Tarun Tahiliani brought down the curtains at Lakmé Fashion Week x FDCI with a grand finale that was nothing short of spectacular. The celebrated designer unveiled his dazzling new couture line, “Bejeweled,” and all eyes were on his radiant showstopper — Aneet Padda, who ruled the runway with her ethereal presence.

Social media is abuzz with pictures and videos of Aneet gliding down the runway, looking every bit like a modern-day princess. Dressed in a signature Tarun Tahiliani ensemble, the rising Gen Z star of Saiyaara left audiences spellbound as she embodied the spirit of contemporary Indian couture.

Speaking about the inspiration behind his collection, Tahiliani said, “With this collection, I wanted to celebrate the luminous, layered, and wearable spirit of today’s woman — just like Lakmé Be-Jewel.”

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Aneet’s ensemble drew from timeless Indian drapes, reinvented for a global, modern audience. The outfit shimmered with metallic sequins, fluid textures, and Swarovski crystal detailing, creating a seamless blend of tradition and glamour. Every movement reflected Tahiliani’s signature craftsmanship — luxurious, regal, and impossibly graceful.

Fashion critics and fans alike couldn’t stop praising Aneet’s “queen-like aura” and Tahiliani’s mastery in “bringing out the best version of her.” Social media was flooded with comments calling her a “stunning queen”, “runway princess,” and even “the perfect muse for Tarun Tahiliani.”

With support from Lakmé India and FDCI, Tarun Tahiliani’s Bejeweled Grand Finale is being hailed as one of the most memorable closing shows in recent fashion week history — a celebration of Indian craftsmanship, couture innovation, and the sheer magic of fashion that continues to inspire season after season.

Also Read: Ahaan Panday posts heartfelt birthday wish for Aneet Padda; duo’s Coldplay concert moments go viral as fans root for them

Keerthy Suresh is not just a talented actress but also a true style icon. Rising from the South to become a Pan-Indian sensation, she is celebrated for her acting prowess, beauty, and impeccable fashion sense. Known for her flawless saree styling, Keerthy’s wardrobe is the perfect source of festive inspiration this Diwali. From sequins to florals, here’s how you can steal her ethnic looks and dazzle this festive season.

1. Grace in Every Drape Step into the festive spotlight in a vibrant yellow saree with delicate blue floral prints, paired with a halter-neck blouse just like Keerthy. Soft makeup, colorful jhumkas, and a petite blue bindi complete this sun-kissed, heritage-meets-modern look.

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2. Where Tradition Meets Trend Fuse tradition with contemporary glam in a metallic black sequin saree. Styled with a sweetheart-neck blouse, sleek ponytail, and bold silver earrings, this look highlights festive sophistication while accenting your figure effortlessly.

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3. Timeless Charm in Floral Drape Opt for a grey organza tissue saree with white floral designs and a silver-embellished border. Keerthy paired it with a matching shimmery blouse, minimal makeup, and simple pearl earrings — pure elegance in every drape.

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4. The Queen of Ethnic Chic Make a statement in a multicolor Phulkari-inspired georgette saree featuring vibrant thread embroidery, sequins, kundan, zardozi, and aari work. Paired with a complementing blouse, this intricate, colorful look is perfect for festive Diwali celebrations.

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5. Golden Hues, Royal Vibes Embrace the festive spirit in a golden silk saree with black and gold checked borders and a gleaming pallu. Styled with a black V-neck blouse and minimal accessories, this look exudes understated elegance.

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6. Saree Soirée, Keerthy Style Perfect for a Diwali party, this white-silver sequin shimmer saree paired with a deep-neck strappy blouse lets the sparkle take center stage. Minimal accessories highlight natural beauty, making it effortlessly chic.

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7. Six Yards of Pure Elegance Go subtle yet striking in a nude semi-sheer sequinned saree paired with a full-sleeved embellished blouse. Minimal styling lets the shimmer shine, creating a timeless Diwali-ready ensemble.

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Also Read: Keerthy Suresh gets candid about her career; says, “The legacy I hope to leave behind is of being an actor who took chances and evolved”

The fourth episode of Two Much With Kajol And Twinkle featured Govinda and Chunky Panday. Both raised a lot of laughs and at the same time, they also opened up about their hardships and struggles. Chunky’s career got a new lease of life by playing Aakhri Pasta in Housefull’s first part (2010). The character became so iconic and popular that he was repeated in all other films of the series. Chunky revealed on the show that he was not the original choice and that it was going to be played by Sajid Khan, who was also the director of Housefull.

Chunky Panday said, “I believe the second innings of my career happened all thanks to my wife Bhavana Pandey. She brought luck for me after we got married. We got married in the year 1998, when my career was at my lowest phase. I had a career in Bangladesh but even that was about to end. It was a very big thing. But it lasted from 1993 to 1998 aur woh khatam hone aa raha tha. She was the only one who told me to come back to Bollywood.”

He continued, “In fact, the best film that I’ve had recently is the Housefull series. Sajid Khan, Bhavana and I were at a party. Sajid Khan told Bhavana that he was making a film called Housefull. He said, ‘Everyone wants me to play this character of Aakhri Pasta. Lekin main nahin kar paunga because it would be difficult for me to act as well as direct at the same time’. He further said, ‘I am wondering who I should cast’. Bhavana asked him, ‘Why don’t you take Chunky?’. He looked at me and asked, ‘Chunky, will you do it?’. I replied, ‘Haan, main karoonga’. So, I feel that my wife has been very lucky for me.”

