Aditya Dhar’s heartfelt encomium to Ram Gopal Varma calling him a major source of inspiration has left the filmmaker deeply emotional. Dhar had written, “I came to Mumbai years ago carrying one suitcase, one dream, and an unreasonable belief that I would one day work under Ram Gopal Varma. That never happened. But somewhere along the way, without knowing it, I worked inside your cinema. Your films didn’t teach me how to make movies they taught me how to think dangerously.”

Speaking to this writer, Ram Gopal Varma says, “I just spoke to Aditya. We had a long conversation. I feel like crying. When someone like Rajamouli or Aditya tells me that I have inspired them, I feel like that Liril soap ad from the 1970s which made the model Karen Lunel famous. But what about the soap itself?”

Varma believes that Dhurandhar has fundamentally altered the grammar of Indian filmmaking. “Like I said in my tweet, it is a quantum leap for Indian cinema, and we must celebrate its success rather than bitch about its politics. Who cares about its politics as long as it is a work that takes our cinema forward?”

Also Read: Ram Gopal Varma calls Ranveer Singh starrer Dhurandhar a turning point for Indian cinema and a wake-up call for the industry: “It is a warning to the film industry to grow up”

Dhurandhar, which is all set to become the biggest hit of the year, enters the third week of its release today. The film overperformed in its second week and is now all set for another huge week from today. The Ranveer Singh-starrer also had a release in the IMAX version. However, its IMAX run ended yesterday, on December 18.

This is because Avatar: Fire And Ash has now taken over all the IMAX screens across India and also the world. Directed by James Cameron, the fantasy drama is known for its spellbinding visuals. Hence, it makes for an ideal watch in IMAX theatres. It's no wonder that its shows in the IMAX cinemas got filled first.

Nevertheless, Dhurandhar had a glorious run in the IMAX version. The film also had a big screen appeal which enticed people to check it out in IMAX. Interestingly, the film didn’t get a release in IMAX on the day of its release due to late delivery of prints. But once the issue settled, the film managed to score big time in the wide-screen cinemas.

Avatar vs Dhurandhar update

Yesterday, Bollywood Hungama had reported that the advance booking in several one-screen and two-screen cinemas had not begun for shows from December 19 due to show-sharing issues between Avatar: Fire And Ash and Dhurandhar.

As per a trade source, “Disney, the studio releasing Avatar: Fire And Ash, has asked single-screen theatres that they want all shows for their film. In two-screen cinemas, they have asked for 5 or 6 shows. However, exhibitors are not comfortable with this directive as Dhurandhar is running very successfully. They are confident that even in its third week, the Ranveer Singh-starrer will find a huge audience, as evident by the steady footfalls the film has generated in the weekdays.”

The matter was expected to be resolved. Sadly, that hasn’t happened. The trade source informed Bollywood Hungama, “Disney was adamant about getting all shows for Avatar: Fire And Ash while the single screens requested for show sharing. With no other option, single-screen cinemas had to give up on the plan to play Avatar: Fire And Ash. Late Thursday night, they opened the advance booking and have decided to continue playing Dhurandhar with all shows until December 24.”

The only exception is PVR Le Reve, Bandra, formerly known as Globus Cinema. It’ll play Avatar: Fire And Ash with two shows a day, at 8:00 am and 7:20 pm, while Dhurandhar will be played by 11:40 am, 3:30 pm and 11:00 pm. In other words, PVR Le Reve is one of the few single screens in the whole of India that will play the James Cameron directorial.

On the other hand, all the two-screen cinemas of Mumbai have allotted 3 shows to Avatar: Fire And Ash and the remaining 6 shows to Dhurandhar.

Finally, those hoping to watch Avatar: Fire And Ash at Mumbai’s iconic G7 complex, popularly known as Gaiety-Galaxy, might be disappointed. Until December 18, bookings for Galaxy and Gemini were not opened, fuelling hope that the James Cameron directorial would find a slot in one of the two screens. However, late Thursday night, bookings for all screens were opened, and there was no listing for Avatar: Fire And Ash. Dhurandhar will continue to play in Gaiety and Galaxy, the complex’s biggest screens, while Gemini will play four shows of Kis Kisko Pyaar Karoon 2.

Also Read: Adivi Sesh BREAKS silence on Dacoit’s CLASH with Dhurandhar 2 on March 19, 2026: “I wish the sequel is world’s BIGGEST hit; jin logon ko Dhurandhar 2 ka ticket na mile, woh Dacoit dekhne aa jaaye!”

Dhurandhar, which is all set to become the biggest hit of the year, enters the third week of its release today. The film overperformed in its second week and is now all set for another huge week from today. The Ranveer Singh-starrer also had a release in the IMAX version. However, its IMAX run ended yesterday, on December 18.

This is because Avatar: Fire And Ash has now taken over all the IMAX screens across India and also the world. Directed by James Cameron, the fantasy drama is known for its spellbinding visuals. Hence, it makes for an ideal watch in IMAX theatres. It's no wonder that its shows in the IMAX cinemas got filled first.

Nevertheless, Dhurandhar had a glorious run in the IMAX version. The film also had a big screen appeal which enticed people to check it out in IMAX. Interestingly, the film didn’t get a release in IMAX on the day of its release due to late delivery of prints. But once the issue settled, the film managed to score big time in the wide-screen cinemas.

Avatar vs Dhurandhar update

Yesterday, Bollywood Hungama had reported that the advance booking in several one-screen and two-screen cinemas had not begun for shows from December 19 due to show-sharing issues between Avatar: Fire And Ash and Dhurandhar.

As per a trade source, “Disney, the studio releasing Avatar: Fire And Ash, has asked single-screen theatres that they want all shows for their film. In two-screen cinemas, they have asked for 5 or 6 shows. However, exhibitors are not comfortable with this directive as Dhurandhar is running very successfully. They are confident that even in its third week, the Ranveer Singh-starrer will find a huge audience, as evident by the steady footfalls the film has generated in the weekdays.”

The matter was expected to be resolved. Sadly, that hasn’t happened. The trade source informed Bollywood Hungama, “Disney was adamant about getting all shows for Avatar: Fire And Ash while the single screens requested for show sharing. With no other option, single-screen cinemas had to give up on the plan to play Avatar: Fire And Ash. Late Thursday night, they opened the advance booking and have decided to continue playing Dhurandhar with all shows until December 24.”

The only exception is PVR Le Reve, Bandra, formerly known as Globus Cinema. It’ll play Avatar: Fire And Ash with two shows a day, at 8:00 am and 7:20 pm, while Dhurandhar will be played by 11:40 am, 3:30 pm and 11:00 pm. In other words, PVR Le Reve is one of the few single screens in the whole of India that will play the James Cameron directorial.

On the other hand, all the two-screen cinemas of Mumbai have allotted 3 shows to Avatar: Fire And Ash and the remaining 6 shows to Dhurandhar.

Finally, those hoping to watch Avatar: Fire And Ash at Mumbai’s iconic G7 complex, popularly known as Gaiety-Galaxy, might be disappointed. Until December 18, bookings for Galaxy and Gemini were not opened, fuelling hope that the James Cameron directorial would find a slot in one of the two screens. However, late Thursday night, bookings for all screens were opened, and there was no listing for Avatar: Fire And Ash. Dhurandhar will continue to play in Gaiety and Galaxy, the complex’s biggest screens, while Gemini will play four shows of Kis Kisko Pyaar Karoon 2.

Also Read: Adivi Sesh BREAKS silence on Dacoit’s CLASH with Dhurandhar 2 on March 19, 2026: “I wish the sequel is world’s BIGGEST hit; jin logon ko Dhurandhar 2 ka ticket na mile, woh Dacoit dekhne aa jaaye!”

Filmmaker Sandeep Reddy Vanga has shelved his New Year’s break plans in order to push ahead with filming on his highly anticipated cop action drama Spirit, starring Prabhas, Triptii Dimri and Vivek Oberoi. The decision was taken to fast-track production so the project can meet its planned mid-2027 release timeframe, according to a report by Mid-Day.

Originally, Spirit was scheduled to shoot its first schedule through December and then pause for a New Year break. However, Vanga and his team decided to continue filming through the New Year’s week, with production now expected to run until at least the first week of January before a short pause. The report quoted a source close to the film revealing that the director called off holiday plans in a bid to wrap up the shoot ahead of schedule.

The movie marks Vanga’s first collaboration with both Prabhas and Vivek Oberoi. Insiders say the director is planning distinctive looks for the stars — a move reminiscent of how Vanga’s previous film Animal presented Bobby Deol in an unexpected avatar — indicating that Spirit will continue the filmmaker’s signature visual and narrative style.

Spirit began shooting on November 27 in Hyderabad, and the extended schedule means the cast and crew are now working through late December and into January to keep the production on track.

As it stands, Spirit is shaping up to be one of the most closely watched Indian films of 2027, powered by its high-profile star cast and the creative vision of one of Bollywood’s most discussed directors.

Also Read: 2 Years of Animal EXCLUSIVE: Khushaal Pawaar shares FASCINATING secret behind casting process: “Sandeep Reddy Vanga DIDN’T provide us with a script; a FIRST-ever such experience for me…you CANNOT manipulate him”

Indian film star Sara Ali Khan has been officially announced as the latest Friend of the Brand for iconic Swiss watchmaker Longines, marking a significant collaboration between one of Bollywood’s most admired young actresses and a heritage luxury timepiece house. The announcement was shared widely across media today following a press release and Sara’s own social media post, where she expressed her excitement over the partnership.

Sara took to Instagram to share the news with her followers, writing, “I’m delighted to share that I’ve joined the Swiss watch brand LONGINES as a Friend of the Brand. Its timeless elegance, rich heritage and authenticity have long inspired me and I cannot wait to show you what’s ahead! #Longines #ElegancelsAnAttitude #LonginesPrimaluna.” This message reflects her personal admiration for the brand’s legacy and values, setting the tone for what both parties hope will be a creative and inspiring collaboration.

