When Satluj quietly appeared on ZEE5 late on Friday night, it felt to co-writer Niren Bhatt like the end of a three-year fight. By Sunday evening, that relief had vanished, with ZEE5 abruptly pulling the biographical drama from its platform in India.

A miraculous release, then silence

Originally titled Panjab 95, the film had spent three years mired in controversy, facing an unprecedented 127 cuts demanded by the CBFC. In an interview with Variety India, Bhatt recalled that the digital release came as a complete surprise. “Honestly, we only found out on Friday evening when we got a message saying it was live,” he said. “No one had a clue. We had completely given up hope that it would ever release. Honey (Trehan) was in talks with RSVP, but even he did not believe it would actually happen until it dropped. For the last four years, we have lived with these endless cycles of conversations, so when it finally went live, I genuinely believed it was safe.”

Comparisons to other controversial films

Bhatt pushed back against suggestions that Satluj could be exploited by “anti-India forces,” pointing to precedents in Hindi cinema. “That argument simply does not hold,” he said. “If The Kashmir Files can exist, if The Kerala Story can exist, why can they exist without being labeled tools for international forces? Why is our film the chosen one that will suddenly be misused by extreme elements? You cannot jump to far-fetched, paranoid conclusions just to suppress a straightforward biography. It makes absolutely no sense.”

He noted that the suppression had already backfired, with international curiosity fuelling a wave of piracy since the film remains accessible to audiences abroad. “Banning or restricting content is a false move because it only triggers immense curiosity,” Bhatt explained. “People loved the film. There are thousands of videos and tweets from viewers saying they broke down or were left speechless. When a movie evokes such a profound emotional reaction, word of mouth travels fast. If people cannot find it on an official platform, they will inevitably look elsewhere. It is deeply frustrating because this film belonged in theaters. They stopped our premiere at the Toronto International Film Festival, they blocked the international theatrical release and now they are pausing it on OTT.”

Reflecting on the emotional cost of the fight, Bhatt admitted uncertainty over what it means for the future of courageous storytelling in the country. “The world needs stories like this,” he said, “but after watching what we went through, who will ever dare to attempt a movie like this again?”

Satluj remains unavailable for streaming in India, with no update on when it may return to ZEE5. Bhatt said the makers plan to challenge the decision in court, while the reasons behind the film's removal have not been officially disclosed.

Also Read: Satluj leaked online after abrupt Zee5 removal; social media rallies behind Diljit Dosanjh starrer

Corporate (2006) completed 20 years on July 7 and it’s a film that Madhur Bhandarkar considers his favourite. Starring Bipasha Basu, Kay Kay Menon, Raj Babbar and Rajat Kapoor, the film was loved for its subject, shocking climax, performances, music, etc. Despite dealing with the complex worlds of corporate business and the stock market, the narrative was easy to understand, an aspect that was widely praised by audiences and critics alike. On Corporate’s 20th anniversary, Madhur Bhandarkar went down memory lane and shared fascinating trivia.

You had made Page 3 (2005) and it was a sleeper-hit. What made you make a film on the corporate world at that stage?

Corporate was a film which was ahead of its time. It was a very different world for me. I didn’t have a story. The title fascinated me and I decided to make Corporate, obviously based on the corporate world. I collaborated with writer Manoj Tyagi, who had written Satta (2003) and Page 3 with me. He was an MBA guy and had a lot of knowledge, unlike me, about the corporate world.

After Page 3, I received a lot of backlash from the corporate people and socialites. A lot of people believed that we had exposed the underbelly of the high-end rich people. Hence, many were reluctant to give us access to their boardrooms (laughs)! They feared I’d expose them as well.

Nevertheless, I managed to do my research and met a lot of people in Mumbai and Delhi. We zeroed in on the rivalry between two soft drink giants as the crux of the story. We also focused on the nitty-gritties of these people and their superstitions. For instance, we showed Raj Babbar’s character wearing a ring according to the day of the week. The film was 70% inspired by real life. We took real incidents that happened at that time.

I met people not just from the corporate world but also the financial side. Several finance journalists also shared interesting inputs. I believe it was a well-scripted film and slickly cut.

Was Bipasha Basu the first choice?

She came to my mind instantly when I was wondering whom to cast for the role. At that time, she had an overtly glamorous image. Jism (2003) had released two years before. In Corporate, I was going to make her fully clothed from head to toe, that too in a suit-boot! Hence, many were apprehensive, but I was adamant about casting her. To be honest, I had not seen Jism; I still haven’t seen it. The only film of her that I had seen until then was Ajnabee (2001). I liked her in that film.

A lot of people remarked that my films are performance-heavy and wondered if she could pull it off. I was confident that I’d extract a fine performance from her. To date, Corporate is a landmark film in Bipasha Basu’s career. Now, it’s the era of OTT. At that time, she told me that she used to hand over the DVDs of Corporate to filmmakers who wanted to see her performance. It was like a showreel for her. So, I feel very happy for her.

How was the feedback to the film post-release?

Corporate was a big multiplex hit and was quite appreciated. There were organizations that alleged that I had painted everyone in the corporate world with the same brush. They were of the opinion that every character in the film was immoral. Hence, they feared that people would be discouraged from taking up an MBA after watching the film!

However, people from the corporate field appreciated the film a lot. Some of the biggest businessmen of the country sent me bouquets and shared their positive feedback. I don’t want to name them. They took the pains of finding my number and told me, ‘You got the nuances and jargon right’. One business personality remarked, ‘I felt as if you have put a camera in my office and shot the film. It is so real’! The stock market people were amazed by the research and nitty-gritties. Those were the biggest compliments I got.

In some offices, a half-day was declared and employees were encouraged to watch Corporate. Groups of 30, 40 and even 50 people used to watch the film. We can say that corporate booking, in a good way, started in 2006 with the movie Corporate (laughs)!