Also Read: Two Much with Kajol and Twinkle: Govinda recalls his Rajesh Khanna fan moment; Chunky Panday reveals how he became ‘Bangladesh Bachchan’

Ajay Devgn, R Madhavan, Rakul Preet Singh, Meezaan Jafri, Jaaved Jaaferi and Gautami Kapoor, director Anshul Sharma, producers Bhushan Kumar, Luv Ranjan and Ankur Garg attended the trailer launch of their film, De De Pyaar De 2, in Mumbai. The film looks fun-filled and the trailer event was also quite entertaining. It was heartening to see Ajay Devgn, who usually cracks a joke with a deadpan face, making merry and laughing heartily.

A journalist asked Ajay Devgn, “Why did you change the director (from the first part)?” Ajay smiled and said, “I did not change the director (smiles). That question goes to Luv. By the way, Anshul was involved thoroughly in the making of the first part as well.”

Luv Ranjan added, “He was the creative producer on part 1. As for Akiv Ali, he wanted to do an action drama. He was not interested in repeating the genre.”

Another journalist asked if Ajay Devgn had reservations about certain dialogues in the film. Luv Ranjan revealed, “Ajay sir has never read a line and told me, ‘Isse change kar de; yeh sahi nahin lag rahi’.”

Ajay Devgn said, “Whatever is right for the script needs to be there. Aapko galat lag raha hai? Toh fir aaiye aur bataiye kya galat lag raha hai (smiles).”

The journalist then mentioned the line that caused her anguish, “Hamare dost ko buddha bola.” Ajay smiled again and said, “Dost ki baat nahin hai. Yeh apne baare mein baat kar rahi hai!” He then laughed out loud, and it made for a rare moment.

R Madhavan hailed Ajay Devgn, “I had witnessed during the shoot of Shaitaan (2024) that Ajay sir is only focused on the benefit of the film. He never says ‘Main hero hoon toh mujhe aisi cheezein mat kaho’. Honestly, at times, I feel (yeh role) ek aam hero ke liye accept karna mushkil hai. I myself might not have done the part (played by Ajay). But the amount of enthusiasm that he showed for all of us, we got a chance to perform freely. The only reason it was difficult was that I had to play a father.”

At this point, Ajay Devgn again raised laughs as he remarked, “In a way, it’s a sequel to Shaitaan. Usme yeh meri beti le jaate hai. Isme main iski beti le jaata hoon.”

De De Pyaar De 2 releases in cinemas on November 14.

Also Read: Ajay Devgn vs R Madhavan: De De Pyaar De 2 trailer promises a mixture of laughter and love, out now!

Pranutan Bahl had a memorable debut in the much-loved Notebook (2019), produced by Salman Khan. She was then seen in Helmet (2021) and Amar Prem Ki Prem Kahani (2024), both of which were released online. She had confirmed that she had bagged an international film, Coco & Nut. In an exclusive interview with Bollywood Hungama, Pranutan spoke about this upcoming project and more.

Talking about Coco & Nut, Pranutan Bahl said, “We plan to begin principal photography early 2026. However, I have completed two movies this year and I am very excited about them. One is a cop drama and the other is along the lines of a folk thriller. Both have a fantastic star cast. It’s so amazing to work with people who are more experienced than you because you learn so much from them.”

Pranutan has always got a good response for her act in all her films. Hence, many feel that she should be seen more and should get more offers. The actress smiled and replied, “I agree! I wish but what can you do other than the fact that you just look for work? It’s tough getting work, especially after Covid, for the industry as a whole. I would love to work; I am extremely ambitious. Unfortunately, the opportunities are very far and few between. Even I find it weird sometimes because I see love and appreciation for my work. I guess that’s how our business is.”

She added, “Nevertheless, I am extremely grateful so far for all my roles to date; they have been meaty and acting-oriented. Helmet was a 180-degree transformation compared to Notebook as a character. In Amar Prem Ki Prem Kahani, my character had a hint of negative shades. My next two films are also different from what I have done before. Moreover, I am very clear that I don’t want to be reduced just as the love interest of a hero.”

Does the latter come inspired by the filmography of her late grandmother, Nutan? Pranutan Bahl answered, “I don’t know if it’s because of her, but I think I value myself. Like, I don’t want to be there just because the girl is required to romance a hero. You need to be an integral part of the story. You don’t want to be cast because you’re a girl and you look nice. I don’t judge anyone who does that. But somewhere, this requirement streamlines you further, as I am not keen to do those kinds of roles.”

Meanwhile, the nepotism debate continues. Many, especially those not connected to the industry, have the impression that star kids have it easy. Pranutan disagrees, “That’s not true at all. I feel weird that I am also put in this bracket of nepotism just because I come from a legacy family. Nobody knows this but Salman Khan sir didn’t even know that I was auditioning for Notebook. The producer saw my picture and he went to the director, Mr Nitin Kakkar, and said that I’ll suit the part. They had already auditioned 80 or 100 girls. Nitin sir was not getting anybody to match what he had in mind for the character. Hence, he agreed to audition me. This is how I was called. I was already in the audition circles by then. It was 2 ½ years after I started doing auditions that I got a call for Notebook. I started auditioning in 2016 and I was called by Nitin sir in 2018. It was a five-hour audition. He asked me to do 3 scenes. The experience was tough. He was not easy on me and was extremely particular about what he wanted.”

Pranutan continued, “Even for Helmet, I auditioned through the casting route. This is the journey a lot of I have had and unfortunately, its washed away by random articles. Everybody from legacy families doesn’t have the advantage of nepotism. We are not given things on a platter.”

She also revealed, “I got Amar Prem Ki Prem Kahani after Helmet. We did a reading and only then, I bagged the part. None of my films were funded by my friends or family members, not even from the back end. Let’s be that clear (laughs). So, it’s very sad that we are all painted with the same brush. I do not have the opportunities because I come from Nutan ji’s family, or due to my father (Mohnish Bahl). I am sure that I get a lot of goodwill and I am grateful for it. But I don’t think an opportunity has to come to me because of that.”