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Longines, founded in Saint-Imier, Switzerland in 1832, is known for its graceful designs, precision engineering, and long history of sport timing and aviation partnerships. Its winged hourglass logo is recognised in more than 150 countries around the world. The brand’s association with India dates back to 1878, when it first sold watches in the country, a historical connection that the company says this new collaboration will further strengthen.

In the official statement, Longines praised Sara’s radiant personality, effortless charm and refined sense of style, noting that she perfectly embodies the spirit of timeless elegance which is a hallmark of the brand’s identity. Her versatility and strong public presence in cinema have made her an influential figure among modern audiences, aligning with Longines’ efforts to celebrate individuals who represent elegance not just through appearance, but through authenticity, confidence, and attitude.

Sara Ali Khan, who made her film debut in 2018 with the hit Kedarnath and has since starred in successful films like Simmba, Atrangi Re, and Zara Hatke Zara Bachke, brings both contemporary appeal and cultural relevance to the Longines family. A graduate of Columbia University with a degree in history and political science, she is widely respected for her intellect as well as her on-screen presence qualities that the brand sees as reflective of its values of precision and heritage.

The collaboration is expected to spotlight Longines’ PrimaLuna collection, known for its elegant design and feminine sophistication an aesthetic that resonates with Sara’s personal style and public image, making this partnership a blend of tradition and modernity that appeals to watch enthusiasts and fashion followers alike.

This announcement adds to Sara Ali Khan’s growing list of high-profile partnerships and reinforces Longines’ commitment to working with influential cultural figures who embody its core principles of grace, authenticity, and timeless elegance.

Also Read : Sara Ali Khan shares heartfelt note for Sushant Singh Rajput on 7 years of Kedarnath: “Thank you for reminding me to be curious”

Less than 24 hours are left for the release of Avatar: Fire And Ash and the excitement is building up for it thanks to its big-screen appeal, grandeur and popularity of the franchise. Interestingly, viewers will be treated with two tantalizing assets when they venture out to watch the James Cameron directorial in cinemas from December 19.

Bollywood Hungama has learned that the introduction teaser of Ramayana has been attached to Avatar: Fire And Ash. It was launched on July 3 and has been loved for its ensemble cast and stunning VFX.

Directed by Nitesh Tiwari of Dangal (2016) and Chhichhore (2019) fame, Ramayana stars Ranbir Kapoor as Rama, KGF star Yash as Ravana, Sai Pallavi as Sita, Ravie Dubey as Lakshman and Sunny Deol as Hanuman. It is produced by Namit Malhotra’s Prime Focus Studios and 8-time Oscar-winning VFX studio DNEG in association with Yash’s Monster Mind Creations, written by Shridhar Raghavan and has music by the greats, A R Rahman and Hans Zimmer. The first part releases in cinemas on Diwali 2026, while part 2 will arrive on Diwali 2027.

The other teaser attached to the Hollywood flick is that of Hanuman – The Eternal. This video isn’t out yet on digital and hence, viewers will see a glimpse of the film for the first time on the big screen. It is one of India’s first theatrical films made using AI and arrests attention thanks to its visual appeal, scale and depiction of Lord Hanuman. It is directed by Rajesh Mapuskar of Ferrari Ki Sawaari (2012) and Rudra: The Edge Of Darkness (2022) fame, produced by Vikram Malhotra’s Abundantia Entertainment and Collective Media Network’s Historyverse. As per reports, it is slated for a theatrical release on Hanuman Jayanti, that is, April 2 next year.

However, Hanuman – The Eternal has been in the news after Anurag Kashyap slammed the announcement news and also one of the film's producers, Vijay Subramaniam, for backing an AI-generated film while heading an artists' agency. Shockingly, Anurag even mentioned in the post, “This right here is the future for the spineless and cowardly so-called artists in the Hindi Film industry. Well done Vijay Subramaniam. Shame is not enough on you. You should be in the gutter.”

Also Read: Ramayana: Ranbir Kapoor starrer to mark a historic collab with Avatar: Fire and Ash as it premieres in theatres

The biggest Hollywood film of the year, Avatar: Fire And Ash, is all set to release tomorrow, that is, Friday, December 19. While advance booking commenced on December 5, several cinemas, especially one-screen and two-screen cinemas, have yet to begin advance booking. Bollywood Hungama spoke to trade and exhibition sources to understand the reason behind it.

A trade source told Bollywood Hungama, “Disney, the studio releasing Avatar: Fire And Ash, has asked single-screen theatres that they want all shows for their film. In two-screen cinemas, they have asked for 5 or 6 shows. However, exhibitors are not comfortable with this directive as Dhurandhar is running very successfully. They are confident that even in its third week, the Ranveer Singh-starrer will find a huge audience, as evident by the steady footfalls the film has generated in the weekdays.”

The source continued, “The exhibitors have requested that they’d like to divide shows equally between the two films. After all, they realize that Avatar: Fire And Ash will also be a crowd puller. However, so is Dhurandhar. But Disney hasn’t accepted this idea. Negotiations are going on and a middle ground is expected to be reached today.”

As for 8:30 am on December 18, single-screen theatres in Mumbai like Gold Cinema Santacruz, Chitra Dadar, Roxy Opera House, Maratha Mandir, Kasturba Malad, Citylight Mahim, Inox Nakshatra Dadar, MovieTime Star City, New Excelsion, MovieTime Dahisar, Gold Cinema Sona Borivali, MovieMax Andheri East, MovieTime Suburbia, PVR Le Reve etc. are yet to start bookings for tomorrow.

The same issue can be seen in two-screen plexes like Sun City Vile Parle, Mukta A2 Cinemas Lalbaug, Topiwala Goregaon, PVR Milap Kandivali, Movietime Malad etc.

Shockingly, ticket sales for Avatar: Fire And Ash as well as Dhurandhar, for December 19 onwards are yet to commence in a full-fledged manner in even certain three-screen properties like Sterling, MovieMax Mira Road, MovieMax Sion etc. as well as in four-screen properties like Miraj R Mall Mulund, Inox Raghuleela Kandivali, PVR Odeon Ghatkopar, Inox Korum Mall Thane, MovieMax SM5 Kalyan, MovieMax Wonder Mall Thane, etc.

At Mumbai’s iconic G7 complex, popularly known as Gaiety-Galaxy, advance bookings have opened in four cinemas, but Galaxy and Gemini are yet to begin. Dhurandhar will continue at Gaiety with three shows from December 19. Until December 18, it was being screened in both Gaiety and Galaxy. It now remains to be seen whether Avatar: Fire And Ash will be accommodated at Galaxy or Gemini, or both, and whether Dhurandhar also gets additional shows in the other two cinemas at G7.

Also Read: EXCLUSIVE: Unlike Avatar: The Way Of Water, CBFC passes Avatar: Fire And Ash with ZERO cuts

Homebound, the critically acclaimed Hindi drama directed by Neeraj Ghaywan, has been officially selected as India’s entry for the Best International Feature Film category at the 98th Academy Awards and has now been shortlisted by the Academy of Motion Picture Arts and Sciences as one of the contenders moving forward in the awards process.

The film starring Ishaan Khatter, Vishal Jethwa, and Janhvi Kapoor was chosen by the Film Federation of India from a competitive list of 24 films submitted this year, cementing its place as the nation’s representative on cinema’s biggest global stage.

In the shortlist announced this week, Homebound is among only 15 international films advancing toward final nominations for the Best International Feature Film Award, marking a significant achievement for Indian cinema ahead of the Oscars scheduled in March 2026.

Homebound tells the poignant journey of two childhood friends striving to become police officers to earn dignity and respect in a system shaped by caste and socioeconomic divides.

Producer Karan Johar reacted emotionally to the film’s Oscars shortlist announcement, taking to social media to share his pride. He wrote, “I am not sure I can articulate how proud, elated and over the moon I am with the journey of #HOMEBOUND… all of us @dharmamovies are privileged to have this proud and important film in our filmography … thank you @neeraj.ghaywan for making so many dreams of ours come true… from Cannes to being on the Oscar shortlist this has been such an overwhelming journey! Love to the entire cast and crew and teams of this special special film!!!!!!!!! Upwards and onwards…….. #HOMEBOUND streaming now on @netflix_in.”

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  A post shared by Karan Johar (@karanjohar)

The film has already earned international recognition after its premiere in the Un Certain Regard section at the 78th Cannes Film Festival, where it received a nine‑minute standing ovation from audiences. It also screened at the Toronto International Film Festival (TIFF), where it won the International People’s Choice Award as second runner‑up.

Industry insiders and audiences have celebrated Homebound’s selection, seeing it as a testament to the depth of India’s cinematic storytelling. Key cast and crew members expressed excitement as the film’s Oscar campaign progresses, with many hoping it will secure a nomination when the final list is announced early next year.

Also Read : Janhvi Kapoor, Ishaan Khatter, Vishal Jethwa react to Shah Rukh Khan showering love on Homebound

The inheritance battle over late industrialist Sunjay Kapur’s colossal Rs. 30,000 crores estate has taken a sensational twist. On Tuesday, Priya Sachdev Kapur, Sunjay’s third wife, fiercely opposed any forensic examination of the Will that forms the bedrock of her claim to his personal assets and control over the Sona Comstar Group. The plea for scientific scrutiny—covering handwriting, ink, and paper analysis—was pressed by Sunjay’s children from his previous marriage, Samaira and Kiaan Raj Kapur, who argue that such checks are vital to confirm authenticity.

Legal experts say Priya’s resistance is highly unusual in a probate dispute of this magnitude, as courts routinely rely on forensic tests to settle doubts over testamentary documents. Blocking this process, they warn, could amplify suspicions surrounding a Will that completely excludes Sunjay’s biological children.