So, yes, the response was great. I used to get SMSes non-stop on my Nokia phone. Bipasha Basu was flooded with bouquets and positive feedback. Sahara and Percept threw a success party at Taj Lands End. They even gifted me a Pajero car. I was very overwhelmed.

Do you ever plan to make Corporate 2?

A lot of people have been asking me this since the release of Corporate, and even today, I continue to receive that feedback. The corporate world has completely changed since then, and I also believe that Corporate has immense potential for a sequel. So, never say never. However, if I do make it, it will be set in a different context, offer a different perspective and explore an entirely different corporate world.

Corporate is a case study in IIM Ahmedabad…

(Smiles) Indeed. I had the fortune of addressing the MBA students there. It was great to interact with them and they noticed something which I myself never detected in my own film! I asked the students about their takeaway. They unanimously told me, ‘Corporate world mein logon ko dimaag se kaam karna chahiye, dil se nahin’! I was amazed. I asked them the reason. They reasoned that Bipasha’s character made a big sacrifice because she was in love. Ultimately, her emotional decision led her to jail. Hence, they concluded that one needs to be very practical in this field.

It reminded me of what a lot of bar girls told me after watching Chandni Bar (2001). They noted, ‘Your film teaches us how important it is to be financially strong in life. Life mein kabhi bhi kuch bhi ho sakta hai aur bure din bolke nahin aate’.

The film seems to be inspired by the Coca-Cola and Pepsi rivalry. The pesticide angle also seems to be taken from real life…

Yes, a lot of people drew parallels. So many people told me that they had stopped consuming soft drinks after watching Corporate! I was flooded with such interesting feedback. Many who protested against the film before release invited me to their events after watching the film. I never kept any grudges and accepted such invitations.

In short, it’s been a great journey for me and even after 20 years, people connect with the film.

Also Read: Madhur Bhandarkar THUNDERS: “Producers complain that actors ask for 12-13 vanity vans. But if a prominent actor signs his film, same producer would have no qualms in arranging for 14 vans!”

Actor Neha Dhupia is all set to mark a major milestone in her career as her first international feature film, 52 Blue, gears up to open the prestigious London Indian Film Festival with its European premiere at BFI Southbank on July 9.

The film has received an overwhelmingly positive response for Neha’s striking transformation and powerful performance. Audiences and critics alike have praised the emotional depth of the film, making 52 Blue one of the most anticipated showcases at the festival this year.

Adding to the excitement, globally celebrated football icon Lionel Messi is also associated with the film, further amplifying international attention around the project. The film’s global appeal, coupled with its emotionally rich storytelling, has made it a standout title on the festival circuit. Neha Dhupia will be attending the grand premiere in London alongside acclaimed actor Adil Hussain and the ensemble cast of the film. The premiere is expected to draw international cinema lovers, industry veterans, and members of the South Asian film community from across the globe.

Speaking about this special moment, Neha Dhupia shared, “52 Blue will always be an incredibly special film for me because it marks my first international project, and to see it opening a festival as prestigious as the London Indian Film Festival feels surreal. As actors, we constantly seek stories that move us, challenge us, and stay with us long after the camera stops rolling, and this film did exactly that for me. The response to the trailer has been deeply encouraging, especially the love coming in for my character and performance. It reassures you that audiences are connecting with the emotional world of the film.”

She further added, “To have our European premiere at the iconic BFI Southbank is a huge honour for the entire team. Sharing this moment with such talented co-actors like Adil Hussain and the rest of the cast makes it even more memorable. The association of someone as globally admired as Lionel Messi with the film has also brought an incredible spotlight to the project internationally. I genuinely cannot wait to experience the audience reaction in London and celebrate this journey with everyone who has been part of bringing 52 Blue to life.”

With international attention building steadily around the film, 52 Blue is poised to make a strong impact at the London Indian Film Festival, setting the stage for an exciting global journey ahead.

Also Read: 52 Blue first look out: Neha Dhupia steps into raw, deglam avatar in debut international film

Ranveer Singh is celebrating his 40th birthday on July 6, 2026, and has received warm wishes from friends, colleagues, and fans across social media. Among those celebrating the occasion is his Dhurandhar co-star Arjun Rampal, who shared a heartfelt birthday message accompanied by a special video montage that revisited memorable moments from the making of the Aditya Dhar-directed duology.

The video featured a collection of fan artworks dedicated to Ranveer Singh along with behind-the-scenes glimpses from the sets of Dhurandhar. The montage was set to ‘Main Aur Tu,’ one of the popular tracks associated with the film, making it a nostalgic tribute for fans of the franchise.

Sharing the video, Arjun wrote, "Happy Happy birthday Sher e, to more fabulous memories, performances, successes, love, ice baths, laughs, celebrations. Have a fabulous year ahead @ranveersingh big love and a huge hug."

The post quickly caught the attention of fans, who flooded the comments section with birthday wishes for Ranveer and appreciation for the camaraderie shared by the two actors. Adding to the celebrations, Arjun Rampal's fiancée Gabriella Demetriades also wished Ranveer Singh in the comments section of the post.

View this post on Instagram

  A post shared by Arjun Rampal (@rampal72)

Arjun's birthday tribute comes just two weeks after the release of Dhurandhar The Revenge Raw & Undekha on Netflix. Arjun Rampal stays busy with multiple projects Arjun Rampal played Major Iqbal, a character heavily inspired by real-world militant Ilyas Kashmiri, in Dhurandhar, where he served as the secondary antagonist. He later returned as the primary antagonist in Dhurandhar: The Revenge, further expanding the character's role in the sequel.

