silence on Vashu Bhagnani legal battle; reveals fallout after decades-old friendship: “Abhi thodi doori hai”; questions, “He filed case in a court located 200-300 kms from Patna. Wahaan jaane ki kya zaroorat hai aapko?”

In May 2026, producer Vashu Bhagnani filed a case in Katihar, Bihar, over the alleged unauthorized use of songs from his films. The issue erupted with the recreated versions of ‘Chunari Chunari’ and ‘Ishq Sona Hai’. Vashu Bhagnani argued that these tracks are from his film Biwi No 1 (1999) and that the makers of Hai Jawani Toh Ishq Hona Hai (2026) didn’t have the right to use them. Meanwhile, Tips, which produced the Varun Dhawan-starrer, made it clear that they have all the rights to use the songs. Ramesh Taurani and Kumar Taurani didn’t talk much on this issue. But now they finally broke their silence during their interview with Komal Nahta.

The brothers were asked about the feud between producers and music companies over remixes and recreations. Kumar Taurani reasoned that the producers’ argument that they should get some royalty from recreated versions doesn’t hold water. He said, “Aapne paise leke mujhe maal de diya. Toh ab kiska maal hua? Suppose I buy an M F Husain painting for Rs. 1 crore. Tomorrow, I have the freedom to sell it off for Rs. 2 crores or even give it for hire. That is, someone can display the painting at their venue and I can charge Rs. 25 lakhs a month for the same. I paid the full amount to buy the rights and signed the contract. Then, why the objection?”

When asked about Vashu Bhagnani, he replied, “He gave a lot of interviews while we maintained silence. Firstly, these contracts were signed 20-25 years ago. All these years, he never raised any objections. Secondly, all our contracts clearly state that in the event of any legal dispute, Mumbai will be the jurisdiction. Yet, he filed the case in faraway Bihar, that too in a court located 200-300 kms from Patna. Wahaan jaane ki kya zaroorat hai aapko? Thankfully, by God’s grace, we got relief from the High Court and Supreme Court. Now, everybody has told him to go and fight the case in Mumbai if he has any grievance.”

He added, “We shared such a long-standing relationship with Vashu. We were the ones who brought him into the industry, and we made our first films together. Later, when he expressed his desire to produce films independently, we were more than happy to support him. We told him, ‘Akele banao, aage badho’.”

Are Ramesh Taurani and Kumar Taurani still on talking terms with Vashu Bhagnani after this episode? Kumar replied, “No. Abhi thodi doori hai. What to do? If he had a grievance, he could have come and spoken to us.”

Kumar also revealed that Vashu Bhagnani had acknowledged Tips as the rights holder of certain songs just a few years ago, only to change his stance during the Hai Jawani Toh Ishq Hona Hai row. He explained, “He made a film called Coolie No 1 (2020), which was released directly on Amazon Prime Video. It featured two songs from the original film of the same name. We were among the producers of the original film and also held its music rights. He told us that he wanted to use those two songs and asked us to work out a deal. We agreed.”

Also Read: Kumar Taurani reveals Tips LOST money on Ek Rishtaa after Suneel Darshan preponed release: “The music was just picking up”

Kareena Kapoor Khan recently sparked curiosity among fans after sharing a social media post featuring a helmet for Google Android, leaving many wondering what the actress was hinting at. Bollywood Hungama had uncovered the mystery behind the post, and now, Kareena made her first appearance as part of her association with Formula 1 at the Singapore Grand Prix.

Held earlier this week, the Singapore Grand Prix saw the Bollywood star make a stylish appearance at the racing event. Keeping her look casual yet chic, Kareena opted for a white tank tee paired with a colourful scarf that added a vibrant touch to her outfit. She kept her accessories minimal and completed the look with understated makeup and sunglasses, bringing a hint of glamour to her relaxed ensemble.