Adding fuel to the fire, Shradha Suri Marwah—the Will’s purported executor—has dramatically altered her stance on how she first received the document. Initially claiming Priya handed it over on June 24, Suri later said it came from Dinesh Agarwal on June 14, only to revert to her original version after reviewing Priya’s submissions. These oscillations, coupled with her admission that she was unaware of being named executor and lacked independent legal advice, have raised eyebrows. Her request for indemnity from Priya and reluctance to probate the Will further deepen scepticism.

Senior counsel Mahesh Jethmalani, representing Samaira and Kiaan, argued that under Indian law, an executor cannot be appointed without prior consent. If the Will fails judicial scrutiny, Sunjay’s estate would devolve equally among all Class I heirs—a point even Suri’s counsel conceded.

The Delhi High Court will hear both the forensic inspection plea and Suri’s amendment application on January 20, 2026, a date that could decide whether the Will reflects Sunjay Kapur’s true intentions or collapses under scrutiny.

For the unversed, Sunjay Kapur, Chairman of Sona Comstar, died suddenly on June 12, 2025, during a polo match in Windsor, England. The contested Will, dated March 21, 2025, allegedly leaves his entire personal estate to Priya and their minor son Azarias, excluding his children from his previous marriage to Karisma Kapoor. The dispute has spiralled into one of India’s most high-stakes inheritance battles, with allegations of forgery, concealment, and even conspiracy swirling around the case.

Also Read: Explosion in Rs. 30,000-Crore Sunjay Kapur estate battle: Missing email attachment triggers Will scam suspicion

Cornerstone, one of India’s leading brand and talent management companies, and Armour Entertainment, led by Prarthana Ajmani, have announced a strategic partnership, marking a new phase in the long-term plans of both agencies. As part of the alliance, Bollywood actor Tiger Shroff has been signed as the first talent.

The collaboration points to a renewed focus on the evolving entertainment and talent ecosystem at a time of industry change. It reflects a joint effort by Bunty Sajdeh and Prarthana Ajmani to create a streamlined and integrated setup, with an emphasis on structure, long-term growth and consistent talent development across platforms.

Together, Cornerstone and Armour combine their respective strengths. Cornerstone’s experience in developing and positioning talent across sports and entertainment complements Armour Entertainment’s management approach, supported by Prarthana Ajmani’s industry experience and professional network built over years of working with leading actors. The partnership brings together complementary capabilities aimed at creating a cohesive ecosystem focused on credibility, brand development and comprehensive talent management.

Bunty Sajdeh, CEO, Cornerstone, said, “Look at Hollywood and you’ll see how the talent management approach has always worked in the West. There are unique skill sets that are clearly defined strategic, long-term brand and wealth building, alongside specialised talent management that is an industry in itself when done correctly and holistically. Both are equally important and must work hand in hand to ensure maximum output. I’ve known Prarthana for many years and have always admired her professionalism and strategic mindset, so when the opportunity arose to join hands, it was an easy decision.”

Prarthana Ajmani, CEO, Armour, added, “With CXA, we’re building a system that is structured, future-ready and truly talent-first. Partnering with Cornerstone brings together the strengths of two teams driven by excellence. On a personal level, Bunty’s strategic clarity and faith in my abilities have been key driving forces in this collaboration. I’m thrilled to embark on this journey with him."

Also Read : Dharma Productions relaunches talent arm as Dharma Collab Artists Agency after acquiring Cornerstone’s stake

A major controversy has disrupted the 12th International Film Festival of Kerala (IFFK) in Thiruvananthapuram, as the Union Ministry of Information and Broadcasting (I&B) has withheld screening permissions for several films, leading to cancellations.​

Congress MP Shashi Tharoor has sharply criticized the decision, calling it “deeply unfortunate” and highlighting the denial of clearance to 19 scheduled films. On December 16, 2025, he noted on social media that the original list was longer, but some approvals followed his intervention with I&B Minister Ashwini Vaishnaw, requested by festival chairman Riyas LP, while others await Ministry of External Affairs clearance.

Tharoor described the bureaucracy's stance as a “staggering lack of cinematic understanding,” questioning blocks on classics like Battleship Potemkin, a 1928 Russian Revolution film seen by millions worldwide, including in India. "The list of 19 films suggests an extraordinary degree of cinematic illiteracy on the part of the bureaucracy. To deny clearance to a classic like Battleship Potemkin, a 1928 film on the Russian Revolution which has been viewed by literally hundreds of millions around the world (and in India) over the last century, is laughable. Denying permission to some Palestinian films reflects bureaucratic over-cautiousness rather than the cultural breadth of vision that should be involved when it comes to world cinema," he wrote.

It is most unfortunate that an unseemly controversy has arisen over the central government's denial of clearance to 19 films which were scheduled to be screened at the International Film Festival of Kerala in Thiruvananthapuram.

The original list was much longer, but several… — Shashi Tharoor (@ShashiTharoor) December 16, 2025

He urged Ministers Ashwini Vaishnaw and S Jaishankar to expedite approvals, warning of damage to India’s cultural image, especially in cinema-loving Kerala.​

Films lacking Central Board of Film Certification (CBFC) approval require special I&B Ministry exemption for festival screenings, and the absence of these has stalled the IFFK schedule.

Veteran filmmaker Adoor Gopalakrishnan decried restrictions on landmarks like Battleship Potemkin, The Hour of the Furnaces, and the Spanish film Beef, calling it a “clear misunderstanding of cinema” that judges by titles or politics, undermining artistic freedom. Organizers are negotiating resolutions before the festival ends on December 19, amid delegate inconvenience.

Also Read: Karan Johar, Malaika Arora compare Pitch To Get Rich contestant to Shashi Tharoor; Congress MP gives cheeky reply!

Filmmaker Anees Bazmee has officially confirmed that he is reuniting with Akshay Kumar after a gap of 15 years. While speculation around their collaboration had been circulating for some time, Bazmee put an end to the rumours by revealing that the duo is working on a new comedy project.

Speaking to Mid-Day, Bazmee shared that the script for the film is nearing completion. “It is a comedy. I am writing the script right now, it’s almost complete. If everything goes as planned, we will start shooting soon,” he said. The film is currently untitled, and while reports had suggested that it could be a remake of the Telugu action-comedy Sankranthiki Vasthunam, Bazmee chose not to comment on those claims.

The director, however, spoke warmly about his long-standing relationship with Akshay Kumar. Reflecting on their bond, Bazmee said there has always been mutual respect between them. “There is mutual love and respect between us. When I told him about this film, he was more than happy,” he added, noting that they remained in touch over the years despite not collaborating since Thank You (2011).

Having said that, it is worth mentioning that Bollywood Hungama was among the first ones to report about Akshay Kumar and Anees Bazmee's reunion. Readers may recall that a source told Bollywood Hungama, "Anees and Akshay loved the plot of the lead character stuck between his wife and ex-girlfriend that Sankranthiki Vasthunam rides on. However, the original had a lot of Telugu flavour. To make the film palatable for the Hindi audience, Anees Bazmee is reimagining the film, keeping the core plot intact."

On the work front, Akshay Kumar has a busy slate ahead. The actor will be seen in Haiwaan and Bhoot Bangla, both directed by Priyadarshan, and is also set to return to the Hera Pheri franchise with Hera Pheri 3, once again under Priyadarshan’s direction.

Also Read: Anees Bazmee CONFIRMS Bhool Bhulaiyaa 4, says, “It is work in progress”

After touching hearts with Sitaare Zameen Par, Aamir Khan Productions is now turning the spotlight towards the people who quietly shaped the journey behind the scenes. The makers have unveiled the trailer of Sitaaron Ke Sitaare, a documentary that introduces audiences to the real stars behind the film — the parents of the young actors who featured in the sports comedy-drama.

Sitaaron Ke Sitaare traces the lives, emotions, and everyday realities of the parents whose children became the ‘Sitaare’ of Sitaare Zameen Par. While the film itself emerged as a heartwarming family entertainer and resonated deeply with audiences, the documentary expands that emotional universe by focusing on the journeys that unfolded off-screen. The trailer offers glimpses of intimate moments, shared struggles, pride, and the process of growing up alongside their children’s dreams.

Directed by Shaanib Bakshi, the documentary continues Aamir Khan Productions’ pattern of taking unconventional routes to storytelling. It follows the studio’s earlier decision to make Sitaare Zameen Par available on YouTube through the “Janta Ka Theater” initiative at a nominal price, a move that challenged traditional distribution models and widened access for audiences across the country.

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Sitaaron Ke Sitaare is set to premiere on 19th December, exclusively on Aamir Khan Talkies’ YouTube channel.

The documentary builds upon the legacy of Sitaare Zameen Par, which starred Aamir Khan and Genelia Deshmukh in lead roles and introduced ten rising talents — Aroush Datta, Gopi Krishna Varma, Samvit Desai, Vedant Sharma, Ayush Bhansali, Ashish Pendse, Rishi Shahani, Rishabh Jain, Naman Mishra, and Simran Mangeshkar. The film was directed by R. S. Prasanna, known for Shubh Mangal Saavdhan, and released in theatres on June 20, 2025.

Also Read: PVR INOX hosts special screening of Sitaare Zameen Par for Indian Air Force personnel

Dharma Productions has acquired Cornerstone’s stake in its talent management venture, Dharma Cornerstone Agency, and relaunched it under a new name — Dharma Collab Artists Agency (DCAA). The move marks a strategic expansion of Dharma’s presence beyond filmmaking into a wider cultural and talent ecosystem.

With the rebranding, DCAA will function as Dharma Productions’ exclusive platform for artist representation, spanning film, music, sports, digital media, live experiences, and cultural collaborations. The agency will continue to be led by Uday Singh Gauri as CEO and Rajeev Masand as COO, ensuring continuity as the company enters its next phase of growth.

Uday Singh Gauri, who brings over two decades of experience across talent management, music, live entertainment, and strategic partnerships, is expected to focus on expanding the agency’s reach and building new verticals. The aim, according to the leadership, is to help artists navigate careers that increasingly move across formats and platforms rather than remain limited to a single medium.

