The wait is finally over for Naagin fans! On the latest episode of Weekend Ka Vaar, television czarina Ektaa R Kapoor made a special appearance on Bigg Boss 19, joining host Salman Khan on stage — and with her came a major revelation that set the internet buzzing. Kapoor officially announced Naagin 7 and introduced the show’s new lead — Priyanka Chahar Choudhary.

The announcement came as a delightful surprise for fans who had long been speculating about the next face of the fantasy franchise. Dressed in her Naagin avatar, Priyanka made a stunning entry on the Bigg Boss stage, performing a captivating act that marked her grand return to television. The actress, who rose to fame with Udaariyaan and became one of the most loved contestants on Bigg Boss 16, is now ready to embrace her most powerful role yet.

Expressing her excitement, Priyanka shared that the role of Naagin has been a dream come true. She revealed that this opportunity was first hinted at during her stint in the Bigg Boss 16 house when Ektaa R Kapoor had entered as a guest. “She had promised me that day that she would give me a big project, and today she has kept her word,” Priyanka said, expressing gratitude towards the producer for her faith and support.

Ektaa R Kapoor, known for shaping some of Indian television’s biggest franchises, said that Priyanka embodies everything she envisioned for the next Naagin — grace, strength, and charisma. The producer also teased that Naagin 7 will mark a new era for the supernatural series that will take the saga to new heights.

The Naagin universe has, over the years, featured some of television’s most iconic leading ladies, including Mouni Roy, Tejasswi Prakash, Nia Sharma, Surbhi Jyoti, and Surbhi Chandna. Mouni Roy remains the only actress to have led two consecutive seasons. With Priyanka Chahar Choudhary now stepping into the mystical world, anticipation for Naagin 7 is higher than ever.

Fans are already flooding social media with excitement, calling Priyanka “the perfect Naagin” and praising Ektaa R Kapoor for her casting choice. If the grand reveal on Bigg Boss 19 is anything to go by, Naagin 7 is all set to cast its spell once again on Indian television.

Also Read: Naagin 7 kicks off! Ektaa R Kapoor says it is time to make ‘Param Sarva Sresht Naagin’

November 2, 2025, was a day of celebration as Shah Rukh Khan celebrated his 60th birthday. It was also the day when India’s women's cricket team won the World Cup. It immediately brought memories of SRK’s 2007 classic, Chak De India, where the women's hockey team similarly became world champions. Incidentally, a fan event was held yesterday at an auditorium in Mumbai, where Shah Rukh Khan remembered Chak De India.

The host presented SRK with stills from his memorable films and he talked about them. When he was shown a glimpse of Chak De India, Shah Rukh Khan began by saying, “This sport (hockey) is very important to me. My father (Meer Taj Mohammed Khan) used to play; I really wanted to be a hockey player and try to play for India. Then I suffered (an injury) and I couldn’t (pursue the sport). In a way, it was good as I became an actor.”

He continued, “When this film came to me, I realized that it could be a tribute to my father. I don’t like to give films more meaning than necessary. Films entertainment ke liye hai. But I remember I told Adi (Aditya Chopra) that ‘Yeh picture main karunga because I want to do it for my father’.”

He added, “I can play a little bit of hockey and hence, it was very interesting. I think all the people were quite impressed (with the film). The girls were very good. The girls were fantastic. It was very good to play hockey with them.”

SRK revealed, “Then I played football in Australia with the Australian team girls. They were so strong that they beat us boys 7-0 or something! They were fantastically strong ladies. So yeah, it’s a very special film and we didn’t expect it to become such a big hit. We expected that it would be a bit offbeat, but it ended up becoming such a defining sports film.”

Also Read: Shah Rukh Khan skips Mannat balcony tradition on 60th birthday, cites safety concerns: “My deepest apologies”

Superstar Shah Rukh Khan celebrates his birthday today. This year, the day is even more special as he has turned 60. On his special day, here’s what some of the directors he worked with had to say about him.

Hema Malini: I was fortunate to have directed Shah Rukh Khan in Dil Aashna Hai. I needed a young actor who was unexposed, handsome and talented. Shah Rukh fitted the bill. He insisted on being in my directorial debut. Dil Aashna Hai was meant to be Shah Rukh’s debut film. Eventually though, Deewana got released first. When he came to ask for a role, I immediately knew he was going to be a big star. My film was about a young girl Divya Bharti looking for her father. There was no role for Shah Rukh except that of the girl’s boyfriend, which he wanted. When I protested that the role would do no justice to his presence he told me, ‘You leave it to the public.’ He had the confidence, even back then when he was just starting out, that the public would support him.

Sanjay Leela Bhansali: Working with Shah Rukh in Devdas was a completely new experience. I wanted my Devdas to be a simple, volatile, boy –man who’s angry and mean and yet has a sad streak that shimmers in his eyes. Shah Rukh as Devdas could convey shades of anger and self-destruction. I feel any human being who can’t control his anger ultimately destroys his creative energy. Being a good human being Devdas would rather destroy himself than others who love him. “I can’t destroy Paro or Chandramukhi, so I’ll destroy myself,” is what my Devdas feels. Shah Rukh seemed just right. And I was right. I fell in love with his performance. Shah Rukh understood the character without losing his spontaneity. Obviously, the pressures of matching up to K L Saigal Saab and Dilip Saab, who played Devdas earlier, were there. But he never allowed them to bog him down. I don’t know what to say about him. He has left me speechless. I had my doubts before working with him. But it’s his most endearing and honest performance. The performance came amidst all his personal problems. He was able to project the personal turmoil on screen.

If I were to make Devdas again, I’d still cast only Shah Rukh. He couldn’t match up to Dilip Kumar’s Devdas. He didn’t try to. Shah Rukh played him so differently. Devdas was a very restless man like Shah Rukh. But Devdas is a man who does very little. The challenge of having Shah Rukh express implosive rage was what got me. If I let Devdas behave like Shah Rukh, he’d be a lot more mobile on screen. Unlike the Shah Rukh Khan in Darr, Baazigar, Kuch Kuch Hota Hai and Dilwale Dulhaniya Le Jayenge, there’s an amazing childlike vulnerability and honesty in Shah Rukh of Devdas. When my Devdas looks at his mother he looks as a child not a man. To me, Devdas is as honest a child in his emotions. Unlike the character in the novel, he never disguises his emotions. He doesn’t calculate his emotional expressions. He’s uncorrupted. That’s the most endearing part of his personality. He’ll always be the archetypal lover because he’s innocent. And we crave that innocence in our life.

Ashutosh Gowariker: For Swades, I needed someone who isn’t cynical and yet when he thinks the West is where the action is…. contrasting qualities rolled into one. I needed an actor with an unpredictable quality about him. Shah Rukh has it. That Shah Rukh Khan could ride a train, bus or boat as he did in Swades, is unheard of. People said, how could I make him do all this. But Shah Rukh is basically from the grassroots. Thanks to his screen image, he could look an outsider in the situations given in my film. I needed that look. Shah Rukh could be the outsider looking into social issues with a sense of dismay and wonderment. And I had hoped his angst would affect the audience. All this wasn’t done to be smart or clever as a filmmaker. Shah Rukh and I bonded so well, we never realized when the film started. We had done 3 films together as actors. In Swades, we had a ball together. Neither of us was trying to impress the other. I had a script reading with him before shooting. He had never done that before in a movie. But because of the preparation, no actor looked in awe of Shah Rukh in screen.

Aziz Mirza: Shah Rukh is like my own child. I can never move away from him. The only reason why Shah Rukh was not in my last film Kismat Konnection was because the role required a young boy, just out of college. In fact, the minute Juhi Chawla heard the role she said she could see a younger Shah Rukh in it. That's how Shahid Kapoor came in. Shah Rukh was like my bachcha from the time he started. We did Raju Ban Gaya Gentleman and Yes Boss together. Both were important films in the early part of Shah Rukh’s career. It's wrong to say I helped his career. Everyone has his destiny.

Shah Rukh became an overnight star with Deewana. I remember they had shot half the film with another actor (Armaan Kohli). Shah Rukh came into the project at that late stage. If that isn't destiny, then what is? I've done four films with Shah Rukh. One doesn't have to continue working constantly with the ones whom one loves. Some relationships go beyond the professional. Shah Rukh is certainly one of them.

Also Read: Happy 60th birthday Shah Rukh Khan: How the superstar REVOLUTIONIZED Bollywood marketing with Om Shanti Om; the KING set the template everyone still follows!

Anurag Kashyap had a fascinating conversation with Komal Nahta where he spoke about his several films, including the ones at Phantom Films, a production house which had Anurag as one of the founders. One of the finest films made by this banner was Queen (2014), starring Kangana Ranaut in the lead. It had unanimous acclaim and was a sleeper super-hit. However, Anurag revealed that pre-release, no one had any confidence in the film’s potential.

Anurag said, “The studio partner had no faith in Queen at all. No one had any faith. It got greenlit as it was a low-cost film. Later, they were like ‘Yeh kya hai?’. It was lying in the cans for 1 ½ years. But when I saw the footage for the first time, I enjoyed it a lot. I couldn’t stop laughing. I said, ‘Yeh toh kamaal ki picture hai’. I was asked, ‘Why are you so happy?’. I said, ‘Because this is a very good film’.”

He added, “Queen was the only film where I sat on the edit and I even got the Filmfare Award for Best Editing (laughs). I wondered, ‘Mujhe jo iss film mein dikh raha hai, woh koi aur dekh kyun nahin paa raha?’. That’s why I came on board as the editor. Also, the entire film was built on the performance of Kangana and her improvisations. I could clearly see the great performance of this actor and the arc in her character but others didn’t see it. I don’t know what others were trying to find in that film.”

He further said, “When the film was released, the studio executives went on a holiday. No one had any confidence. Ranjan Singh and Kangana Ranaut together marketed the film. They also had maximum confidence. I was (not in Mumbai as I was) busy shooting Bombay Velvet (2015). Even director Vikas Bahl was with me in Sri Lanka on the sets of Bombay Velvet.”

He stated, “I still remember that Queen’s first day collection was Rs. 85 lakhs. The next day, it collected more than Rs. 1 crore. Slowly, it grew.”