Away from the action franchise, Arjun was recently seen in Satluj, which premiered on ZEE5 on July 3, 2026. Directed by Honey Trehan, the gritty crime drama also stars Diljit Dosanjh and Suvinder Vicky. The long-awaited project draws significant inspiration from the life and work of human rights activist Jaswant Singh Khalra, presenting an emotionally charged narrative.

The actor is also reportedly gearing up for another high-profile project. He is rumoured to portray an ultra-luxurious business tycoon loosely inspired by controversial businessman Vijay Mallya in the upcoming web series Billionaire.

Also Read: Dhurandhar trailer launch: “I did not see Ranveer Singh even ONCE in the film; it was only Hamza…Hum chale jaayenge lekin yeh picture rahegi!”- Arjun Rampal

Ali Fazal and Richa Chadha are all set to share screen space as an on-screen couple for the first time in an untitled situational comedy directed by Shashie Vermaa. While the real-life couple has previously appeared together in the popular Fukrey franchise, this marks the first film where they will be paired opposite each other in lead roles.

Backed by Scenework Productions and Giriraj Productions, the film will also star acclaimed actor Kumud Mishra in a pivotal role. Set against the vibrant and chaotic backdrop of Delhi, the comedy promises a slice-of-life narrative infused with humour, emotions, and social commentary.

Shashie Vermaa, known for his work as an actor in films like Bala, Gunjan Saxena, and Kathal, as well as for writing and directing projects such as AK47 and Murga Trophy, will helm the yet-untitled entertainer. The film is scheduled to go on floors in the second half of 2026, with a theatrical release planned for April 2027.

Speaking about the project, Ali Fazal said, “I’ve always believed that the best comedies come from honest characters and believable situations. The moment I read this script, I knew there was something special about it. It’s also exciting to finally explore a completely new dynamic with Richa on screen, and I’m really looking forward to what we’ll create together. Shashie Sir’s work is truly something i have followed and have wanted to work with him and that is also a huge reason for me to be part of this project”.

Sharing her excitement, Richa Chadha added, “What drew me in was the simplicity and authenticity of the writing. It’s funny, emotional and deeply rooted in everyday life with a great social commentary angle to the story. Ali and I have shared the screen before, but never quite like this, and I’m genuinely excited for audiences to see us together in an entirely new space. The story reminded me of my first school days which was in Jamuna Paar in Delhi, and I am very excited to share screen with Ali, he’s a gifted actor. We have never had the opportunity to work together in this capacity, previously we worked on Fukrey which was more of an adversarial role”.

Director Shashie Vermaa described the film as a character-driven comedy rooted in everyday life. “This is a story that celebrates people, relationships, the lens of the society and the chaos that a small moment can bring in someone’s life that can turn it all topsy turvy. Delhi itself is almost a character in the film. Having performers like Ali, Richa and Kumud brings incredible depth, spontaneity and heart to the world we’ve created, and I can’t wait to begin filming.”

Mukesh Giri of Giriraj Productions echoed the excitement, saying, “From the very beginning, this story stood out because of its honesty, humour and universal appeal. Bringing together Ali and Richa in a pairing, audiences haven’t seen before, alongside an actor of Kumud Mishra’s calibre and under the direction of Shashie Vermaa, makes this an incredibly exciting project for all of us. We look forward to taking this film to audiences in 2027.”

The announcement comes shortly after Scenework Productions and Giriraj Productions wrapped up their children's sports film Murga Trophy, as both production houses continue to expand their slate with stories spanning multiple genres.

Also Read: Ali Fazal’s Guddu Pandit to take a darker path in Mirzapur: The Movie; deets inside!

Prasad Film Laboratories has issued a public notice in the June 20, 2026 issue of Complete Cinema magazine asking rightful owners to collect film negatives and other celluloid materials lying unclaimed at its premises in Chennai, Trivandrum, Bengaluru and Hyderabad.

According to the notice, the concerned materials must be claimed within 30 days of the date of publication. The company has cautioned that any negatives or celluloid assets left uncollected after the stipulated period may be permanently destroyed in accordance with prevailing pollution-control norms.

The announcement is significant for producers, studios, distributors, financiers and legal heirs who may have deposited original negatives, prints or related film material with the laboratories over the years. Since many older films were preserved primarily on physical stock, failure to retrieve such material could potentially result in the irreversible loss of valuable cinematic assets.

Stakeholders have therefore been advised to verify their records and immediately contact the relevant Prasad Film Laboratories facility if they believe any material belonging to them remains stored there. Ownership documentation and other supporting records may be required before the material is released.

A source told Bollywood Hungama, “Prasad Lab shut down a few years ago. However, they preserved the negatives in their cold storages and charged a rental for it. Now they are doing away with the cold storage facility as well. Hence, it is important that the message reaches the rightful owners in the industry. In the past, negatives of certain films were destroyed. Now, there’s no copy available of those films at all.”

One famous and unfortunate example is the Manoj Bajpayee-Tabu starrer Dil Pe Mat Le Yaar (2000). In an exclusive interview with Bollywood Hungama on the 25th anniversary of the film, in October 2025, Hansal Mehta said, “The film’s negatives are destroyed. My producing partners had sent the negatives to Adlabs. When Adlabs was shutting down, it sent a notice to the producing partners informing them that ‘all the negatives are with us. Claim them within a month. Or else, we’ll destroy them’. They were given a notice of one month. But either nobody received the notice, or they did but didn’t pay heed to it. Eventually, the negatives were destroyed. So, rather than celebrate the film, I am very sad about the development.”

Hansal Mehta continued, “I asked my producers the other day about the negatives. They had no clue and later, they realized that the negatives were destroyed. So, there’s no record of the film.”