She signed off by saying, “I am still auditioning. In fact, I auditioned just three days back.”

Also Read: EXCLUSIVE: Pranutan Bahl opens up on Filmfare honouring Nutan and hails her choice of films and STARDOM: “She was shooting for Bandini when she was pregnant with my father…filmmakers saw that she could carry films on her shoulders”

Nita Ambani never misses a chance to make a refined statement, and her appearance at Manish Malhotra’s annual pre-Diwali party was no exception. The philanthropist and businesswoman turned heads as she arrived in a dazzling silver sequin saree paired with emerald jewellery — but it was her accessory that truly defined luxury.

Ambani was seen carrying a rare Hermès Birkin bag worth a staggering Rs 17 crore, a piece that is as much a jewel as it is a handbag. Crafted from white gold and encrusted with 2,712 diamonds, this creation is part of an ultra-limited edition by Hermès, known for transforming its iconic silhouettes into collector’s treasures. Each piece is meticulously handcrafted, taking months to complete, making it one of the most exclusive and valuable handbags in the world.

The bag, often referred to as a “Himalaya Diamond Birkin,” is coveted among luxury collectors and symbolizes the pinnacle of artisanal craftsmanship. Its shimmering white-gold exterior, detailed diamond embellishments, and timeless design merge fashion with fine jewellery — an aesthetic that aligns seamlessly with Ambani’s elegant persona.

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Completing her look with emerald drop earrings and a matching bracelet, Nita Ambani balanced traditional grace with understated opulence. Her appearance at the designer’s festive soirée reaffirmed her status as one of India’s most sophisticated style icons, where every element — from her saree to her accessories — told a story of taste, legacy, and refinement.

Also Read: Tara Sutaria drops dreamy pics with her ‘firecracker’ Veer Pahariya from Manish Malhotra’s starry Diwali bash; watch

The legendary Nutan holds the record of winning the Filmfare Award 6 times -  5 times in the Best Actor In A Leading Role (Female) category and once in the Best Actor In A Supporting Role (Female) category. Hence, it was fitting that she was honoured at the 70th Hyundai Filmfare Awards 2025 held in Ahmedabad, Gujarat, on October 11. Nutan’s actor-son, Mohnish Bahl, and actress-granddaughter Pranutan Bahl were present for this tribute session. In an exclusive interview with Bollywood Hungama, Pranutan Bahl spoke about this honour, her grandmother and a lot more.

When did you learn about the Filmfare honour and what was your first reaction? I learned about it three weeks ago. We all felt extremely emotional and happy. The legacy she’s left behind for me is very precious. It comes with a deep sense of responsibility - to perform well and carry myself with the same grace and dignity that she did. It’s a high standard to live up to.

I believe, you never met her. Is that right? I did not, unfortunately. She passed away in 1991, while I was born in 1993. But I had heard about her a lot growing up. I spent my entire childhood with my dada (grandfather), who told me so many stories about her. Whenever her name comes up, people talk highly; it’s so engraved in my memory. Interestingly, I was drawn to her movies. I remember I was 11 when I watched Bandini (1963). Now, when I look back, I wonder that for an 11-year-old child, to watch Bandini and be moved is such a rarity (smiles). Bandini was a film that made me want to be an actor. By the time I was 18, I had probably covered her filmography. I didn’t know that it was one of the first few signs that I was so interested in being an actor (laughs).

While watching films of Nutan ji like Bandini, Sujata (1959) etc, did you get a feeling that these films were far more progressive than many of our current movies? Absolutely, especially considering the kind of films being made and the risks being taken. And there was no stereotype. Moreover, for the family I belong to, it was very weird to hear questions like ‘Now that she’s married, will she work?’ or ‘Will you be allowed to work after marriage?’. My dadi was shooting for Bandini when she was pregnant with my father! In fact, when my dada and dadi were getting married, someone asked my dada at a social gathering, ‘Will you allow Nutan to work after marriage?’. It was so normal to talk like this then. He replied, ‘I am no one to allow her. Had she been a painter, would I not have been okay with her painting? Then why would I not be okay with her acting?’! These are the people I have grown up with. I am getting goosebumps while saying this because it’s a huge thing in the 50s to be talking in this manner (smiles).

No wonder then that she got drawn to such films or rather, those films were drawn to her… I guess it was a perfect blend of opportunity, talent and destiny. Filmmakers also saw that she could carry the film on her shoulders. She did such different genres like Bandini, Seema (1955), Sujata, Dilli Ka Thug (1958), Anari (1959), Paying Guest (1957), Main Tulsi Tere Aangan Ki (1978), Saudagar (1973) etc. To justify these roles in the presence of such brilliant co-actors like Raj Kapoor, Dev Anand saab, Amitabh Bachchan etc. was also a feat.

Her style has also left a mark. In fact, costume designer Veera Kapur Ee had confirmed that Nutan ji was one of the inspirations behind Katrina Kaif’s look in Bharat (2019)… That’s great. I didn’t know about it. I must add here that I had visited the sets of Bharat many times. My film Notebook (2019) was under production. We needed to have a lot of meetings with Salman Khan sir at that time. Hence, we used to go on the sets to talk about it. In fact, we even used to joke that ‘Ali (director Ali Abbas Zafar) is going to feel like we want to AD with him’ because we kept coming on the sets rather frequently (laughs)!

Also Read: Pranutan Bahl goes from edgy and risky halter neck scarf top look to street style showing she can ace any style with ease

While the world sees the glamorous side of her life, Anya Singh treasures the moments that are anything but filmi. The young actress has a deep love for Mumbai, which she calls home, yet she makes regular trips to Delhi to reconnect with family. “Bombay, I love… I go to Delhi to meet my nana, nani, my mom, my dogs almost every month”, she shared, highlighting how family bonds remain a priority amidst her busy schedule.