Also Read: SHOCKING: Anurag Kashyap says, “UTV Motion Pictures left Gangs Of Wasseypur 3 days before shoot; they asked me, ‘Nawazuddin Siddiqui kis angle se yeh role karega?’”

One of the greatest stars not just of India but of the world, Shah Rukh Khan turned 60 on November 2, marking six glorious decades of charm, intelligence, and inspiration. His fan following transcends borders, drawn not only to his unforgettable on-screen performances but also to his wit, wisdom, and warmth off-screen. It’s no surprise that when you scroll through Instagram, you’re likely to stumble upon one of his old interviews; moments that still entertain, enlighten, and inspire in equal measure. Even in this sphere, SRK has been a trendsetter, effortlessly blending intellect with charisma.

In an exclusive interview with Bollywood Hungama during the promotions of Ek Deewane Ki Deewaniyat, producer Gaurav Verma, who has worked with SRK’s Red Chillies Entertainment for nearly a decade, reflected on this unique aspect of the superstar’s enduring appeal.

Gaurav Verma went back to the pre-digital era when TV was the dominant medium and news channels especially enjoyed high viewership. There was no way a film campaign could afford that much airtime. This is when Shah Rukh Khan came with a genius idea – he used the integration and interviews to seamlessly stitch the film campaign with prime-time viewership.

Gaurav Verma said, “Khan Saab has always been the sharpest mind in the business. He has the ability to make news exciting. He can eventify anything. Until the time news was the medium and digital had not risen, it was a great thing to do, as one could not afford that much airtime. It was a cost-based requirement.”

Aman Gill, who also distributed and marketed Ek Deewane Ki Deewaniyat, along with Gaurav Verma, explained, “What he did for Om Shanti Om (2007) set the template for the future. It was the first film that blasted on interviews, events, advertising and co-sponsorship. It had the first 360-degree campaign. He started this strategy with Main Hoon Na (2004) and it peaked in Om Shanti Om. That became a template for everybody to follow. Ghajini (2008) also followed the Om Shanti Om model with Aamir Khan taking it to another level.”

Gaurav Verma continued, “He has extreme command over this model. He can make his interviews so humorous and entertaining that everyone would be enticed to watch it.”

Aman then said, “Everyone assumed that this was a template that one could copy-paste. But that’s not how it is.”

Gaurav continued, “Soon, the digital era took over. Earlier, you were communicating with your audience through television, that is, news channels. Now, you have a direct channel to communicate in the digital world – on Instagram, Facebook and Twitter. Now if you start doing interviews on social media only, you are losing its value. That is the reason Khan Saab realized that it’s not something he wanted to do and he moved away. He chose to talk to his audience directly through Twitter and Instagram. That person has always had the foresight.”

Have nothing new to say….and old interviews have aged well so….ha ha https://t.co/4RGRYSsceE — Shah Rukh Khan (@iamsrk) October 30, 2025

Shah Rukh Khan talking directly on Twitter has a separate fan base. An ‘Ask SRK’ session recently happened, where the superstar was asked why he stopped giving interviews. SRK, in his trademark style, replied, “Have nothing new to say….and old interviews have aged well so….ha ha.”

Also Read: Shah Rukh Khan to have an intimate 60th birthday celebration in Alibaug

This Halloween, Alia Bhatt stepped into the shoes of one of pop culture’s fiercest female icons — Lara Croft, the legendary adventurer from Tomb Raider. Captured in striking monochrome frames by French photographer and hairstylist Mike Desir, Alia’s look perfectly blends cinematic nostalgia with high-fashion edge.

The look The Dear Zindagi actress’ ensemble stays true to Lara Croft’s signature aesthetic — a fitted black T-shirt paired with matching shorts, cinched at the waist with a bold, studded utility belt. The outfit strikes a balance between strength and sophistication, showcasing Alia’s athletic silhouette while keeping the styling minimal yet impactful.

The Jigra actress accessories amplify the fierce adventurer vibe — fingerless black leather gloves, thigh straps, and knee-high boots that elevate the look with a sleek, modern touch. The addition of a prop gun completes the transformation, exuding power and control without overdoing the costume element.

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The hair and makeup One of the most striking elements of Alia’s look is her long, tightly-braided ponytail, an unmistakable nod to Lara Croft’s signature hairstyle. The braid adds a sense of discipline and sharpness, enhancing the character’s tactical appeal. Her makeup is intentionally pared down — matte skin, softly defined eyes, and a neutral lip, keeping the focus on her expression and stance. The visual tone Shot in black and white, the photos evoke a timeless, cinematic quality. The interplay of light and shadow heightens the mystery, making each frame feel like a still from an action film. Alia’s intense gaze and poised posture capture the essence of Lara Croft — bold, intelligent, and unafraid. A fresh spin on Halloween fashion What makes Alia’s Halloween look stand out is its restraint. Rather than relying on heavy costume detailing, the styling celebrates character through confidence, attitude, and precision. It’s a lesson in how to reinterpret an iconic persona with sophistication — keeping it chic, empowering, and editorial-ready.

Also Read: Amar Kaushik teases Chamunda casting: Will Alia Bhatt join the horror comedy universe? ‘Not denying or accepting anything’

Bollywood legend Dharmendra, fondly known as the 'OG He-Man,' has been admitted to Mumbai's Breach Candy Hospital after complaining of breathlessness. The news sparked immediate concern among his millions of fans and the wider film fraternity.

The 89-year-old veteran actor is currently under observation in the Intensive Care Unit (ICU), but latest updates from the hospital indicate his condition is stable. Journalist Vickey Lalwani shared an update on social media after reportedly contacting the hospital, providing reassuring details directly from a staff member.

“Dharmendra came in complaining of breathlessness. He is in the ICU and he is sleeping now. Nothing to worry, I asked? No, right now nothing to worry. He is stable. His parameters are okay—the heart rate is 70, the blood pressure is 140 by 80. His urine output is also good,” he stated in a social media post.

While initial reports had suggested the visit was for a routine check-up, the hospital’s confirmation that the actor was admitted due to difficulty in breathing has clarified the severity of the episode. Doctors are closely monitoring the nonagenarian star, and his sons, actors Sunny Deol and Bobby Deol, are said to be by his side.

Despite his age-related health concerns, Dharmendra has remained remarkably active. He last appeared in the film Teri Baaton Mein Aisa Uljha Jiya and is slated to star in the war drama Ikkis, directed by Sriram Raghavan.

Also Read: Bobby Deol opens up on his father Dharmendra’s emotional praise for his acting evolution: “Now you understand yourself as an actor, now you know your capabilities”

Bollywood superstar Shah Rukh Khan recently shared a light-hearted moment with his fans during an #AskSRK session on X (formerly Twitter). The actor, who temporarily moved out of his iconic Mannat bungalow in Bandra, revealed that he is currently staying in a rented apartment while his home undergoes renovation.

Shah Rukh, who turns 60 this weekend, decided to interact with fans ahead of his birthday. On Thursday evening, he wrote, “Hi everyone. It’s been good times — awards, series release, anniversary, and all good things. Thought I’d share some happy answers with you. So, if free, please join in for a #ASKsrk. Love you, let’s start.”

Shah Rukh’s witty response about Mannat

During the session, one fan wrote, “Sir, I have arrived in Mumbai for your birthday but can’t find a room. Can I get one in Mannat?” Shah Rukh replied with his trademark humour, saying, “Mannat mein toh mere paas bhi room nahi hai aaj kal… Bhaade pe reh raha hoon!!!” (Even I don’t have a room in Mannat these days. I’m living on rent!).

His response quickly went viral, leaving fans amused. Many jokingly asked how much rent he pays or who his landlord might be.

Shah Rukh Khan and family move out of Mannat

Earlier this year, Shah Rukh and his family — wife Gauri Khan and children Aryan, Suhana, and Abram — temporarily moved out of Mannat. The bungalow is currently being renovated, a process expected to take a couple of years. In the meantime, the family has rented four floors in a luxury apartment building nearby.

Mannat mein toh mere paas bhi room nahi hai aaj kal….Bhaade pe reh raha hoon!!! https://t.co/WgU3pUepGt — Shah Rukh Khan (@iamsrk) October 30, 2025

Upcoming film and birthday plans

Shah Rukh Khan will celebrate his 60th birthday on Sunday. According to reports, he plans to spend the day with close friends and family in Alibaug.

There is also speculation that the first look of his upcoming film with director Siddharth Anand may be unveiled on his birthday. While earlier reports suggested the film was titled King, Shah Rukh clarified during the #AskSRK session that the title has not yet been officially announced.

Fans are eagerly waiting to see what the superstar has in store — both for his birthday celebration and his next big-screen appearance.

Also Read: Shah Rukh Khan calls Salman Khan “Best bhai” in heartwarming response during #AskSRK session

Actor Ranbir Kapoor is embarking on a heartfelt mission to revive the iconic RK Studios, originally established by his legendary grandfather Raj Kapoor, according to a report by Mid-Day. The revival is not just a business move but a tribute to the Kapoor family legacy, with Ranbir focusing on producing films that carry the spirit of RK Studios while infusing a modern voice to resonate with today’s audience. The report mentions that plans are well underway, with several scripts shortlisted and production anticipated to begin soon.

As part of the revival, Ranbir aims to re-establish the studio as a prominent creative hub in Mumbai, possibly including an office space and screening theater to foster collaboration in the industry. The initiative also marks a continuation of his late father Rishi Kapoor’s dream to carry forward the family’s cinematic heritage. Alongside Ranbir’s directorial debut, the revived studio will back projects featuring some of Bollywood’s top talents, including collaborations with Deepika Padukone and director Ayan Mukerji.

The reopening of RK Studios is expected to be a grand affair, paying homage to its golden era under Raj Kapoor, and serves as a symbolic passing of the torch to the next generation of filmmakers. This significant move further cements Ranbir Kapoor’s role not only as a leading actor but also as a custodian of one of Indian cinema’s most treasured legacies.​

RK Studios, established by the legendary Raj Kapoor in 1948, produced some of the most iconic films in Indian cinema including Awaara (1951), Barsaat (1949), Mera Naam Joker (1970), Bobby (1973), Satyam Shivam Sundaram (1978), Prem Rog (1982), and Ram Teri Ganga Maili (1985), which was Kapoor's last film before his death.

