Reports are doing the rounds that Shraddha Kapoor is no longer a part of Ekta Kapoor’s upcoming thriller. However, filmmaker Rahi Anil Barve, who is said to be directing the film, has seemingly dismissed the rumours. “These are all rumours. Everything is a rumor,” Barve told Bombay Times when asked about Shraddha’s exit. He did not confirm or deny her departure but added a cryptic note: “Right now all I can say is that I'm finishing Rakt Brahmand. I am working on my next. That's it.”

Readers may recall that Bollywood Hungama reported that Shraddha reportedly asked for a fee of Rs 17 crores, along with a share in the film’s profits. This would have made her one of the highest-paid actresses in Bollywood. However, the latest PeepingMoon report stated that Ekta Kapoor found the amount too high, especially considering the challenges faced by women-led films at the box office.

Due to this, the film’s budget may have been impacted, and the producers have now started looking for a new lead. The report added that the makers are in talks with several top actresses to step in.

Meanwhile, Shraddha is said to be exploring multiple projects. She is reportedly in talks with Dinesh Vijan, Boney Kapoor, and Bhushan Kumar. A formal announcement about her next project is expected within the next two months.

While there has been no official confirmation from Shraddha Kapoor or Ekta Kapoor's team, director Rahi Anil Barve has resumed work on his upcoming web series Rakt Brahmand. The fantasy drama stars Aditya Roy Kapur, Samantha Ruth Prabhu, Wamiqa Gabbi, and Ali Fazal. It was earlier delayed due to financial issues but is now set to begin filming in Mumbai next month. Barve is expected to focus on Ekta’s thriller only after finishing this project.

Also Read: Shraddha Kapoor backs out of Ektaa Kapoor’s next with Rahi Anil Barve? Fee dispute sparks exit: Report

Bollywood superstar Salman Khan is set to step into the shoes of a national hero for his next film, as reports confirm that he will portray Colonel Bikumalla Santosh Babu, the brave heart who laid down his life during the 2020 Galwan Valley clash between Indian and Chinese troops. The film will be directed by Shootout at Lokhandwala and Mission Istaanbul director Apoorva Lakhia and is scheduled to go on floors in July 2025.

The project is said to be based on the real-life story of Colonel Bikumalla Santosh Babu MVC, who served as the commanding officer of the 16 Bihar Regiment. He was killed in action during the 2020 China–India skirmishes in the Galwan Valley, becoming the first Indian Army officer to be KIA against the PLA since 1967. His heroic actions, despite being outnumbered, are chronicled in the acclaimed book ‘India’s Most Fearless 3’ by Shiv Aroor and Rahul Singh.

“Colonel Babu’s character is heroic. He had proved his mettle in several counterinsurgency and infiltration operations. The director has acquired the rights to the first chapter called I Had Never Seen Such Fierce Fighting — The Galwan clash of June 2020. It is a first-hand account of the 2020 clash at the Galwan Valley,” a source told Mid-Day. The screenplay has been adapted by Suresh Nair, in collaboration with Chintan Gandhi and Chintan Shah, with Shah also writing the dialogues. “Salman loved the story and will begin his prep from the end of May. He has already begun physical training for his role at his farmhouse in Panvel,” the source added.

This collaboration marks Salman Khan’s first project with Apoorva Lakhia. A source close to the production earlier confirmed, “Salman Khan has locked Apoorva Lakhia as his next film, and it is confirmed to go on floors in July 2025.”

In earlier report by Bollywood Hungama, sources stated, “Salman Khan will be shooting at high-altitude Ladakh for director Apoorva Lakhia's next. He has begun the training process and will be appearing in a lean physique for the film. It's a 20-day schedule in Ladakh, followed by 50 days in Mumbai, calling it a wrap. The film will release in the first half of 2026.”

With a tight 70-day schedule split between the rugged terrain of Ladakh and urban settings in Mumbai, the film is expected to offer a gripping and respectful portrayal of bravery, sacrifice, and national pride.

Also Read: SCOOP: Jio Studios in talks to come on board for Salman Khan – Apoorva Lakhia film

Filmmaker Ram Gopal Varma has once again sparked a debate with his unapologetically blunt take on the state of Indian cinema. Taking to X (formerly Twitter), Varma compared Indian filmmakers to Hollywood’s approach, specifically praising Mission Impossible – The Final Reckoning, which marks the last chapter in the globally popular spy franchise led by Tom Cruise.

In his post, Varma wrote, “The difference between them and us is they assume the audience to be intelligent and push their intelligence further up, by making films like #MissionImpossibleTheFinalReckoning. On the contrary, we assume the audience to be dumb and we push their dumbness further down in the hope of even reaching the dumbest of the audience by making films like ____________.”

While he left the last bit open-ended, many followers shared their disappointment over the filmmaker’s attitude—especially given his own track record in recent years. Social media users were quick to “fill in the blank” with titles from Varma’s own filmography, including Agyaat, Aag, D Company, Department, and even Sarkar 3, all of which failed to strike a chord with audiences or critics. Some also took issue with Varma’s tendency to praise Hollywood while mocking Indian cinema. “We Indians have habit of downgrading our things and hyping average stuff coming from International market....” read one of the comments.

The difference between them and us is they assume the audience to be intelligent and push their intelligence further up, by making films like #MissionImpossibleTheFinalReckoning On the contrary we assume the audience to be dumb and we push their dumbness further down in the hope… — Ram Gopal Varma (@RGVzoomin) May 18, 2025

Known for speaking out against the film industry on multiple occasions, Varma has never shied away from shocking statements including his recent comments on over-the-top commercial entertainers and the increasing trend of relying on CGI-heavy action without strong screenwriting or character arcs. His latest statement, however, directly pits Indian filmmakers against Hollywood’s legacy franchises, particularly praising Mission Impossible. Whether Varma’s comments lead to serious introspection or just more online noise, that remains to be seen!