Her dogs, in particular, play a central role in keeping her grounded. “On a day when free, what would we see you doing?… My favorite time is with my dogs…”, Anya revealed in an exclusive interview with Bollywood Hungama, emphasizing the joy and comfort that pets bring into her life.

Her philosophy on work-life balance is equally refreshing. “I know how to differentiate on like a Sunday to a Monday. So, I treat a Sunday like a Sunday and then a Monday like a Monday. So, I will go to the gym, I will train, I will do my calls…”, she explained. For Anya, star status comes second to spending quality time with loved ones and taking care of herself—both mentally and physically.

Anya Singh’s candid reflections offer a glimpse into the life of a modern Bollywood actress: one that balances fame, family, and personal well-being. Her story proves that no matter how high you soar in the glitzy world of cinema, love for family, furry friends, and a cherished city like Mumbai keeps you rooted.

Also Read: EXCLUSIVE: Anya Singh opens up on Bollywood setbacks and personal loss; says, “I’ve been very fortunate”

Behind Aryan Khan’s breakthrough as a first-time director in The Ba***ds of Bollywood is not just his talent, but also the quiet yet powerful presence of his superstar father, Shah Rukh Khan. Actress Anya Singh, in a recent exclusive interview with Bollywood Hungama, shared her memorable experiences of meeting the King of Bollywood and working on Aryan’s set, painting a picture of warmth and mentorship that goes beyond the glitz and glamour of the industry.

“He’s so welcoming. He’s so respectful. He’s warm. He’s kind. He’s everything good. So, you hug Shah Rukh Khan, you’d think you can retire now”, Anya recalled, capturing the larger-than-life presence of SRK in her first encounter. She vividly remembers a moment of guidance from the superstar: “He sat next to me… you have this opportunity. Don’t be silly, talk… He’s very open to giving advice…”. For Anya, Shah Rukh’s support went far beyond professional advice—he embraced the role of a father on set: “He (SRK) watched. He was a father on that set. He came as a supportive parent who was there to kind of cheer his son on. And that was very nice.”

Debunking myths about Bollywood’s so-called “movie mafia,” Anya also highlighted the approachable nature of industry stalwarts. “Karan is someone every actor wants to meet and work with him… he’s not a movie mafia, he’s such a sweetheart in real life…”, she said, emphasizing the mentorship and camaraderie that exist behind the scenes.

Anya also drew lessons from veteran actor Bobby Deol, who shared candid insights about navigating the highs and lows of a film career: “He (Bobby) talks about his highs and lows… He’s very honest. So much to learn”.

Her reflections paint a different picture of Bollywood than what tabloids often portray. The industry, she suggests, is built on families, mentorship, and genuine warmth—qualities that helped both Aryan Khan and the young actors around him thrive on set.

Also Read: EXCLUSIVE: Anya Singh opens up on Bollywood setbacks and personal loss; says, “I’ve been very fortunate”

The third episode of Two Much With Kajol And Twinkle featured Saif Ali Khan and Twinkle Khanna’s husband, Akshay Kumar. Both raised a lot of laughs and the funniest moment of the show was when Akshay narrated an incident from the sets of Yeh Dillagi (1994).

Twinkle Khanna began by saying, “She (Kajol) doesn’t want me to say this, but today, we finally have that guest on the couch who has had a bath in her bathroom!” An embarrassed Kajol added, “Just to clarify, Saif lived three buildings away from me. Aur Malabar Hill mein bhi aisi cheezein hoti hai, jahan pe aapke ghar pe paani nahin aata hai. That’s how he had come out and had a bath at my place (laughs)!”

Twinkle joked, “She had a little camera in her bathroom. She has some images which she has shared with me very kindly!” She then asked Saif, “Didn’t you find Saeed Jaffrey in your tub also?”

Saif at first said, “We shot Yeh Dillagi in Shimla together. Rest in peace. Jaffrey saab used to have a few drinks, fall asleep on my shoulder at a public function, and then wake up and say, ‘He’s still talking! Who’s this man?’. He was really good fun (laughs)!”

Akshay Kumar then completed the bathroom story, “You were in your bathroom. But your door was open.” Saif revealed, “I was having a tub bath. With candles!”

Akshay Kumar continued, “Saeed saab’s room was next to his. He forgot about it and entered his room. He also wanted to take a bath. So, he took off his clothes. All his clothes! Then, he entered the bathroom, opened the curtain and saw Saif naked inside! He was wondering, ‘Why is Saif in my bathroom?’!”

Akshay then added his own fictional bit to what happened next, “He said, ‘Okay’. He also entered and both were inside the tub (laughs)!” Saif laughed and remarked, “You are making it into Housefull 4!”

Also Read: Akshay and Saif bring old-school chemistry back on Two Much with Kajol and Twinkle

Actor Adarsh Gourav’s international breakthrough series Alien Earth continues its phenomenal run, securing a spot amongst the Top 10 most-watched shows globally on Disney+ and Hulu and is one of too most-streamed shows of 2025. The show not only reached the number 1 most-watched position in September but has also ranked as the 7th most-watched show of 2025 so far, marking an extraordinary milestone in the young actor’s career.

With an impressive 95% rating on Rotten Tomatoes and a strong IMDb score, Alien Earth has been hailed as one of the finest series of the year, drawing widespread acclaim from global audiences and critics alike. The series, which recently released its complete set of 8 episodes, has become a major talking point across trade circles and is being celebrated as one of the best-reviewed shows worldwide.