The last film produced under the RK Films banner was Aa Ab Laut Chalen (1999), directed by Rishi Kapoor. Over time, RK Studios faced a decline as the film industry shifted locations to Mumbai’s northern suburbs. The 2017 fire that gutted the studio during a reality show shoot was the final blow, destroying invaluable memorabilia, costumes, and the physical studio space. Due to the increasing maintenance costs and the impracticality of rebuilding, the Kapoor family decided to sell RK Studios, marking the end of an era for the historic studio,

Also Read: BREAKING: Ranbir Kapoor’s Love And War bows out of Eid 2026 clash with Yash’s Toxic; to release post June 2026

Red Chillies Entertainment has filed its official reply to Sameer Wankhede’s defamation suit against The Ba***ds of Bollywood, the Netflix show he claims was designed to tarnish his reputation. Wankhede, the former NCB officer who led the 2021 drugs case involving Shah Rukh Khan’s son Aryan Khan, had approached the court alleging that the makers had portrayed a character resembling him in both appearance and mannerisms.

In its response, Red Chillies Entertainment maintained that the series is a Bollywood satire, and all characters in it are depicted with deliberately exaggerated traits to heighten the humour. The production house argued that the complaint was an attempt to curtail artistic and creative freedom and described Wankhede’s stance as an instance of “hypersensitivity.”

The reply further pointed out that Wankhede’s image had already been subject to widespread public scrutiny long before the show’s release. According to the filing, the former officer’s involvement in the Aryan Khan case had drawn considerable criticism and ridicule, as reflected in news coverage, social media discussions, and public commentary at the time. Red Chillies stated that these materials clearly demonstrated that his reputation had been affected earlier, and that the lawsuit was an attempt to silence satirical portrayals that fall under creative expression.

Represented by senior advocates Neeraj Kishan Kaul and Shyel Trehan, the production company also requested the court to allow the show to remain intact, asserting that removing the contested scene would disrupt the series’ narrative flow. The makers clarified that the show does not directly name or reference Wankhede, and that the police officer character is merely depicted as an “overzealous” cop — a common trope in dark comedies and satires.

The case, which came up before Justice Purushindra Kumar on Thursday, has now been adjourned to November 10 for further proceedings.

The Ba***ds of Bollywood, streaming on Netflix, has drawn attention for its unapologetically sharp commentary on celebrity culture, media frenzy, and the moral ambiguity within the film industry — themes that continue to spark debate about where the line between satire and defamation should be drawn.

Also Read: Sameer Wankhede denies having any grudges against Shah Rukh Khan and family: “I’m just a Government Servant, not living in a Banana Republic”

When two powerhouse performers like Arshad Warsi and Jitendra Kumar come together, even the most serious film gets its share of laughter behind the scenes. Despite their film, Bhagwat Chapter One: Raakshas, exploring a serious theme like the investigation of a prostitution racket, it was Arshad and his pranks that kept the humour alive on the sets.

In an exclusive chat with Bollywood Hungama, Jitendra revealed that the film’s intense subject matter didn’t stop the cast from having fun on set. “Sir ke saath kaam karna – main bahut excited tha (I was excited to work with Sir),” he shared. “He’s a very good co-actor, very helpful.”

Arshad was quick to return the praise. “Jitendra bahut achha actor hai, bahut natural,” he said warmly. “For me, it was very easy to work with him.”

What truly defined their bond, however, was the unplanned humour that unfolded while shooting. Jitendra laughed as he recalled, “Sir bahut baar shararat karte the (Sir would prank a lot). Kabhi achanak dialogue badal dete the— Sir would suddenly change the dialogues, and the whole team would burst out laughing!”

Arshad admitted to his playful antics, saying, “And set pe bahut masti hoti thi (it was real fun on the sets). The environment was positive and full of laughter — that’s when you get the best performances.”

Further it was being said that the actors built their rhythm naturally, with minimal rehearsals but maximum chemistry. By the end of the shoot, their coordination had become effortless. “When you’re working with someone who listens and responds naturally,” Arshad said, “the scene takes on a life of its own.”

Their off-screen camaraderie is clearly reflected in their on-screen performances, making Bhagwat Chapter One: Raakshas a collaboration that showcased both intensity and heart. Coming to the film, produced by Jyoti Deshpande, Pammi Baweja, Harman Baweja, Kanishk Gangwal, and Vipin Agnihotri under Jio Studios, Baweja Studios, and Dog 'n' Bone Pictures, it stars Arshad as Inspector Vishwas Bhagwat and Jitendra as Sameer, a professor drawn into the case.

Also Read: EXCLUSIVE: Arshad Warsi and Jitendra Kumar appreciate Bhagwat director Akshay Shere: “His energy charged the whole set!”

The Bachchan legacy continues as Agastya Nanda steps into the spotlight once again this time in Sriram Raghavan’s much-awaited war drama Ikkis. The film’s trailer introduces Agastya as Param Vir Chakra awardee Arun Khetarpal, one of India’s youngest and most celebrated war heroes.

Directed by Sriram Raghavan, known for acclaimed thrillers like Ek Haseena Thi, Badlapur and Andhadhun, Ikkis brings to screen the extraordinary courage and humanity of a soldier who laid down his life in the 1971 war. The trailer hints at a sensitive and restrained take on patriotism a hallmark of Raghavan’s storytelling. The film also stars Dharmendra and Jaideep Ahlawat, with Agastya Nanda leading the narrative as the brave, idealistic officer whose story continues to inspire generations.

A third-generation actor from the iconic Bachchan family, Agastya, son of Shweta Bachchan and grandson of Amitabh and Jaya Bachchan, who made his acting debut in Zoya Akhtar’s The Archies. With Ikkis, he takes a sharp turn into a more intense and realistic role.

Jaya Bachchan shared her thoughts on her grandson’s journey and preparation for the role. “Luckily, Agastya is a fast learner. Neither of his parents are actors, so he’s leaning on his grandparents and his Maamu (Uncle) Abhishek Bachchan for guidance,” she revealed. “You know me — I wouldn’t praise anyone, least of all my own children or grandchildren. But Agastya is special. That child is determined to forge his own path. Just like I once did. Like me, he won’t follow the herd.”

Set for a December 2025 release, Ikkis marks a powerful collaboration between a visionary filmmaker and a young actor with an iconic lineage — promising a blend of emotion, authenticity, and cinematic impact.

Also Read: Amitabh Bachchan pens emotional note for grandson Agastya Nanda as Ikkis trailer drops: “You are SPECIAL… all my prayers and blessings to you”

This Friday will see the release of Baahubali: The Epic. It combines two Baahubali: The Beginning (2015) and Baahubali 2: The Conclusion (2017) into one part, as part of the tenth anniversary celebrations of the former. This is a novel experiment and has probably never been done before in the world. Some moviegoers and industry personalities doubted if viewers would rewatch a film that they have consumed repeatedly and that too in this unique form. However, the risk seems to have paid off. The advance booking down South and Overseas for the original Telugu audience is outstanding.

It is common knowledge that Baahubali: The Epic has a run time of 3 hours and 45 minutes. Bollywood Hungama has now learned about the duration of the first half and second half of the film. A trade source told Bollywood Hungama, “The pre-interval portion of Baahubali: The Epic is 1 hours 42 minutes and 33 seconds long. The second half is longer than 2 hours. The exact length of the second half is 2 hours, 3 minutes and 11 seconds. The total duration of the film, thus, is 3 hours 45 minutes and 44 seconds.”

Just 1 interval

In the past, such lengthy films have had not one, but two intermission points. Old-timers recollect that Raj Kapoor-starrer Sangam (1964), which was 238 minutes long, that is, 3 hours and 58 minutes long, had two intervals. Mera Naam Joker (1970) was 255 minutes long, that is, 4 hours and 15 minutes, and it also had two interval points. In recent times, Hum Aapke Hain Koun (1994) had an interval twice after the longer cut was released in cinemas. Over the years, the twin interval system was dropped. Films like Mohabbatein (2000; 215 minutes), Kabhi Khushi Kabhie Gham (2001; 210 minutes), Animal (2023; 203 minutes), The Bengal Files (2025; 204 minutes) etc. have been released with just one intermission point.

Coming back to Baahubali: The Epic, Baahubali: The Beginning had a runtime of 159 minutes, while Baahubali 2: The Conclusion clocked 167 minutes. This means that together, the two parts originally ran for a total of 326 minutes, or 5 hours and 26 minutes. In contrast, Baahubali: The Epic is just 225 minutes long, making it shorter by 101 minutes. It remains to be seen how the makers have condensed the two monumental chapters of the saga into one cohesive narrative without compromising on the grandeur, emotion, and continuity that made Baahubali a cultural phenomenon.

Also Read: Baahubali: The Epic gets U/A certificate with a 3-hour-44-minute runtime, releasing this October

Actor Siddharth took to social media to pen a deeply affectionate note for his wife and actress Aditi Rao Hydari on her birthday. Accompanying his message were a series of warm, throwback photographs of the couple from their vacation diaries, capturing their easy chemistry and shared affection.

In the first picture, Aditi and Siddharth are seen striking a casual yet stylish pose in what appears to be a Paris street. Dressed in a black oversized sweater dress, sheer stockings, and sneakers, Aditi looks effortlessly chic, while Siddharth complements her in a brown pullover layered over a collared shirt and denim. The second photo, set against the scenic backdrop of the Eiffel Tower, shows the couple leaning over a riverside bridge, lost in a quiet, intimate moment.

Alongside these snapshots, Siddharth wrote,

“My love was born today. In every second of every day, I feel you in my being. Wherever I go, you go with me. My best friend, my greatest strength — I am because you make me want to be. Thank you for being born. Thank you for this life. Thank you for the strength, my Queen, Thank you, my gifted, blessed, beautiful wife.

Happy Birthday Adu. I love you.”

Aditi responded with an equally affectionate comment, writing, “My Siddhuuuuuuuuuuuuuuuu bestest! Come back soon.”

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The couple, who tied the knot last year in a private ceremony, continue to win hearts with their understated yet heartfelt public displays of affection.

