Showing posts with label Bollywood hgm. Show all posts
Showing posts with label Bollywood hgm. Show all posts

Bollywood actress Anita Advani recently spoke exclusively to the Indian Express, revealing intimate details about her private marriage with Rajesh Khanna and the challenges she faced within the film industry. Her revelations shed light on a side of Bollywood relationships rarely discussed publicly.

Advani began by explaining why she chose to remain silent about her wedding with Bollywood’s first superstar Rajesh Khanna. “We got married privately, but in the film industry, no one talks about such things openly. Everyone says ‘we’re friends’ or ‘we’re in a relationship’ or something else. But it was already reported in the media that I was with him, so neither of us felt the need to go and publicly announce that we were married. We never felt that need.”

She recounted the intimate ceremony, which took place at a small temple within their home. “I had a mangal sutra made, gold with black beads. He made me wear it. Then he applied sindoor and said, ‘From today, you are my responsibility.’ That’s how our wedding happened one night, just like that.”

Addressing her early involvement in her Khanna’s life, Advani said, “Yes, I came into his life before Dimple Kapadia. But we didn’t get married at the time because I was so young. Eventually, I went back to Jaipur.”

The actress also revealed the shocking treatment she faced during Kakaji’s chautha ceremony. “They had bouncers stationed there to stop me from coming in, I learned this from friends. When I told them I planned to go, they warned me that I would not be allowed inside. Still, they said, ‘If anything happens, we’re here for you.’ But I was stunned and asked, ‘Why all this?’ Some of my staff and close friends encouraged me to go, even suggested I carry a camera and record what they do. But I thought, how can I do such a thing on such a solemn day? So I didn’t go. I held my own chautha for him alone at a temple.”

Reflecting on the situation, Advani stated, “It would have been beneath my dignity to go there after everything. And frankly, it was beneath theirs to treat me that way, to call bouncers for me. One of my friends who did attend told me that they were blocking seats to ensure I wouldn’t have a place to sit. They even told one of our family lawyers to ‘handle me’ if I showed up. What does that even mean? I was shocked. I would never go to Kakaji’s chautha to create a scene. I would never even think of it. That’s why I didn’t go. And what happened there? It was all just a show. No one had any real feelings for him.”

Her candid interview provides a rare glimpse into the personal struggles and emotional dynamics of Bollywood, where public appearances often mask private realities.

Also Read: Sharmila Tagore on the re-release of Aradhana, “I was taken as a serious actor in Hindi cinema after this film”



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Actor Nakuul Mehta and his wife Jankee Parekh Mehta have announced the arrival of their second child, a daughter, on August 17, 2025, delighting fans and well-wishers across the country. The couple also revealed her birth date as August 15 along with her name in a heartfelt social media post on Instagram which received ample love from the actor’s fans and well-wishers.

Sharing the joyous news on social media, Nakuul wrote, “She’s here. Sufi finally has his Rumi. Our hearts are complete. 15th August 2025. Your task is not to seek for love, but merely to seek and find all the barriers within yourself that you have built against it.”

The announcement immediately garnered a wave of congratulatory messages from the entertainment industry. Celebrities took to social media to shower blessings and love. Gauahar Khan commented, “Awwwww god bless… so happy for your family. Many many congratulations,” while Bharti Singh added, “congratulations yahooooo rumiiiiiii welcome.” Dia Mirza extended her wishes saying, “So much love to all 4 of you,” and Karan V Grover wrote, “Stay blessed Mehta Parivaar.” Sanaya Irani shared her excitement, exclaiming, “Congratulations. It’s a giiiiirrrrrllllll. Lots of love.” Manjari Fadnis, Neeti Mohan, Leenesh Mattoo, Mansi Srivastava, Harshdeep Kaur, Meiyang Chang, Gautam Rode, Karan Mehra, among others also joined in with heartfelt messages, celebrating the family’s happiness.

 

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This marks the second addition to the Mehta family. The couple had shared the news of Jankee’s second pregnancy in June 2025 with a playful post that read, “The boy is ready for additional responsibility. So are we. We are accepting blessings, ????????????????????.” Their first child, a son named Sufi, was born on 3 February 2021. Nakuul’s social media posts highlight not just the joy of parenthood, but also the poetic and reflective nature that fans have come to admire.

 

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Nakuul and Jankee’s love story spans over a decade. The couple first met during their teenage years and eventually tied the knot on 28 January 2012 in a traditional Hindu wedding ceremony. Their long-standing relationship has been marked by mutual respect, creativity, and shared passions, making their journey to parenthood a celebrated chapter among fans and industry peers alike.

Also Read: Nakuul Mehta opens up about his new collaboration with Star Plus show Udne Ki Aasha; says, “It was a homecoming of sorts to Star Plus where I started my television career”



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Bollywood’s beloved superstar Shah Rukh Khan delighted his fans on Saturday evening by hosting an impromptu #AskSRK session on X (formerly Twitter). Known for his witty banter and straightforward charm, SRK answered questions ranging from his upcoming film King to fans’ curiosity about his future projects.

When a fan asked for an update on King, the actor shared a playful yet reassuring progress report. “Did some good shoot… starting soon again. Only leg shots then move to upper body… Insha Allah will be done fast. @justSidAnand is working hard to finish,” SRK revealed. His tongue-in-cheek description of shooting “leg shots” first had fans amused, while also signalling that the project is steadily moving ahead under director Siddharth Anand’s watch.

Did some good shoot….starting soon again. Only leg shots then move to upper body….Insha Allah will be done fast. @justSidAnand is working hard to finish. https://t.co/d88P2te8ll — Shah Rukh Khan (@iamsrk) August 16, 2025

Another fan probed whether audiences could expect Shah Rukh Khan in any other movie besides King. In his signature style, SRK quipped: “Just KING… naam toh suna hoga (have you heard the name)?” The sharp reply instantly trended across social media, reinforcing the anticipation surrounding his first major theatrical release since Dunki.