Kareena Kapoor Khan’s F1 appearance sparks fan reactions

Pictures of Kareena from the Singapore Grand Prix soon made their way onto social media, prompting fans to react to her latest appearance. While her association with Formula 1 caught attention, several users also expressed curiosity about which racing personalities she might meet during the event.

One fan drew a playful comparison to Pokémon while commenting on the actress’s apparent association with different teams. “demnn she collecting them teams like pokemon cards, pehle sauber now this huh,” the comment read.

Thank you for stopping by, Kareena 👋 #McLarenF1 | #SingaporeGP🇸🇬 | @Android https://t.co/UzkyaS1sSK

— McLaren Mastercard Formula 1 Team (@McLarenF1) October 9, 2026

Others joined the conversation by requesting pictures of Kareena with Formula 1 drivers, with Lando Norris emerging as a particular favourite among fans. Their reactions added to the buzz surrounding the actress’s appearance at the international racing event.

Kareena’s latest outing also comes amid growing crossover moments between Bollywood celebrities and the world of global motorsports, with Formula 1 events attracting attention beyond their core racing audience.

What’s next for Kareena Kapoor Khan?

On the professional front, Kareena Kapoor Khan was last seen in Daayra, directed by Meghna Gulzar and co-starring Prithviraj Sukumaran as the leading man. The project brought the actress together with the filmmaker for a crime drama.

Kareena is yet to officially announce her next film project. Meanwhile, her appearance at the Singapore Grand Prix has given fans a fresh glimpse of her activities beyond the big screen, with many now hoping to see more pictures from her Formula 1 outing, particularly alongside their favourite drivers.

Also Read: EXCLUSIVE: Kareena Kapoor Khan’s mystery helmet post decoded! She has teamed up with F1 champion Lando Norris for a global collaboration, say sources

Imtiaz Ali attended the Celebrate Cinema 2026 festival at Whistling Woods International. Later, he interacted with the media along with Subhash Ghai and his daughter Meghna Ghai Puri. Imtiaz spoke about his affection for Subhash Ghai and shared an untold story about how the veteran filmmaker played a crucial role in ensuring that his debut film, Socha Na Tha (2005), got a theatrical release. The romantic comedy marked the debut of Abhay Deol and also starred Ayesha Takia. Imtiaz also raised laughs as he recalled an incident when Subhash Ghai was upset with him.

Imtiaz Ali began by saying, “I have shared a great bond with Subhash ji. But there was a time when he was very angry with me.” He initially hesitated to narrate the incident, but Subhash Ghai insisted, “Please tell them.”

Imtiaz Ali revealed, “My debut film, Socha Na Tha, was stuck for release. Due to some issues involving the producers, the film was not getting released. It was only today that I learned that Subhash ji’s wife (Mukta Ghai) was on the Examining Committee of the CBFC (Central Board of Film Certification). She saw the film during the censor screening and liked it a lot. She told Subhash ji to watch it. He arranged a screening and liked the film as well. Since the film wasn’t releasing, he bought it at a price higher than its actual value. He acquired the negative rights solely to ensure that the film got a theatrical release. I had never met Subhash Ghai, and yet he did this for me. This is how people show kindness in our industry.”

He continued, “Then he signed me for a film which couldn’t be made because of me. I told him, ‘Sorry sir, main film nahin kar paunga’. For some time, he was very angry with me. Later, he went to Mauritius, where I found a way to pacify him (smiles).”

Also Read: Saira Banu pays emotional tribute to Kathak Guru Roshan Kumari Ji; says, “I don’t want to say goodbye”

Amitabh Bachchan paid an emotional tribute to veteran actor Nana Patekar following his sudden demise, remembering him as an exceptional performer, a dear friend and a committed social worker. Reflecting on Patekar’s legacy, Bachchan highlighted the qualities that set him apart, including his fearlessness, simplicity and courage to speak his mind.