Sharing his excitement, Adarsh Gourav said, “It feels truly surreal to see Alien Earth connect with audiences across the world in such an extraordinary way. As an actor, you always hope to be part of stories that transcend boundaries, ones that make people feel, question, and imagine. To witness this show being embraced globally and to see it feature among the most-watched and most-discussed series of the year is incredibly humbling. When we began filming Alien Earth, none of us could have imagined the kind of impact it would go on to have. It was an ambitious story, emotionally and visually, and seeing it strike such a chord with viewers everywhere has been overwhelming. I’m deeply thankful to Disney, Hulu, and our incredible team of writers, creators, and co-actors who poured their hearts into bringing this vision alive. The love and response from audiences have been beyond anything I could have dreamed of, and I’ll always carry this journey with immense gratitude and pride.”

With Alien Earth, Adarsh Gourav cements his position as one of the most promising talents representing India on the global stage, as the show continues to dominate charts and conversations worldwide.

Also Read: Adarsh Gourav says 2025 has been lucky, as the actor makes local and international impact with Ridley Scott’s Alien: Earth and Zoya Akhtar and Reema Kagti’s Superboys of Malegaon

Mona Singh — a name that’s been synonymous with grace, talent, and effortless charm. Over the years, she has captivated audiences across television, films, and web series, bringing magic to every character she portrays. Off-screen, her fashion sense mirrors her vibrant personality — elegant, expressive, and rooted in authenticity.

As we celebrate Mona Singh’s birthday, we’re revisiting some of her most stunning fashion moments — each look a reflection of her confidence, individuality, and the timeless charm she carries with ease. Green Grace – Effortlessly Elegant Mona dazzled in a traditional green bandhani-style salwar suit with full sleeves and puffed shoulders. The kurti featured delicate traditional prints on the chest and hem, paired with wide-leg pants and a matching dupatta. Her chic side braid added a festive yet graceful touch.

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Orange Energy – Vibrant & Joyful Lighting up every frame, Mona glowed in an orange Punjabi-style kurti and pajama set adorned with silver embellishments. Styled with a neat side bun and minimal makeup, she radiated effortless charm and confidence.

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Purple Bliss – Comfort Meets Chic In a soft purple salwar suit featuring full sleeves, wide-leg pants, and a sheer organza dupatta, Mona exuded feminine grace — a perfect blend of comfort and sophistication.

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White Elegance – The Essence of Simplicity She looked ethereal in a white georgette organza-style kurta set adorned with golden embellishments and blue floral motifs. Paired with heavy jhumkas and soft makeup, the look was pure elegance.

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Royal Blue Charm – Regal Radiance Mona stunned in a royal blue silk kaftan-style kurta with lace-detailed sleeves and intricate chest work. With a messy bun and statement earrings, she made tradition look effortlessly chic.

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Yellow Glow – Sunshine in Every Frame Mona brightened up the day in a yellow georgette organza saree with golden borders, paired with a sleeveless V-neck blouse. Simple golden jhumkas completed her radiant look.

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Pretty in Pink – Timeless Beauty She embodied classic charm in a silk pink saree blending soft and dark hues, paired with a delicate choker and side-swept hair — understated yet unforgettable.

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Red Radiance – Bold & Beautiful In a Bengali-style white saree with red prints and a matching blouse, Mona channelled cultural elegance. A bold red bindi and sleek bun sealed this iconic look.

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Grey Glam – Subtle Yet Striking Mona’s silk grey kurta paired with wide-leg pants and silver juttis embodied minimal elegance. Proof that simplicity can make the strongest statement.

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Here’s to Mona Singh an icon of grace, confidence, and effortless style. Happy Birthday!

Also Read: Mona Singh shares behind-the-scenes magic with Bobby Deol, Shah Rukh Khan and The Ba***ds of Bollywood cast; watch

Raghav Juyal played the fan‑favourite character Parvaiz in The Ba***ds of Bollywood, produced by Shah Rukh Khan’s Red Chillies Entertainment. His slow‑motion charm and offbeat humour made him one of the most unique performers in Indian entertainment. A viral scene from The Ba***ds of Bollywood — where he croons a song by Emraan Hashmi — developed its own following. Directed by Aryan Khan and produced under Red Chillies Entertainment, The Ba***ds of Bollywood premiered on Netflix on September 18, 2025.

Raghav Juyal revealed in an interview with NDTV that Shah Rukh Khan had offered him a role in King after watching The Ba***ds of Bollywood. He said, “King happened because of The Ba***ds of Bollywood. Shah Rukh sir saw me in the series and offered me another project. It was a big role, and I felt very fortunate that people I look up to were recognising my work. He trusted my craft, and I just wanted to live up to his expectations.”

Recalling a special moment from the shoot of The Ba***ds of Bollywood, Raghav said, “After one take, everyone clapped. He (Shah Rukh Khan) came up to me, kissed me on my forehead, and hugged me. In that moment, everything else faded — the role, the character, everything. I just wanted to stay in that moment forever.” When asked who he would sing for in real life after performing ‘Kaho Na Kaho’ for Emraan Hashmi’s character in the series, Raghav replied without hesitation: “Shah Rukh Khan.”

He also remembered their first meeting. “I recall Farah Khan introduced me to him years back — during the shooting of Happy New Year. That was an amazing moment.” Over time, their bond strengthened. “Then he came on one of my shows and said he’s my fan. That video went viral — ‘Shah Rukh Khan is Raghav’s fan.’ Can you imagine?” Raghav said, smiling. “Every time I meet him, I learn something new. He's so knowledgeable about cinema, life, everything. Every meeting made me a bigger fan. That’s his charm.”

Raghav is now preparing for a new chapter: his big Telugu debut alongside superstar Nani. The film, titled Paradise, is directed by Shrikant and will be a multilingual project made in Telugu, Spanish, and English. He said, “I was so happy and so lucky that I would be seen with the ‘Natural Star’ Nani. He’s such a brilliant actor, so vulnerable on screen. This film is on another level. I couldn’t have asked for a better debut in the South.”