Meanwhile, speaking of Mission Impossible – The Final Reckoning, it is expected to be Tom Cruise’s swan song in the role of IMF agent Ethan Hunt. Directed by Christopher McQuarrie, the film is the concluding part of the two-part finale, following Mission: Impossible – Dead Reckoning Part One (2023). The new instalment also starring Hayley Atwell, Vanessa Kirby, and Ving Rhames, released on May 17 in India.

Also Read: Ram Gopal Varma opens up on his unique style; says, “If you see Satya, it had no script at all”

Telugu superstar Jr NTR is all set to make his much-anticipated Hindi film debut in War 2, and recent reports suggest his character is not just a one-time appearance. According to a source quoted by ETimes, the actor's role has been crafted as a key player in the YRF Spy Universe, with plans extending far beyond the upcoming action film.

“His character won’t just be limited to War 2. Expect standalone films, spin-offs, and major crossover appearances,” the insider revealed to ETimes, hinting at the studio’s larger plans to integrate him across multiple projects which are a part of the franchise. Directed by Ayan Mukerji, War 2 stars Hrithik Roshan reprising his role as RAW agent Kabir, with Jr NTR playing an antagonist.

The film is scheduled for a theatrical release on August 14, 2025, and is being pitched as one of the biggest face-offs in Indian cinema. With this sequel, YRF is not only expanding the narrative of War (2019) but also strengthening the interconnected web of its espionage universe.

The YRF Spy Universe began with Salman Khan’s Ek Tha Tiger (2012) and has since grown to include Tiger Zinda Hai, War, Pathaan, and Tiger 3. Each instalment has introduced high-octane action, international missions, and larger-than-life characters. Shah Rukh Khan’s character Pathaan and Salman Khan’s Tiger have already crossed paths in Tiger 3, while Pathaan 2 and a rumored Tiger vs Pathaan film are in the works. Joining this world will also be Alia Bhatt starrer Alpha which will also star Sharvari in a key role.

With Jr NTR’s entry, the universe is getting its first major South Indian star, signalling a strategic move to appeal to Pan-India audiences. This aligns with Aditya Chopra’s long-term vision to build a Marvel-style spy-verse rooted in Indian cinema where characters cross paths across storylines and timelines.

Sources close to the development say that Jr NTR’s character is layered, morally complex, and could straddle the line between heroism and grey shades. Now with the new update on the Telugu superstar’s role, it seems that War 2 will not only be an explosive action spectacle but it will also lay the foundation of a much larger cinematic ecosystem.

Also Read: EXCLUSIVE: War 2 teaser to drop as a birthday treat for Jr NTR fans

After the huge success of Stree 2, fans have been eagerly waiting to know about Shraddha Kapoor’s next film. There were recent reports that she was in talks to star in filmmaker Rahi Anil Barve’s next, backed by producer Ektaa Kapoor.

Readers may recall that Bollywood Hungama had reported that Shraddha had charged a fee of Rs 17 crore along with a profit share for the project. A well-placed industry source told us, “This is among the highest upfront fees received by Shraddha Kapoor, as also one of the highest pay cheques in today's time for a female lead in Hindi. Ekta Kapoor was more than happy to splurge Rs. 17 crore to sign Shraddha, as the Rahi Anil Barve film will be Shraddha's follow-up to the highest-grossing film of Hindi Cinema - Stree 2.”

However, as per the latest report by PeepingMoon, the actress has now reportedly walked out of the film due to a disagreement over payment. A source told the portal, “Shraddha is no longer doing Ektaa’s upcoming film.” The report adds that the actress and producer could not agree on the financial terms. Ektaa Kapoor reportedly found Shraddha’s fee too high for a women-led film, and it would have raised the overall budget of the movie.

With Shraddha said to be out of the project, the makers are now looking for another lead actress. “The producers are already in talks with a leading actress for the role,” the report states.

As of now, Shraddha Kapoor only has Stree 3 officially lined up. The film is set to release in theatres on August 13, 2027. It will be the third part of Maddock Films’ hit horror-comedy franchise. In Stree 2, Shraddha starred alongside Rajkummar Rao, Aparshakti Khurana, Pankaj Tripathi, and Abhishek Banerjee. The film turned out to be a major box office hit.

Also Read: Shraddha Kapoor bags Rs. 17 crore remuneration plus profit share for Ekta Kapoor’s next with Rahi Anil Barve

The Brihanmumbai Municipal Corporation (BMC) has sent a show cause notice to actor and BJP leader Mithun Chakraborty for allegedly building an illegal structure in Malad’s Madh area.

The notice says that a ground-floor structure was built on a plot in Erangle village without the required permission from the authorities. The BMC has asked Mithun Chakraborty to explain the changes made to the property. If he fails to give a proper explanation, the structure could be demolished. The BMC has also warned of possible legal action.

This action is part of a larger crackdown on unauthorised constructions in the Madh area. So far, the BMC has identified 101 illegal structures in the locality. These include bungalows built using fake documents. The civic body plans to demolish all illegal constructions by the end of May.

According to civic officials, during a recent inspection near the Hira Devi Mandir in Erangle village, they found two one-plus-mezzanine-storey buildings, one ground-floor structure, and three temporary units made of bricks, wood, glass, and AC sheets. These were all constructed without proper approval.

The show cause notice sent to Chakraborty is under Section 351(1A) of the Mumbai Municipal Corporation (MMC) Act. He has been given seven days from May 10 to explain why the structure should not be removed or demolished. Officials also said that such violations can lead to fines and even jail time under Section 475A of the MMC Act.

As per a report by Free Press Journal, when asked about the issue, Mithun Chakraborty said, “I have no unauthorised structures. Notices have been sent to many, and we are sending our replies.”