In his tribute, Bachchan said, “Deviyo aur sajjano, Nana Patekar ji ka achanak aaj subah swargwas ho gaya. Ek adwitiya kalakar, mitra, shubhchintak, aur ek utkrisht samaj sevak aaj hamare beech nahi rahe. Ye na keval Bharatiya film udyog ke liye, balki ek vyaktigat taur par, jinka bhi unke saath sampark hua, usne hum sabko stabdh kar diya hai. Unki bebaki, unki sadgi, aur sach ko sach kehne ka unka saahas, ye sari baatein unko sabse alag banati thi ((Ladies and gentlemen, Nana Patekar ji passed away suddenly this morning. An unparalleled artist, a friend, a well-wisher, and an exceptional social worker is no longer among us. This is not only a monumental loss for the Indian film industry, but also a deeply personal loss for everyone who had the privilege of knowing him. His sudden departure has left us all stunned. His fearlessness, his simplicity, and his courage to call the truth exactly as it was — these qualities made him truly different from everyone else).”

He went on to continue, “Kuch log hamare jeevan se chale jaate hain, lekin unki aawaz, unke paropkar, unki sikhai hui seekh hamare bhitar reh jaati hai. Nana unhi logon mein se ek the. Aapko, Nana, vyaktigat roop se mera naman. Aur aapki us kala ko pranam, jise aapne puri imandari se jeeya aur hum sabko samarpit kiya (Some people leave our lives, but their voice, their acts of compassion, and the lessons they have taught us remain within us. Nana was one of those rare people. Nana, I offer you my personal respects. And I salute the art that you lived with complete honesty and devoted wholeheartedly to all of us).”

Recalling Patekar’s appearance on Kaun Banega Crorepati Season 16, Bachchan also spoke about the actor’s commitment to humanitarian work. He remembered the special episode as a memorable evening, particularly because Patekar dedicated his prize money to a cause close to his heart.

Bachchan said, “Iss manch par hamare vishesh karyakram mein ek atithi ke roop mein unka aagman hua tha. Wo yaadgar shaam sada hamare saath rahegi. Unki baaton ne na keval hume prabhavit kiya, balki jis nek kaaj ke liye unhone jeeti hui dhanrashi ko samarpit kiya, wo unki samaj seva ka udaharan tha. Maharashtra ke un gaon mein jo varsha ke abhav se peedit the, unhone wahan ke kisanon ke saath sampark kiya aur vyakatigat roop se unki seva ki (He had come to this stage as a guest for our special episode. That memorable evening will always remain with us. His words not only touched and inspired us, but the noble cause to which he dedicated the prize money he had won was a powerful example of his commitment to social service. In the villages of Maharashtra that were suffering because of a lack of rainfall, he reached out to the farmers and personally extended his support and service to them).”

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The megastar concluded his message by extending his condolences on behalf of the show’s team, saying, “KBC parivaar ki aur se hardik shradhanjali (On behalf of the entire KBC family, our heartfelt tribute).”

Beyond his celebrated film career, Patekar was widely associated with social initiatives supporting drought-affected farmers and rural communities in Maharashtra. His work through the Naam Foundation, which he co-founded with Makarand Anaspure, became an important part of his public legacy.

About Nana Patekar’s demise

Nana Patekar, a Padma Shri recipient, passed away on October 8, 2026, at the age of 75. According to reports, he suffered a cardiac arrest at his residence in Dona Paula, Goa, and was declared dead at approximately 5:20 AM IST after efforts to revive him proved unsuccessful.

Also Read: Salman Khan postpones Mumbai event after the death of Khamoshi co-star Nana Patekar: Report

In 2025, a Hyderabad-based man approached the Consumer Court after claiming that he was made to watch 22 minutes of advertisements at a PVR INOX theatre when he went to see the Dhanush-Nagarjuna starrer Kubera. Last month, in September 2026, the District Consumer Disputes Redressal Commission-II, Hyderabad, held PVR INOX liable for deficiency in service and unfair trade practices and ordered the multiplex chain to pay Rs. 20,000 as compensation to the complainant and Rs. 5,000 towards litigation costs.