Before The Ba***ds of Bollywood, Raghav had acted in Bollywood films such as Kisi Ka Bhai Kisi Ki Jaan, Kill and Yudhra. He began his career as a dancer in Dance India Dance 3. After hosting several shows, he appeared in minor roles in ABCD 2, Street Dancer 3D, and Bahut Hua Samman.

Also Read: Raghav Juyal recalls visiting Shah Rukh Khan’s Mannat for the first time: “Felt like a dream”

Bollywood actor Ranveer Singh attended the 2025 NBA Pre-Season Game 2 between the Philadelphia 76ers and the New York Knicks in Abu Dhabi, UAE, on Saturday, 4 October. The game took place at the Etihad Arena and featured several global celebrities and top athletes in attendance.

Ranveer was spotted courtside, interacting with Hollywood actor Adrien Brody, NBA players, and other well-known personalities. He was seen sharing a warm hug with New York Knicks star Karl-Anthony Towns and was also photographed chatting with Brody, actor-singer Victoria Justice, and Philadelphia 76ers’ Joel Embiid.

Dressed in a sleek all-black outfit with a jacket, matching pants, and sunglasses, Ranveer also showcased a new hairstyle at the event. One photo captured him pointing something out to Victoria Justice as they sat together, while another showed him shaking hands with Joel Embiid. He also posed for pictures with Indian rapper Badshah and Afghan cricketer Rashid Khan.

NBA India posted a video on social media showing Ranveer's friendly moment with Karl-Anthony Towns. In the clip, the two greeted each other with a hug and shared a brief conversation. Fans responded enthusiastically, leaving comments such as “The crossover I didn’t know I needed” and “Game recognise game. Hell yeah.” Ranveer later reposted the video, captioning it, “KATS MY GUYYY!” — referring to Towns. The pair previously went viral during the 2023 NBA Abu Dhabi Games when Ranveer taught the basketball star a few dance moves, winning over fans online.

Ranveer Singh’s Upcoming Film

On the professional front, Ranveer Singh will next appear in Dhurandhar, a spy thriller directed by Aditya Dhar. The film also stars Sanjay Dutt, Arjun Rampal, R. Madhavan, Akshaye Khanna, and Sara Arjun. Dhurandhar is scheduled for theatrical release on December 5, 2025.

Also Read: Ranveer Singh and Jai Mehta team up for zombie apocalypse film titled Pralay: Report

Saif Ali Khan has always been more than just a Bollywood star. The actor recently appeared on the cover of Esquire India. To accompany the feature, the magazine shared a video where Khan opened up about five restaurants that have his stamp of approval. From local Mumbai favourites to European fine dining, his list reflects his eclectic palate and passion for travel.

Trishna, Mumbai

Closer to home, Saif swears by Trishna in Mumbai, a seafood institution best known for its tandoori crab. For the actor, the restaurant has long been a go-to for coastal flavours. “Best crab,” he says, naming it among his favourites in the city.

Villa San Michele, Florence

Taking the conversation to Italy, Saif recalls one of the most breathtaking dining experiences of his life—Villa San Michele. The former monastery turned luxury hotel on the outskirts of Florence offers an extraordinary view. Sitting under a grand arch, diners are treated to traditional Italian fare with the entire city of Florence in sight, crowned by Brunelleschi’s dome. “The most amazing view and the most romantic table,” Saif describes.

Brunton Boatyard, Kochi

Back in India, Saif recommends the Brunton Boatyard in Kochi, a heritage hotel and restaurant overlooking the waterfront. With its colonial charm and serene setting, it offers a distinctive dining experience in Kerala, one that blends history with cuisine.

Il Mulino, New York

For Italian food lovers in the United States, Saif highlights Il Mulino in New York. The restaurant has a reputation for rustic yet indulgent dishes, making it a favourite among celebrities and food connoisseurs alike.

L’Ami Louis, Paris

Saif’s Parisian pick is L’Ami Louis, a legendary bistro known for its hearty French classics. Interestingly, it also has strong Bollywood connections. “It is very popular with the Kapoors, in fact, the family I married into,” Saif notes with a smile. He fondly recalls visiting the restaurant with Kareena Kapoor Khan and describes it as a must-try spot in the French capital.

Le Poulet au Pot, London

In London, Saif recommends Le Poulet au Pot, a rustic French eatery celebrated for its warm, homely ambience. Wooden interiors, hearty meals, and a lively atmosphere make it stand out. “It’s really beautiful… like a kitchen in the country done up,” Saif shares, calling it a lovely place to spend an evening.

From seafood in Mumbai to romantic dining in Florence, Saif Ali Khan’s list of recommendations reflects not just his taste for fine food but also his appreciation for culture, heritage, and atmosphere.

Also Read: Saif Ali Khan calls “walking away relatively unscathed” from stabbing incident “miraculous”: “It was damn close”

Hansal Mehta was born in April, but it's October that has proved to be a landmark month for him. His first theatrical release, Dil Pe Mat Le Yaar, was released on October 6, 2000. Shahid, the film that revived him, arrived in cinemas on October 18, 2013. Scam 1992, one of the greatest web series of India, dropped on Sony LIV on October 9, 2020. Meanwhile, he has made a show on Mahatma Gandhi, who, incidentally, was born on October 2!

Bollywood Hungama exclusively spoke with Hansal Mehta at the Waterfront Indie Film Festival (WIFF). When this writer asked him if he noticed how October has been special for him, the talented filmmaker smiled and said, “I did not realize that (smiles). I would also like to add that my son Pallava, who is a special child, was also born in October. My sister, who is in the true sense the ghar ki Lakshmi, is also October-born. So yes, I think that October is a significant month!”

As Dil Pe Mat Le Yaar completes 25 years, it also means that Hansal Mehta celebrates his 25th anniversary as a theatrical filmmaker. Will he celebrate the landmark occasion by having a reunion with the film’s lead actors, Manoj Bajpayee and Tabu? The director said, “We have been talking about it. But the unfortunate thing is that the film’s negatives are destroyed.”