Also Read: Sophisticated, Bold & Beautiful: 6 Times Birthday Girl Aditi Rao Hydari Stuns with Her Western Wardrobe

Actress Ananya Panday is just a day away from turning 27 on October 30, 2025. While social media hints that her birthday celebrations have already begun, fans might also have a surprise waiting for them. As per the latest buzz, the first look of her upcoming film Tu Meri Main Tera, Main Tera Tu Meri is set to be unveiled on her birthday, followed by the trailer launch on co-star Kartik Aaryan’s 35th birthday, November 22.

Yes, you read that right! A report by Mid-Day quoted a source saying, “The team wanted the first-look reveal to feel special, and Ananya’s birthday felt like the perfect occasion.” The insider further added, “Through their marketing strategy, the makers want to celebrate both leads—first Ananya with the poster, then Kartik with the trailer.”

Meanwhile, Kartik recently opened up about reuniting with Ananya after Pati Patni Aur Woh. In a conversation with Hindustan Times, he said, “The film has shaped up beautifully; it’s got that perfect mix of heart, fun, and festive energy. We had a blast shooting it, and that vibe translates on screen. Reuniting with Ananya was like picking up where we left off—she was a total live wire on set. She’s going to surprise everyone. I’m sure the audience will enjoy our chemistry as Ray and Rumi in this fun, refreshing rom-com.”

For the unversed, Tu Meri Main Tera, Main Tera Tu Meri marks Kartik’s first collaboration with Karan Johar’s Dharma Productions, while it will be Ananya’s sixth project under the banner after Student Of The Year 2, Gehraiyaan, Liger, Call Me Bae, and Kesari Chapter 2: The Untold Story of Jallianwala Bagh. Besides this, Ananya also has her seventh Dharma project, Chand Mera Dil, co-starring Lakshya Lalwani, in the pipeline. So far, only the announcement video of Tu Meri Main Tera… has been released. The film is directed by Sameer Vidwans.

Also Read: 5-Day Extended Weekend & Festive Fervour: Kartik Aaryan–Ananya Panday’s Tu Meri Main Tera Main Tera Tu Meri hits the most LUCRATIVE box office window of the year

Actors Rahul Bhat and Dia Mirza are all set to share the screen for the first time in an untitled love story helmed by Indo-German filmmaker Kanwal Sethi. The upcoming film, produced by Kovid Gupta Films, is said to explore love and human emotions through a mature and soulful lens, blending poetic storytelling with contemporary realism.

Rahul Bhat, known for his sharp script choices and impactful performances, continues to strengthen his reputation as one of Indian cinema’s most versatile actors. Following his acclaimed role in Black Warrant and his festival-favourite turn in Kennedy, Bhat will soon be seen in The Wives directed by Madhur Bhandarkar, as well as his Hollywood debut Lost & Found In Kumbh, alongside other upcoming projects.

The film also marks a refreshing collaboration with Dia Mirza, whose grace and emotional authenticity have long resonated with audiences. Having consistently chosen meaningful and socially conscious projects, Dia brings her characteristic depth and poise to this story of nuanced relationships.

Director Kanwal Sethi, celebrated for his work in both Indian and international cinema, is known for crafting intimate human stories with universal resonance. His upcoming venture is expected to capture the lyrical essence of romance while delving into the emotional complexities of modern love.

The project is being produced by Kovid Gupta, a filmmaker, screenwriter, and author who founded Kovid Gupta Films in 2018 with a focus on creating meaningful and engaging cinema. A former Head of Business Development at Vinod Chopra Films, Gupta is also the author of two bestselling books — Kingdom of the Soap Queen: The Story of Balaji Telefilms and Redrawing India: The Teach For India Story.

While details about the title, supporting cast, and release timeline remain under wraps, industry insiders suggest the film will be a visually rich and emotionally charged story that traverses cultural and emotional landscapes.

With Kanwal Sethi’s cross-cultural sensibilities, the fresh pairing of Rahul Bhat and Dia Mirza, and Kovid Gupta’s vision as producer, this untitled love story is already shaping up to be one of the most anticipated cinematic collaborations of the year.

Also Read: Crafted for Rs 54.5k, Dia Mirza’s Zari-Linen ensemble is quiet luxury done right!

Fans of Partner have reason to rejoice — Salman Khan and Govinda might soon share screen space again. After weeks of speculation, a source close to the development has confirmed that the two stars are indeed coming together for a new project.

“Yes, Salman Khan and Govinda are coming together for a project. The film is currently in the early stages and yet to be titled. Details are being kept under wraps for now, but fans can definitely expect a grand reunion of this iconic duo,” the source revealed.

The duo last worked together in David Dhawan’s 2007 comedy Partner, which became a massive box office hit and remains one of Bollywood’s most loved comedies. Their effortless chemistry and comic timing were widely appreciated, making them one of the most memorable on-screen pairs of that era.

The news gained traction after Salman Khan recently hinted on an episode of Bigg Boss that a collaboration with Govinda might be on the cards. While no official announcement has been made yet, fans have already flooded social media with excitement, hoping this reunion leads to another laughter-filled entertainer.

Also Read: Salman Khan never made Govinda feel his career was struggling during Partner shoot, reveals Deepshikha Nagpal

An upcoming film of Isha Koppikar titled Rocketship, has achieved a significant milestone, being officially selected for two prominent international film festivals — the Dadasaheb Phalke International Film Festival (DPIFF) 2026 and the Mokkho International Film Festival 2025.

The Dadasaheb Phalke International Film Festival is regarded as one of India’s most respected platforms for recognizing cinematic talent, both domestic and global. The inclusion of Rocketship in its lineup marks an important achievement for the team, especially since the film was made in collaboration with students from Whistling Woods International, the film school founded by Subhash Ghai.

Koppikar’s decision to work with the academy’s students stemmed from her desire to support emerging voices in cinema. The collaboration allowed young filmmakers to gain hands-on experience while working on a professional feature film — an initiative that reflects her intent to contribute to the growth of new talent in the industry.

Sharing her reaction to the selection, Isha Koppikar said, “This is such an honour not just for myself, but for the entire team behind Rocketship, who relentlessly worked towards making it. Dreams indeed take flight, and I am so happy for all the recognition that Rocketship and the team are getting. I am especially happy for the students, who literally began their careers from scratch, working hard on the film, and are about to get their due recognition. Being selected for the Dadasaheb Phalke International Film Festival is a huge accomplishment, and I couldn't be prouder of what they have achieved. I am convinced these kids will be going places in the future.”

The film’s trailer, released earlier this month, has already drawn attention for its emotional depth and compelling premise. Rocketship tells the story of the unbreakable bond between a mother and daughter — exploring themes of strength, resilience, and aspiration through a heartfelt narrative.

Produced by Harmanraai Singh Sehgal and directed by Arjun Menon, with a screenplay also penned by Menon, Rocketship features Isha Koppikar alongside child actor Amayira Sharma in pivotal roles. The dual festival selection marks a key step forward for the project, signalling growing recognition for the team’s effort to blend heartfelt storytelling with new creative talent.

Also Read: Isha Koppikar reminisces 19 years of Shah Rukh Khan starrer Don: “Some films don’t just stay on screen, they stay in your soul”

National Award-winning actor Parvathy Thiruvothu is set to spearhead Don Palathara’s next directorial venture, co-starring the acclaimed filmmaker-actor Dileesh Pothan, in what promises to be one of Malayalam cinema’s most compelling creative unions. This project marks Parvathy’s first collaboration with Don Palathara and Dileesh Pothan, two of the most respected creative voices in Malayalam cinema today.

Director Don Palathara's cinema is known for its subtle emotional layers and exploration of human relationships - a perfect match for Parvathy’s nuanced performances. Her co-star in the upcoming film - Dileesh Pothan is one of Malayalam cinema’s most formidable forces, an award-winning director and an actor praised for his restrained yet impactful screen presence.

Though details about the storyline are currently under wraps, the film is touted to be an emotionally power-packed drama that will be shot extensively across Kerala and is set to go on floors soon.

Parvathy says, "Don Palathara’s movies hold up a mirror to how we live and love, often without judgment or noise. To step into that kind of world as an actor is very liberating. His films have a powerfully meditative. He invites us to actively engage in reflecting on how we live. As an actor, I find that kind of space exhilarating because it demands that you unlearn performance and simply be. This is also incredibly challenging. Working with him has been on my wishlist for a while and I'm thrilled that this project came my way. And to share the screen with Dileesh, someone whose creative sensitivity I’ve admired for years, feels like an opportunity to be a student again"

The announcement comes at an exciting time for Parvathy, who recently made headlines for leading Hrithik Roshan’s debut production Storm and reuniting with filmmaker Bejoy Nambiar after 13 years since Maryan.

With Don Palathara’s storytelling, Dileesh Pothan’s artistry, and Parvathy Thiruvothu’s emotional prowess coming together for the first time, this collaboration hints at the beginning of a conversation Malayalam cinema has been waiting to have.

Also Read: After Storm announcement, Parvathy Thiruvothu hints at collaboration with Bejoy Nambiar

It’s been four days since Malaika Arora celebrated her birthday in Goa, but conversations around her age continue to dominate social media. While Malaika and her friends have maintained that she turned 50 this year, many netizens insist she is actually 52.

Amid the ongoing online debate, the actress recently shared glimpses of her birthday celebrations on Instagram. Her post featured multiple photos from the intimate bash, along with a heartfelt note that read, “My heart is full. Thank you all for the love, the wishes, and for making my 50th truly special. A special thank you to the wonderful people who helped me plan and create such a beautiful celebration.”

The post quickly went viral, drawing thousands of reactions. While many fans showered her with love and birthday wishes, the comments section was dominated by users questioning her age. One wrote, “50?? I thought she was 52. Born in ‘73,” while another commented, “You’re gorgeous, but how come you’re 50? You were born in 1973, right? Just own it — you look amazing at 52 or even 54!” A third user quipped, “Agle saal 48 ho jana… do saal pehle bhi 50th, this year also 50th.”

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Although the actress has remained tight-lipped about the renewed age debate, she has previously spoken about being age-shamed online. A few months ago, in an interview with Pinkvilla, Malaika admitted that being called “buddhi” (old woman) often triggers her. She said, “For me, ‘buddhiya’ — how can you even say something like that to somebody? Kabhi kabhi ye trigger karta hai (Sometimes, it triggers me) because it’s extremely insensitive. People only see the brave persona. They think ‘khush lag rahi hai’ (she looks happy), but they don’t realize there are so many things that can actually trigger or upset you.”