Also Read: Manoj Bajpayee hails Abhay Verma’s star potential, compares him to Hrithik Roshan: “I have a gift of gauging talent”

Director Honey Trehan’s latest film Satluj has been removed from ZEE5 for viewers in India just 48 hours after its premiere on Friday, July 3. While the film is no longer available on the streaming platform in the country, it continues to remain accessible in international markets.

The unexpected development comes shortly after the film's digital debut, leaving many subscribers surprised when they found that the title had disappeared from the Indian catalogue. Neither ZEE5 nor the makers have disclosed the specific reasons behind the decision.

Addressing the development, ZEE5 issued an official statement regarding the development where they also expressed gratitude to viewers for their response to the film. “The response to Satluj since its release has been truly overwhelming. We are deeply grateful to every viewer who chose to subscribe, watch and champion the film. Your love and support have meant a great deal to us and to everyone who brought this story to life. At ZEE5, we stand firmly by Satluj and the creative vision behind it. We believe powerful storytelling has the ability to inspire, endure and leave a lasting impact. We remain committed to championing authentic and meaningful narratives.”

Satluj may have paused. But the conversation it started hasn’t.

Thank you for the incredible love. We hope to bring it back soon.#Satluj pic.twitter.com/Ox3MZIBvlT — ZEE5Official (@ZEE5India) July 5, 2026

Confirming that the film has been taken down in India, the statement added, “In light of the current developments, Satluj will be unavailable in India until further notice. We remain committed to exploring every appropriate avenue through due process to bring the film back to our audiences at the earliest opportunity.”

ZEE5 concluded by reaffirming its commitment to storytellers, saying, “Our commitment to creators and to stories told with conviction, artistic integrity and purpose remains unwavering.”

Satluj is based on the life of human right activist from Punjab Jaswant Singh Khalra. The film sees Diljit Dosanjh play his character while it also stars Arjun Rampal, Suvinder Vicky, Geetika Vidya Ohlyan and Kanwaljit Singh. The movie was earlier titled Punjab '95.

Also Read: Satluj director Honey Trehan recalls emotional response from Jaswant Singh’s family after watching the film

The makers of GDN, the upcoming biopic on pioneering Indian inventor G.D. Naidu, have unveiled the film's trailer, offering audiences a first look at R. Madhavan in the lead role. The film is scheduled to release in theatres on July 17.

The trailer introduces Madhavan as G.D. Naidu, widely regarded as one of India's most influential inventors and industrialists. It showcases the actor in a markedly different avatar as he steps into the life of the visionary known for his contributions to engineering and innovation.

Over the years, R. Madhavan has built a career across multiple film industries, working in Tamil, Hindi and other language films. Known for portraying a wide variety of characters, the actor has consistently balanced commercial entertainers with performance-driven projects.

With GDN, Madhavan takes on another biographical role, portraying a real-life figure whose work left a lasting impact on India's technological landscape. The trailer hints at the challenges, achievements and personal journey of G.D. Naidu, while highlighting the film's period setting.

View this post on Instagram

  A post shared by R. Madhavan (@actormaddy)

The makers recently shared the trailer on social media, giving viewers a glimpse of the film's scale and Madhavan's transformation for the role.

Beyond acting, Madhavan has also explored filmmaking and has often spoken about subjects ranging from sustainability to education, reflecting his interest in projects beyond mainstream entertainment.

Now, with GDN, the actor is set to headline a film that brings the story of one of India's pioneering innovators to the big screen. The biopic is expected to delve into the life and legacy of G.D. Naidu, introducing a new generation of audiences to his contributions.

GDN is slated for a theatrical release on July 17.

Also Read: R. Madhavan expresses gratitude after Padma Shri win: “Deeply humbled and profoundly grateful”

For Anshula Kapoor, her mehendi was as much about meaning as it was about celebration. Hosted at home by sisters Janhvi Kapoor and Khushi Kapoor, the intimate gathering brought together close family and friends for an afternoon centred on love, tradition and togetherness, with every detail thoughtfully planned as a surprise for the bride-to-be.

The occasion also marked a personal tribute to the family she is stepping into. For the ceremony, Anshula chose a bespoke teal blue lehenga by Arpita Mehta, inspired by Gujarat's rich Patola textile tradition while incorporating the designer's signature mirror work. The ensemble also marks Arpita Mehta's very first Patola-inspired bridal lehenga.

Sharing the inspiration behind her look, Anshula wrote: "For my mehendi, I wanted my outfit to honour the family I was stepping into. This incredible teal blue lehenga by @arpitamehtaofficial is inspired by the rich legacy of Patola, while beautifully incorporating her signature mirror work – bringing together two crafts that are so deeply intertwined with Gujarat’s textile heritage. What makes it even more special? This is @arpita__mehta's very first Patola-inspired bridal lehenga."

View this post on Instagram

  A post shared by Anshula Kapoor (@anshulakapoor)

While the outfit reflected the significance of the day, it was the celebration itself that left the biggest impression on Anshula. Planned entirely by her sisters, the mehendi remained a surprise until she arrived. As she shared: "And while the outfit stole my heart, the day stole my breath! @janhvikapoor and @khushikapoor planned the entire mehendi as a surprise. I knew there was a celebration – I just had no idea what they had dreamt up. Watching it all unfold, surrounded by so much love, is a memory I’ll hold onto forever 🫶"

View this post on Instagram

  A post shared by Anshula Kapoor (@anshulakapoor)

View this post on Instagram

  A post shared by Bollywood Hungama🎥 (@realbollywoodhungama)

View this post on Instagram

  A post shared by Bollywood Hungama🎥 (@realbollywoodhungama)

The intimate celebration reflected the warmth of home and the coming together of two families, making it a meaningful beginning to Anshula's wedding festivities. With the mehendi celebrations now underway, Anshula Kapoor and Rohan Thakkar are set to tie the knot in the coming days.