He explained, “My producing partners had sent the negatives to Adlabs. When Adlabs was shutting down, it sent a notice to the producing partners informing them that ‘all the negatives are with us. Claim them within a month. Or else, we’ll destroy them’. They were given a notice of one month. But either nobody received the notice, or they did but didn’t pay heed to it. Eventually, the negatives were destroyed. So, rather than celebrate the film, I am very sad about the development.”

Hansal Mehta continued, “I asked my producers the other day about the negatives. They had no clue and later, they realized that the negatives were destroyed. So, there’s no record of the film.”

Hansal Mehta’s second theatrical film, Chhal (2002), starring Kay Kay Menon and Prashant Narayanan, had also faced a similar challenge. On this, he revealed, “We retrieved the negatives of Chhal. At present, Shivendra Singh Dungarpur’s Film Heritage Foundation is helping me restore the film.”

As Hansal Mehta completes 25 years, can we expect a ‘Hansal Mehta Film Festival’ where his memorable films can be screened? He answered, “We are hoping to do that. It’s just that Dil Pe Mat Yaar won’t be there as it's gone.”

Earlier this year, a full-house screening of Shahid was held in Mumbai. Hansal has been vocal on Twitter about the film’s absence from OTT. He said, “I had to struggle to get the print of that film for screening.” Is it possible for him to buy the rights to the film so that he can make it available to the public? Hansal smiled and said, “No. I can’t afford to take the rights.”

Shahid began his wonderful association with Rajkummar Rao. Both helped each other in getting the much-needed limelight. It’s been almost 8 years since they last worked together. When asked if there’s any project with Rajkummar Rao happening, Hansal said, “We keep talking, but we have to find the right thing for us to make. By the right thing, I mean that both of us should be excited about the script and film. I don’t think we have found that subject yet after Omerta (2018).”

Also Read: EXCLUSIVE: Hansal Mehta opens up on overwhelming response to Gandhi at TIFF: “Canada is not cheap; yet, my ADs spent their money to attend the premiere…patrons there are often held back but for our show, they stood up and clapped…I was in tears”

Hansal Mehta, Pratik Gandhi and Sameer Nair’s Applause Entertainment had a successful partnership with the cult show Scam 1992. They have now joined hands once again for the ambitious web show, Gandhi. It stars Pratik as Mohandas Karamchand Gandhi aka Mahatma Gandhi and hence, the excitement is tremendous. The hype for the show increased after it had its world premiere in the 'Primetime Programme' of the 2025 Toronto International Film Festival (TIFF) last month. Reports state that Gandhi received a standing ovation and became a major talking point at the festival. Bollywood Hungama exclusively spoke with Hansal Mehta at the Waterfront Indie Film Festival (WIFF) on this honour.

Hansal Mehta began by saying, “It’s still very overwhelming. I was in tears when I was standing there. Very spontaneously, the crowd got up and started clapping! I had been to TIFF previously and it is not like the European festivals. It’s not a place where people show their appreciation by standing up and clapping. The patrons in TIFF are a bit held back. Also, it was not a gala screening. Hence, to see that reaction in a public screening was very moving.”

What also touched Hansal Mehta is how his team went all out to land in the Canadian city for the premiere, “Everyone made it to TIFF like A R Rahman, Tim Felton, etc. My team of assistant directors spent their own money just to be there for that moment! Moreover, Canada is neither nearby nor cheap. Securing a visa is not that easy either. Yet, they were there (smiles).”

He continued, “My cinematographer and writer also attended at their own costs. Nearly 20 of us were present. In a way, it was the celebration of the efforts that we put in last year. Gandhi has been a mammoth effort. We have worked on it for nearly 3 ½ years.”

When asked about the release plans, he said, “We are also completing the show right now; the post-production is going on right now, as we speak. So, a few months of work.” Hansal Mehta also stated that the first 2 episodes of Gandhi were shown at TIFF.

Over the years, Mahatma Gandhi has often been portrayed in a negative light by certain films. There has also been growing negativity online about the Father of the Nation. Will Hansal Mehta’s show help correct this perception?

The talented filmmaker replied, “I am not here to correct anybody’s perceptions. People are free to have their own perception. But there is a documentation of his life and persona in Ramchandra Guha’s books (‘Gandhi Before India’ and ‘Gandhi: The Years That Changed The World’). I have tried to objectively present Gandhi as a human being. We have humanized Gandhi with his flaws, weaknesses and his immense strength of character. So, I think we need to relate to him beyond his identity as Mahatma. We need to see him as a human being and to learn how his life can become our message.”

Also Read: Scam 1992 director Hansal Mehta cracks up crowd at WIFF: “OTT creators are delivery men, just like Salman Khan’s directors on Eid!”; recalls BBC rejecting him for Criminal Justice: “I had just made Simran then. I don’t blame them”

Aryan Khan’s directorial debut in the form of the Netflix web series The Ba***ds of Bollywood has become the talk of the town. The show has also given popularity to its main lead Lakshya. The actor spoke about the life post this show in an interview with us.

How are you coping with the surge in popularity after The Ba***ds of Bollywood?

A surge in popularity is evidence that your work and efforts are being positively recognized and accepted by the viewers who now want to follow you for even better outcomes in the future. This is simply based on the theory of “Cause & Effect.” You did well in the past, so you are reaping the fruits in the present. I am highly thankful and simply grateful to all the viewers of BOB who have not only appreciated but also accepted me as an actor.

How closely did you identify with your character’s struggle?