Also Read: Ayesha Jhulka laughs off link-up rumors with Akshay Kumar, Mithun Chakraborty and others: “How many affairs can one have at the same time?

Recent reports reveal that Kajal Aggarwal may have officially joined the cast of Ramayana, the much-anticipated mythological epic directed by Nitesh Tiwari. The actress is said to be seen portraying the role of Mandodari, the noble and wise queen who is the first wife of Ravana — a role essayed by Kannada superstar Yash in the film. If this holds true, this will be the first time Kajal and Yash will be seen sharing screen space.

A source confirmed Kajal’s casting to ETimes, stating, “Kajal just did her look test last week, and will be playing the character of Mandodari opposite Yash. She has started shooting for the bit recently. The makers are currently shooting Ravana’s Lanka bits.”

Mandodari, a lesser-explored but significant figure in the Ramayana, is often portrayed as a deeply intelligent and virtuous woman. According to the original epic, she is known for her wisdom, devotion, and moral compass, which stands in contrast to Ravana’s eventual downfall. Her presence in the narrative often serves as the voice of reason in Lanka, urging peace and righteousness.

Kajal’s addition to the cast adds another layer of gravitas to the already star-studded project. Earlier reports had suggested that actress Sakshi Tanwar, who previously collaborated with Tiwari in the critically acclaimed Dangal, was being considered for the role. However, the makers have now locked Kajal for the part, and the actress has already begun filming for her portions.

Directed by Nitesh Tiwari, Ramayana is expected to be a multiple parts saga based on the ancient Indian epic. While official announcements are still awaited, the reported ensemble includes Ranbir Kapoor as Lord Ram, Sai Pallavi as Sita, Ravi Dubey as Laxman, Sunny Deol as Hanuman, and Lara Dutta as Kaikeyi. The film is being produced on a grand scale and aims to re-tell the story of Ramayana with cinematic richness and emotional depth.

For Kajal Aggarwal, this role marks another exciting addition to her diverse filmography. She was last seen in Sikandar, alongside Salman Khan and Rashmika Mandanna. With Ramayana, she steps into an iconic mythological universe, taking on a role that promises both substance and emotional complexity.

Also Read: WAVES 2025: Bhumi Pednekar hopes that Ranbir Kapoor-Sai Pallavi-Yash starrer Ramayana can be a game-changer: “It’ll be a visual spectacle; will bring a lot of business to our country”

Yesterday, on May 15, Maddock Films, the producers of Bhool Chuk Maaf and PVR Inox, in a joint statement, announced that the Rajkummar Rao-Wamiqa Gabbi starrer Bhool Chuk Maaf will arrive in cinemas on May 23. The official statement did not answer the question that was on the minds of several people in the industry and trade – is the romcom arriving on OTT in two weeks, as reported by a section of the media? Some stakeholders in the industry believed that one should wait for an answer from either of the two parties before jumping to conclusions. However, some believe that since both the producer and multiplex chain didn’t choose to address this aspect, it confirms the speculations. There’s also a claim that the OTT-theatrical window might be more than two weeks and a clear answer would emerge in a few days. While everyone was trying to process this development, another aspect of the release of Bhool Chuk Maaf has also come to light – the clause of the VPF waiver.

Some sources in the trade maintain that Bhool Chuk Maaf makers will have to pay the Virtual Print Fee (VPF) only if it crosses a certain number. If it fails to do so, then VPF will be waived off. However, certain experts have said that the producers have a complete waiver-off regarding VPF, regardless of its theatrical business. This aspect is significant considering the controversies that have rocked the industry over VPF in the past.

What is VPF? Virtual Print Fee (VPF) is a charge that big multiplex chains in India take from producers or distributors to help cover the cost of upgrading their technology, which is meant to give audiences a better movie experience. On average, this fee is around Rs. 20,000 per screen. For smaller cinema chains and non-2K theatres, this fee is collected by companies like UFO, Scrabble, Qube etc., which provide digital cinema services.

For a long time, producers have argued that the VPF shouldn’t be charged indefinitely and it was supposed to have been imposed only for a certain time. The exhibitors, on the other hand, feel that VPF is necessary as it helps bear the cost of playing the film using the latest technology and has many advantages.

In 2019, the matter became widely known and discussed after producer Ronnie Screwvala filed a case with the Competition Commission of India (CCI) against PVR, Inox, Cinepolis and Carnival Cinemas over VPF. One of the points raised in this complaint was that this fee is charged only from Indian films and that Hollywood movies are exempted. Interestingly, Dangal (2016), a Bollywood film starring Aamir Khan, was exempted from VPF as UTV had released it under the branding of Disney, a Hollywood studio! This led to immense opposition and was included in the complaint to the CCI by Ronnie.

However, the CCI ruled in favour of the multiplexes. Ronnie Screwvala, in an interview with Bombay Times, had then said, “I am disappointed, though not surprised, at the complete lack of support from all colleagues, producers, distributors and the creative community who in private commended the action. But not one individual, company or association supported my complaint as that would have gone a long way to endorse with the CCI the apparent practices that is common knowledge to all.”

The VPF was back in the news a year later, in 2020, when the fee was exempted temporarily due to pandemic-related uncertainties and a reduction in footfalls in cinemas. That was the last time VPF made news until Bhool Chuk Maaf brought it back into the limelight.

Cut to the present day… Thus, the history behind VPF has already led to raised eyebrows and even disbelief over the Bhool Chuk Maaf case outcome. An industry insider told Bollywood Hungama, “Already, there was a fear that if Bhool Chuk Maaf appears on OTT two weeks after its release in cinemas, other producers would also demand a similar arrangement. Now, the VPF waiver can also set a precedent. So many producers have claimed that they have suffered and had to pay more than Rs. 1.50-2.50 crores as VPF for releasing a film in 1000-1500 screens. Independent filmmakers also grouse about increased costs due to this fee. All of them can now rightfully ask the multiplexes, ‘If Bhool Chuk Maaf can have a VPF-free release, why not our film?’.”