Apoorva Mehta, CEO of Dharma Productions, said, "Talent has always shaped Dharma’s identity, influencing both our creative choices and how we build for the future. With DCAA, we are creating a structured platform that supports artists across disciplines. This is a deliberate and long-term step toward deepening our role in the creative economy."

Speaking about the relaunch, Uday Singh Gauri said, "With DCAA, we’re building a platform that reflects the way artists work, express, and grow today. Representation now goes far beyond negotiation and visibility. It requires cultural understanding, business instinct, and the ability to move with — and ahead of — the industry. Our focus is on developing long-term careers across multiple formats, while creating meaningful pathways between talent and opportunity. This is about scale, yes, but it’s also about care, clarity, and collaboration."

DCAA’s current roster includes a mix of film actors, musicians, digital creators, and cultural voices such as Janhvi Kapoor, Ananya Panday, Sara Ali Khan, Disha Patani, Rasha Thadani, Aditya Roy Kapur, Harshvardhan Rane, Lakshya, Rohit Saraf, Neeti Mohan, Jonita Gandhi, Orry, Sumukhi Suresh, among others.

Dharma Productions, founded in 1976 by the late Yash Johar and now jointly owned by Karan Johar and Adar Poonawalla, has built a reputation for launching new talent while delivering commercially successful and critically acclaimed films. With DCAA, the studio appears to be extending that legacy into artist management, positioning itself as a long-term partner in shaping careers across entertainment and culture.

Also Read: Karan Johar’s Dharma Productions takes 100% control of talent venture after amicable split with Cornerstone

Vidya Balan has joined the cast of Jailer 2, adding a significant new dimension to the much-anticipated sequel to Rajinikanth’s 2023 blockbuster. Directed once again by Nelson Dilipkumar and produced by Sun Pictures, the film is shaping up to be a larger and more narratively driven follow-up to one of Kollywood’s biggest recent successes.

According to a source close to the production quoted by Pinkvilla, Vidya Balan was approached with the script and was immediately drawn to both the story and the depth of her character. The source revealed that the actor was impressed by the complexity of the role, which is said to be central to the plot and responsible for a major turning point in the film. Described as a strong, layered character, her part is expected to bring emotional weight and narrative depth to the sequel, marking her return to a high-profile commercial entertainer.

Vidya Balan’s inclusion is being seen as a move that pushes Jailer 2 beyond scale and spectacle, strengthening its storytelling ambitions. While the first film leaned heavily on Rajinikanth’s screen presence and mass moments, the sequel appears to be expanding its emotional and dramatic scope with carefully written supporting characters.

Rajinikanth will reprise his role as Tiger Muthuvel Pandian, a character that struck a chord across age groups in the original film. This time, the sequel promises higher stakes, with Muthuvel facing more dangerous adversaries and navigating bloodier, more intense conflicts. Nelson Dilipkumar returns to the director’s chair, aiming to raise the bar further while retaining the core elements that made Jailer a phenomenon.

On the release front, reports suggest that the makers are eyeing August 14, 2026, for the theatrical release of Jailer 2. The date would align the film with a long Independence Day weekend, a strategy similar to the August release window of the first part. Interestingly, it also mirrors the timing of Rajinikanth’s Coolie, which was released over the same holiday weekend earlier this year. While discussions around the final release date are still ongoing, the intention is clearly to position the sequel as a major festival release with Pan-India appeal.

Also Read: Rajinikanth’s 75th birthday becomes a star-studded celebration as Dhanush and Kamal Haasan honour him on his journey

Last month, the industry and moviegoers were in mourning as Dharmendra passed away on November 24 at the age of 89. More than a month after he left for the heavenly abode, his much-loved film Yamla Pagla Deewana (2011) is expected to be re-released in cinemas.

A source told Bollywood Hungama, “The re-release of Yamla Pagla Deewana will serve as a tribute to the man who was unanimously loved and who left an indelible mark in the world of cinema. The film seems apt for a re-run as it’s not very old, still looks fresh and entertaining and also stars Dharmendra along with his two sons, Sunny Deol and Bobby Deol.”

The source continued, “Earlier, the plan was to re-release Yamla Pagla Deewana this Friday, December 19. But due to the Dhurandhar wave, NH Studioz, which holds the rights to the film, has decided to change the plan. Yamla Pagla Deewana is now expected to arrive in cinemas on January 1, 2026. A final decision will be taken in a few days from now.”

Yamla Pagla Deewana was directed by Samir Karnik and its title was inspired by the song ‘Main Jat Yamla Pagla Deewana’ from the 1975 film, Pratigya, also starring Dharmendra. A remixed version of the title track was a part of the film and added to its popularity. Yamla Pagla Deewana told the story of an Indian based in Canada who travels to Banaras to locate his estranged brother and father. Trouble arises when the trio travel to Punjab to help the younger brother win the love of his life while dealing with her crazy family.

Yamla Pagla Deewana opened at Rs. 7.95 crores, which was a healthy number then, and collected Rs. 55.28 crores in its lifetime. The film was loved for its comedy and mass appeal, and also because Dharmendra, Sunny Deol and Bobby Deol all had strong roles with ample screen time. Its success led the makers to come up with Yamla Pagla Deewana 2 (2013) and Yamla Pagla Deewana Phir Se (2018). However, both these films failed to work at the box office.

Also Read: Esha Deol pays moving tribute to Dharmendra, sharing touching montage of personal and film memories

Prominent Bollywood celebrities made their way to a five-star hotel in Mumbai on the evening of Saturday, December 13, to attend the wedding reception of the son of a popular ex-police officer. Since no paparazzi were informed, no usual celeb sightings happened for this high-profile wedding.

The wedding in question was that of Chaitanya Nayak, son of Dayanand Nayak aka Daya Nayak. The biggest celebrity that graced the happy occasion was none other than superstar Salman Khan. A few fan clubs of the actor have uploaded videos of Salman entering the venue.

Megastar #SalmanKhan Seen At Daya Nayak Sons Wedding Reception 🔥 pic.twitter.com/W3Pk3rP9OS — Filmy_Duniya (@FMovie82325) December 13, 2025

However, Bollywood Hungama has learned that besides Salman Khan, many more prominent celebrities attended the reception of Chaitanya Nayak like young actor Tiger Shroff, veteran performer Ashutosh Rana, this year's biggest comeback actor Rajat Bedi, unanimously loved celeb Manoj Bajpayee, Jayantilal Gada of PEN India Limited, Pravin Shah of Time Media And Entertainment, etc.

Daya Nayak joined the Mumbai Police department in 1985, and rose to fame as an encounter specialist in the late 1990s, as a member of the Detection Unit. In May 2025, he was promoted to Assistant Commissioner of the Police. He retired on July 31, 2025.

The 2004 Nana Patekar film, Ab Tak Chhappan, directed by Shimit Amin and produced by Ram Gopal Varma, is said to be inspired by the life of Daya Nayak.

Also Read: SCOOP: Salman Khan considering reclaiming his traditional Eid slot with Battle Of Galwan; might clash with Toxic and Dhamaal 4

The makers of Border 2 are planning an unprecedented teaser launch event on Vijay Diwas on December 16, turning the occasion into a powerful blend of cinema, patriotism, and fan celebration. Timed with the historic day that commemorates India’s victory in the 1971 war, the teaser launch is being positioned as more than just a promotional activity it is envisioned as a nationwide tribute to the bravery and sacrifice of Indian soldiers. With large-scale planning underway, the event promises to be one of the most ambitious teaser unveilings in recent times.

At the heart of the celebration will be Mumbai, where fans will be the first to witness the Border 2 teaser on the big screen. The city will host a grand event featuring meticulously recreated battlefield sets inspired by war-zone conditions seen in the film. From trenches and bunkers to military-style layouts, the venue will offer an immersive experience, allowing attendees to step into the world of Border 2 even before the teaser rolls.

Adding to the spectacle, the makers are creating a live museum-style installation showcasing actual props used in the film. Costumes, military gear, and other authentic elements from the shoot will be displayed, offering fans a rare behind-the-scenes glimpse into the scale, realism, and craftsmanship involved in bringing the war drama to life.

The event will also mark a significant milestone as the Border 2 cast will be seen together publicly for the first time. Their joint appearance is expected to generate massive excitement, making the teaser launch a landmark moment in the film’s promotional journey.

Extending the celebration beyond Mumbai, the teaser will be screened simultaneously across multiple cities, ensuring fans nationwide experience the reveal at the same time. Adding an emotional layer to the evening, school children will present a special patriotic performance at the Mumbai event, reinforcing the spirit of Vijay Diwas and underlining the film’s tribute to the nation’s heroes.

Also Read : Border 2 teaser to be attached with Avatar: Fire and Ash in cinemas

The buzz around Dhurandhar has been translating into packed theatres, with post-midnight shows being introduced across Maharashtra due to overwhelming public demand. In Mumbai, cinemas have begun screening the film from as late as 12:45 am onwards, marking a rare but telling response to the unstoppable excitement surrounding the release.

The decision to add post-midnight shows was taken after advance bookings surged across multiplexes and single screens alike. The move underlines the strong word-of-mouth and pre-release anticipation that Dhurandhar has managed to generate. The trend is not limited to Mumbai alone. Pune has also joined the celebration, with post-midnight shows commencing from 12:20 am onwards starting today due to similar reasons—heavy booking and consistent inquiries from moviegoers keen to catch the film at the earliest possible hour. Similarly, the trend of post-midnight shows is also seen in Ahmedabad. But this is not the first time that Dhurandhar’s post-midnight shows have been added. The same happened last weekend as well (which was the film’s first weekend) and Bollywood Hungama was the first one to report on the same. Midnight and post-midnight shows are usually reserved for films that demonstrate exceptional demand, often driven by mass appeal and fan-driven momentum. The fact that Dhurandhar has achieved this across multiple cities reflects its strong pull among audiences and its ability to cut across age groups and demographics. Directed and written by Aditya Dhar, Dhurandhar has an ensemble cast of Ranveer Singh, Akshaye Khanna, R Madhavan, Arjun Rampal, Sanjay Dutt, Sara Arjun and Rakesh Bedi. The film is produced under the banners of Jio Studios and B62 Studios.