This was the second such case in which the multiplex chain was asked to compensate an aggrieved moviegoer over advertisements. Last year, a Bengaluru patron, upset over being made to watch nearly 25 minutes of commercials and trailers during a screening of Sam Bahadur, approached the Consumer Court. PVR INOX was subsequently ordered to pay Rs. 1 lakh in compensation and legal costs.

Advertisements in cinemas, before a film begins or during the interval, have been a common practice for decades, and moviegoers have largely accepted them. Certain brands have even relied heavily on the big screen for promotions. For instance, viewers in Mumbai would fondly remember the Gangar Opticians advertisement that was regularly shown in cinemas in the early 2000s. Its memorable presentation ensured that the brand enjoyed strong recall value among moviegoers. In recent times, the Lyra Leggings commercial featuring Janhvi Kapoor, along with its catchy theme song, has become firmly etched in the minds of moviegoers, thanks to its repeated screenings in theatres. Interestingly, the ad is rarely, if ever, seen on television, and audiences have largely come across it in cinemas. Those frequenting PVR INOX cinemas would also be familiar with an audiovisual presentation in which prominent brand owners and company officials explain how cinema advertising can have a significant impact on footfalls and sales.

However, while patrons may not mind watching advertisements, having become accustomed to them over the years, the problem arises when the commercials go on and on, testing their patience. Bollywood Hungama spoke exclusively with Sanjeev Kumar Bijli, Executive Director, PVR INOX Limited, about the healthy box office performance in September and the first week of October. Towards the end of our interaction, we asked him about the recent ruling concerning cinema advertisements and whether a middle ground could be reached, allowing advertisements to continue but within reasonable limits.

Sanjeev Kumar Bijli said, “We are always looking at that. We haven’t received that many complaints. We have also reduced our ad time from 15-18 minutes to 10 minutes, which we thought was a sweet spot and which we thought wasn’t compromising on the viewing experience. But of course, you can’t please everyone and this happened. But we are obviously keeping a close eye on it.”

He continued, “We haven’t come out with anything which is a carte blanche policy. But we are keeping a keen eye on it to see how we can reduce it. At the end of the day, we want to make sure that the moviegoing experience does not get compromised by anything. As of now, we have reached a sweet spot as far as ad time is concerned. Hopefully, that’ll be palatable and acceptable to everyone.”

Also Read: EXCLUSIVE: PVR INOX’s Sanjeev Kumar Bijli celebrates Drishyam The Conclusion’s box office success: “Our weekend admissions stood at 30 lakhs, among the HIGHEST ever”; predicts BLOCKBUSTER run for Ramayana: “It has all the ingredients”

Veteran actor Nana Patekar passed away at the age of 75 on Thursday, October 8, following a severe cardiac arrest at his residence in Goa. The news of his demise has prompted tributes from across the film industry and beyond, with Prime Minister Narendra Modi also expressing his condolences and remembering the actor’s contribution to Indian cinema.

Taking to X, PM Modi recalled Patekar’s distinctive screen presence and versatility as a performer. He highlighted the actor’s work across both Hindi and Marathi cinema, while also remembering his outspoken personality.

PM Modi wrote, “Few actors possessed the intensity, individuality and unmistakable presence that Shri Nana Patekar Ji had. He brought remarkable versatility and creativity to every role and gave us characters that will be remembered for generations.”

In his tribute, the Prime Minister also acknowledged Patekar’s reputation for expressing his views candidly. He wrote, “He was also admired for his frank and forthright views, never hesitating to express what he believed in.”

Few actors possessed the intensity, individuality and unmistakable presence that Shri Nana Patekar Ji had. He brought remarkable versatility and creativity to every role and gave us characters that will be remembered for generations. He was also admired for his frank and forthright views, never hesitating to express what he believed in. Shri Nana Patekar’s contribution to Hindi and Marathi cinema was immense. His passing leaves a deep void. My condolences to his family, friends and countless admirers. Om Shanti.