Just KING….naam toh suna hoga? https://t.co/8zLVmkwmUR — Shah Rukh Khan (@iamsrk) August 16, 2025

King is shaping up to be one of 2025’s most talked-about films. Written by Sujoy Ghosh and directed by Siddharth Anand, the film is expected to be a slick gangster action drama. Adding to the excitement, it marks the theatrical debut of Suhana Khan, Shah Rukh’s daughter, who was last seen in Zoya Akhtar’s Netflix film The Archies as she will be seen sharing screen space with her father for the first time. The cast also includes Abhishek Bachchan, reportedly playing the antagonist, along with Munjya fame Abhay Verma in a pivotal role.

The timing of SRK’s interactive session is noteworthy, coming just a day before Netflix dropped the teaser of Aryan Khan’s directorial debut series The Ba**ds of Bollywood*. As always, Shah Rukh Khan’s session was a mix of humor, honesty, and his signature warmth that keeps his fanbase loyal. With King progressing swiftly and Aryan stepping into direction, audiences can expect a Khan double celebration in the months ahead.

Also Read: Shah Rukh Khan marks Independence Day with AbRam in a heartwarming post



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The Indian Film Festival of Melbourne (IFFM) 2025 turned into a star-studded celebration as Indian cinema’s finest talents were honoured at the prestigious Awards Night. Applause, emotion, and pride filled the air as filmmaker Neeraj Ghaywan’s poignant drama Homebound emerged as the evening’s biggest winner, bagging both Best Film and Best Director.

Bollywood icon Aamir Khan was conferred with the coveted Excellence in Cinema Award, recognising his unparalleled legacy and contribution to Indian cinema. Speaking about his win, Aamir Khan said, “I have been attracted to telling stories from a very young age. Filmmaking is a collaborative art and this award and recognition wouldn’t have been possible without my writers, directors, co-stars, and the audiences who have given me the opportunity to tell the stories and be part of the many stories I have been part of.”

Meanwhile, Abhishek Bachchan delivered an emotional moment on stage as he won Best Actor (Male) – Film for I Want to Talk. Abhishek Bachchan, visibly moved after his Best Actor win, added, “Life has come a full circle for me. I came here in 2022 where I was feted with the excellence in cinema award for my body of work. But this is an emotional moment for me to get the best actor on this very stage and be recognised for my role in a film that’s extremely special to me. It was 3 years back in Melbourne at this same festival where Shoojit Da offered me this role in I Want To Talk. It was Shoojit Da who believed in me that I could pull off this role and this role is an ode to my father and my daughter because it’s about caring and raising a parent.”

The festival’s winners reflected the incredible diversity and depth of Indian storytelling across formats. Homebound was declared Best Film, while Neeraj Ghaywan won Best Director for the same. Angammal earned the title of Best Indie Film with Gugun Kigpen receiving a Special Mention for Boong. Geetha Kailasam won Best Actor (Female) – Film for her performance in Angammal.

The television segment saw Black Warrant win Best Series, with Jaideep Ahlawat taking home Best Actor (Male) – Series for Paatal Lok Season 2, and Nimisha Sajayan winning Best Actor (Female) – Series for Dabba Cartel. Reflecting on the journey, Jaideep said "This award is truly overwhelming. To be recognized on an international platform like the Indian Film Festival of Melbourne is an honor I will cherish forever. Hathiram Chaudhary's journey has been an extraordinary one, and this award belongs to the entire team who poured their heart and soul into making Paatal Lok what it is today. I’m deeply grateful to the jury and, most importantly, to the audience for their love and support. This is for all of you."

Among the honorary recognitions, Arvind Swamy was celebrated with the Leadership in Cinema Award, Vir Das was honoured with the Disruptor Award, Aditi Rao Hydari was recognised for Diversity in Cinema, and Baksho Bondi won the Equality in Cinema Award. Arvind Swamy shared his happiness over the award and stated, “I’m still a student of cinema even though I have been given leadership in cinema for my work. If anyone offers me role even today that’s in my comfort zone, I wouldn’t do it, I always want roles that challenge me. I’m grateful for the recognition to be given the Leadership in Cinema award at IFFM 2025.”

Other categories included the short film  where Kalar Pencils by Dhananjay Santosh Goregaonkar won Best Short Film (India), while Drifters by David Liu was awarded Best Short Film (Australia).

Now in its 16th edition, IFFM has once again reaffirmed its status as the largest Indian film festival outside of India, bringing together filmmakers, stars, and audiences in a grand celebration of cinema. The festival continues until August 24, with Homebound serving as the closing film.

Also Read: Aamir Khan inaugurates Indian Film Festival of Melbourne 2025 with Gauri Spratt; unveils opening night film Baksho Bondi



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This Independence Day is more special for Hindi film lovers as the all-time classic Sholay completes 50 glorious years. Directed by Ramesh Sippy, written by Salim-Javed (Salim Khan and Javed Akhtar) and starring Sanjeev Kumar, Amitabh Bachchan, Dharmendra, Amjad Khan, Hema Malini and Jaya Bachchan, the movie continues to win hearts generation after generation.

A major achievement for Sholay was that it ran for as many as five years on a trot in Mumbai’s Minerva cinema. It was founded by filmmaker and producer FC Mehra and was later looked after by his son and veteran filmmaker Umesh Mehra. On Sholay’s 50th anniversary, Mehra went down memory lane in an exclusive chat with Bollywood Hungama on its phenomenal run in their cinema and also provided some interesting trivia related to the film.

Umesh Mehra refutes stories about Sholay struggling in the initial weeks

When Sholay was released in 1975, Minerva and their film business was run by FC Mehra. Umesh Mehra recalled that at that time, he was a young assistant director and was just too happy to attend the film’s star-studded premiere.