Also Read: Anshula Kapoor shares INSIDE photos from wedding festivities; Janhvi, Arjun and Boney Kapoor perform aarti together at Mata Ki Chowki

Akshay Kumar’s production house, Cape of Good Films LLP, has issued a public notice in the July 4, 2026 issue of Complete Cinema magazine, asserting that it is the sole and exclusive holder of the rights to produce and commercially exploit the much-awaited comedy, Hera Pheri 3. The notice has been addressed to the public at large as well as stakeholders across the Indian film trade.

The notice specifically addresses distributors, exhibitors, cinema chains, OTT and streaming platforms, television broadcasters, digital platforms, advertisers, licensors, licensees, aggregators and syndicators, among others.

Cape of Good Films LLP has claimed that it holds an “irrevocable, worldwide, perpetual and unencumbered licence” to produce, distribute, market, exploit, commercialize and otherwise deal with the cinematograph film presently titled Hera Pheri 3. The company has stated that its rights extend across all modes, media, platforms, technologies and formats, whether currently known or developed in the future.

Through the notice, Cape of Good Films LLP has formally called upon all individuals and entities to recognize and respect its stated rights over the film. It has also cautioned members of the entertainment industry against entering into any arrangement, transaction, negotiation, representation or dealing with a third party claiming to possess rights in or relating to Hera Pheri 3 without receiving prior written authorisation from the company.

The notice further warns that any person acting contrary to these instructions would do so entirely at their own risk. Cape of Good Films LLP has reserved all rights and remedies available to it under law and equity in the event its claimed interests are violated.

Also Read: MEGA EXCLUSIVE: Akshay Kumar-Priyadarshan’s next gets an exciting title – Wicked Sunny

Actor Preity Zinta has approached the Bombay High Court seeking the removal of AI-generated deepfake videos, morphed images and other unauthorised content featuring her from social media and online platforms. The actress has also sought an injunction to prevent the publication and circulation of such content in the future.

The matter came up for hearing before a single bench of Justice Madhav Jamdar on Friday. After hearing preliminary submissions, the court directed the parties, including the online platforms concerned, to work out a mechanism for taking down the allegedly offending material. The matter has now been listed for further hearing on July 6. Preity Zinta seeks removal of AI-generated content In her civil suit, Preity Zinta has referred to multiple instances of AI-generated deepfakes, morphed visuals and chatbot-style interactions that allegedly use her likeness without authorisation.

According to the plea, the actress has sought urgent directions from the Bombay High Court asking the platforms hosting such material to immediately remove it. She has also requested the court to restrain the concerned entities from posting or publishing any unauthorised AI-generated content featuring her in the future.

The petition comes amid growing concerns over the misuse of artificial intelligence to create misleading digital content using the identities of public figures. Bombay High Court asks parties to work on takedown mechanism During Friday's hearing, Justice Madhav Jamdar asked the parties to work together on a mechanism for removing the disputed content from the websites and online platforms where it is available.

The court did not pass any interim order on the merits of the case at this stage but fixed July 6 as the next date of hearing, when the matter will be taken up again.

Deepfakes are digitally created or altered images, audio recordings or videos generated using artificial intelligence. The technology can convincingly imitate a person's face, voice or expressions, making it appear as though they said or did something that never actually occurred.

Also Read:Preity Zinta rents apartment in Mumbai’s Pali Hill for Rs 6 lakhs per month: Report 

In April 2025, Bollywood Hungama was the first to report that after Bhooth Bangla and Haiwaan, Akshay Kumar and Priyadarshan would collaborate on yet another film. The project will be produced by Ramesh Taurani of Tips Films. Now, Bollywood Hungama is back with another exciting update on the upcoming film. We have learned that its title has been locked, and it is sure to generate tremendous excitement among fans.

A source told Bollywood Hungama, “The film has been titled Wicked Sunny. The makers believe that the title does complete justice to the film’s zone as well as its lead character. Moreover, Wicked Sunny has strong recall value. It was the name of the theme played during Akshay Kumar’s scenes in Mujhse Shaadi Karogi (2004). The theme remains extremely catchy and popular even 22 years after the film’s release.”

The source further said, “Wicked Sunny will feature Akshay Kumar in a wacky comic avatar, distinctly different from the characters he has played in recent comic capers such as Bhooth Bangla and Welcome To The Jungle. Fans are going to have a blast watching Akshay go all-out. Moreover, the title is only going to further enhance the hype surrounding the film.”

Akshay Kumar and Priyadarshan have worked together in 7 films until now – Hera Pheri (2000), Garam Masala (2005), Bhagam Bhag (2006), Bhool Bhulaiyaa (2007), De Dana Dan (2009), Khatta Meetha (2010) and Bhooth Bangla. Haiwaan will be their eighth film together, while Wicked Sunny will be their ninth outing. Haiwaan, co-starring Saif Ali Khan, releases in cinemas on September 11, 2026.

As per a recent report in Mid-Day, Wicked Sunny is a comic thriller that Priyadarshan has written along with Rohan Shankar. Both also collaborated on Bhooth Bangla. The article further revealed that the film is expected to go on floors in December this year.

Also Read: Priyadarshan says “Hera Pheri 3 will be dead” days after exiting Akshay Kumar-starrer; alleges repeated insults by Firoz Nadiadwala

Actor Chandrachur Singh has found himself in the spotlight after a video of him interacting with officials during Gurugram's ongoing anti-encroachment drive surfaced on social media. The clip, which has since gone viral, shows the actor speaking with police personnel and officials from the Department of Town and Country Planning (DTCP) outside his residence in DLF.

Reportedly, the interaction took place during the DTCP's large-scale enforcement drive across DLF Phases 1 to 5. The campaign is aimed at removing alleged encroachments, illegal constructions and the unauthorised commercial use of residential properties in an effort to reclaim public land and enforce urban planning regulations.