Also Read: Maddock Films announces theatrical release of Bhool Chuk Maaf on May 23 starring Rajkummar Rao and Wamiqa Gabbi

The twists and turns in the Bhool Chuk Maaf legal row continue. On May 14, both PVR Inox and Maddock Films reached a consensus. As per reports, the Rajkummar Rao-Wamiqa Gabbi starrer will now release in cinemas on May 23. But what has shocked the industry and trade is that there are chances that the romcom will be made available on Amazon Prime Video in two weeks, that is, on June 6.

A source told Bollywood Hungama what happened, “PVR Inox dragged Dinesh Vijan of Maddock Films to court for cancelling Bhool Chuk Maaf’s theatrical release at the last minute and going directly on OTT. The belief was that Dinesh Vijan would land in a soup and that he would try for an out-of-court settlement. But the reality was that the producer was willing to fight the case until the very end. He had made it clear that if the decision was not in his favour in the Bombay High Court, he would knock on the doors of the Supreme Court. This was not what PVR had anticipated. They felt the matter would be resolved in a few days but Vijan was willing to fight it out for months.”

The source continued, “This is when PVR decided to sit across the table and end the matter. Dinesh Vijan at first asked for simultaneous OTT and theatrical release but it was not agreed upon. Eventually, both parties agreed, with the intervention of the court, that Bhool Chuk Maaf need to first release in cinemas and then it can premiere on Amazon Prime Video after two weeks. It might also be changed to four weeks, as per insiders. Last week, while filing the case, PVR had asked for Rs. 60 crores in damages over breach of contract. This demand has now been withdrawn.”

As expected, the development stunned the exhibition sector. A trade expert said, “The standard rule is that a film needs to be exclusively in cinemas for 8 weeks. Only then can it arrive on a streaming platform. If a producer refuses to follow this directive, then the national chains do not release that particular movie in their properties. A lot of Tamil and Telugu films arrive on OTT in 4 weeks and many of these movies don’t get a release in PVR, Inox and Cinepolis. But this case changes everything. Now, so many South filmmakers will also demand the release of their film in the national chains even if they don’t follow the 8-week window. Even producers of small Bollywood films can use this case.”

The expert continued, “Last week, the whole exhibition sector was rooting for PVR Inox for filing this case but the May 14 outcome has angered the theatres. PVR Inox can claim victory, claiming that they managed to get Bhool Chuk Maaf in cinemas. But at what cost? The case was in their favour. Maddock had signed the contract, stating an exclusive theatrical release for Bhool Chuk Maaf. Then why did they opt for such a decision?”

Exhibitors speak up

Exhibitor and distributor Akshaye Rathi said, “The official statements are still to come out. But if the two-week window directive is being agreed upon, then it sets a very wrong precedent. The confidence of those who have invested in the exhibition sector and those who are shareholders of listed companies in the sector will be shattered if these sorts of precedents are set. On one hand, we are discussing how the eight-week exclusive window is not enough and it should become a longer, wider window. On the other hand, this sort of scenario is detrimental to business. This ruling not just affects exhibitors. A proper window, like Mr Aamir Khan has also said, is beneficial to everyone in the value chain. Theatrical is a great monetization medium that sets the ball rolling for other avenues of monetization to be optimized. Hence, I hope producers stop being short-sighted and think long-term.”

Distributor and exhibitor Raj Bansal, meanwhile, explained, “This can’t be a precedent. But since the matter went to court, the decision in this case has been taken as per the order of the court.” When asked if other producers can use this case to lower the theatrical-OTT window, he replied, “No, they can’t. The conclusion in this case happened because of the court order.”

Also Read: Bhool Chuk Maaf to release in theatres on May 23 after court settlement between Maddock Films and PVR Inox

In a significant turn of events, the much-anticipated Rajkummar Rao and Wamiqa Gabbi starrer Bhool Chuk Maaf will now release in theatres on May 23, 2025, following a court directive. The decision comes after a legal dispute between Maddock Films and PVR Inox Cinemas was resolved, putting an end to weeks of uncertainty surrounding the film's release.

The issue began when Maddock Films cancelled the film’s theatrical release just a day before its scheduled premiere due to rising Indo-Pak border tensions, opting instead for a direct-to-digital release on Amazon Prime Video. The abrupt move left PVR Inox fuming prompting them to sue Maddock for a breach of contract amounting to Rs. 60 crores.

However, the matter has now been settled in court with the filmmakers being directed to release the movie theatrically. A source close to the development told Pinkvilla, “The court has passed its order in the Maddock Films vs PVRInox Cinemas case. Bhool Chuk Maaf, featuring Rajkummar Rao and Wamiqa Gabbi, will now release in cinemas on May 23, 2025. Maddock Films plans to resume its marketing campaign from May 15.”

Interestingly, while the standard digital release window for Hindi films is typically eight weeks post-theatrical release, the court has made an exception in this case. “While the standard digital release window for Hindi films is eight weeks post-theatrical release, Bhool Chuk Maaf will debut on Prime Video in just two weeks — on June 6, 2025 — as per the court’s directive,” the source added.

PVR Inox has reportedly withdrawn its demand for monetary compensation following the court's order for a theatrical release. It has also been clarified that the two-week OTT premiere window will be a one-off decision given the unique circumstances, and the eight-week norm for other films will remain in place.