— Narendra Modi (@narendramodi) October 8, 2026

“His passing leaves a deep void” PM Modi further highlighted Patekar’s contribution to both Hindi and Marathi cinema and offered condolences to his family, friends and admirers.

“Shri Nana Patekar’s contribution to Hindi and Marathi cinema was immense. His passing leaves a deep void. My condolences to his family, friends and countless admirers. Om Shanti,” he wrote.

Patekar's death marks the loss of a veteran of Indian cinema, whose career spanned decades and included acclaimed work as an actor and filmmaker.

Also Read: Nana Patekar passes away at 75: Akshay Kumar, Riteish Deshmukh, Prakash Raj and others mourn Welcome actor

Veteran actor Nana Patekar passed away at the age of 75 on Thursday, October 8, after suffering a severe cardiac arrest at his residence in Goa. He was declared dead at 5:30 AM. Doctors reportedly attempted to revive him through continuous CPR for around 45 minutes, but he could not be saved.

Following the news of his death, several members of the film industry took to social media to remember the acclaimed actor and filmmaker. From Akshay Kumar and Riteish Deshmukh to Prakash Raj, Neil Nitin Mukesh, Adil Hussain and Mukesh Chhabra, several artistes shared personal memories and paid tribute to Patekar. Akshay Kumar remembers Nana Patekar Akshay Kumar, who worked with Patekar in Welcome and more recently in Housefull 5, expressed his grief over the actor's passing. Remembering his distinctive screen presence, Akshay wrote, “Really saddened by the news of Nana ji’s passing.”

He added, “Nana ji was truly one of a kind. It’s hard to believe you’re gone. Thank you for all the memories. You will be missed more than words can say.”

Really saddened by the news of Nana ji’s passing. He was one of those rare actors who never needed to do too much to make you sit up and watch. That voice, that intensity, that honesty in every performance… he was completely his own. I feel fortunate that we got to work together in Welcome, and then again more recently in Housefull 5. There are so many memories from those sets that I’ll always hold close. Nana ji was truly one of a kind. It’s hard to believe you’re gone. Thank you for all the memories. You will be missed more than words can say. 🙏 — Akshay Kumar (@akshaykumar) October 8, 2026

Riteish Deshmukh calls it “the end of an era” Riteish Deshmukh shared an emotional tribute for Patekar, recalling both his performances and the personal moments they shared. The two actors worked together in Bluffmaster and Housefull 5. Riteish wrote, “Today, words have failed me; it's as if lightning has struck my heart. Nana is gone... This single sentence has left my mind numb, speechless.”

Remembering Patekar's versatility as an actor, Riteish added, “Sometimes the radiant hero on screen, sometimes the villain who sent shivers down the spine, or the mischievous humor behind a serious face, every shade came alive in your acting.”

Calling their association a source of personal fortune, he wrote, “Sharing the screen with you in Bluffmaster and Housefull 5 was my fortune.” Riteish concluded his note by describing Patekar's death as “the end of an era” and extended his condolences to the actor's family, loved ones and fans.

आज शब्द थिजले आहेत, काळजावर जणू वीज कोसळली आहे.
नाना गेले... या एका वाक्याने मन सुन्न, निःशब्द झाले आहे. तुम्ही अभिनयाचे आकाश होतात, ज्याला तुलनेची सीमा नव्हती.
तुमच्या अनोख्या शैलीने रसिकांच्या हृदयात तुम्ही अढळ घर केले. कधी पडद्यावरचा तेजस्वी नायक, कधी अंगावर शहारे आणणारा खलनायक, तर कधी गंभीर चेहऱ्यामागचा खट्याळ विनोद,
प्रत्येक रंग तुमच्या अभिनयात खुलून आला. पडद्यावर तुम्ही हीरो होतात, पण पडद्यामागे त्याहूनही मोठे.
तुमच्या संस्थेतून वाहत राहिली माणुसकीची निरंतर धारा. 'ब्लफमास्टर' आणि 'हाउसफुल ५' मध्ये तुमच्यासोबत पडदा वाटून घेतला, हे माझे भाग्य.
पण एका मराठी चित्रपटात तुमच्यासोबत काम करणे,
ही अपूर्ण ओढ आयुष्यभर उरी राहील. तुमचे बोल, तुमच्या गप्पा, पाठीवरची ती कौतुकाची थाप,
सोबत केलेले ते खळखळते हसू, ही माझी करी कमाई.