Authorities also took action against an alleged illegal structure outside Chandrachur Singh's residence. During the inspection, DTP Amit Madholia reportedly briefed the actor about the enforcement being carried out.

According to Navbharat Times, officials alleged that a boundary wall outside the property had encroached upon public road land. The report further stated that trees and plants located within the allegedly encroached area were removed as part of the demolition exercise.

#Gurgaon #Gurugram #DLF_Sealing_Drive - फ़िल्म अभिनेता चंद्रचूड़ सिंह के घर के बाहर @TCP_HARYANA का बुलडोजर चला। - डीटीपीई अमित मधोलिया के नेतृत्व में तोड़फोड़ हुई। - मधोलिया ने फ़िल्म अभिनेता को तोड़फोड़ की जानकारी दी।#Chandrachursingh pic.twitter.com/Zg99CdIKjW — DEEPAK AHUJA (@DEEPAKKAHUJA) July 3, 2026

In the viral video, Chandrachur Singh is seen seeking clarification from the officials regarding the scope of the action. The actor reportedly informed them that he had been living at the property for more than three decades and that his father had purchased the house in 1991.

During the conversation, Chandrachur repeatedly asked whether the demolition was limited to the structure outside the residence and whether no further action would be taken against the house itself.

Responding to his concerns, DTP Amit Madholia reportedly assured the actor that the enforcement was confined to the alleged encroachment outside the property. Following the clarification, the conversation concluded on a cordial note before the officials continued with the drive.

As of now, Chandrachur Singh has not issued any official statement regarding the incident or the reports surrounding the action outside his residence.

Also Read: Chandrachur Singh joins Bobby Deol-Jaideep Ahlawat’s ‘corrupt godman’ league; to play the villain in Huma Qureshi’s Bayaan

The debate surrounding the title of Shraddha Kapoor's upcoming film Eetha has taken a fresh turn after Vithabai Narayangaonkar's eldest daughter, Mangala Bansode Karavadikar, publicly expressed her support for the title. Mangala's clarification follows objections reportedly raised by Vithabai's sons, Kailash and Rajesh Narayangaonkar, along with her grandson Mohit Narayangaonkar, who were said to have questioned the makers' choice of title. However, Mangala has now stated that the family has no objection and explained the significance of the name.

Speaking to The Times of India, the 75-year-old Tamasha artiste and President's Award recipient said, "We have no objection to the film's title. I have spoken with Mohit and have requested him to not give out any further statements on the same. The title is appropriate because in those days, people from the villages where my mother performed would often call her Eetha."

She further revealed that she had already shared this detail with director Laxman Utekar during his research for the film. According to Mangala, the filmmaker had met the family extensively while preparing to bring Vithabai Narayangaonkar's life to the big screen.

"I have been performing on stage since I was seven years old and have heard people address my mother by that name. We are happy that through this film people will come to know about my mother and how dedicated she was to her craft," she added.

View this post on Instagram

  A post shared by Shraddha ✶ (@shraddhakapoor)

The clarification comes amid an ongoing discussion over the film's title. Soon after the teaser of Eetha was unveiled, several political leaders, including members of the Nationalist Congress Party (NCP), objected to the title, arguing that a biopic on the legendary artiste should have been named after Vithabai Narayangaonkar. Reports also suggested that some members of her family shared similar concerns, further fuelling the controversy.

However, Mangala's latest remarks indicate that at least one of Vithabai's closest family members supports the makers' creative decision and believes the title carries historical significance. According to her, "Eetha" was a name by which audiences in villages affectionately addressed Vithabai during her performances, making it closely associated with the celebrated artiste.

Directed by Laxman Utekar, Eetha stars Shraddha Kapoor in the role of the iconic Lavani performer. Produced by Dinesh Vijan under the Maddock Films banner, the biographical drama also features Randeep Hooda and Mohammed Zeeshan Ayyub in pivotal roles.

The film is scheduled to release in theatres on August 28, coinciding with the Raksha Bandhan festive weekend. The recently released teaser has already generated significant buzz, with Shraddha Kapoor's transformation into Vithabai Narayangaonkar earning praise from audiences.

Also Read: Shraddha Kapoor’s Eetha sparks title row: NCP and Vithabai Narayangaonkar’s family seek title change

After confirming that he is no longer associated with Hera Pheri 3, filmmaker Priyadarshan has now shared fresh details about his decision to walk away from the much-awaited comedy franchise. The director has alleged that repeated insults from producer Firoz Nadiadwala, along with a long-running copyright dispute surrounding the franchise, convinced him that the film may never be made.

The development comes shortly after Nadiadwala revealed that Priyadarshan was no longer directing Hera Pheri 3. The filmmaker later confirmed the news, telling Hindustan Times, "To the best of my knowledge, Hera Pheri 3 will never hit the screen due to lots of legal issues and personal conflicts. Whether I am involved or not is unimportant."

Now, in an exclusive conversation with Mid-Day, Priyadarshan elaborated on what led to his exit and spoke candidly about his differences with the producer.

Recalling his conversations with Akshay Kumar, the director said, "Firoz told Akshay, 'You have the rights to make Hera Pheri 3, but never make it with Priyadarshan. That's my only request.' He has insulted me so many times. He told me that my cut of Hera Pheri [2000] looked like a poor man's version, that he had to edit my five-hour movie. I initially agreed to do the third part with Akshay because I thought I could make one of this country's biggest franchises. If I had directed it, I could've made it bigger than Dhurandhar. Akshay, Suniel, and Paresh requested me to make Hera Pheri 3. When I narrated the story to them, they were all excited."

According to Priyadarshan, the problems surrounding the project began much earlier. He revealed that in 2025, he received a call from Seven Arts Films' GP Vijayakumar, warning him about possible legal complications if the film moved ahead.