Also Read: Rajkummar Rao and Zoya Akhtar praise Ranveer Singh’s performance in Dhurandhar

2024’s biggest blockbuster, Pushpa 2 – The Rule, opened with superstar Allu Arjun’s character making a dramatic entry at a port in Japan, hidden inside a container. More than a year later, Allu is finally set to head to the Far East country, this time legally, as he will take part in promotions ahead of the film’s Japan release.

Earlier this month, it was reported that Pushpa 2 - The Rule will have a release in Japan on January 16, 2026, under the title of Pushpa Kunrin. Geek Pictures announced that it’ll release the film in the Asian country along with Shochiku. A special, vibrant poster of Pushpa Kunrin was also unveiled, featuring Allu Arjun in his trademark flamboyant avatar, sunglasses on, floral shirts out, and swagger dialled all the way up. The Japanese-version trailer was also dropped on YouTube the same day.

As expected, the fans of Allu Arjun are excited to learn about this special release of Pushpa 2 - The Rule in Japan. A fan happened to wonder on Twitter if the superstar will be heading to Japan for the promotional event before release and also if he can ask Allu’s manager, Sarath Chandra Naidu, about it. Interestingly, Sarath replied, “Yes, he is”. What was significant was that Sarath Chandra Naidu was not even tagged, but somehow stumbled upon this tweet and even answered the fan query.

Yes, he is. — Sarath Chandra Naidu (@imsarathchandra) December 12, 2025

Needless to say, Sarath’s reply was widely shared and retweeted and it added to the excitement. This would probably be the first ever visit for Allu Arjun in Japan.

Another interesting bit is that a 200-minute version of Pushpa 2 - The Rule was released in India and worldwide. A month later, after the film became a certified record grosser, the makers released a 20-minute-extended version. As per the details released by Geek Pictures, it is this extended version, of 222 minutes, which will be released in Japan.

Also Read: Allu Arjun stuns in new BTS of Thums Up commercial: here’s why fans are obsessed

Actress and global dance sensation Lauren Gottlieb has stepped into a new phase of her life, and she’s done it in the most heartfelt way. Moving into her new home in Mumbai, Lauren chose to mark this joyous milestone by performing a traditional Grah Pooja, grounding the moment in positivity, blessings, and spiritual grace.

Lauren’s relationship with India has always been special, a bond that goes far beyond her successful career in the entertainment industry. Over the years, she has embraced Indian values, traditions, and spirituality as her own. She was once given the loving nickname Foreign Ki Lauren, but India has claimed her and she has happily claimed India right back. Her commitment to honoring Indian culture isn’t symbolic, it’s deeply personal, lived, and celebrated through moments like these over a span of 13 beautiful years.

“I’ve built a life here in India, made memories, and now I’m building a home here once again. Performing a Grah Pooja was my way of inviting peace, gratitude, abundance, and good energy into my new home in Mumbai from day one. India has given me so much love, purpose, and belonging over the years, and incorporating these traditions into my life feels incredibly natural now. In this moment, I just feel incredibly grateful for my journey, for the beautiful people in India who have embraced me like family, and for building a home rooted in positivity and culture. I’m excited for everything this new beginning brings," shares Lauren.

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From her unforgettable performances in ABCD and ABCD 2, to going from contestant to judge on Jhalak Dikhhla Jaa, and countless hit music videos to proudly representing Indian cinema at global events, Lauren has consistently been a cultural bridge between India and the world at large. Her electrifying performance of 'Naatu Naatu' on the prestigious Oscars stage, merging both her roots in Bollywood and Hollywood, remains a moment of national pride, showcasing her love and dedication to India on one of the biggest stages ever.

This marks one of the most anticipated comebacks in recent memory. Our beloved dancing diva stepping back into her power, ready to take the world stage by storm once again.

Also Read: ‘Sajri’ girl Lauren Gottlieb feels India is home: “When I stepped foot in India, I went, ‘I’m home!’, I just connect with the people in India”

Google Trends’ 2025 ranking of the most-searched movies in India reveals a strong sweep by Hindi cinema. Titles like Saiyaara, War 2, Sanam Teri Kasam, Housefull 5, Mrs, and the animated epic Mahavatar Narsimha led the country’s search charts, signalling the continued influence of Bollywood across digital spaces. Yet despite this dominance at home, not a single Hindi film — or any Indian film — managed to enter Google’s global Top 10 searched movies list for the year.

In India, Hindi films clearly steered search curiosity. Saiyaara stood out as a top romantic musical and one of Mohit Suri’s most-talked-about releases. War 2, powered by Hrithik Roshan and Jr NTR, held its position as one of the year’s most anticipated action spectacles. Sanam Teri Kasam resurfaced strongly thanks to the nostalgia around the 2016 original and renewed discussion ahead of its 2026 sequel.

Comedy franchise Housefull 5 maintained high online attention because of its ensemble cast and franchise legacy, while Mrs, headlined by Sanya Malhotra, sparked conversations for its layered storytelling and digital premiere. Meanwhile, Mahavatar Narsimha made a major impact as the biggest Indian animated success of the year, further fuelling the Hindi-dominant search landscape.

Even with South Indian juggernauts like Kantara Chapter 1, Coolie, Marco, and Game Changer also appearing in the India region list, Hindi titles emerged as the strongest cluster — but the absence of any Indian movie from the global Top 10 points to a demographic difference in what drives worldwide search trends.

As Indian cinema continues to expand its footprint through star-driven blockbusters and high-engagement OTT titles, the 2025 search data highlights a key contrast: strong national popularity doesn’t always translate into global trending status. With several major Hindi films slated for 2026, the coming year will determine whether any homegrown title can finally break into the worldwide search charts.

Also Read: Sony MAX announces World TV Premiere of Saiyaara on December 20

Diljit Dosanjh has officially confirmed his second collaboration with filmmaker Imtiaz Ali through a behind-the-scenes vlog shared from his ongoing shoot in Punjab. Posted on Instagram on Thursday, the video gives fans a rare peek into his daily routine and subtly reveals that he and Imtiaz are reuniting after the massive success of Amar Singh Chamkila.

In the vlog, Diljit is seen beginning his day at 4:30 am, followed by a workout session. He then has breakfast consisting of fruits and protein before heading to the shoot with his team. The video captures him filming in front of a green screen and sharing warm interactions with Imtiaz Ali, confirming that the director is once again helming Diljit’s next, currently untitled, project. After wrapping up the shoot, Diljit returns to a scenic haveli where he is staying during the film’s production. This upcoming film marks the duo’s second association after the critically acclaimed Amar Singh Chamkila, based on the life of the iconic Punjabi musician. Parineeti Chopra starred as Amarjot, Chamkila’s wife. Known as the “Elvis of Punjab,” Chamkila was celebrated for his electrifying performances, bold lyrical style, and cultural impact. His tragic assassination alongside Amarjot in 1988 remains one of Punjabi music’s greatest losses.

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Amar Singh Chamkila earned two nominations at the International Emmy Awards Best Actor for Diljit Dosanjh and Best TV Movie/Mini-Series. Despite not winning, the recognition spotlighted Punjabi and Indian storytelling globally and reinforced the enduring influence of Chamkila’s music. Diljit will next be seen in Border 2, the highly awaited sequel to J.P. Dutta’s 1997 classic. Directed by Anurag Singh, the film features Varun Dhawan, Ahan Shetty, and Diljit in key roles, portraying brave soldiers safeguarding the nation. Produced by T-Series and J.P. Films, Border 2 is slated to release on January 23, 2026, promising large-scale action, emotional intensity, and a patriotic storyline for today’s audiences. Also Read : Team Dhurandhar pulls off a masterstroke: Diljit Dosanjh’s ‘Ez Ez’ launched with live performance at music launch

Ramesh Sippy’s Sholay returns in an enhanced 4K version titled Sholay – The Final Cut, releasing on December 12 across more than a thousand theatres in its fully restored form, literally. The controversial replacement in the trailer of “James Bond” with “Tatya Tope” has also been reversed.

Clarifying the issue, Neeraj Joshi, in charge of Marketing & Strategy, says, “It was ‘Tatya Tope’ in the original version, and then ‘James Bond’ came in to give the dialogue a more viewer-friendly thrust. Now in the version being released, it’s ‘James Bond’ again.”

The new edition of this timeless classic, piloted by director Ramesh Sippy’s nephew Shehzad Sippy, retains its legendary stature, with exquisite production values, dialogues that have become an intrinsic part of India’s pop culture, and performances that remain endlessly resplendent.

Three vital sequences have been added in this restored version, viz. a scene where a brave Sachin Pilgaonkar confronts the dreaded Gabbar. (In the original cut, Sachin’s character Ahmed was shown riding through the ravines and later discovered as a corpse on a horse.)  A moment featuring Thakur’s faithful aide Ramlal (Satyen Kappu) hammering nails into the sole of Thakur’s shoe. And, of course, the spectacular finale where Thakur (Sanjeev Kumar) stomps Gabbar with his spiked shoes.

This gruesome yet glorious climax now ends with a deeply emotional moment of shared grief between Thakur and Veeru never seen before.

The restoration took three years to complete, says Shehzad Sippy, “All credit goes to the original cast and crew for the masterpiece they created, as well as the Film Heritage Foundation for the amazing restoration job they’ve done. I am just happy we have been able to put out the makers’ original vision fifty years later and preserve this classic for future generations. I hope everyone gets to see this on the big screen for the first and hopefully not the last time.”

Also Read: EXCLUSIVE: Team of Sholay – The Final Cut lands in soup over 1,500-screen release claim; STRUGGLES to get 1,000 screens due to long length, HIGH rates & Dhurandhar wave

Kartik Aaryan sparked widespread speculation online after sharing a brief video featuring acclaimed Hollywood filmmaker Darren Aronofsky. Known for films such as Black Swan, Requiem for a Dream, The Wrestler, and the Academy Award–winning The Whale, Aronofsky’s appearance alongside the Bollywood actor immediately drew attention.