Also Read: Inside the glam birthday bash of Malaika Arora in Goa: Farah Khan drops fun video; Arhaan Khan joins the celebrations

The cast and creative team of the beloved sitcom Sarabhai Vs Sarabhai paid an emotional final tribute to veteran actor Satish Shah, who passed away at age 74 in Mumbai due to kidney failure. As a unique gesture during Shah's last rites at the Pawan Hans crematorium, the show's stars sang the series' theme song to his pyre, bidding tearful farewell to the man who played the iconic Indravadan Sarabhai.

Prominent members of the ensemble—including Deven Bhojani, Rajesh Kumar, Sumeet Raghavan, Rupali Ganguly, Paresh Ganatra, producer JD Majethia, and writer Aatish Kapadia—attended Shah’s funeral and joined together for the emotional singing.

Bhojani, who also directed the show, shared a video of the farewell with the words, “May look mad, dark, weird whatever but we always sing this when together & today was not an exception. Felt as if INDU himself insisted and joined us. #RIP #SatishShah ji I am blessed to have directed you in #sarabhaivssarabhai You’ll live forever in our hearts”.

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  A post shared by Deven Bhojani (@devenbhojani.official)

Rajesh Kumar, who played Rosesh Sarabhai, posted: “The final bye.. could not have been complete without #sarabhai song.. LONG LIVE INDU.. kaka did you hear.. I also tried to sing.” Fans online were deeply moved by this act, commenting on the high emotional quotient and calling it a “TRUE tribute by the best team to the great artist” and “a beautiful way to bid farewell to everyone’s beloved Indravadan Sarabhai.” Others reflected on the enduring value of lifelong friendships, which this gesture exemplified.

Satish Shah’s prayer meet was held in Mumbai after his funeral. Though Shah has played a variety of roles throughout his extensive career, his portrayal of Indravadan Sarabhai remains his most cherished, bringing joy and laughter to millions.

Also Read: Why Sarabhai vs Sarabhai flopped initially? Producer JD Majethia blames “mediocre people” for seeking “light-hearted stuff”; says, “They don’t want to use their brains”

Actor Salman Khan is at the center of a major international controversy after reportedly being declared a terrorist by the Balochistan government. The development follows his comments during an address at the Riyadh Forum, where he appeared to refer to Pakistan and Balochistan as separate countries—a statement that quickly went viral and sparked intense debate online.​

According to widely shared posts on social media platform X, it is alleged that the Balochistan government has added Salman Khan’s name to Pakistan’s ‘Fourth Schedule’ under the country’s Anti-Terrorism Act (1997). This schedule is used to monitor individuals suspected of connections to extremist or banned organizations. If Salman Khan’s name is indeed on the list, it would subject him to strict legal scrutiny, travel restrictions, and ongoing government vigilance.

A notification dated October 16, 2025, attributed to social media user Nasir Azeem, has been circulated as evidence of the declaration. The document names Salman as an “Azad Balochistan Facilitator”; however, as of now, no credible Pakistani media outlet or official government channel has confirmed the document’s authenticity, raising questions about the veracity of the claims.

The uproar began after a video clip from the Riyadh Forum showed Salman Khan, while discussing the influence of Indian films in the Middle East, remarking that there are people in Saudi Arabia from “Balochistan, Afghanistan, Pakistan,” appearing to mention Balochistan separately. Bollywood stars Shah Rukh Khan and Aamir Khan were also present on stage at that moment.

Salman’s statement was, “Right now, if you make a Hindi film and release it in Saudi Arabia, it will be a superhit. If you make a Tamil, Telugu, or Malayali film, it will do hundreds of crores in business because so many people from other countries have come here. There are people from Balochistan, there are people from Afghanistan, there are people from Pakistan, everyone is working here”.

As it stands, Salman Khan has not commented publicly on the controversy, and the Balochistan government has not released any official statement confirming his inclusion on the Fourth Schedule of Pakistan’s Anti-Terrorism Act. The situation continues to develop, with observers awaiting authoritative clarification.

Also Read: Salman Khan separates ‘Balochistan’ from ‘Pakistan’ at Joy Forum 2025; sparks debate online

Hrithik Roshan and Saba Azad continue to set couple goals with their effortless chemistry and quiet yet heartwarming public appearances. On Sunday, Saba took to Instagram to share a candid moment from her vacation with Hrithik, where the two were seen enjoying a peaceful stroll on the streets abroad.

In the picture, the couple looked relaxed and happy as they embraced the winter chill in casual, comfy outfits that included caps and beanies. While the exact location wasn’t revealed, the photo exuded an unmistakable sense of warmth and togetherness. Sharing the snap, Saba captioned it, “Nothing better than winter walking!!” — a line that perfectly captured the simple joy of their moment.

Fans were quick to flood the comment section with heart emojis and affectionate messages for the duo. From dropping heart emojis to admiring their chemistry, netizens couldn’t stop gushing over the lovebirds.

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  A post shared by Saba Azad (@sabazad)

The couple, who have been dating for a while, often share glimpses of their bond on social media, though they prefer to keep things private most of the time. Their mutual support for each other’s professional journeys has often been noticed by fans.

Recently, Saba Azad earned widespread praise for her compelling performance in Songs of Paradise, streaming on Amazon Prime Video. The film, inspired by true events, has been receiving appreciation for its storytelling and emotional depth. Hrithik Roshan was among the first to shower praise on Saba, sharing a heartfelt message of encouragement and pride on social media.

Meanwhile, Hrithik, who was last seen in War 2, has an exciting slate of projects ahead. The superstar is gearing up for his debut venture as a web-series producer with Storm on Amazon Prime Video which incidentally will also feature Saba in a key role. In addition, fans are eagerly awaiting updates on Krrish 4, the next chapter in his iconic superhero franchise.

With both Hrithik and Saba shining in their respective spaces, the couple’s winter getaway seems like the perfect pause before diving into another busy year ahead — and their latest picture only proves that love and warmth never go out of season.

Also Read: Hrithik Roshan cheers for Saba Azad as he poses for a ‘sunny selfie’ with Songs of Paradise director Danish Renzu

In today's times, it is rare for a significant film to be released in cinemas without an OTT deal in place. Earlier this year, Aamir Khan chose this unconventional path with Sitaare Zameen Par. And now Ek Deewane Ki Deewaniyat is a rare film where the makers haven't given away the rights to any OTT platform. Ek Deewane Ki Deewaniyat's writer-director Milap Zaveri spoke about this aspect in an exclusive interview with Bollywood Hungama.

Milap Zaveri said, "There's a reason why I call my producer Anshul Garg as 'Sher Garg'. He was wooed by OTT platforms. But he made it clear that he didn't want to sell the film's digital and satellite rights before release. This is because he had immense faith in the film. He made it clear that he had made the film for cinemas and only after the theatrical release will he decide which platform the film should be premiered on."

Milap Zaveri also said, "It needs jigra to have such confidence."

The price for a film's OTT premiere is often related to its box office performance. Hence, now with Ek Deewane Ki Deewaniyat succeeding at the box office, it is sure to fetch a better price. Milap Zaveri excitedly agreed, "For sure!"

Also Read: Milap Zaveri ECSTATIC with Ek Deewane Ki Deewaniyat’s success: “Harshvardhan Rane has given me one of my BIGGEST hits”; also reveals, “We shot the film in JUST 35 days…”

Hrithik Roshan and Saba Azad, one of Bollywood’s most admired couples, recently brightened up social media with a cheerful glimpse. The duo, joined by filmmaker-musician Danish Renzu, were seen soaking in the sunshine as they posed for a happy selfie together. The photo, shared by Hrithik on his Instagram handle, instantly caught the attention of fans for its warmth and simplicity.

In the caption, Hrithik wrote, “Happy holidays!! Catching the sun with these two supremely talented humans!!” The actor also used the opportunity to extend support to Saba’s latest release Songs of Paradise, adding, “If you haven’t seen Songs of Paradise yet do yourselves a favor and go watch it now!! @danishrenzu @sabazad.” His affectionate shoutout not only reflected the couple’s camaraderie but also spotlighted Saba’s growing recognition as an actress and musician.

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Directed by Danish Renzu, Songs of Paradise is a 2025 Hindi-language biographical musical drama that has been streaming on Amazon Prime Video since August 29. The film, produced by Ritesh Sidhwani, Farhan Akhtar, Shafat Qazi and Danish Renzu under Excel Entertainment, tells the inspiring story of a Kashmiri woman who dreams of becoming a singer, drawing inspiration from the life and legacy of Raj Begum — the Melody Queen of Kashmir and recipient of the Padma Shri and Sangeet Natak Akademi Awards.

Saba Azad features in the lead role, alongside Soni Razdan, Zain Khan Durrani, Taaruk Raina, Lillete Dubey, Sheeba Chaddha, Shishir Sharma and Lalit Parimoo. The film’s screenplay, penned by Renzu and Sunayana Kachroo with dialogues by Niranjan Iyengar, has been praised for its emotional depth.

Meanwhile, Hrithik Roshan has been keeping busy on the professional front as well. The actor is stepping into the web-space as a producer with his banner HRX Films, backing his first series Storm. The project stars Parvathy Thiruvothu, Alaya F, Srishti Shrivastava, Rama Sharma and Ashish Vidyarthi, and promises an intense, character-driven narrative.

With Songs of Paradise earning critical acclaim and Hrithik’s new venture on the horizon, both stars are clearly shining bright — on and off the screen.

Also Read: Rajat Bedi opens up on failing to shine in a scene in Koi… Mil Gaya: “I wasn’t a mature actor back then…”

The grand Diwali release Thamma is a part of the much-loved Maddock Horror Comedy Universe and hence, it was expected that characters from the earlier films will make it in the Ayushmann Khurrana-starrer. Way back in July, Bollywood Hungama had revealed that Varun Dhawan appears in the film, reprising the role of Bhediya. We also stated that the actor shot for 6 days and the scene in question would be a visual spectacle. Bollywood Hungama has now stumbled upon some fascinating details.