Directed by Karan Sharma and produced by Dinesh Vijan under Maddock Films in association with Amazon MGM Studios, Bhool Chuk Maaf is a romantic comedy with an interesting twist that also stars Seema Pahwa in a key role. The film’s new release plan is expected to revive its buzz as promotions are set to kick off again from May 15 onwards.

Also Read: EXCLUSIVE: Bombay High Court restrains OTT release of Bhool Chuk Maaf; upholds PVR Inox’s rights; next hearing on June 16 (COMPLETE DETAILS INSIDE)

Sunny Deol, riding high on the success of his recent action entertainer Jaat, is reportedly set to take a new leap in his career. According to a report by Peeping Moon, the veteran Bollywood star is in advanced negotiations with Netflix India to headline a high-budget action thriller, marking his much-anticipated OTT debut.

While the deal is yet to be officially signed, reports indicate that the modalities are being finalized swiftly. According to these reports, the project is in the writing phase, with the production team aligning schedules to accommodate Deol's existing commitments. The film promises to showcase the actor in his quintessential massy, action-packed avatar, something that fans of the Gadar star have long celebrated.

This upcoming thriller will be produced by Suparn Verma, who is known for backing gripping stories like The Family Man Season 2 and Rana Naidu, marking his third production venture and his most ambitious one yet. While the director for the Netflix film is yet to be finalized, industry chatter suggests a tight race among several notable filmmakers. One of the frontrunners is said to be a director who recently helmed a period drama for the platform, though an official confirmation is still awaited.

The move to digital appears to be a strategic step for Sunny Deol, who continues to enjoy a stronghold in theatrical cinema. His forthcoming film Lahore 1947—directed by Rajkumar Santoshi and produced by Aamir Khan Productions—features an ensemble cast including Preity Zinta, Karan Deol, and Ali Fazal. The actor is also set to return in Border 2, alongside Varun Dhawan, Diljit Dosanjh, and Ahan Shetty. Additionally, Deol is reportedly attached to Nitesh Tiwari’s magnum opus Ramayana.

If finalized, the Netflix actioner would mark a new chapter in Deol’s career, offering fans the thrill of watching their favourite action hero in a digital-first narrative. With high-octane stunts and a gripping storyline expected, this project could well be one of the biggest OTT launches for an A-list Bollywood actor.

Also Read: Border 2 BTS: Sunny Deol says, “Make hay while the sun shines” as he enjoys fun rainy day with ‘chai-pakoras’

On May 9, YouTube unexpectedly took down the teaser of the much-awaited film Housefull 5, citing a copyright claim by Mofusion Studios. Viewers were met with a message stating the video was unavailable due to this claim. Bollywood Hungama has exclusively learned that Yo Yo Honey Singh has officially provided a written declaration that he alone owns the rights to the song and has exclusively sold it to Nadiadwala Grandson, post which Sajid Nadiadwala has filed a Rs. 25 crores defamation suit each against Mofusion Studios and YouTube. The dispute centres around the song ‘Laal Pari’, composed by Yo Yo Honey Singh.

A source told Bollywood Hungama, “The matter arose as the song ‘Laal Pari’ was incorporated in the teaser of Housefull 5. It is composed by Yo Yo Honey Singh and Mofusion Studios has claimed that they hold the rights to the song. However, Yo Yo Honey Singh has given in writing to Sajid Nadiadwala that he’s the sole rights holder to ‘Laal Pari’.”

The source continued, “Based on this strong piece of evidence, the producer has decided to take legal action. Nadiadwala Grandson Entertainment is one of the biggest and most reputed production houses of Indian Cinema and the way the teaser of their expensive and grand film was removed without checking with them was unfair. Hence, they felt it was necessary to take action against Mofusion Studios. They also have a grouse against YouTube. The management of the banner believes that if a copyright claim did arise, then the video-sharing platform should have checked with the makers, especially considering that the channel of Nadiadwala Grandsons Entertainment has more than 16 lakhs subscribers and has never been accused of such malpractice in the past. But YouTube didn’t do so and simply removed the teaser, thus denting their image.”

The notices were delivered to YouTube and Mofusion Studios on May 12. The source said, “The legal team of Nadiadwala Grandson has asked YouTube to re-upload the teaser immediately or else pay damages amounting to Rs. 25 crores.”

Housefull 5 stars Akshay Kumar, Riteish Deshmukh, Abhishek Bachchan, Fardeen Khan, Jacqueline Fernandez, Sonam Bajwa, Nargis Fakhri, Sanjay Dutt, Jackie Shroff, Nana Patekar, Chunky Pandey, Johny Lever, Shreyas Talpade, Dino Morea, Chitrangda Singh, Ranjeet, Soundarya Sharma and Nikitin Dheer. It is directed by Tarun Mansukhani of Dostana (2008) fame and releases on Bakri Eid, on June 6, 2025.

Also Read: Honey Singh drops high-energy party anthem ‘Laal Pari’ from Housefull 5; watch

Over a decade since their last film PK, actor Aamir Khan and filmmaker Rajkumar Hirani are in advanced discussions to reunite for a new project. As per a report by Pinkvilla, the potential collaboration is set to begin production in 2026, though the film remains untitled for now. According to the report, the idea for the film emerged after Rajkumar Hirani weighed multiple concepts.

“Rajkumar Hirani was toying with 3 ideas, and he has finally decided to move ahead with a subject. He discussed the same with Aamir Khan, and the actor has also loved the world that Raju is developing,” a source told Pinkvilla. “The two have principally agreed on the film, with the intent to take it on floors in 2026. The yet-untitled film will be Rajkumar Hirani’s next directorial after Dunki.”