It has been said a lot in the media over the decades that Sholay didn’t perform well in the first two weeks and picked up only after that. However, Umesh Mehra said that there is no truth to this. “No truth in it. Bakwaas, sab jhooth hai,” he said. “It was full in advance for two years. Every day it was full. There was this negative publicity which is very common in our industry. Some vested interests will try and bring down a film. There was another lobby which kept saying that the film is going to flop. But who can win against the public?”

Sholay, the only film that genuinely ran in cinema for years

Over the years, there have been quite a few films that have run in cinemas for years. But Mehra said that Sholay was the only film that had an organic run. “In my humble opinion, this was the only film that had a genuine run,” he said. “There are many films that have run (for a number of years) but they have not had that public paid run. Maybe they were paid by the producer, distributor or actor. But this was the only film which the public made run for five years.”

The original run of Sholay was four hours long

Sholay’s runtime was little over three hours when it released. Mehra revealed that the first run of the film was much longer. “I know for a fact that the first run of the film when they shot was over four hours. Shinde sahab (the late legendary editor MS Shinde) brought that down to three hours. It’s not a straightforward screenplay – there is flashback and other things. He was a brilliant man,” he said. Interestingly, MS Shinde was the only member from the Sholay team to receive a Filmfare Award that year.

Sholay’s print was stuck with the Customs just before the premiere

Just before Sholay’s premiere at Minerva on the evening of August 14, its 70 mm print couldn’t reach the cinema. “The whole industry was there,” recalled Mehra. “It was a huge premiere. An interesting part is that the 70 mm print was stuck in the Customs. So, they showed the film in cinemascope print for the premiere. And 95% of the people could not make the difference at that point of time. Minerva had that special projection system through which cinemascope covered the whole screen. So, people were like, ‘Kya effect hai!’, ‘Kya impact hai!’.” The 70 mm print reached the cinema later in the day and the movie was played again.

Pic 1 - Advance booking for Sholay which opened a week before its release Pic 2 - Sholay enter into 35th Week in Minerva

Pic 3 - Sholay enter into 246th Week in Minerva. Balcony Ticket price - ₹5.50

Image Credit - Naved & Shiv Shetty https://t.co/IyuvsfsTqE pic.twitter.com/e8C3ITnH7t

— Mumbai Heritage (@mumbaiheritage) August 31, 2024

One-kilometre-long queues for advance booking

Umesh Mehra revealed that for two years, every show of Sholay in Minerva was full one week in advance. “There was one (ticket) window for balcony and one for stall,” he said. “Every Friday when the booking opened, each of these lines would be one kilometre long. The film continued (in regular shows) for two years and then in matinee it continued up to five years.”

He added, “Minerva always had this unique position of having huge openings even for films like Deewar or our own Alibaba Aur 40 Chor. The queue of a kilometre became a norm. Minerva got connected to all successful films. Anybody who put up a movie in Minerva, knew, at least, 15 to 25 weeks was confirmed. Metro just took the tagline but Minerva was called the ‘Pride of Maharashtra’.”

Audience throwing money on the screen was common back then

Those were the days when the public reaction was seen to be believed. “Whether it was Sholay or the opening sequence of Alibaba’s cave in Alibaba Aur 40 Chor, public used to whistle and clap,” he said. “During songs, they used to throw coins. The sweepers would be happy as they could collect that money. And dancing in the aisles was a common phenomenon. The whole atmosphere was something else to watch a film.”

Stars often visited Minerva to check public reactions

Like other cinemas, filmstars used to visit Minerva too to check out public reactions. From the cast of Sholay, the debutant villain showed up once. “I think Amjad Khan came,” said Mehra. “Whenever stars would come, they would come late at night. We had a special sort of system where the lift took them directly to the top floor of the auditorium. So, nobody used to realize when they came and left.”

How many times Umesh Mehra has seen Sholay?

When asked how many times has he seen Sholay, Mehra said, “I would have seen the film 50 or 100 times. I don’t even remember how many times. My office was in the basement. So, whenever I had time, I used watch. It was a huge learning on how screenplay moves, how action moves, how a film is shot, etc. It was a textbook for all of us in that generation.”

Also Read: Sholay to be honoured at Toronto International Film Festival along with Stephen Spielberg’s Jaws, confirms Javed Akhtar



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The excitement among fans is reaching fever pitch as the upcoming action thriller War 2 has officially received the go-ahead for release on August 14. Marking the first-ever collaboration between Bollywood superstar Hrithik Roshan and Telugu cinema icon Jr NTR, the film is set to deliver a power-packed cinematic experience. Jr NTR took to social media to express his heartfelt gratitude to the Andhra Pradesh government for facilitating the film’s release through a new government order.

In a recent tweet, Jr NTR wrote, “My sincere thanks to the Honourable CM of Andhra Pradesh, Sri @NCBN garu and the Honourable Deputy CM, Sri @PawanKalyan garu, for passing the new G.O. for the #War2 release. I also extend my gratitude to the Cinematography Minister Sri @kanduladurgesh garu.” The gesture reflects the strong support from the state government towards big cinematic ventures, underscoring the growing importance of pan-India films.

My sincere thanks to the Honourable CM of Andhra Pradesh, Sri @NCBN garu and the Honourable Deputy CM, Sri @PawanKalyan garu, for passing the new G.O. for the #War2 release. I also extend my gratitude to the Cinematography Minister Sri @kanduladurgesh garu. — Jr NTR (@tarak9999) August 12, 2025

Directed by Ayan Mukerji and produced by Aditya Chopra under the prestigious Yash Raj Films banner, War 2 is the sixth installment in the acclaimed YRF Spy Universe and serves as a sequel to the 2019 blockbuster War. The film boasts a stellar ensemble cast with Hrithik Roshan, Jr NTR, and Kiara Advani in lead roles, accompanied by powerhouse actors Ashutosh Rana and Anil Kapoor.

War 2 weaves an intense narrative centred around Kabir Dhaliwal, a former Indian intelligence agent who turned rogue and evolved into one of the most dangerous adversaries threatening national security. In response, the Indian government deploys Special Units Officer Vikram, portrayed by Hrithik Roshan, a highly skilled and relentless operative. Vikram’s mission is clear: neutralize the threat posed by Kabir. However, beneath his tough exterior lies a complicated past that fuels his resolve to complete this perilous task.