The buzz intensified when Aronofsky commented on Kartik’s post with, “Should we announce our collab here?” The light-hearted remark prompted curiosity about a potential project involving the two. While no official confirmation has been made, the exchange fuelled discussions about the possibility of a cross-industry collaboration.

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Kartik later posted an Instagram story describing the meeting and expressing his admiration, writing, “Black Swan, The Whale are some of my fav films and you are a legend my friend, it was lovely to have chai with you!! Can't wait for you know what.”

The interaction adds to Kartik Aaryan’s growing visibility outside India. In recent years, the actor has appeared at major international events and expanded his global outreach through endorsements and festival appearances. His meeting with Aronofsky has further contributed to the conversation around Indian performers taking on an increasingly prominent role in global entertainment.

Also Read: SCOOP: Trailer of Tu Meri Main Tera Main Tera Tu Meri expected to be launched on December 15 in a GRAND event in the presence of Kartik Aaryan, Ananya Panday

The Bombay High Court has directed actor Shilpa Shetty and her husband, businessman Raj Kundra, to deposit Rs 60 crore or provide a continuous bank guarantee from a nationalised bank before it will consider lifting a Lookout Circular (LOC) restricting their foreign travel. This order came during a hearing on their urgent plea to visit London for Kundra's ailing father, who is undergoing serious medical treatment. The bench of Justices AS Gadkari and RR Bhonsale emphasised the need to demonstrate bona fides amid doubts about their return to India.

The LOC stems from a Rs 60.48 crore fraud complaint filed by Deepak Kothari, Director of UY Industries Pvt Ltd, alleging the couple induced him to invest in their now-defunct Best Deal TV Pvt Ltd between 2015 and 2023. Kothari claims the funds, provided as a loan with Shetty's personal guarantee, were misused amid heavy business losses, with no recovery despite repeated demands. The Economic Offences Wing (EOW) of Mumbai Police is investigating, having issued the LOC to ensure the couple's availability.​

Senior Advocate Abad Ponda, representing the couple, argued against depositing the full amount, suggesting surety or a reasonable alternative, and stressed the trip's medical urgency with a firm return commitment. The bench rejected partial measures, insisting on the entire sum via deposit or bank guarantee, and scheduled further instructions for next week. The couple denies criminality, calling the case malicious and aimed at extortion by tarnishing their reputation.

Best Deal TV, launched in 2015 with endorsements from Shetty and ex-partner Akshay Kumar, collapsed after burning Rs 100 crore in 18 months, fuelling allegations of fund diversion to personal expenses or linked entities. No arrests have occurred, but prior pleas for quashing the FIR or LOC relief were denied without repayment. The case highlights rising scrutiny on celebrity-backed ventures post-demonetisation business failures.

Also Read: Shilpa Shetty, Raj Kundra move Bombay HC seeking travel permission amid father’s health crisis in London

Actor Kritika Kamra has just made her relationship with one of India’s most loved cricket hosts and content producers, Gaurav Kapur, Instagram official. The actress shared a set of warm, candid pictures from a cosy breakfast date with Gaurav, subtly confirming their romance that fans had been speculating about for months on social media platforms.

Kritika kept the caption understated yet playful, writing only “breakfast with…”, a gentle nod to Gaurav Kapur’s massively popular show Breakfast with Champions. The long-format series, known for its intimate conversations with India’s biggest sporting icons, has made Gaurav one of the most recognisable names in cricket entertainment.

The couple, who have been going steady for the last few months, looked relaxed and happy in the photos, a rare glimpse into their otherwise private equation. With this post, Kritika has officially taken the relationship public.

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While neither of them has spoken openly about their relationship until now, the post marks a sweet new chapter for the two, confirming what many had sensed already.

Also Read: Kritika Kamra celebrates the power of female-crafted storytelling as she leads Anusha Rizvi’s The Great Shamsuddin Family: “A privilege to be centered in a woman’s story”

The battle over the late industrialist Sunjay Kapur’s Will, has already become one of the most closely watched legal disputes considering its connection to Sunjay’s children with actress Karisma Kapoor, Samaira and Kiaan. It has further intensified in the Delhi High Court as new arguments cast doubt on the credibility of Priya Kapur’s defence.

Senior advocate Mahesh Jethmalani, representing Samaira and Kiaan, dismantled Priya Kapur’s long-standing claim that her 2023 exit from Automotive India Pvt Ltd (AIPL) was a consensual “position swap” with Sunjay. Instead, he described her removal on 31 May 2023 as a direct fallout of marital discord—arguing that corporate filings reveal she neither became Managing Director of Raghuvanshi Investment Pvt Ltd (RIPL) nor held any role in the company.

According to Jethmalani, “Priya was never made the MD of RIPL… She was removed from AIPL,” countering her assertions of a smooth corporate restructuring. The absence of any parallel appointment, he said, undermines her narrative of a stable blended family and seamless transition—an especially relevant point given her repeated references to cordial ties with Karisma Kapoor’s children.

What followed Sunjay’s death in June 2023 is now under even sharper scrutiny. Records presented in court show Priya Kapur was appointed as a director of AIPL a day after his passing, and reinstated herself as Managing Director within a week. Jethmalani argued this reflected not continuity, but opportunism: “She was not in control when Sunjay was alive. She sought control only after his passing.”

The corporate timeline, the plaintiffs argue, aligns too conveniently with the sudden appearance of a contested Will—a document central to determining the legal rights of Sunjay’s heirs, including Karisma’s children.

Complicating matters further is the conduct of the named executor Shradha Suri Marwah, who, according to submissions, neither pursued probate nor took charge of Sunjay’s assets as required. Jethmalani contended that an executor cannot selectively enforce parts of a Will. The court was also told that Shradha claimed to have “deleted” a crucial email attachment containing the alleged Will—despite the email itself being produced in court.

“You cannot delete the attachment without deleting the email,” Jethmalani argued, highlighting what he described as an “impossible explanation” and pointing to the suspicious disappearance of a supporting document that appeared in an earlier email but not in the final version.

With the matter listed again for December 22, the court will continue to examine inconsistencies around Priya’s corporate role, post-death actions, and the missing attachment—issues that now lie at the heart of a dispute carrying significant implications for Sunjay Kapur’s children, his legacy, and the businesses he once helmed.

Also Read: Karisma Kapoor renews Rs 66 lakhs Bandra apartment lease amid battle over Sunjay Kapur’s Rs 30,000-crores estate: Report

Singer Sonu Nigam has reportedly leased out a premium commercial property near Mumbai’s Bandra Kurla Complex (BKC) for a total rental value of Rs 12.61 crores over a five-year period, as per property registration documents reviewed by Square Yards. The development has not been officially confirmed by the singer or his representatives.

According to the documents, the leased office space is located at Trade Centre BKC in Santacruz East and measures approximately 4,257 sq ft. The property has been taken on lease by Pattni Hospitality, the company behind the Downtown 29 café and bar brand, which has a presence in Mumbai’s hospitality circuit.

The lease agreement was registered on December 2, 2025. As per the registration details, stamp duty of Rs 3.27 lakhs and a registration fee of Rs 1,000 were paid for the transaction. The deal also includes a security deposit of Rs 90 lakhs.

The rental arrangement reportedly begins at Rs 19 lakhs per month for the first year. From the second year onwards, the agreement includes a 5.26 per cent escalation, taking the monthly rent to around Rs 20 lakh in Year 2, with proportionate increases continuing over the remaining lease term.

Trade Centre BKC is among the prominent commercial developments in the Santacruz East–BKC belt, an area that has seen sustained demand from corporate offices, financial institutions, and hospitality brands due to its proximity to Mumbai’s financial district.

Also Read: Sonu Nigam delivers 3-hour power-packed set at Satrangi Re Hyderabad; extends concert after fans demand more

Rajkumar Hirani’s blockbuster film 3 Idiots, starring Aamir Khan, Kareena Kapoor, R. Madhavan, and Sharman Joshi, first released in 2009. Even after 15 years, the film continues to be celebrated for its humor, memorable performances, and strong social message, making it relevant for audiences across generations. Now, fans of the iconic movie have a reason to rejoice as the story is set to return with a sequel.

According to a report by Pinkvilla, the script for 3 Idiots 2 has been finalized by Rajkumar Hirani, and the project is slated to go on floors in 2026. The sequel will bring back the original star cast, including Aamir Khan, Kareena Kapoor Khan, R. Madhavan, and Sharman Joshi, promising to recreate the magic that made the first film a cult classic.

While Hirani had been toying with the idea of a sequel for a long time, he decided to revisit it only recently after his Dadasaheb Phalke biopic went on hold. “He dedicated time to expand the 3 Idiots sequel into a full-fledged screenplay. Hirani always had a seed of an idea for 3 Idiots 2, but he wanted it to be perfect and something that would stand up to the legacy of the original," an insider revealed.

The report also mentions that Aamir Khan and Rajkumar Hirani have temporarily shelved the Dadasaheb Phalke biopic as they aren’t satisfied with the script.

While details of 3 Idiots 2’s storyline are still under wraps, it is expected to follow the original characters fifteen years later, exploring their journeys with a mix of humor, emotion, and life lessons. The announcement has already created massive excitement among fans, who are eager to witness the reunion of Rancho, Farhan, Raju, and Pia. With Hirani at the helm, the sequel is expected to honor the legacy of the original while adding fresh humor and emotional depth.

Also Read : Aamir Khan gets candid on finding love with Gauri Spratt at 60: “She brings a lot of calm, she brings a lot of steadiness”

Dhurandhar is all over the internet and it has become a big talking point thanks to its real-life references, performances, certain moments and of course the music. A day after its release on December 5, the song ‘FA9LA’, featuring Akshaye Khanna’s character Rehman Dacait, making a dramatic entry at a celebration in Balochistan, has gone viral. The song is very catchy and there’s no way an active social media user hasn’t seen its videos and Reels. In an interview with Mid-Day, choreographer Vijay Ganguly shared some interesting trivia about working on the track.