I belong to a middle-class family of Delhi, having no contacts in the film/acting industry of Mumbai. So called outsider reached Mumbai with dreams, a clear goal and objective of establishing myself as an actor, with conviction, determination, and a strong ZIDD (stubbornness). So is the character of Aasman in BOB. Yet there are slight differences in the situations and obstacles posed to me as an individual and as a character, Aasman, in the series. Nevertheless, this character revolves very well in intensity as well as magnitude holistically around my personal life and struggles I faced so far.

I hear you are flooded with offers. What are your criteria for selecting offers?

I won’t say there is a flood of offers, but yes, there are numerous offers available at this point in time, and I am grateful. Yet, selecting an offer is the most crucial decision at this point in time because it sincerely calls for “Absolute Rationality and a greater Responsibility.” I have a few very stringent major selection criteria to select an offer.

What are they?

The first is relevance - Does it align with my needs and interests? The second is compatibility - Whether I would be able to deliver the expected outcomes? Do my core strengths enable me to justify the offer and benefit mutually? Third is social acceptability - Because one has to abide by the principles laid down by our society, in which we are an integral part of the universe. Fourth is value addition - Does this offer add to any value - tangible or intangible, and augment my individual life, personality, profession, and career growth? And above all, whether it adds to my career longevity?

How has your family reacted to your stardom?

They are joyous, celebrating the achievement, and feel uplifted too. Yet my mother, who practices Buddhism, always pays her gratitude to the universe for the most awaited event that has happened in life. They always emphasize that success is an ongoing journey, not a final outcome. They push me to set clear goals, put consistent efforts to achieve these goals, work for inner peace with a purpose that your conscience allows, and eventually make a positive and fecund impact on others to spread joy and happiness, always.

Also Read: Chand Mera Dil set PHOTOS LEAKED: Lakshya rides into romance with Ananya Panday in traditional attire

Komal Nahta had a wonderful conversation with Karan Johar about the production aspects, star fees, entourage and a lot more. They also spoke about the much-controversial ‘corporate booking’. Karan raised laughs with his answer.

Karan Johar began by saying, “Everybody does what they have to do. If it’s giving you happiness, then why not? Today, if I decide that I’ll gift myself Rs. 1 crore, then I celebrate that I made a crore, though I have only cut that cheque and given it to myself, then I have a party in the night since I gave myself one crore, so am I a fool or am I an intelligent man? I leave that for you to decide. That’s the only answer I have to this.”

He continued, “If you’re doing it for yourself and you’re happy, then please do it. Why should anyone judge you for doing it? You are spending your own money na? You are putting it out on social media.”

When pointed out that this practice damages the reputation of the industry, Karan Johar replied, “Industry khud ko badnaam kar rahi hai. All those who write about corporate booking are from the industry. The audience doesn’t know about it. They don’t care about corporate or desperate booking. It’s only the industry that talks about it or the media reporters.”

He also remarked, “Also, I wonder where the word ‘corporate booking’ came from. Which corporate has booked it? It’s called individual booking or self-booking. The idea is that I have booked, I have enjoyed, I have celebrated and I am excited.”

KJo continued, “Now the agencies are filling seats also. You pay them, they buy tickets and are watching it with the money that you have paid. Sometimes, it has also helped some films in getting kickstart energy. Eventually, what we call corporate booking will become a marketing tool in future. But if the film has to work, it will work.”

Karan Johar pointed out the futility of the exercise, “Aap kitna kar loge? You can’t issue cheques every day. I’ll do it for the weekend or max until the second Friday. At some point, I’ll have to stop.”

Also Read: Karan Johar CONFESSES, “Shah Rukh Khan is the ONLY actor who has NEVER talked money with me; when I ask about his fees, he says, ‘Whatever you want to pay’”; also reveals, “SRK and I are retail MANIACS; he behaves like an excited two-year-old when he gets a gift”

The Waterfront Indie Film Festival (WIFF) hosted an engaging ‘Round of Applause – Panel Discussion’ featuring Hansal Mehta, Tushar Hiranandani, Rohan Sippy, and Vishal Furia in Mumbai, where they discussed filmmaking challenges, amusing experiences, their journey in the OTT world, and more. Hansal was asked about his acclaimed show Scam 1992 (2020) and he astonished everyone by opening up about the pre-release challenges.

Hansal Mehta said, “I am thankful to Scam 1992 as it allowed me to survive. I had something to do. When we were mid-way through the edit, we were told that no platform wanted the show! Then we were told that Sony LIV had shown interest. For the next few weeks, everybody’s morale was down. They were asking, ‘Why are we going to Sony LIV? What will Sony LIV do?’. Everyone was cribbing. Ultimately, producer Sameer Nair gave me a reality check, ‘No other platform wants this show’.”

He then revealed, “Danish Khan of Sony LIV told us that the show has to be released on October 9. We were in August, and we were not done, as we had barely started post-production. But Danish insisted that the show needed to come out on October 9. So, we were completely focusing on delivering the content.”

He added, “We delivered the last episode on the day after the show was released. The reviews were out by then and people commented that they were waiting for the second season even though the final episode was left to be released!”

Episode 10 will stream in a few hours. #Scam1992 is not a 9 part series. The 10th part will be with you shortly. pic.twitter.com/ETgjmoKG5E — Hansal Mehta (@mehtahansal) October 9, 2020

So, why was there a delay with the last episode? Hansal Mehta raised laughs as he replied, “The dead body in the final episode was still breathing! I was waiting for the 4k output of the frozen stomach of the dead body. We finally got that and delivered it 24 hours later. I had to tell people that one more episode is yet to come!”

Scam 1992 got unanimous acclaim and became a rage. Hansal Mehta confessed, “It was so overwhelming that I went on a break. On Monday, I realized that my life was changing. It was much later that we realized that something special had happened.”

Also Read: “Historic and Humbling”: Hansal Mehta reacts to Gandhi becoming first Indian series at TIFF primetime