The film promises a gripping blend of thrilling action sequences, emotionally charged moments, and a compelling storyline that explores themes of loyalty, betrayal, and patriotism. With the YRF Spy Universe gaining momentum, War 2 is poised to elevate the franchise to new heights.

As August 14 approaches, anticipation continues to build, with fans eagerly awaiting the first glimpse of this high-octane thriller. The powerful collaboration between Hrithik Roshan and Jr NTR is expected to draw audiences across language barriers, cementing War 2 as one of the year’s most anticipated releases.

Also Read: War 2 end credits hide 2 game-changing YRF Spy Universe secrets



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Vaani Kapoor is no stranger to transformation, but her turn in Mandala Murders is something else entirely — a performance steeped in quiet torment, emotional claustrophobia, and the haunting stillness of unspoken pain. Netflix’s dark, psychological crime thriller doesn’t just stretch her as an actor; it forces her into an emotional terrain where shadows aren’t just visual but visceral.

For Kapoor, one scene remains etched in her memory. “There’s a moment when Rea finally feels relieved when the guilt of that little girl leaves her for good. It’s quiet but deeply emotional… like stepping into a space where pain and relief exist side by side,” she recalls. On set, it was less about grand gestures and more about surrendering to the subtleties — the slight relaxation of shoulders, the softening of eyes, the tear that falls after years of holding it back. “That rawness made the moment deeply personal for me.”

In Mandala Murders, trauma is not a plot device — it’s the air her character breathes. The series marries a labyrinthine mystery with aching questions about justice and identity. Kapoor admitted, “What stayed with me… was how it combines a gripping, out of the ordinary mystery with deep questions about justice and identity. Being part of a story that’s both intense and thought provoking made the experience special.”

This is Kapoor’s first major OTT release on Netflix, a platform that beams her performance to living rooms from Mumbai to Madrid. Did that global scale shift her approach? “There was definitely an awareness… but I’ve always believed in giving every character the same honesty and care, no matter who or how many people are watching. That said, it’s a really sweet feeling to know the love and appreciation are coming from all across the world.”

The series’ heavy atmosphere isn’t just in the writing — it’s in the production design, where dimly lit rooms, oppressive colour palettes, and a constant hum of unease seep into her performance. “The sets, colours, and atmosphere made the world feel heavy and tense, which helped me show how she was feeling inside. Being in that environment made it easier to bring her story to life in a natural way.”

Now that she’s proven her mettle in the dark, twisted corridors of crime drama, does Kapoor see herself returning to this genre? Her answer is telling. “I believe there’s room to explore all kinds of characters and stories. So, I’m open to wherever the journey takes me next.”

In Mandala Murders, Vaani Kapoor doesn’t just shed her glamorous image — she buries it, only to exhume something far more compelling: an actress willing to embrace discomfort, mine silence for meaning, and let the shadows speak as loudly as the light. It’s the kind of performance that lingers long after the credits roll, quietly taking up residence in the viewer’s mind — exactly where she wants it.

Also Read: Vaani Kapoor stuns in rose gold tissue Anarkali worth Rs 84.4k for Mandala Murders promotions



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Sara Ali Khan is undoubtedly one of the most beautiful and talented actresses in Indian cinema. With remarkable roles and an undeniable screen presence, she has emerged as the voice of a generation. In just a short time in the industry, she has garnered a massive and loyal fan following. Beyond her acting prowess, her impeccable fashion sense has been the talk of the town. Be it ethnic elegance or chic western wear, she exudes a royal and regal charm in every ensemble. With her grace, confidence, and effortless poise, she turns heads wherever she goes. Today, as she celebrates her birthday, we look at 6 times Sara Ali Khan proved she is every bit regal and royal in her outfits!

A Royal Vision in White Sara Ali Khan stunned in a pure white strapless mini dress adorned with delicate ruffled floral detailing. She paired it with white stilettos, a neat bun, diamond earrings, and a simple watch, a true vision of elegance and royalty in white.

 

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Slaying Blue Pastel with Royal Grace Sara Ali Khan looked enchanting in a strapless pastel blue mini dress featuring a dramatic bow at the back. With her hair tied into a simple ponytail, she radiated royal charm. Diamond earrings and golden stilettos completed the look, making her the epitome of elegance in pastel.

 

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Sara Ali Khan’s Royal Charm in gown Sara Ali Khan looked every bit a princess in a nude-toned gown featuring a thigh-high slit and elegant cut-out detailing at the waist. Adorned with crystal embellishments and a dramatic trail flowing from her shoulder, she styled her hair in a unique bun, with nude makeup and glossy lips.

 

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Indian Princess in Lehenga Sara Ali Khan looked like an Indian royal princess in an exquisite lehenga crafted from vintage brocade sarees, featuring multi-coloured panels, a violet blouse with golden designs, and a golden silk dupatta with red borders. She styled her hair in soft waves, adorned with a violet rose, and wore a green emerald choker.

 

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Royal Barbie Doll in Baby Pink Sara Ali Khan looked adorable in a bubblegum pink mini latex dress featuring a cute bow on the front. She paired it with matching pink heels, pink nails, a small bun hairstyle, and golden earrings, radiating playful yet chic charm.

 

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Embracing the Indian Couture Royalty Sara Ali Khan dazzled in a multicolored, richly embroidered lehenga featuring intricate ikkat work that celebrates cultural heritage and craftsmanship. She paired it with a deep-cut choli and a heavy, gracefully draped dupatta. Her royal look was completed with heavy traditional jewelry, highlighting her regal elegance.

 

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Also Read: Ibrahim Ali Khan shares heartfelt Raksha Bandhan post for sister Sara Ali Khan: “I promise in this lifetime to always take care of you, always stand by you, always support you” 



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The makers and cast of the much-awaited historical drama Chhaava recently gathered for a Star Gold roundtable, where they revealed astonishing, unplanned coincidences that occurred during the film’s production — events that mirror the very history they were recreating on screen.