कुटुंबीयांना, आप्तेष्टांना आणि लाखो चाहत्यांना
माझी मनःपूर्वक सांत्वना. खरच आज एका युगाचा अस्त झाला आहे.

भावपूर्ण श्रद्धांजली. 🙏

— Riteish Deshmukh (@Riteishd) October 8, 2026

Prakash Raj remembers personal moments With Nana Prakash Raj also paid tribute to Patekar, recalling the conversations and time they spent together away from the camera. Sharing a photograph with the late actor, Prakash wrote, “miss you my dear Nana ji .. Will cherish the moments spent..conversations.. arguments.. the food you cooked.. knowledge you shared.”

He further thanked Patekar for being part of his journey, writing, “thank you for coming into my life’s journey.”

💔💔💔 miss you my dear Nana ji .. Will cherish the moments spent..conversations.. arguments.. the food you cooked.. knowledge you shared . thank you for coming into my life’s journey. 🙏🏿🙏🏿🙏🏿 RIP #NanaPatekar https://t.co/ijbPzxZk6s — Prakash Raj (@prakashraaj) October 8, 2026

Neil Nitin Mukesh calls him a “true legend” Neil Nitin Mukesh mourned the loss of Patekar and remembered his contribution to Indian cinema. He wrote, “Deeply saddened by the loss of Nana Patekar Ji. An actor par excellence who carved a niche entirely his own.” Neil also highlighted Patekar's influence beyond his performances, saying that his legacy included inspiring aspiring actors to develop their own identity.

“A true legend of Indian cinema. Your legacy will live on sir. Om shanti,” he added.

Deeply saddened by the loss of Nana Patekar Ji. An actor par excellence who carved a niche entirely his own. His power-packed performances will be remembered forever, but so will the way he inspired and gave wings to countless aspiring actors to find their own identity.

A true legend of Indian cinema. Your legacy will live on sir. Om shanti 🙏🕊️

— Neil Nitin Mukesh (@NeilNMukesh) October 8, 2026

Adil Hussain says he is “speechless” Actor Adil Hussain expressed disbelief after learning about Patekar's death. “I cannot believe that Nana Patekar jee has passed!.. Woke up by a phone call giving me this News... Speechless,” he wrote.

Remembering the veteran actor as an inspiration, Adil added, “Your work has inspired many people including me. God bless your soul... rest in peace.”

I cannot believe that Nana Patekar jee has passed!.. Woke up by a phone call giving me this News... Speechless. Dearest Nana jee I will remember you with great fondness... Your work has inspired many people including me. God bless your soul... rest in peace. — Adil hussain (@_AdilHussain) October 8, 2026

Mukesh Chhabra reacts to Nana Patekar’s death Casting director Mukesh Chhabra also reacted to the news, describing it as difficult to believe. “I am just shocked. This is unbelievable. Rest in peace, Nana Bhai,” Chhabra wrote.

I am just shocked. This is unbelievable. Rest in peace, Nana Bhai. 💔 https://t.co/tqZ7JPD2M7 — Mukesh Chhabra CSA (@CastingChhabra) October 8, 2026

More reactions from members of the film industry are expected as tributes continue to pour in following Nana Patekar's death.

Also Read: Nana Patekar passes away at 75 after severe cardiac arrest at Goa residence