While the film is still in its early stages, there is strong mutual interest. The source revealed that the film will blend slice-of-life elements with comedy and inspiration—genres often explored by Hirani. Further production decisions are expected to be finalized after Sitaare Zameen Par hits the theatres. Other Collaborations on Hold In addition to his project with Aamir Khan, Rajkumar Hirani has been in conversation with other actors as well. Discussions were held with Ranbir Kapoor and Vicky Kaushal for separate films, but scheduling conflicts stalled progress. “Those two ideas are reserved by Rajkumar Hirani for the near future with RK and VK respectively,” the source said. At present, Hirani is wrapping up work on his web series before fully shifting focus to the Aamir Khan project.

The Aamir-Hirani combination has previously delivered films that not only performed well at the box office but also left a lasting impression on audiences. 3 Idiots became a cultural phenomenon upon release in 2009, and PK broke several records in 2014.

Currently, Aamir is awaiting the release of Sitaare Zameen Par, scheduled to hit theaters on June 20. Directed by R.S. Prasanna, it also stars Genelia Deshmukh in the lead.

Also Read: Sitaare Zameen Par trailer out: Aamir Khan starrer promises to be a heartwarming sequel celebrating inclusivity with laughter, watch

The Cannes Film Festival 2025 is set to witness a glamorous Indian presence once again, as Alia Bhatt and Janhvi Kapoor are expected to join the ever-elegant Aishwarya Rai Bachchan on the red carpet of the prestigious international event. Held annually in the scenic French Riviera, the festival this year will not only celebrate global cinema but also showcase a dynamic mix of Indian fashion, heritage, and cinematic talent.

Speaking about the debuts to watch out for this year, we have Alia Bhatt, who has been making waves on the global fashion circuit as she will grace Festival De Cannes for the first time this year. She will be attending the prestigious film festival as the ambassador of the Italian luxury brand Gucci. Known for her chic and contemporary style, Alia's Cannes debut under Gucci’s banner is expected to merge high fashion with Bollywood charm. This will mark another significant milestone in her expanding international presence.

Adding to the star quotient is Janhvi Kapoor, who will be walking the red carpet for a more cinematic reason. The actress will be attending the premiere of Homebound, along with the team of the film that includes Ishaan Khatter, who plays the male lead along with Vishal Jethwa as well as filmmaker Karan Johar, who is the producer of the film. For the unversed, a few weeks ago, Dharma Productions in collaboration with KJo had shared a post about the film’s premiere in the ‘Un Certain Regard’ Category at the 78th edition of Cannes Film Festival, sparking much excitement among fans.

Meanwhile, veteran actress Aishwarya Rai Bachchan, a regular at Cannes and one of the most iconic faces on its red carpet, will continue her long-standing association with global beauty brand L’Oréal Paris. Her appearance is highly anticipated each year for its blend of sartorial elegance and red-carpet poise, and 2025 promises to be no different.

The Indian footprint at Cannes this year, however, goes beyond contemporary stars. Veteran actress Sharmila Tagore, who had attended the festival in 2009, will attend a special screening of Satyajit Ray’s 1970 classic Aranyer Din Ratri, which is being featured under the Cannes Classics segment. This tribute to Ray’s legacy highlights the enduring global relevance of Indian cinema’s golden era.

Also part of the Indian delegation is filmmaker Payal Kapadia, whose critically acclaimed film All We Imagine As Light continues its journey across international festivals. With a blend of timeless elegance, youthful glamour, and cinematic depth, India’s presence at Cannes 2025 promises to be as radiant as the Riviera sun.

Also Read: Tom Cruise heads to Cannes for Mission Impossible The Final Reckoning premiere

After stepping into film production with Toaster, which is yet to release on Netflix, actor-producer duo Rajkummar Rao and Patralekhaa are already gearing up for their next project. Their second venture under their production banner will feature National Award-winning actors Rajkummar Rao and Keerthy Suresh in lead roles and is set to go on floors in Mumbai on June 1.

According to a report by Mid-Day, the untitled film will be a satirical take on India’s current education system, examining how profit motives have increasingly overshadowed the sector's primary purpose—imparting knowledge. The story will unfold through the lens of two educators, played by Rao and Suresh, who seek to expose the commercialization of education. The narrative reportedly uses humour and irony to shed light on how education in India has evolved into a lucrative business, often at the cost of academic integrity and student welfare.

The project marks a collaboration with director Aditya Nimbalkar, who recently helmed the thriller Sector 36 (2024). Shooting will begin in Mumbai after Keerthy Suresh wraps up work on her Tamil film Revolver Rita. A second schedule is planned in Delhi, with the team aiming to complete the film in a continuous 45-day shoot.

For the unversed, the Bollywood couple, earlier this year, announced their production banner, Kampa Films. “Launching KAMPA is an emotional milestone for us. Cinema has played a significant role in shaping our lives, and this is our way of giving back. Raj and I are transforming a shared dream into reality by creating a space for fresh voices and compelling storytelling,” Patralekhaa said during the launch.

Also Read: Patralekhaa expresses frustration over being defined as Rajkummar Rao’s wife; says, “I feel very small”

Recently, Paresh Rawal was in the news for his interview with The Lallantop. The veteran actor was asked if Akshay Kumar was his friend. Paresh Rawal replied, “Film industry mein colleague hote hain, theatre mein dost hote hain, aur school mein jigar jaan dost hote hain. But film ke andar colleague hote hain.” Unfortunately, the quote led to a lot of noise on social media, with many wondering if anything is wrong between him and his Hera Pheri co-star. In an exclusive interview with Bollywood Hungama, Paresh Rawal clarified on this issue. In the same interaction, he also opened up about his upcoming exciting films.

Recently, there were reports that Hera Pheri 3’s mahurat shot took place recently and it led to a lot of excitement. Paresh Rawal said, “When it comes to Hera Pheri, the reactions are always positive. It is the most loved franchise.”