A source told us, “The makers decided to go all out with the scene of Betaal vs Bhediya. Hence, a mind-boggling amount of Rs. 20 crores was spent just on that sequence. Producer Dinesh Vijan was clear – the fight scene should have top-class VFX that should stun the viewers. After all, the scene is very crucial for the future of the universe.”

The source further said, “Amar Kaushik, the founder and mentor of the Maddock Horror Comedy Universe, serves as the producer of Thamma. But for the crucial scene of Bhediya, he was present on the set to supervise. A lot was at stake; so, Amar decided to be present when the scene was being filmed. Thamma’s director, Aditya Sarpotdar, was informed about it in advance and he understood Amar’s point of view. He was more than happy to have Amar on the set and was also more than happy to take his valuable inputs.”

Thamma starred Ayushmann Khurrana, Rashmika Mandanna, Nawazuddin Siddiqui and Paresh Rawal.

The breathtaking Betaal vs Bhediya showdown left the audience in awe, blending cutting-edge VFX with Amar Kaushik’s trademark storytelling flair. With Thamma now cementing the foundation for the next chapter in the Maddock Horror Comedy Universe, fans can expect even grander crossovers and deeper connections in the films to come.

Also Read: Flam and Maddock Films bring India’s FIRST 3D mixed-reality experience to Thamma

Acclaimed actor Nawazuddin Siddiqui, who recently stepped into the comedy-horror genre with Thamma, is overwhelmed by the love his character Yakshasan has been receiving from audiences. Known for his versatility and commitment to his craft, the actor shared that he is deeply thankful for the appreciation coming his way.

Expressing his gratitude, Siddiqui said, “Main bahut grateful hoon ki log Thamma mein mera character Yakshasan ko itna pasand kar rahe hain (I am very grateful that people are liking my character Yakshasan in ‘Thamma’ so much).”

The actor further reflected on his philosophy toward acting and the connection he shares with his viewers. “Honestly, main bas apna kaam karta hoon… aur jab audience appreciate karti hai, toh bahut khushi hoti hai. Ye support mujhe aur mehnat karne ki inspiration deta hai, aur main har role mein apna best dena chahta hoon (Honestly, I just do my work… and when the audience appreciates it, it brings me immense joy. This support inspires me to work even harder, and I want to give my best in every role),” he said.

Siddiqui also expressed admiration for the film’s creative team, extending heartfelt thanks to its makers. “Is safar mein, main dil se thanks kehna chahta hoon director Aditya Sarpotdar ji ka. Saath hi, mera shukriya hai to the producers Dinesh Vijan ji aur Amar Kaushik ji ka, aap sab ne is kahani ko zinda kar diya (On this journey, I want to sincerely thank director Aditya Sarpotdar, and at the same time, I am grateful to the producers Dinesh Vijan and Amar Kaushik—you all have brought this story to life),” he said.

He concluded by acknowledging the unwavering support of fans, “Aur sabse bade thanks aap sab audience ko aapke pyaar ke bina yeh mumkin nahi hota (And the biggest thanks goes to all of you, the audience; without your love, this wouldn’t have been possible).”

Thamma, which also stars Rashmika Mandanna and Ayushmann Khurrana, is set in a fictional world. The film follows a determined historian who delves into ancient manuscripts, uncovering dark secrets about local vampire myths as supernatural forces begin to awaken.

Also Read : EXCLUSIVE: Nawazuddin Siddiqui reveals the Ayushmann Khurrana roles he’d love to attempt — and gets latter’s seal of approval!

Director Sandeep Reddy Vanga dropped a special birthday surprise for rebel star Prabhas, giving fans a glimpse into their much-awaited collaboration, Spirit, backed by producer Bhushan Kumar. The gesture has stirred excitement across the industry, with anticipation now running high for this powerful duo’s next venture.

On the occasion of Prabhas’s birthday, the Animal director unveiled what he called a “Sound Story” an audio teaser that introduces the tone and atmosphere of Spirit in an innovative way. Sharing the announcement on social media, Vanga wrote,

“Happy Birthday Prabhas anna. Presenting a ‘SOUND-STORY’ in five Indian languages straight from the heart, for every fan who’s felt his…”

The “Sound Story” opens with a prison sequence where a jailer instructs his team to treat a former police officer-turned-prisoner like any other inmate. The moment that captured everyone’s attention is when Prabhas’s voice calmly declares, “Sir, since childhood I have one bad habit.”

Backed by T-Series and Bhadrakali Pictures, Spirit is set to be a grand-scale pan-world entertainer. With Prabhas taking on the role of a fierce and intense cop, and Triptii Dimri bringing her distinctive screen presence to the narrative, Spirit is shaping up to be one of the most anticipated films on the horizon.

Released in five languages Telugu, Hindi, Tamil, Kannada, and Malayalam the audio teaser has already generated massive buzz online. By releasing it on Prabhas’s birthday, Sandeep Reddy Vanga and Bhushan Kumar have not only given fans a powerful glimpse into their next collaboration but also reaffirmed Prabhas’s stature as, in Vanga’s words, “India’s biggest superstar.”

Also Read: Deepika Padukone BREAKS SILENCE on 8-hour workday demand after exit from Spirit and Kalki sequel: “If that comes across as pushy, so be it”

Sunny Deol has set social media alight with the announcement of his next venture titled Ikka, unveiling a gripping motion poster that promises a hard-hitting cinematic experience.

On his Instagram page, Sunny shared the motion poster along with the caption, “Naa koi ghulam, naa koi badshah sirf IKKA.” The phrase immediately set the tone suggesting a story of resistance, authority and personal power.

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  A post shared by Sunny Deol (@iamsunnydeol)

The first look arrives soon after Sunny also announced another film, Gabru, which is slated for release in theatres on 13 March 2026. While details such as cast and storyline for Ikka are still under wraps, the poster has already become a talking point among fans and media alike. Actress Ameesha Patel responded to the reveal by commenting simply, “Handsomee.”

Sunny, whose recent revival in the blockbuster Gadar 2 reaffirmed his action-hero credentials, appears to be returning to his forte with Ikka. Given his track-record of intense, themes-driven roles, the film is being watched closely for how it shapes up.

The motion poster marks a strategic teaser move keeping the audience intrigued. While the full narrative and ensemble remain unrevealed, the bold announcement underlines Sunny Deol’s intent to deliver another powerhouse outing.

As excitement builds, industry insiders and fans alike will be on the lookout for further updates cast announcements, director reveal, production house details, and other key information that will flesh out what Ikka truly stands for.

Also Read : Sunny Deol announces his next film Gabru, set to release in March 2026

Veteran actor and filmmaker Govardhan Asrani, fondly known as Asrani, passed away in Mumbai on October 20 after a prolonged illness. He was 84. Remembered for his impeccable comic timing and a career spanning over five decades, Asrani’s passing has left the Indian film fraternity mourning the loss of a true legend.

Among the many who paid their respects was actor Boman Irani, who took to social media to share a heartfelt note about his recent experience of working with the late actor. Reflecting on their time together, Irani revealed that they had collaborated just ten days before Asrani’s passing.

In his post, Irani wrote, “Around ten days ago, I had the privilege of working with Asrani ji for the first time. For the shot, I was meant to be injured and on the floor. He, the doctor, had to rush in and help me. While he needed a little help in the dark walking around the crowded set, the magical word ‘action’ had another meaning for him.”

The actor went on to describe how Asrani, despite his frail health, transformed into a burst of energy once the cameras started rolling. “Like a live wire, he rushed into the room and instinctively landed on the floor on hands and knees, attending with urgency to the sprawled me. On ‘cut,’ he needed a little help off the floor. But his commitment to the whirring camera will remain with me forever.”

Irani concluded his note with a poignant remark about Asrani’s lifelong dedication to his craft: “Till the very end, there was nothing else in the world that he was meant to do. He will be in his onward place doing nothing else but responding to ‘Action’ and doing what made him and others happy.”

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Known for his memorable roles in classics such as Sholay, Chupke Chupke, Aaj Ki Taaza Khabar, and Amar Akbar Anthony, Asrani has left behind a rich cinematic legacy.

Also Read: Emotional Priyadarshan recalls Asrani’s final days; says, “His last shot was for Haiwaan”

Aditya Chopra’s classic Dilwale Dulhania Le Jayenge completed 30 years earlier this week. Starring Shah Rukh Khan, Kajol, Amrish Puri and Farida Jalal in pivotal roles, the film redefined romance in Hindi cinema. It continues to warm the audience’s hearts even after three decades.

One of the major reasons for the film’s success were the dialogues penned by the veteran writer and literary figure Javed Siddiqi, along with Aditya Chopra. In an exclusive interview with Bollywood Hungama, Siddiqi said that it’s a moment of happiness not just for him but everyone associated with the film to see the love pouring in even after these many years.

Didn’t expect the film to become a classic hit

Siddiqi said that they never expected the film to become so big while they were working on it. “When a film is being made for which writers, director and all come together, they always think that they are making a major and successful film,” he said. “Now, whether it happens depends on different factors. I always say that while cooking if you add the right ingredients in the right manner, the dish becomes tasty, else it turns out to be bland. The same is the case in films, if all the things are present as per requirements.”

He elaborated, “Now, the likes and dislikes of the audience change after every 10 years. It is important to write or make something while keeping in mind what people in the current era would like. There is surely a risk factor in it. It is important for the maker to be farsighted. When we were making this film, nobody had an idea that it would become such a big hit.”

Aditya Chopra showed immense maturity in his first film itself

Siddiqi noticed various fine qualities in Aditya Chopra while working on the film despite it being the latter’s debut. “Adi is a sincere and intelligent man,” he said. “Most importantly, his dedication is remarkable. He is so involved in his work that he doesn’t think of anything else in the world. If he is convinced about what he is doing is right, he won’t listen to anyone. This is a very good quality. If a person doesn’t believe in himself, he easily believes in what others tell him. Self-confidence is very necessary for a filmmaker, which Adi possesses.”

The writer added, “Whatever he thought at that time, was right as per that era. The credit of adding all the ingredients in the film goes to him. As a seasoned writer, I can say that the field that he chose for his film was such that its chances of failure are generally low if done well.”