"When Hera Pheri 3 was announced, I got a call from Seven Arts Films' GP Vijayakumar that if we ever do the film, it will be a violation. I didn't know what to do. This is why I said that Hera Pheri 3 may never see the screens with the same characters. You will never see them again as it has too many legal issues. According to me, Hera Pheri [2000] was born, Hera Pheri 2 [2006] became sick, and Hera Pheri 3 will be dead," the filmmaker said.

Meanwhile, despite his exit from Hera Pheri 3, Priyadarshan's professional association with Akshay Kumar remains strong. Days after confirming his departure from the franchise, the filmmaker also confirmed his ninth collaboration with the actor.

Readers may recall that Bollywood Hungama was the first to report that the duo had reunited for another project. In April this year, a source told the publication, "Priyadarshan is putting together an exciting film and has signed Akshay Kumar for it. It'll be a typical Priyan entertainer that'll appeal to the youth and families alike." The source further revealed that the untitled comic entertainer will be produced by Tips Films, marking the banner's first collaboration with Priyadarshan and the second film together for Akshay Kumar and Tips after Entertainment (2014).

The confirmation also came ahead of the release of their eighth collaboration, Haiwaan, which is scheduled to arrive in cinemas on September 11, 2026. The film also stars Saif Ali Khan in a pivotal role.

Also Read: Priyadarshan confirms ninth film with Akshay Kumar after Hera Pheri 3 exit

25 years after Lagaan, Aamir Khan and Ashutosh Gowarikar are reuniting on another sports drama, which is scheduled to go on floors in October 2026. The film is based on the life of Lala Amarnath, and set against the backdrop of the 1947 Partition between India and Pakistan.

While the prep work is going on in full swing, Bollywood Hungama has learnt from industry sources that the reunion of Aamir and Ashu has got a title, and it's sure to blow away the minds of audiences. According to reliable sources, the duo have decided to call their film Lalkaar. "After Lagaan, it's time for Lalkaar. The title instils instant recall to their cult, and also promises something new. Much like Lagaan, this one too is a strong emotional saga set against the backdrop of cricket," a source told Bollywood Hungama.

Apart from Aamir, the makers are on the lookout to cast another actor as the second lead, and the announcement of the same will be made soon. The film is written by Rajkumar Hirani and Abhijat Joshi, with Excel Entertainment as the producer.

Stay tuned for more updates on Lalkaar only on Bollywood Hungama.

Also Read: 25 Years Of Lagaan: Aamir Khan and Gracy Singh bring film’s nostalgia alive; watch

Shah Rukh Khan and the Knight Riders Group have marked a historic milestone in global cricket with the inauguration of the Knight Riders Cricket Ground, Los Angeles, which officially hosted its first-ever Major League Cricket (MLC) fixture. The venue welcomed the Los Angeles Knight Riders as they took on Washington Freedom, signalling a significant step in the expansion of cricket in the United States.

The newly built stadium is the first international cricket venue established by a global cricket franchise, reflecting the Knight Riders Group's long-term commitment to growing the sport through investment in world-class infrastructure.

Constructed to international standards, the Knight Riders Cricket Ground features eight wickets on the main square, ICC-standard playing dimensions and six floodlight towers standing 120 feet tall. More than 32,000 metric tonnes of earth were moved during construction to develop the venue into a world-class cricketing arena designed to offer an elite experience for both players and fans.

Speaking about the landmark achievement, Shah Rukh Khan, Co-owner of the Knight Riders Group, said, “What started as a dream has become a reality today. Bringing cricket, the second most-watched sport in the world, to Los Angeles is a landmark moment for all of us. Through this long-term partnership between Fairplex and Knight Riders, we are creating much more than a cricket venue. We are building a space that celebrates community, togetherness, energy and entertainment.

“It is a place built not just for sport, but also for entertainment, for families, and for memories that will last forever. We hope this becomes a home for cricket in Los Angeles and inspires generations of fans and players alike. This is for Los Angeles, for cricket fans across the globe, and for the Knight Riders family. Believe in Purple and Gold,” he added.

View this post on Instagram

  A post shared by Shah Rukh Khan (@iamsrk)

Venky Mysore, CEO of Knight Riders Sports, also highlighted the significance of the project, saying, "The Knight Riders Cricket Ground, LA is much more than a stadium; it is a statement of intent for the future of cricket. Becoming the first global cricket brand to establish an international cricket stadium is a proud milestone for the Knight Riders Group and reflects our belief that the growth of the game must be supported by world-class infrastructure. We wanted to create a venue that players would love competing at, fans would cherish visiting, and the local community could proudly call its cricketing home."

Adding to the celebrations, NBA champion Ron Artest, popularly known as Metta World Peace, was invited to bowl the ceremonial first ball at the inaugural MLC match. His participation underscored the growing connection between cricket and mainstream American sports while highlighting the Knight Riders Group's efforts to integrate the game into Los Angeles' sporting culture.

The Knight Riders Cricket Ground will host Major League Cricket matches from July 1 to July 5, further strengthening cricket's expanding footprint in the United States and reinforcing the Knight Riders Group's vision of making the sport more accessible to new audiences across the globe.

Also Read: Farah Khan praises Shah Rukh Khan’s generosity towards his film crew: “He took 50 people to Dubai for Happy New Year premiere”

In a significant development in a long-running copyright dispute, the Delhi High Court has passed an interim order in favour of music label Saregama India Ltd., restraining legendary composer Ilaiyaraaja from broadcasting or communicating songs from 134 films until further orders.

The order was passed by Justice Tushar Rao Gedela, who observed that while Ilaiyaraaja continues to hold rights over his original musical compositions, those rights do not automatically extend to the sound recordings incorporated into cinematograph films. According to the court, the copyright in such sound recordings rests with the producer and, where assigned, with Saregama.