The actor didn’t give out much information on the film. But when asked when it would go on floors, he replied, “We plan to shoot in January or February 2026.” He also shared an update on Welcome To The Jungle. Both these comic capers are produced by Firoz A. Nadiadwallah. He revealed, “The shoot of Welcome To The Jungle is not complete and hopefully, it’ll resume in July or August.”

Welcome To The Jungle and Hera Pheri 3 reunite Paresh Rawal with Akshay Kumar. Until now, they have worked together in 21 films – Dil Ki Baazi (1993), Kayda Kanoon (1993), Mohra (1994), Insaaf (1997), Mr And Mrs Khiladi (1997), Angaaray (1998), Aarzoo (1999), Hera Pheri (2000), Aankhen (2002), Awara Paagal Deewana (2002), Aan: Men At Work (2004), Aitraaz (2004), Garam Masala (2005), Deewane Huye Paagal (2005), Phir Hera Pheri (2006), Bhagam Bhag (2006), Bhool Bhulaiyaa (2007), Welcome (2007), De Dana Dan (2009), OMG Oh My God (2012) and Sarfira (2024).

Besides the aforementioned two comedies, Akshay and Paresh Rawal also have one more exciting film in their kitty – Bhooth Bangla. On this, Paresh Rawal stated, “It’s a stunningly shot movie of Mr Priyadarshan. No horror film in India has been shot this beautifully as Mr Priyadarshan has shot Bhooth Bangla. It's mind-blowing. Priyadarshan is a stunning filmmaker.”

This is not the only horror comedy in the pipeline for Paresh Rawal. He also features in Thama, co-starring Ayushmann Khurrana, Rashmika Mandanna and Nawazuddin Siddiqui. It releases on Diwali 2025 and belongs to the highly successful Maddock Horror Comedy Cinematic Universe, which also comprises Stree, Munjya, Bhediya etc.

Also Read: EXCLUSIVE: Paresh Rawal clarifies on ‘Akshay Kumar is a colleague’ statement: “People are asking ‘Kya ho gaya (aap dono ke beech)?’. Arre bhai, kuch nahin hua…he’s a friend and will remain a friend”

Amid escalating Indo-Pak tensions, Harshvardhan Rane has finally broken his silence after Pakistani actress Mawra Hocane lashed out at him on social media for stepping away from Sanam Teri Kasam 2. In a strongly-worded Instagram story, Rane called her statement ‘an attempt at personal attack’ while emphasizing that he chose to step down from the film because he ‘has zero tolerance for any attack on his nation's dignity’.

The controversy erupted when Hocane reacted sharply to reports that Rane had refused to work with her in the sequel to their 2016 romantic drama due to ongoing geopolitical issues. In a post shared on her social media (as reported by FilmiBeat), Mawra wrote, "I don't know whether to call this unfortunate, sad or comical. someone I expected to have basic common sense has risen from deep slumber with a PR strategy. Look around you, look at what's going on!!! We could all hear explosions, children in my country died due to an unjustified cowardly attack, innocent lives are lost and after multiple attempts to still maintain grace and peace, a befitting response by my armed forces have caused frenzy in your country last night. While our nations are at war, this is what you come up with.. a PR statement to get attention??? What a pity!"

"Making such announcements at this volatile time, it's both shameful and bizarre to see you so hungry and desperate. If throwing all the respect away and using my name after 9 years is getting you the headlines, you might be surrounded by the wrong team. Praying for our soldiers.. and civilians on both sides, not immersed in the thoughts of what my next film should be! May sense prevail", she added.

Responding to this, Harshvardhan Rane said, “That sounded like an attempt at personal attack. Fortunately, I have tolerance to overlook such attempts - but have zero tolerance for any attack on my nation's dignity. An Indian farmer would pluck out the unwanted weed from his crop its called WEEDING, the farmer doesnt need a PR team for this act, its called common sense. I simply offered to step down from Part 2. I am fully within my rights to choose not to work with individuals who label my country's actions as 'cowardly.' so much hate in her speech, so many personal remarks, I never mentioned her name or resorted to calling her names. Didn't attack her dignity as a woman. I intend to maintain that standard.”

The directors of Sanam Teri Kasam, Radhika Rao and Vinay Sapru, have also weighed in on the controversy, standing firmly with Rane. In a statement to Hindustan Times, they said, “So we fully agree with our government’s decision: Not a single rupee should be paid. Not a single minute of our time as a nation should be offered. Not a single Indian platform should engage with them. What matters most is our nation and the welfare of our people. We stand by our government and fully support its decision. Nation First - Always!”

With both the lead actor and directors aligned on their decision, it is now confirmed that Mawra Hocane will not be part of Sanam Teri Kasam 2.

 Also Read: Harshvardhan Rane refuses to work with Mawra Hocane in a powerful note condemning her anti-India comments

Bollywood superstar Salman Khan has found himself in the midst of a social media storm after posting a brief comment on the India-Pakistan ceasefire announced on Saturday evening by US President Donald Trump. The actor, who had remained noticeably silent during India’s military response — Operation Sindoor — to the Pahalgam terror attack, tweeted about the ceasefire shortly after the announcement was made. However, the tweet drew sharp criticism from netizens, compelling Khan to delete the post soon after.

Over the past few days, several prominent Bollywood celebrities have openly voiced their support for the Indian Armed Forces and condemned the terror attack in Jammu and Kashmir’s Pahalgam region. Operation Sindoor, India’s retaliatory strike against terrorist hubs, was widely praised by actors, filmmakers, and citizens alike. Yet, Salman Khan refrained from commenting on the Indian Army’s efforts or the volatile border situation, choosing instead to post, “Thank God for the ceasefire” when it was announced. The actor’s last post on the incident was soon when he posted a condolence message following the initial terror attack in Pahalgam.