What a senior Yash Raj Film official said about the film

Siddiqi narrated a funny incident of a person working in Yash Raj Films at that time having no confidence in the film while it was being made. “Someone working at a high post at Yash Raj Films told me to ask Yash ji (Yash Chopra) why is he making such a film. I asked him why is he saying that. He said, ‘Is this a film? It’s a travelogue’ (laughs). Woh sahab pata nahin ab zinda hai ki mar gaye, but I always remember this jumla of his. I feel it became a memorable travelogue,” said the veteran writer.

Love vs traditional values have always worked in Indian cinema

Siddiqi pointed out that the conflict in DDLJ was something that has always worked in our movies. “If you look back at the history of Indian cinema, whenever we have shown a clash between love and traditional values, those films have become classics,” he said. “For example, Mughal-e-Azam, Pakeezah, Qayamat Se Qayamat Tak, Ek Duuje Ke Liye, Kabhi Khushi Kabhie Gham, etc. Similarly, Dilwale Dulhania Ke Jayenge had a new sort of romance and the centuries’ old traditions and values of Punjab. It had a no-go situation and a question as to how these lovers will come out of it.”

The reason behind Kajol being called ‘Senorita’ in the film

During the initial phase of the bond between SRK and Kajol in the film, the former addresses the latter as ‘Senorita’. Revealing the reason behind this, Siddiqi said, “A lot of people, including Yash ji, asked me, ‘What is Senorita, Javed sahab?’ I said, ‘What else can he call her?’ He can’t call her ‘devi’, ‘lady’, ‘madam’ or even ‘behen ji’. Plus, I always see a Spanish girl when I look at Kajol. Her features are very Spanish. This is what I feel. I had said this to Kajol as well. Hence, we went ahead with Senorita and it worked.”

Lines like “Bade bade deshon mein aisi…” and “Jaa Simran jaa” becoming iconic

DDLJ has a few lines that have become memorable over the decades. One such dialogue mouthed by Shah Rukh’s character is, ‘Bade bade deshon mein aisi chhoti chhoti baatein hoti rehti hain, Senorita’. “It’s a cheesy line,” Siddiqi said, “which he repeatedly says to control a particular situation. Even when we talk, we say things like, ‘Jaane do yaar, yeh sab toh hota rehta hai’. It is the same thing; just the wordings got changed.”

Coming to ‘Jaa Simran Ja’, the veteran writer added, “When Simran asks for permission from her father (Amrish Puri) for the Euro trip at the start, he says the same dialogue. So, they also used it in the end by keeping the earlier situation in mind and used it very well.”

Thoughts and expectations while writing such dialogues

Siddiqi said that one doesn’t think that a particular line will receive claps or become hit or iconic while writing. “I have written several dialogues that have been popular for years,” he said. “Around 40 years ago, I had written, ‘Teri jaat ka baida maaroon’, which is remembered even today. As a dialogue writer, I am giving information and fulfilling my needs through words. So, you don’t think how one particular line will be perceived.”

Citing an example of another classic Hindi film, he said, “People have been repeating the lines from Sholay, which are actually meaningless. Where is the dialogue-baazi in a line like, ‘Kitne aadmi the?’? Similarly, how did ‘Arre O Sambha’ become popular? There is no magic of dialogue baazi in this dialogue. But because people like the film, they like its characters and once they like the characters, they like everything about them.”

Also Read: Before Shah Rukh Khan-Kajol’s classic, there was another Dilwale Dulhaniya Le Jayenge — released in 1980!

Ayushmann Khurrana is all set to reunite with director Amar Kaushik after their 2019 blockbuster Bala. The duo, known for their slice-of-life storytelling that blends humour with heart, are returning with a film that promises to take their signature “common man” universe into an unexpected, larger-than-life direction.

Speaking about working with Kaushik again, but this time with him as a producer, Ayushmann shared, “With Amar, I actually have a 100% record through Bala. This is my second film with Amar.” The actor, who has built his career on portraying relatable, everyman characters, revealed that this project marks a distinct evolution for both him and the director-producer. “This time around, of course, the common man element is there in this film,” Ayushmann explained to Bollywood Hungama. “It is a transition of the common man to somebody who’s got superpowers. So that transition is happening for the first time.”

The actor hinted that while the soul of the story remains grounded, the world around it expands in scale and ambition. “It’s based in Delhi — the same story, the same middle class. But there is a huge jump from a common man story — a beta guy — to somebody who becomes an alpha. He doesn’t know how to deal with superpowers,” Ayushmann said. “So that arc I haven’t lived in any film yet, and that’s why I’m very excited about it.”

With Kaushik, known for his sharp direction in films like Stree, Bala, and Bhediya, joining Thamma as the co-producer expectations are high that the film will balance its fantasy elements with the director’s trademark humour and social resonance.

Ayushmann’s comment about navigating the transformation from “beta to alpha” suggests a fresh twist on his familiar screen persona — that of an underdog navigating extraordinary circumstances. If Bala explored insecurities and identity, this new outing seems poised to explore empowerment and self-discovery — albeit with a fantastical edge.

As for Thamma, the film, also starring Rashmika Mandanna and Nawazuddin Siddiqui, which hit screens on October 21, 2025, has opened to an encouraging start with Rs. 25.11 crores coming in. With positive reviews, strong word of mouth, and of course good content lead by a stellar cast the business prospects of Thamma that enjoys a six-day extended weekend are high. In fact, trade predicts that the collections of the film could go past the Rs. 60-70 cr mark by the end of its first weekend.

Also Read: Ayushmann Khurrana reacts to the record-breaking opening of Thamma: “It feels incredible to deliver my biggest opening with my first Diwali release”

Global star Priyanka Chopra Jonas and her husband Nick Jonas brought the sparkle of Diwali to New York as they hosted a warm, traditional celebration with friends and family. The actress took to social media to share a delightful glimpse of their festive evening in the U.S. — a beautiful mix of Indian culture, joy, and togetherness that quickly won over her fans across the world.

In the photo series, Priyanka and Nick were seen performing the Laxmi Puja along with Priyanka’s mother, Dr. Madhu Chopra, and their adorable daughter, Malti Marie. Dressed in traditional Indian attire, the family looked radiant as they offered prayers and celebrated the festival of lights with their close circle. The photos also captured the couple mingling with friends, helping children with Diwali decorations, and watching the little ones enjoy art and fun activities in true festive spirit.

Priyanka’s post beautifully reflected her connection to her Indian roots despite living abroad. She captioned it, “A little bit of this and so much of that. This Diwali was full of heart and love. Sharing this festival with people who haven’t discovered its beauty was the highlight this year. Especially Malti’s friends. Happy Diwali to everyone celebrating. May this new year bring you love, joy, prosperity, and happiness.”

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The actress’s heartfelt message resonated deeply with her followers, many of whom praised her for carrying forward Indian traditions and introducing them to a new generation. Fans especially adored the photos of little Malti, who looked endearing in her ethnic outfit and could be seen participating in the festivities with joy.

Over the years, Priyanka and Nick have made it a tradition to celebrate Indian festivals wherever they are, combining the warmth of home with their global lifestyle. Their Diwali 2025 celebration was yet another reminder of how the power couple continues to embrace their multicultural identity — radiating positivity, love, and the true spirit of togetherness.

Also Read: Priyanka Chopra celebrates Diwali in London: “I have introduced every daisy tradition”

Dayanand Shetty, known for playing the cult character of Inspector Daya in the long running crime TV show ‘CID’, is all set to release his first Hindi film as a producer, Hello Knock Knock Kaun Hai. In an exclusive interview with Bollywood Hungama, Dayanand Shetty talked about his production, casting and a lot more.

Is Hello Knock Knock Kaun Hai your first film as a producer? What made you take the plunge? I have produced a Tulu film (Yaan Superstar; 2023) before and this is our first Hindi film. Our director, Prabal Baruah sir, had a concept. When he narrated the concept to me and Aditya Srivastava sir, we realized that it was a story that deserves to be told on celluloid. The first thought that TV actors have is that we should make it into a TV show. However, the content was so well-suited that we felt that it would be ideal for a film format. Then we wondered about the finances and who would produce the film. This was around 2023, when we had just come out of Covid. We spoke to a few producers. But we feared that a producer would constantly tell us ‘Yahan paisa kaato, yahaan paisa bachao’ (smiles). We were clear that we wanted to shoot uninterruptedly. That’s when we took the onus of producing it ourselves.

Was casting yourself and Aditya Srivastava a natural decision? Yes, as the director was clear while narrating the concept that he wanted both of us in the lead cast. However, he also made it clear that our equation would be unlike the one we have in ‘CID’. He realized that even for the audience, it would be novel to see that the thick friends of ‘CID’ are sworn enemies of each other in the film. Also, we are not playing cops.

As for female characters, Sonali Kulkarni was his original choice. For the other character, we considered a few actors and finally, we zeroed in on Barkha Bisht.

Aditya Srivastava’s French beard look is quite interesting... Yes, it was intentional as all the characters have shades of grey. Until the end, the audience won’t be able to guess who is positive and who is negative. The audience would also be surprised to know about the motives.

How was the process of cutting the trailer? Was it a challenge to ensure you don’t give out important plot points while also enhancing the film’s hype? Again, the credit goes to Prabal Barua ji. He cut the promo and was clear that we have to show important plot points but also conceal the secret. There’s also a hint of eeriness. The feedback that I got from some people is that it looks like a supernatural or horror film. But it is basically a thriller mystery.

So, can we conclude that the suspense is not out yet and that we’ll be shocked with the climax? Yes, for sure (smiles).

How many days did it take the shoot the film? Prabal sir and the whole team had planned it very well. The dates were taken care of and the set was put up at the bungalow. Then the film went on floors and the shoot was wrapped up in just 17 days. We shot in the bungalow, in South Mumbai and the outskirts of the city. Everything went off smoothly and perfectly, just the way we had planned.

Since the team of ‘CID’ is a part of the cast, can we expect Shivaji Satam as ACP Pradyuman’s cameo? (Laughs) No. We did think of it, though. But then we realized that his character is so strong that we wouldn’t have been able to do justice. But apart from us, there’s also Zarina Wahab ji, Sahil Uppal and Liliput ji.