At the heart of these revelations was a remarkable incident during the shooting of the film’s climax. The night of February 2 marked the gruelling shoot of a pivotal, intense sequence involving actor Vicky Kaushal. During this demanding scene, Vicky suffered a nerve injury to his arm, which forced the entire production to halt for nearly two months. What left the entire Chhaava team in awe was the realization that this exact date — February 2 — is historically significant as the day when Chhatrapati Sambhaji Maharaj endured brutal torture in real life. This eerie parallel added an unexpected depth and emotional gravity to the filming experience, making the team feel a deep connection to the legendary Maratha warrior’s sacrifice.

The coincidences did not end there. While shooting the Rajyabhishek (coronation) scene of Chhatrapati Sambhaji Maharaj, the cast and crew were struck by the fact that the filming date aligned perfectly with Sambhaji Maharaj’s actual ascension to the throne. This serendipitous timing further intensified the sense of destiny surrounding the project, as if the past and present were converging in a poetic dance of history and cinema.

Director Laxman Utekar, alongside Vicky Kaushal, Divya Dutta (who portrays Maharani Soyrabai), and Vineet Singh Kumar (playing Kavi Kalash), shared these behind-the-scenes moments, expressing how these unplanned historical coincidences left them inspired and humbled. The experience has given Chhaava a profound emotional layer that audiences are sure to feel.

Chhaava is set to premiere on Star Gold this Independence Day weekend, August 17, Sunday at 8 PM. This epic saga of courage, sacrifice, and honor pays tribute to the indomitable spirit of Chhatrapati Sambhaji Maharaj, making it a must-watch for history buffs and cinema lovers alike. Don’t miss witnessing the roar of Chhaava and experience history coming alive on your screens this Independence Day!

Also Read: Chhaava team expresses happiness as the film premieres on television, to air on Star Gold this Independence Day weekend



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This must be the only film in the world with the word ‘toilet’ in its title? Sir, I am very proud of that film, and not the least bit apologetic about the title. The film addressed the crucial issue of sanitation and hygiene for women. Even today, women travelling long distances often have no access to proper washrooms. Men can relieve themselves anywhere, but for women… it’s a very different challenge.

That’s true. Do you think Toilet: Ek Prem Katha brought about a change in the way we look at hygiene for women? I would like to think so. As a woman, I empathised deeply with Bhumi Pednekar’s character. I feel we don’t address women-centric issues often enough.

I agree. But your new film Jatadhara is a masculine action film? Sir, you are mistaken. Jatadhara has a very strong female protagonist, played by Sonakshi Sinha. When you see her in the film, you will be stunned. I promise you.

Waiting to be stunned. What is your most cherished memory of Toilet: Ek Prem Katha? Akshay Sir’s warmth, support, and confidence. It encouraged all of us to do our best. Now, I want to make a sequel to Toilet: Ek Prem Katha that focuses on the safety of women in public spaces.

Would Akshay be a part of it? If he agreed to be part of it, we would be honoured and delighted.

Also Read: Aamir Khan and Akshay Kumar – two pillars of purposeful cinema in an era chasing formulas; Sitaare Zameen Par, 3 Idiots, Toilet: Ek Prem Katha, Pad Man, etc are living proofs



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Hrithik Roshan and Jr NTR attended the much-talked-about War 2 promotional event organized on a grand scale in Hyderabad. First, Akshaye Widhani of Yash Raj Films (YRF) came to speak, followed by director Ayan Mukerji. Finally, both Hrithik and NTR came on stage and it led to a frenzy. The speech by NTR was the final attraction of the event and it was worth the wait.

Jr NTR began by saying, “I would like to thank Adi Chopra sir for giving me the confidence to do this film. I can’t wait to be back with YRF. I would like to thank my director, Ayan Mukerji. There wouldn’t have been any director in this country other than Ayan Mukerji to helm War 2! Ayan Mukerji was the only option and he would be remembered for directing one of the greatest films of our time, called War 2. I know how many sleepless nights he has spent carving this amazing visual extravaganza. Thank you Ayan, for being a guiding force for me and Hrithik sir. 2025 will have another blockbuster director emerging in this country and his name is going to be Ayan Mukerji.”

Jr NTR continued, “When I saw Hrithik in Kaho Naa Pyaar Hai (2000), I went mad. One of the finest and impeccable actors, that is Mr Hrithik Roshan. If there’s any actor in this country who is most dedicated to his craft, it's Mr Hrithik Roshan. If there’s a person who has got humbleness towards his profession, it’s Mr Hrithik Roshan. He is the greatest dancer of our country!”

Hrithik smiled and shook his head, indicating that he disagreed with the statement. Jr NTR told Hrithik, “I am extremely proud to have danced beside you. There’s no competition here. It's not about who has done the best. The song (‘Janaab-e-Aali’) compliments two good dancers.”

Jr NTR further said, “I have learnt a lot from that man. I have seen myself multiple times in Mr Hrithik Roshan. There’s a quality in me – try and try till you die. You, Hrithik sir, have made it stronger in me. 75 days of working with you have taught me so much. I can’t wait to get back on screen with you again. Thank you so much for welcoming me with open arms and for giving me that beautiful hug on the first day. I’ll never forget those moments.”

The man of the masses then remarked, “This is not a movie of NTR going into Hindi cinema, but this is equally Hrithik sir coming to Telugu cinema!”

War 2 releases in cinemas on August 14.

Also Read: War 2 GRAND event in Hyderabad: Hrithik Roshan tells Jr NTR fans, “You will love my brother the same way FOREVER”; tells NTR, “No matter whether or not we do another film, I will always keep tasting your biryani”



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Veteran filmmaker Sooraj Barjatya, known for redefining family entertainment in Indian cinema, recently spoke to Bollywood Hungama about his upcoming television serial Manpasand Ki Shaadi (Colors TV) and his filmmaking philosophy, drawing parallels with contemporaries Karan Johar and Aditya Chopra.