Vijay Ganguly began by saying that the dance was done spontaneously by Akshaye Khanna. He said, “Originally, he was supposed to enter, walk through the dancers, and sit on the throne. Seeing the scene’s mood and the dancers’ performance, the fantastic actor that Akshaye is, he said he would dance a bit when he walks in. None of us knew what he was going to do. Akshaye entered the scene, took it from that point, and spontaneously performed.”

Director Aditya Dhar has recreated Balochistan, Pakistan, in the union territory of Ladakh. The breathtaking place is notorious for high-altitude sickness, and sadly, Akshaye Khanna fell victim to it. As a result, the dashing and talented actor had to carry an oxygen mask and an oxygen cylinder.

Vijay Ganguly stated, “Akshaye would carry a small oxygen cylinder with him. When we were shooting this song, his oxygen level had dropped. So, after every shot, he would put the oxygen mask on. He did the sequence unflinchingly, and then went home.”

Vijay Ganguly also told Mid-Day that he had worked in Chhaava (2025), which also starred Akshaye Khanna. He stated, “Akshaye didn’t have any dancing to do in Chhaava. When he is on set, there is not much interaction outside of work. He is completely immersed in his character, thinking and trying to see what more he can do to enhance his scene.”

Also Read: Dhurandhar Trailer Out: Akshaye Khanna’s savage new look dominates the buzz

Hema Malini is preparing to host a special prayer meeting in New Delhi in remembrance of her late husband, legendary actor Dharmendra. The gathering will be held with the support of her daughters Esha Deol and Ahana Deol, as well as sons-in-law Bharat Takhtani and Vaibhav Vohra. As per NDTV sources, the prayer meet is scheduled for December 11, 2025 (Thursday), between 4:00 PM and 6:00 PM at the Dr Ambedkar International Centre, Janpath, New Delhi.

This Delhi gathering follows the first prayer meet organised by the Deol family on November 27 at Taj Lands End, Mumbai. The memorial event witnessed a significant turnout from the film fraternity. At the venue entrance, Dharmendra’s sons Sunny Deol and Bobby Deol, along with other family members, greeted guests with folded hands as they arrived to honour the late veteran. The tribute ended with a heartfelt musical performance by Sonu Nigam, who sang some of Dharmendra’s most loved songs including ‘Aa Ja Jaane Wale,’ ‘Rahe Na Rahe Hum,’ ‘Aaj Mausam Bada Beimaan Hai,’ and ‘Apne Toh Apne Hote Hain.’

Several well-known Bollywood celebrities attended the Mumbai prayer meet, such as Salman Khan, Aishwarya Rai, Abhishek Bachchan, Akshay Kumar, Suniel Shetty, Jackie Shroff, Tiger Shroff, Vidya Balan, Aryan Khan, Vivek Oberoi, Suresh Oberoi, among many others.

In addition to the public tribute, a number of close acquaintances visited Hema Malini privately at her Mumbai residence to offer condolences. Those who met her personally included Mahima Chaudhry, Fardeen Khan, and Sunita Ahuja along with her son Yashvardhan.

Ahead of the upcoming Delhi service, Hema Malini also organised a Gita Paath at her home in Dharmendra’s memory. Meanwhile, Sunny Deol and Bobby Deol marked Dharmendra’s 90th birthday on December 8 by celebrating with fans at the family home.

Also Read : Hema Malini pens heartfelt note remembering Dharmendra on his birth anniversary: “The joyful memories of our life together can never be erased”

The new version of the all-time classic Sholay re-releases on December 12. Titled Sholay –  The Final Cut, it’ll resurrect the neo-classic’s original ending, which has never been shown in movie theatres in the 50 years of the film’s existence.

What has shocked and caused widespread outrage is that one of the many iconic dialogues in Sholay has been altered in the new version. By whose permission? Nobody knows.

Certainly not director Ramesh Sippy or the film’s co-writer Javed Akhtar, who was livid when informed about the altered catchline in Sholay – The Final Cut.

In the said dialogue Basanti (Hema Malini) says, “Bade nishaanchi lagte ho (you seem quite a sharpshooter)” to Veeru (Dharmendra). In reply, Jai (Amitabh Bachchan) jokes, “Haan, James Bond ke pote hain yeh”.

In the trailer of Sholay – The Final Cut, Jai’s dialogue is “Haan, Tatya Tope ke pote hain yeh”!

Fumed Javed saab, “I was not aware of this! You mean to say, they have replaced James Bond with Tatya Tope? What does this mean? And this is just one dialogue. They might have similarly changed other famous lines. The audience won’t accept this.”

Javed saab also wonders by whose consent this change has taken. “Have they spoken to the director (Ramesh Sippy)?”

I informed Javed Saab that no one has spoken to Ramesh Sippy.

“They have certainly not spoken to me or to Salim saab (Khan). We are the writers of those lines that are recited even today by fans of Sholay. In fact, the dialogues of Sholay were so popular that the music company Polydor (now Universal Music) had to release an album of dialogues which sold more than the songs album. No, you can’t tamper with this.”

Also Read: SHOCKING: ‘James Bond’ replaced with ‘Tatya Tope’ in a crucial dialogue; has the team behind Sholay – The Final Cut TAMPERED with the classic?

Ananya Panday has officially been announced as the Global Ambassador for American Eagle marking yet another major milestone in her growing brand journey. After fronting campaigns for some of the world’s biggest names, from luxury houses like Chanel to now one of the most loved denim and lifestyle brands - American Eagle. Ananya continues to stay at the centre of global conversations. Her easy, relatable energy and Gen Z flair make her a natural fit for brands that want to speak directly to the new-age consumer.

Sharing her experience, Ananya Panday said, “Being part of this global campaign feels like a day pulled straight from my off-screen life – easy fits, nothing fussy, and jeans that actually move with me. American Eagle gets that balance of comfort and style so right, and that’s why these pieces feel like my everyday wardrobe.”

It’s exactly this effortless charm that makes brands gravitate toward her. Whether it’s luxury, beauty, lifestyle or now global denim brand, Ananya has quickly become one of the industry’s most dependable and widely loved brand faces.

With every new partnership, she’s proving that her appeal goes beyond stardom — it’s her honesty, her comfort-first approach and her youthful confidence that make her a favourite for both Indian and international brands. One global ambassadorship after another, Ananya Panday is clearly on a continuous rise and there seems to be no slowing down.

Also Read: Kartik Aaryan praises Ananya Panday in Tu Meri Main Tera Main Tera Tu Meri: “She’s talented, she keeps working hard on herself”

Ahaan Panday signed as the first ever Brand Ambassador of Harley-Davidson stamping the Gen Z star’s impact on pop culture globally with Saiyaara!

Harley-Davidson, the legendary name in motorcycling and synonymous to biking culture globally, has announced Ahaan Panday as the first ever Brand Ambassador that stamps the Saiyaara star’s impact on pop culture globally! It also marks the brand’s strategic focus towards engaging the next generation of riders across the world.

Recognized as India’s breakthrough Gen Z star as Saiyaara delivered 580 crores at the global box office, Ahaan Panday has rapidly become a cultural force whose influence crosses borders as he appeals to India and South Asian youth worldwide.

A source reveals more about how this landmark deal was struck by Ahaan’s management agency and why YRF Talent planned this to be the first massive endorsement announcement for Ahaan.

A top industry insider who structures deals in celebrity brand endorsement space informed Bollywood Hungama, “Ahaan represents a fearless, future-ready global youth culture of India. His energy and authenticity align seamlessly with Harley-Davidson’s ethos of freedom on one’s own terms. YRF is positioning Ahaan to be the heir apparent in Bollywood. So, the decision is to be selective but iconic for Ahaan with brand endorsements. They wanted everyone to notice Ahaan to be peerless after Saiyaara’s success, and Harley-Davidson is simply in an entirely different league of brands. They never had a brand ambassador, so we can see how the strategy is crystal clear - Ahaan won’t walk the road that others walk on and will not do the routine brands that others have signed. He will only do things that stand out and stand apart.”

The source says, “The germ of this collaboration came when the teams noted the spike in interest for Harley-Davidson as soon as the film released. Social media was filled with conversations about how Ahaan matched the aura and legacy of Harley-Davidson. Some informers tell us that there was a massive surge in interest at the showrooms of Harley-Davidson with people wanting to buy the bike or create content with it during Saiyaara campaign and film’s post release as it became a historic blockbuster.”

The source further says, “Harley-Davidson decided to do something they had never done for India - get a face for the brand! One should recognise

how huge this is and what it signals to the industry about Ahaan! Basically what Harley-Davidson is saying is that they have finally found a face that fits into the brand’s legacy and feel will have a lasting impact that transcends decades. In short, they are saying Ahaan will be the next superstar of this country. Everyone should take notice of this power move by Harley-Davidson. Ahaan’s exclusivity and soaring fandom has been given a hat-tip by this iconic brand and we expect many such global giants to sign him on soon.”

In a landscape where everyone is saying that Bollywood is undergoing a generational change, Ahaan stands out as someone ushering in a new era, a new dawn of stardom with Saiyaara.

Industry, media and audiences see him as a face of the future - not tied to legacy, but aligned with how Gen Z visualises its own icons who make it big themselves with their sheer talent. To millions of young Indians, Ahaan symbolises ambition with relatability, success built from authenticity.

“Ahaan’s next brand announcements are expected to happen in January and February after the Christmas holidays. There are more global campaigns that will be dropped and these brands want to announce him as the face after the clutter Christmas and New Year holidays,” the trade source informs.