It's important for an independent film to get the right distributor. Who’ll be releasing Hello Knock Knock Kaun Hai? The film is being presented by Girish Wankhede. UFO Moviez is distributing it.

Do you have an OTT partner on board for the post-release digital premiere? As of now, we haven’t planned it. Once the film gets released, we’ll take a call.

Veteran actor Govardhan Asrani, fondly known as Asrani, passed away on Monday evening at Arogya Nidhi Hospital, Juhu, Mumbai, after battling a prolonged illness. The 84-year-old actor, celebrated for his impeccable comic timing and memorable roles across decades of Hindi cinema, left behind a legacy that few can match.

Asrani was recently working on two upcoming projects, Bhoot Bangla and Haiwaan, both of which remain unreleased. He had reportedly completed a significant portion of his shoot for the films. His co-star Akshay Kumar, who worked with him on both the films, expressed his grief on social media with an emotional tribute.

Speechless with grief at the passing of Asrani ji. We had just shared the warmest of hugs just a week back at the shoot of Haiwaan. Bahot pyare insaan the…he had the most legendary comic timing. From all my cult films Hera Pheri to Bhagam Bhag to De Dana Dan, Welcome and now our… pic.twitter.com/yo7wXnGO1Z — Akshay Kumar (@akshaykumar) October 20, 2025

Expressing his grief, Akshay wrote, “Speechless with grief at the passing of Asrani ji. We had just shared the warmest of hugs just a week back at the shoot of Haiwaan. Bahot pyare insaan the…he had the most legendary comic timing. From all my cult films Hera Pheri to Bhagam Bhag to De Dana Dan, Welcome and now our unreleased Bhoot Bangla and Haiwaan…I had worked and learned so much from him. What an absolute loss to our industry. God bless you Asrani Sir, for giving us a million reasons to laugh. Om Shanti.”

Asrani, who entertained audiences for over five decades, was a staple in Hindi cinema’s golden era of comedy. From his iconic portrayal of the jailor in Sholay to memorable roles in Chupke Chupke, Aaj Ki Taaza Khabar, and Hera Pheri, he remained a beloved figure for generations.

His funeral was held in Mumbai on Sunday night in the presence of close friends and family. The loss of Asrani marks the end of an era in Bollywood’s comedy landscape—one defined by warmth, wit, and a timeless ability to make audiences laugh.

Also Read : Akshay Kumar secures legal protection from unauthorized use of AI-generated content

Bollywood Hungama was among the first ones to confirm that Aneet Padda, who became a nationwide sensation with Saiyaara (2025), has replaced Kiara Advani in Shakti Shalini. On October 19, we also brought to you the news that Shakti Shalini’s announcement video is attached with Thamma, the grand Diwali release. And now, we bring to you another exciting update from the film. It has come to light that Shakti Shalini will release in cinemas on December 24, 2026.

Just like Thamma, Shakti Shalini also belongs to the Maddock Horror Comedy Universe. The blockbuster franchise began with Stree (2018) followed by Bhediya (2022). Munjya (2024) came next and it was a sleeper super-hit. Stree 2 (2024) emerged as the highest Bollywood grosser of all time. Thamma is the fifth film of the universe.

When Shakti Shalini starred Kiara Advani, the plan was to release it on December 31, 2025. With the Aneet Padda-starrer having moved to 2026, it means that three films of the Maddock Horror Comedy Universe will arrive next year – Shakti Shalini, Chamunda and Bhediya 2. Stree 3 will arrive in 2027. In 2028, the Maddock Horror Comedy Universe will end with a bang with three exciting movies, namely Maha Munjya, Pehla Mahayudh and Doosara Mahayudh.

Until now, prominent names are a part of this world like Shraddha Kapoor, Rajkummar Rao, Sharvari, Ayushmann Khurrana, Rashmika Mandanna, Varun Dhawan, Aneet Padda and above all, Akshay Kumar. Many more famous actors are expected to join the series in these upcoming films.

The Maddock Horror Comedy Universe has turned into India’s own Marvel-style saga — and Shakti Shalini could be the next major chapter tying all the worlds together. With each film introducing new characters and mythologies, the stage is now set for a multi-film crossover event that fans have long awaited.

Also Read: Shakti Shalini announcement video to debut with Thamma: First glimpse reveals Aneet Padda’s starring role

With the Diwali releases of 2025, namely the horror comedy Thamma and the intense romantic saga Ek Deewane Ki Deewaniyat, just a few days away, trade experts predicted about how they’ll fare in cinemas.

Film exhibitor and distributor Akshaye Rathi predicted, “Thamma is tuned to open at Rs. 20 crores possibly. As for Ek Deewane Ki Deewaniyat, there’s a serious undercurrent to it which is courtesy the music of the film. Day 1 of Deewaniyat can prove to be a head-turning surprise.”

Girish Johar, producer and film business analyst, said, “The box office has a huge capacity of Rs. 50-75 crores. How much the films would collect will depend on their capability. I’ll be happy if Thamma opens near the Rs. 20 crore mark. And if Ek Deewane Ki Deewaniyat opens near double digits, that would be great.”

Distributor and exhibitor Raj Bansal stated, “I expect Thamma to open at Rs. 15-18 crores. Ek

Deewane Ki Deewaniyat will open at Rs. 4 to 6 crores.”

But all of them agreed that the lead actors of Thamma and Ek Deewane Ki Deewaniyat – Ayushmann Khurrana and Harshvardhan Rane – are all set to deliver the biggest openers of their respective careers. Ayushmann’s biggest opener was Dream Girl 2 (2023), which opened at Rs. 10.69 crores. As for Harshvardhan, his biggest opener was Sanam Teri Kasam (2016) which earned Rs. 4 crores on the first day of its re-release.

Akshaye Rathi said, “Both these films should open significantly higher than anything that the two actors have opened in the past.”

Trade veteran Taran Adarsh agreed, “Ek Deewane Ki Deewaniyat would be Harshvardhan’s biggest opener. Thamma will also be Ayushmann’s highest opener because, firstly, it belongs to the horror comedy universe. Secondly, it’s a Diwali release and the film is backed by Dinesh Vijan. It can’t get bigger than that.”

Girish Johar also stated, “They are poised to have their biggest openers ever, unless the films are very bad and crash heavily in the evening.” Raj Bansal exulted, “Thamma will go beyond the Dream Girl 2 number as it’s a big holiday and it's the festive season. Hence, it is beyond any doubt that it would be Ayushmann’s biggest opener and the same goes for Harshvardhan.”

While it's heartening that both films will collect a maximum of Rs. 30 crores on their release day, a section of the trade and exhibitors is disheartened. After all, Diwali 2024 saw Singham Again earning Rs. 43.70 crores while Bhool Bhulaiyaa 3 accumulating Rs. 36.60 crores. In other words, both films collectively earned Rs. 80.35 crores in a day! Even other Diwali films in recent times like Tiger 3 (2023) and Sooryavanshi (2021) opened with a bang.

Taran Adarsh explained why the comparison with Diwali 2024 is unfair, “Both films don’t have such star power. Hence, we can’t compare. Singham Again had half the industry and was a big franchise. Bhool Bhulaiyaa 3, too, was a part of the brand.”

Lifetime predictions

The last film of the Maddock Horror Comedy Universe, Stree 2 (2024), collected Rs. 600 crores plus and is an all-time Bollywood grosser. Hence, can Thamma cross the Rs. 250 crore or Rs. 300 crore club and can Ek Deewane Ki Deewaniyat enter the Rs. 100 crore club?

Raj Bansal said, “It would be difficult to say unless I see the film or get to know the reports.” Girish Johar replied, “I feel this is a tall ask as of now. If they open up quite well and are fantastic, then obviously the capability is there, along with the festival period. If the content is strong, then anything can happen.”

Akshaye Rathi opined, “It depends on the merit of the film. Stree 2 collected more than Rs. 500 crores, but despite being in the same universe, Bhediya didn’t manage to cross the Rs. 100 crores mark. Interestingly, Munjya, which didn’t have any actor of this grade, managed to enter the Rs. 100 Crore Club. The universe has given Thamma the awareness and visibility, but ultimately, it’s the content of the film and the promotional material that generates buzz around it, thereby determining its fate.”

He continued, “The same goes for Ek Deewane Ki Deewaniyat. Munjya did the numbers purely on the basis of its content. Aashiqui 2 managed to over-perform back in the day purely on the basis of its music. A more recent example is Saiyaara, where the music drove the numbers rather than the actors. Even here, the music has caught on. It’s difficult to say where it’ll eventually reach, as that is determined by the film’s content. But in terms of music, we all may be in for a surprise due to the traction that the music has got so far.”

Also Read: Low buzz, high hopes: Trade optimistic that 6-day Diwali weekend will boost Thamma and Ek Deewane Ki Deewaniyat

After the debacle of War 2, director Ayan Mukerji has decided to take a backseat as the director of Dhoom 4. Sources close to the development confirm that Ayan has backed off from Dhoom 4 and, in a closed-door conversation with Aditya Chopra, conveyed his reservation. "Ayan believes that films like War 2 and Dhoom 4 were never meant for him, and he wants to do something a lot wider with scope for romance, drama with spectacle vibes and storytelling," an insider told Bollywood Hungama.

The insider informed Bollywood Hungama, "Ayan was just executing what was written on paper by Shridhar Raghavan, and had little say on the script and screenplay. He does not want to be on another journey of just execution, as he is a passionate filmmaker who prefers to exclusively work on the written material and bring more to the screen than what's written."

The source also confirms that the decision to step back from Dhoom 4 has been taken after a series of conversations with Aditya Chopra and Ranbir Kapoor. "Both Chopra and Kapoor understood Ayan's point of view and have parted ways on the right note. Ayan is now working on Brahmastra 2 and will take the film on floors in 2026. The writing work is concluded, and some polishing is going on during his stay in the Himalayas."

Aditya Chopra is meanwhile exploring more direction options. "Insiders at YRF have also suggested that the boss direct the new Dhoom film himself, as Ranbir has already allotted his dates for the new Dhoom film." A lot more drama will unfold in the days to come. Also Read: Priyanka Chopra pays a surprise visit to Durga Puja pandal organized by Kajol and Rani Mukerji’s families, poses with Ayan Mukerji and Tanishaa Mukerji