In the candid conversation, Barjatya reflected on how their shared backgrounds shaped their creative approach. “Actually, the three of us are quite in tandem on one point. They are much younger than me, but we are of the same generation, and plus we are golden spoon people. We haven’t seen the ups and downs of life. We have always traveled in cars,” he said.

According to the Hum Aapke Hain Koun…! director, this privileged upbringing influenced the kind of cinema they make. “When our time came, we were passionate about filmmaking. So we showed the world that it was a fairy tale, and that was the era of the 90s, where people wanted to see fairy tales. We are into one particular kind of cinema. But I think both Adi and Karan, and I, we all would like to show dreams. If any of us is asked to go to reality, I think none of us knows that life. To that extent, we are a little spoiled.”

 

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Barjatya also described himself as the most traditional among the trio. “Maybe it has to do with my upbringing. But essentially, we three are on the good side, on the simple side. I am sure if given a choice, even Karan would like to do Rocky Aur Rani Kii Prem Kahaani today. It may be to do with our age, but essentially, we are making family films. Comparatively, I am the most conservative of the three of us—and I think that lies in my strength.”

Also Read: Salman Khan explains why his Atlee film couldn’t materialize: “I believe it was the budget of the film”; CONFIRMS film with Sooraj Barjatya; funnily shares challenges for Bajrangi Bhaijaan 2



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Viju Shah is known for giving music mostly in Rajiv Rai’s films. But he also composed music for filmmaker Hansal Mehta when he was just starting out with Chhal. Starring Kay Kay Menon, Prashant Narayan, Jaya Seal and Shri Vallabh Vyas, the underworld drama was acclaimed for its storytelling and music. As Chhal completes 23 years, Viju Shah looked back at the film in an interview with us.

You have been mostly associated with Rajiv Rai’s cinema. But Chhal was an early collaboration with Hansal Mehta

Chhal marked my first time association with producer Nitin Patil, director Hansal Mehta, lyricist Amitabh Varma, recording and mixing engineer Tanay Gajjar (Ava Studio) and of course singer KK… The experience on the whole was very enjoyable.

It was amazing how space was made in Chhal for music and songs

Chhal although not being a musical, had decent music considering the genre of the film. I remember singer KK being excited and thrilled rendering the title track of the film. Other singers being Asha Bhosleji, Alka Yagnik, Sadhana Sargam and Shaan. Javed Ali sang an alaap in one of the songs. I also enjoyed working on the background score of the film. Chhal also happened to be the debut film of actors Kay Kay Menon and Prashant Narayan. I must tell you what happened before the recording of the song ‘Dil Jhanjhanale Jaane Jaana sung’.

Do tell

Ava Studio happened to be on the 4th floor. On the day of Ashaji’s dub, the lift was out of order. Instead of cancelling the dub, Ashaji climbed four floors to dub the song. Such was her commitment and dedication towards her profession. I can never forget this noble gesture.

Also Read: Tridev to Zora: Viju Shah on his unbroken association with Rajiv Rai, “After Vishwatma he was being pressurized to take someone else”



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For years, Raghav Juyal was celebrated as the entertainer who lit up every frame—his signature slow-mo dance moves and effortless comic timing made him a crowd favorite. But one year ago, everything changed. With the release of Kill, and then Gyarah Gyarah, the spotlight shifted—and so did the story.

In the series, audiences met a version of Raghav they hadn’t seen before: quiet, grounded, and arrestingly still. As Inspector Yug Arya, he didn't play to the gallery. He pulled viewers in, not with flamboyance, but with restraint—and the impact was undeniable.

Reflecting on the role a year later, Raghav says, “The uniform changed how I spoke, how I stood, how I listened. It carried weight—even in silence. I wasn’t just solving a case on screen. I was solving how people saw me. I had to unlearn the performer in me to find the stillness of Yug. Slowly, he grew inside me. His silences, his still gaze, his posture—they stayed with me, even off set. I felt like I owed the uniform, and the man wearing it, a certain respect.”

Gyarah Gyarah wasn’t just another credit on his filmography—it became a pivot. While the show featured a compelling ensemble and layered storytelling, Raghav’s performance emerged as yet another breakthrough after Kill—quietly redefining his screen identity.

Also Read: Raghav Juyal joins Nani starrer The Paradise; makers reveal surprise role on his birthday



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The powerhouse performance of Rani Mukerji in Mrs Chatterjee vs Norway has been lauded as one of the most emotionally stirring acts of her career, earning her the prestigious National Award for Best Actress. Now, director Ashima Chibber has opened up about one of the film’s most talked-about scenes — a deeply intimate breast-pumping sequence that she says epitomised the spirit of motherhood.

Speaking to News18 Showsha, Ashima Chibber recalled her initial hesitation in approaching Rani about the scene. “Rani was brave — she agreed to do the breast-pumping scene, expressing the milk, putting it in a packet, and taking it over. I wasn’t sure if she’d be okay doing it. I thought maybe I shouldn’t even ask. But I asked her once. I said, ‘This is a part I feel is very important. It’s a subtext that shows how far the child is.’ She said, ‘Yes, we’re doing it. Just tell me what has to be done.’”

The director went on to praise Rani’s raw emotional delivery, saying, “She has epitomised motherhood. I mean, look at that — what is she doing on screen? She’s tearing through the screen and pulling on your hearts. I feel her performances have been brilliant, but this one hits you so hard in the heart, there’s no way you cannot be moved.”

Mrs Chatterjee vs Norway is inspired by the real-life ordeal of Sagarika Chakraborty and Anurup Bhattacharya, an Indian immigrant couple in Norway whose children were forcibly taken away by Norwegian child welfare authorities in 2011. The film delves into the emotional and legal battle of a mother determined to reunite with her children, shedding light on the cultural and bureaucratic clashes that defined the case.