As per the court's observations, Ilaiyaraaja's rights under the Copyright Act are limited to the musical work itself, which refers to the composition independent of the lyrics and the sound recording. The court noted that these rights cannot be interpreted as ownership over the complete film soundtrack.

The dispute arose after Saregama claimed that it had acquired copyright ownership through assignment agreements signed with producers of several films between 1976 and 2001. The company argued that these agreements transferred the rights in the sound recordings, along with the underlying musical and literary works featured in those films.

Saregama further alleged that it recently discovered the songs being made available on multiple digital streaming platforms, including Amazon Music, Apple iTunes and JioSaavn, and claimed that Ilaiyaraaja had also asserted ownership over the content available on these services.

While considering the matter, the High Court observed that there was no dispute regarding the broadcasting of songs forming part of the films listed in the suit. The court stated that, on a prima facie basis, such use appeared to amount to copyright infringement in relation to the disputed sound recordings.

The interim order applies to 134 films spanning several decades of Ilaiyaraaja's celebrated career. Among the notable titles covered are Annakkili (1976), 16 Vayathiniley (1977), Mullum Malarum (1978), Netrikkann (1981) and Raaja Paarvai (1981).

The matter will now proceed before the Delhi High Court, where the copyright claims of both parties will be examined further before a final decision is reached.

Also Read: Ilayaraja sends legal notice to makers of Good Bad Ugly over alleged unauthorised use of iconic songs

After emerging as one of the biggest theatrical successes in Hindi cinema, Dhurandhar is now set to continue its global journey. The Ranveer Singh-starrer will release in theatres across Japan on July 10, 2026, marking another milestone in the film's successful international run.

Ahead of the release, Ranveer Singh recorded a special video message for Japanese audiences, inviting them to experience the action-packed entertainer on the big screen. Calling Dhurandhar an immersive cinematic spectacle, the actor highlighted the film's blend of drama, intensity, scale and emotion while expressing his excitement about the movie reaching a new audience.

The Japan release comes months after the film enjoyed a phenomenal worldwide run following its theatrical release in India on December 5, 2025. Backed by strong box office numbers and positive audience response, Dhurandhar went on to establish itself as one of the biggest commercial successes in recent Hindi cinema.

View this post on Instagram

  A post shared by Jio Studios (@officialjiostudios)

Written, directed and produced by Aditya Dhar, the spy action thriller is also produced by Jyoti Deshpande and Lokesh Dhar. Presented by Jio Studios and produced under the banner of B62 Studios, the film has been mounted on a large scale and has been praised for its action sequences, emotional storytelling and high production values.

Featuring an ensemble cast, Dhurandhar stars Ranveer Singh in the lead alongside Akshaye Khanna, Sanjay Dutt, Arjun Rampal, R. Madhavan, Sara Arjun, Rakesh Bedi, Gaurav Gera and Danish Pandor in pivotal roles. The film follows the journey of an undercover Indian intelligence agent who infiltrates Karachi's criminal syndicates and Pakistani political circles while pursuing a mission linked to the 26/11 Mumbai terror attacks. Loosely inspired by true events, the story blends espionage, action and emotion against the backdrop of high-stakes national security operations.

With its July 10 release, the makers are aiming to introduce the film's larger-than-life cinematic experience to audiences in Japan, further extending the international reach of one of Hindi cinema's biggest blockbusters.

Also Read: Rakesh Bedi showers praise on Ranveer Singh: “Ranveer mein ek bahot khaas quality hai”

The makers of The Pride of Bharat: Chhatrapati Shivaji Maharaj have announced a key creative change, with National Award-winning composer Amit Trivedi coming on board to compose the music for the upcoming historical film. The development follows composer Pritam's recent announcement that he is taking a break from mainstream films.

Directed by Sandeep Singh, the two-part historical saga stars Rishab Shetty in the role of Chhatrapati Shivaji Maharaj. With Amit Trivedi now joining the project, lyricist Prasoon Joshi, who has been associated with the film since its early stages, will continue to write the songs.

According to sources close to the development, the makers decided to bring Amit Trivedi on board after Pritam stepped away from the project following his decision to take a break from commercial cinema. The film also marks a first for Trivedi, as it will be his first Hindi historical feature based on the life and legacy of Chhatrapati Shivaji Maharaj.

A source close to the production said, “The team firmly believes Amit Trivedi is the perfect creative force to bring this epic to life musically. His ability to blend powerful orchestration with deeply rooted Indian melodies, combined with Prasoon Joshi’s powerful writing, makes for an exceptional creative partnership. The music has to reflect the courage, vision, emotion and legacy of Chhatrapati Shivaji Maharaj, and we are confident this soundtrack will become one of the defining highlights of the film.”

The film is being planned as a two-part cinematic project and features Rishab Shetty in the lead role, alongside Arjun Rampal, Vivek Oberoi and an ensemble cast. The makers have mounted the project on a large scale, with production expected to begin later this year.

While plot details have largely been kept under wraps, the film is expected to chronicle the life and legacy of Chhatrapati Shivaji Maharaj. The addition of Amit Trivedi and the continuation of Prasoon Joshi's association complete an important part of the film's creative team ahead of the commencement of production.

The announcement comes shortly after Pritam informed fans that he would be taking a break from mainstream films, prompting changes to his upcoming commitments. With Amit Trivedi now taking over music duties, The Pride of Bharat: Chhatrapati Shivaji Maharaj moves forward with a revised musical team as preparations continue for its shoot later this year.

Also Read: Rishab Shetty’s film on Chhatrapati Shivaji Maharaj expands into two-part saga with over Rs. 500 crores budget: Report