His tweet following the ceasefire was seen by many as ill-timed and insensitive. Social media users quickly called him out for ignoring the sacrifices of the Indian soldiers while choosing to speak only after a diplomatic truce was announced. As the backlash intensified, Salman Khan quietly deleted the tweet without offering any clarification, further fuelling criticism and sparking debates online about the responsibilities of public figures during national crises.

While many celebrities continue to stand in solidarity with the nation’s armed forces, Salman Khan’s brief and ultimately deleted message has once again brought into focus the role of influential voices during times of national conflict — and the consequences of staying silent when it matters most.

Meanwhile, in a worrying development, reports suggest that Pakistan has already violated the ceasefire within hours of its announcement. Fresh attacks were allegedly carried out in certain Indian regions late Saturday night, leaving citizens furious and disappointed over the breach of trust.

Also Read: Kabir Khan on why he knew Salman Khan would back Bajrangi Bhaijaan despite no action: “Salman is a LIVING example of the secular culture of this country”; also reveals why Salman feared studios might have REJECTED the film

Among the many members of the Indian film industry were Aamir Khan and his production house who mourned the loss of legendary makeup artist Vikram Gaikwad after he passed away in Mumbai on Saturday. Known for his exceptional work across Hindi, Marathi, and South Indian cinema, Gaikwad’s contribution to Indian cinema has been hailed as nothing short of transformative. His final rites were reportedly held at Shivaji Park in Dadar, where close friends, colleagues, and fans gathered to bid farewell to one of the finest artists in the industry.

Aamir Khan Productions, with whom Gaikwad collaborated on multiple successful projects, paid a heartfelt tribute on X (formerly Twitter). The post read, “It is with great sorrow that we say goodbye to the legendary make-up artist Vikram Gaikwad. I had the pleasure of working with him in films like Dangal, PK and Rang De Basanti, to name a few. He was a true master of his craft and his work transformed many actors into unforgettable characters that will live forever on screen. Heartfelt condolences to the family from me, and everyone at AKP… We will miss you Dada.”

pic.twitter.com/6yXrPvwIc6 — Aamir Khan Productions (@AKPPL_Official) May 10, 2025

Apart from the film industry, Maharashtra Chief Minister Eknath Shinde also expressed his condolences and acknowledged Gaikwad’s vast contribution to the world of cinema and theatre. He posted on X (a portion of the translated message), “With Vikram Gaikwad’s passing, we have lost an accomplished artist whose contribution to Indian cinema and theatre is immeasurable. On behalf of myself and the Shiv Sena party, I offer heartfelt tributes.”

रुपेरी पडद्यावर व्यक्तिरेखा जिवंत करणारा जादुगार हरपला! राष्ट्रीय पुरस्कार विजेते सुप्रसिद्ध रंगभूषाकार विक्रम गायकवाड यांचे आज दुःखद निधन झालं. त्यांच्या जाण्याने रंगभूषेतून पडद्यावर व्यक्तिरेखा जिवंत करणारा एक जादुगार आपल्यातून निघून गेला आहे.

रंगभूषाकार म्हणून 'सरदार' या…

— Eknath Shinde - एकनाथ शिंदे (@mieknathshinde) May 10, 2025

Gaikwad, a National Award-winning makeup artist, was widely respected for his meticulous attention to detail and ability to bring characters to life on screen. Some of his most acclaimed work featured in films include Ponniyin Selvan, ’83, Tanhaji: The Unsung Warrior, Uri: The Surgical Strike, Sanju, M.S. Dhoni: The Untold Story, O Kadhal Kanmani, and Bhaag Milkha Bhaag. Apart from Bollywood, Gaikwad was a highly respected name in Marathi cinema and theatre, having shaped the visual identities of numerous historical and contemporary characters portrayed on screen.

His passing marks the end of an era in the world of Indian makeup artistry. As tributes continue to pour in from all corners of the industry, one thing is certain — Vikram Gaikwad’s legacy will live on through the unforgettable characters he helped create and the generations of artists he inspired.

Nicky Vicky Bhagnani Films and The Content Engineer have officially announced their upcoming film titled Operation Sindoor, inspired by India’s rapid and strategic response to the deadly Pahalgam terror attack. The film is based on the Indian Armed Forces' operation of the same name, which took place on the night of May 6 and 7, targeting nine terror bases in Pakistan and Pakistan-Occupied Kashmir (PoK) and neutralizing several terrorists.

The title of the operation, ‘Sindoor’ carries profound significance. In Hindu tradition, sindoor is a sacred symbol of marriage, typically applied by women along the hair parting or worn as a tilak by warriors preparing for battle. The title highlights the disturbing details of the April 22 Pahalgam attack, where terrorists specifically targeted men, some of whom were newly married, based on their religious identity.

The poster for Operation Sindoor presents a striking image of a female soldier, facing away from the viewer, in uniform and holding a rifle, as she applies sindoor to her head—symbolizing the fusion of feminine identity with patriotic duty. Set against a fiery, war-torn backdrop featuring tanks, barbed wire, and fighter jets overhead, the poster conveys themes of courage, sacrifice, and patriotism. The title ‘Operation Sindoor’ is prominently displayed, with the second “O” replaced by a smear of sindoor, while the phrase “Bharat Mata Ki Jai” in tricolor enhances the patriotic sentiment.

The cast for Operation Sindoor has not been revealed yet, but the film will be directed by Uttam Maheshwari.

Nicky and Vicky Bhagnani have previously produced Nikita Roy, a psychological thriller starring Sonakshi Sinha, set to release worldwide on May 30. Directed by Kussh S Sinha, the film delves into mysticism and psychological tension, and also features Arjun Rampal, Paresh Rawal, and Suhail Nayyar.

Also Read : Operation Sindoor: Fawad Khan, Hania Aamir, and other Pakistani actors slam India’s military strikes, call it “cowardly”