Apart from Rani Mukerji’s commanding lead, the film features stellar performances by Anirban Bhattacharya, Neena Gupta, and Jim Sarbh in pivotal roles. The heart-wrenching narrative and its real-life resonance have made it a standout in recent Indian cinema, drawing both critical acclaim and audience tears.

With the National Award win, Rani Mukerji has further cemented her legacy as one of India’s finest actresses — an artist unafraid to take risks and immerse herself fully in roles that demand vulnerability and strength in equal measure. The breast-pumping scene, in particular, stands as a testament to her commitment to authenticity and storytelling that stays with viewers long after the credits roll.

Also Read: Gauri Khan celebrates National Award win of Shah Rukh Khan, Rani Mukerji and Karan Johar with heartfelt post and unseen moments; watch



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Suneel Darshan is gearing up for the release of Andaaz 2, starring Aayush Kumar, Aakaisha and Natasha Fernandez. During an exclusive interaction with Bollywood Hungama, he opened up about a shocking experience that took place twenty years ago, which now gives him second thoughts about holding the premiere for his film.

When asked if there would be a premiere for Andaaz 2, Suneel Darshan revealed, “I am really keen to have a premiere, but I remember the last time I had a premiere was for Barsaat (2005). I thought it was a beautiful film I had made and that everyone would like it. But the media-bashing spree that happened due to vested interests was unexpected. Also, I had a premiere of the film on Wednesday night instead of the usual norm of having it on Thursday night. Before the film was out, you have no idea what these vested interests had done to me and to the film.”

Barsaat starred Bobby Deol, Priyanka Chopra and Bipasha Basu. Though it was not a big hit, it had a good run in the cinemas thanks to the subject, casting and music. In several B and C centres, it ran for weeks. This writer clearly remembers an evening show in Paradise Cinema, Mumbai, on its fifth Sunday running sold out. Suneel Darshan agreed, “It did very well actually. But despite the damage done, it collected £500,000 in the UK. My next film, Dosti: Friends Forever (2005) made a million. Can you imagine if the bashing had not happened, how much would Barsaat have collected?”

Suneel sighed, “Sadly, that kind of cartel still exists. Hence, this film has been made not because of them but in spite of them and knowing fully well that there would be only a few like-minded and hopeful people who would support the film.”

When asked if he would like to visit cinema halls to check the audience reaction the day Andaaz 2 releases, Suneel Darshan said, “This time, I’ll have to do that as I have the responsibility of these newcomers. Otherwise, I don’t prefer going to the cinema halls. I prefer to sit in my office to monitor the reactions from the whole country. But this time, I want to see how people react in a city like Mumbai, from South Mumbai to Bhiwandi. It’s very strange that the tastes differ depending on the area.”

Suneel Darshan signed off by stating, “I am looking forward to the music of the film topping the charts. It’s been quite a journey to get the music going. I know that the music is phenomenal, as you hardly get to hear good music nowadays. Also, I don’t know the art of manipulation. I play it clean and I work in the name of art.  Thankfully, I could see how people are loving ‘Rabba Ishq Na Hove 2.0’ and ‘Itni Pyaari Si Hai Yeh Raat’. Now the response to ‘Hum Jaise Jee Rahe Hain’ is also very nice (smiles).”

Also Read: EXPLOSIVE: Suneel Darshan reveals Andaaz 2’s OTT rights are unsold: “I haven’t been approached by any platform. Corporates focus on star…NO respect for filmmakers; if OTT existed in the 80s, corporates WOULDN’T have acquired Ram Teri Ganga Maili as well”



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Global entertainment icon Nora Fatehi is all set to deliver another cross-cultural musical spectacle with ‘Oh Mama Tetema’ — a vibrant Afro-Bongo fusion remake of the iconic hit by Rayvanny and Diamond Platnumz. Known for her magnetic stage presence and international appeal, Nora will not only perform in the upcoming track but also lend her vocals, marking a dynamic return after her viral 2019 collaboration Pepeta.

The new version, which blends English, Swahili, and Hindi lyrics over the original explosive beat, is already generating massive buzz. Nora took to social media to share an unseen glimpse from the music video, leaving fans in awe. Dressed in an ethereal white silhouette that accentuates her striking features, the look perfectly captures the track’s mix of elegance and energy. Captioning her post with, “A lil tease before the teaser… #OMT Are you ready for Oh mama Tetema.. <3,” Nora offered just enough to spark anticipation without giving away too much.

Adding another layer of musical bliss to ‘Oh Mama Tetema’ is celebrated singer Shreya Ghoshal, whose award-winning voice complements the track’s international soundscape. This marks a rare collaboration bridging Afro-Bongo rhythms with Bollywood-style vocals, promising a one-of-a-kind listening experience.

For Nora Fatehi, the track comes on the heels of her global hit ‘Snake’ with Jason Derulo, which has already crossed 130 million views on YouTube. The performer continues to expand her influence in the international music space, bringing together diverse sounds and cultures in a way that resonates with audiences worldwide.

 

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Beyond her music, Nora has been making waves in the global fashion circuit. Recently, she turned heads at Paris Fashion Week in Louis Vuitton, dazzled in Oscar de la Renta at the Oscars Vanity Fair After Party, and commanded attention at the American Music Awards in a custom Tom Ford ensemble.  With ‘Oh Mama Tetema’ poised for release, expectations are sky-high. If Nora’s teaser is anything to go by, fans can expect a high-energy visual and musical celebration that merges style, sound, and global culture in one unforgettable package.

Also Read: Nora Fatehi spotted crying at airport; shares cryptic post on Instagram



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Ahsaas Channa likes to keep her fashion score at the highest. From experimenting with stripes to slaying in ballooned skirts, Ahsaas ensures to make heads turn with her stunning fashion outings.

As she celebrates her birthday today, here’s looking at 5 times she stole our hearts with her fashion game.

Striped co-ord

 

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Ahsaas Channa looked as chic as ever in a white and black co-ord set, featuring a structured top and a mini skirt. The actress gave her appearance a bossy feel by accessorising it with dramatic earrings, customised nails and rich maroon heels.

Dramatic blues

 

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Ahsaas kept her fashion game way ahead by donning a blue outfit with pink undertones. Her ensemble boasted a pleated structural design and a floor-sweeping trail. She finished her look with stuffed toy pumps that stole the attention and flexed her Kawaii nail game.

Sustainable greens

 

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Ahsaas Channa opted for sustainable wear by donning a mini jacket dress and pairing it with a broad brown belt. Her outfit was upcycled from an old quilted skirt with hand-embroidered textures.

Old-school aura

 

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Ahsaas embodied a bossy energy by donning a ballooned mini skirt, and topped it up with layers of a plain blue T-shirt, a striped blue cropped shirt and a grey coat. She amped up the modern glam quotient by accessorising it with metal shades.

Silk saree

 

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Ahsaas looked as pretty as ever in an ivory silk saree, paired up with an orange blouse, featuring a halter neck. Letting the drape have the limelight, Ahsaas simply opted for traditional jhumkas and bangles.

Also Read: Half CA 2 teaser out: Ahsaas Channa’s rumoured beau Taaruk Raina, Huma Qureshi, and others give shoutout to Amazon MX Player show



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Continuing its legacy of nurturing fresh talent, T-Series has officially welcomed rising singer-songwriter Aditya Rikhari into its diverse musical roster. The music label, headed by Bhushan Kumar, has partnered with the young sensation for an exclusive slate of upcoming film and non-film music projects, including albums and EPs.

The collaboration solidifies Aditya’s growing stature in the Indian music scene. The 24-year-old artist, known for his evocative voice and emotionally resonant lyrics, has already found massive fanfare with recent hits like ‘Sahiba’ and ‘Jaana Samjho Na’ from the upcoming film Bhool Bhulaiyaa 3. Now, under this unique partnership, Aditya is set to work across a wide range of upcoming songs and projects under the T-Series banner, marking a significant leap in his already impressive career.

Bhushan Kumar, Managing Director of T-Series, expressed his excitement over the collaboration, stating, "Aditya has a voice and style that feels honest and relevant. His songwriting connects effortlessly with today’s generation, and we’re thrilled to work with him on multiple upcoming projects. He’s an exciting talent, and we’re looking forward to shaping this journey together across platforms."

Aditya, whose music has resonated across demographics for its freshness and sincerity, also shared his enthusiasm for the partnership, "This strategic partnership with T-Series for some incredible upcoming projects is a landmark moment in my journey as an artist. I’ve always held a deep admiration for both music and cinema, and aligning my passion for music with Bhushan Kumar sir’s vision makes this collaboration even more special. It’s not just about reaching wider audiences, it’s about staying true to the kind of music I believe in: heartfelt, honest, and timeless.”

With this move, T-Series reaffirms its commitment to discovering and empowering the next generation of music creators, expanding its legacy with voices that define the evolving soundscape of Indian music. Fans can now eagerly look forward to a series of soulful, impactful releases from this dynamic collaboration between Aditya Rikhari and T-Series.

Also Read: EXCLUSIVE: Bhushan Kumar’s T-Series teams up with Saiyaara singer Faheem Abdullah for future projects; first music video ‘Bichadna’ to release on August 4, 2025



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Acclaimed filmmaker Anurag Kashyap has taken to social media to shower praise on Dhadak 2, calling it the most impactful mainstream debut he has witnessed in a long time. The romantic drama, directed by Shazia Iqbal and starring Siddhant Chaturvedi and Triptii Dimri, released in theatres on August 1, 2025.

Kashyap’s unfiltered and emotional review has created a buzz in Bollywood circles and cinephile communities alike. In his Instagram post, the Gangs of Wasseypur director wrote, “In what is the most searing mainstream debut that I have seen in a very very long time @shaz.3.0 holds a mirror to us of what India really is outside of our bubble that we live in. Aided by terrific performances from @tripti_dimri @siddhantchaturvedi @saurabhsachdeva77 @saadcasm_ @priyanktiwarii @itsharishkhanna @manjiripupala @vipin.sta and writing with #badwelkar, brilliantly shot by @sylvesterfonseca. The film captures the conversation that we avoid on a day-to-day basis.”

He continued by placing the film in the legacy of great Indian cinema and shared, “This is what mainstream cinema was meant to be, and this is what great filmmakers like Raj Kapoor, Bimal Roy, Guru Dutt, K. A. Abbas, B. R. Chopra, Yash Chopra and so many used to do. We forgot to make mainstream films of social relevance. They got relegated to independent art house cinema. This is what Tamizh cinema and so much of cinema from South still does.”

Produced by Dharma Productions, Zee Studios, and Cloud 9 Pictures, the film is a spiritual sequel to Dhadak (2018) and a mainstream adaptation of Mari Selvaraj’s critically acclaimed Tamil film Pariyerum Perumal.

Calling it a bold and uncompromising film, Kashyap added, “A mainstream adaptation of Periyarum Perumal, without losing the essence of it, Dhadak 2 is a punch in the gut. My driver and old friend of 16 years Narayan ji who went with me wept at the end of it and hasn't stopped talking about it since. An extremely brave and powerful film from @dharmamovies. See it for yourself. I won't say much. Congratulations to the whole team. @prashant316 @animeshpanwar @sanyukta_mohta and others that I don't know. Well done team. @somenmishra @karanjohar.” Producer Karan Johar responded by dropping heart emojis on the post, acknowledging the heartfelt appreciation.

 

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With such strong reactions from the industry’s most honest voices, Dhadak 2 is quickly gaining traction as not just a love story, but as a precious moment in contemporary Indian cinema.

Also Read: Siddhant Chaturvedi on Dhadak 2 and the struggles that shaped him; says, “I still feel like I’m just getting started”



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