Also Read: Ahaan Panday signs his first brand; becomes the brand ambassador for Harley-Davidson India

It’s been more than two months since the release of The Ba***ds Of Bollywood and it continues to be talked about. It was Aryan Khan’s debut vehicle, and he impressed one and all not just with its storytelling but also with its humour and subtle Bollywood references. He recently gave an interview to GQ India, where he shared a very fascinating trivia.

The GQ Interview India revealed that Aryan Khan can mimic really well. On this, Aryan said, “Fun fact, in the show, when Salman Khan says, ‘What party? Bullshit party,’ that’s actually me!”

Besides Shah Rukh Khan, The Ba***ds Of Bollywood had cameos by several other stars including his father, superstar Shah Rukh Khan. The others who make a special appearance are Karan Johar, Ranveer Singh, Siddhant Chaturvedi, Disha Patani, Orry, Shanaya Kapoor, Ibrahim Ali Khan, Rajkummar Rao, Sara Ali Khan, Aamir Khan, S S Rajamouli, Badshah and Ranbir Kapoor. Emraan Hashmi had an extended special appearance and that also became a rage. The actors with the prominent screen presence in The Ba***ds Of Bollywood were Lakshya, Bobby, Sahher Bambba, Anya Singh, Raghav Juyal, Mona Singh, Vijayant Kohli, Manish Chaudhari, Rajat Bedi, and Gautami Kapoor, among others.

On his father, SRK, Aryan Khan stated, “He’s the easiest person to work with. He knows exactly what to do, how to do it. And when he’s on set, everyone else behaves exceptionally well.”

At the recently concluded Bollywood Hungama OTT Fest and India Entertainment Awards, The Ba***ds Of Bollywood won 5 awards – Aryan Khan for Best Director [Original Series], Raghav Juyal for Breakthrough Performer of the Year, Anya Singh for Best Supporting Actor – Female [Original Series] and Rajat Bedi for Best Supporting Actor – Male [Original Series].

To celebrate his victory, Aryan took to his Instagram Stories and re-shared a post originally shared by Red Chillies Entertainment. The image featured his award-winning title card with his portrait, showcasing the golden laurel for “Best Director (Original Series).” Expressing gratitude, Aryan wrote, “Thank you! @realbollywoodhungama”, acknowledging the honour with humility and pride. His story—featuring the award poster—instantly began circulating among fans and entertainment pages, further amplifying the buzz around his big win.

Also Read: EXCLUSIVE: From Shah Rukh Khan’s guidance to Bobby Deol’s advice, Anya Singh reveals heartwarming side of shooting Aaryan Khan’s The Ba***ds of Bollywood

In a move that signals both star-making ambition and smart brand synergy, Harley-Davidson India has officially signed Saiyaara breakout Ahaan Panday as the new face of the iconic motorcycle brand. The announcement came with the launch of the Harley-Davidson X440 T, a refreshed, muscular variant of the already popular X440 and with it, the arrival of a new youth icon for the Harley tribe.

For Ahaan Panday, who has been riding a wave of attention since his debut in Mohit Suri’s Saiyaara, this marks a major milestone: his first-ever brand endorsement. And it’s a big one. Harley-Davidson, synonymous with freedom, rebellion and a cult-like following, doesn’t often place such early bets on emerging talent. But industry insiders say the pairing makes perfect sense.

The bike boasts upgraded suspension, an enhanced riding stance, new colour palettes, and subtle design tweaks aimed at younger urban riders. Harley-Davidson India executives described the model as a bridge between legacy and modernity a theme mirroring Ahaan’s own positioning in Bollywood.

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The collaboration also hints at Ahaan’s emerging public persona: someone who’s unafraid to sit at the intersection of performance and style. For Harley-Davidson, signing a fresh face rather than an established superstar signals its continued push to stay culturally current and deepen its presence among India’s rapidly expanding young rider community. The brand has been recalibrating its India strategy over the past few years.

With Ahaan stepping in as ambassador, expect a new wave of campaigns across digital and experiential platforms, including content-driven storytelling, lifestyle-led imagery and possible riding collaborations tied to the Saiyaara actor’s personal journey.

For now, the message is clear: Ahaan Panday is shifting gears not just in cinema, but in India’s brand landscape. And Harley-Davidson has found a fresh, market-ready rider to take the X440 T into the next chapter of its India story.

Also Read: Ahaan Panday finally breaks silence on rumoured romance with Aneet Padda: “She’s not my girlfriend”

The Multiplex Association of India (MAI) has issued a strong statement expressing “deep concern” over Netflix’s proposed acquisition of Warner Bros. Discovery, calling the development a potential setback for India’s theatrical landscape. The industry body, which represents multiplex chains across the country, cautioned that the merger could disrupt the supply of major studio films to cinemas — a key driver for footfalls, revenues and industry stability.

On December 5, Netflix and Warner Bros. Discovery announced a landmark agreement valued at an enterprise price of $82.7 billion, marking one of the biggest entertainment mergers to date. The deal, expected to close after the separation of WBD’s Global Networks division in Q3 2026, would bring Warner Bros.’ storied film studios, HBO and HBO Max under Netflix’s umbrella. While Netflix has stated it will maintain Warner Bros.’ theatrical operations, MAI believes the streaming platform’s historical approach to cinema releases raises red flags.

Kamal Gianchandani, President of MAI, underscored the gravity of the situation in a detailed statement. “The Indian theatrical market thrives on choice, scale, and cultural diversity. Warner Bros. has historically been a key partner to Indian cinemas, contributing consistently to our release calendar with successful global and local titles,” he said.

Highlighting the extensive economic footprint of cinemas, Gianchandani added, “Cinemas in India are more than entertainment venues. They are cultural hubs and significant economic contributors. They support millions of livelihoods across production, distribution, exhibition, F&B, and ancillary services.”

MAI stressed that Netflix’s long-standing preference for limited theatrical releases could severely affect the flow of studio content to cinemas. “Netflix has consistently made it clear through its limited and highly restrictive approach to theatrical releases that it does not believe in the cinema-first model,” the statement read.

“If this acquisition proceeds, the risk is two-fold — a meaningful reduction in high-quality content for cinemas, and the potential for shortened or non-existent theatrical windows. This would inevitably impact revenues, limit consumer choice, and weaken the broader ecosystem of film production, distribution, and exhibition in India,” Gianchandani warned.

The association further stated that a consolidation of this scale “warrants careful scrutiny,” adding that it will continue to present its concerns to regulatory authorities in India and abroad.

As the Netflix–Warner Bros. deal continues to generate worldwide debate, MAI’s strong stance highlights the growing tension between streaming-first strategies and the traditional theatrical business — a conflict that could reshape how audiences in India experience global cinema in the years ahead.

Also Read: Netflix set to acquire Warner Bros. in groundbreaking $82.7 billion deal

Next month, NTR Jr will be shooting rigorous action sequences almost through all of December at Ramoji Film City. These sequences are said to be far riskier and more heart-in-the-mouth than anything the superstar has attempted in any of his previous action films.

This time, NTR is using no body double. A source close to the development reveals, “Tarak is very clear that the days of body doubles are over. Even Salman Khan, who has relied on duplicates for most of his stunts so far, is doing his own stunts in his new film. Every superstar is Tom Cruising now—and so is NTR.”

The plan is to shoot these stunt blocks for Prashanth Neel’s film (rumoured to be titled Dragon) for three weeks of night schedules throughout December. However, the timeline may get extended by another week depending on progress.

Interestingly, NTR has reportedly not informed his wife and children about the hazardous stunt work he will be undertaking next month.

Also Read: NTRNeel: Prashanth Neel, Jr NTR film enters its most intense shooting phase yet as extensive night schedules begin this December

Bollywood icons Shah Rukh Khan and Kajol marked a memorable moment on December 4, 2025, by unveiling a bronze statue of their legendary characters Raj and Simran from the 1995 classic Dilwale Dulhania Le Jayenge (DDLJ) at London’s famed Leicester Square.

Despite cold, rainy weather, the pair captivated the gathered audience and media, recreating the film’s iconic pose with radiant smiles. Shah Rukh Khan looked sharp in a black suit, while Kajol radiated grace in a mint-green saree. The new bronze statue is the first ever dedicated to an Indian film at Leicester Square, placing DDLJ alongside global cinematic icons like those from Harry Potter, Mary Poppins, Paddington, Singin’ in the Rain, and heroic figures like Batman and Wonder Woman. The statue captures the film’s signature pose — a moment the duo lovingly recreated during the ceremony. Reflecting on the anniversary, Shah Rukh Khan said, “DDLJ was made with a pure heart. We wanted to tell a story about love — how it can bridge barriers and how the world would be a better place if it had a lot more love in it — and I think this is why DDLJ has had a lasting impact for over 30 years now! Personally, DDLJ is part of my identity, and it is humbling to see the film, and Kajol and me, receiving so much love since it was released.” He added, “I am thankful to the people of the United Kingdom and the Heart of London Business Alliance for celebrating DDLJ and immortalising us with such a gesture. Seeing DDLJ become the first Indian film to be honoured in the iconic Scenes in the Square trail is an emotional moment and has brought back so many memories. I feel immense pride knowing the film has been embraced around the world, and I want to share this moment with the entire cast and crew of DDLJ, my friend and director Aditya Chopra, and the Yash Raj Films family. This is a moment I will never forget!”

Bade Bade Deshon Mein, Aisi Chhoti Chhoti Baatein Hoti Rehti Hain, Senorita!

Thrilled to unveil the bronze statue of Raj & Simran at London’s Leicester Square today, celebrating 30 years of Dilwale Dulhania Le Jayenge (DDLJ)!

Incredibly delighted that DDLJ is the first Indian… pic.twitter.com/8wjLToBGYc — Shah Rukh Khan (@iamsrk) December 4, 2025

He also shared a heartfelt post on X, writing, “Bade bade deshon mein, aisi chhoti chhoti baatein hoti rehti hain, Senorita!”

Kajol too expressed her gratitude: “It’s incredible to see Dilwale Dulhania Le Jayenge continue to receive so much love, even 30 years later. Watching the statue being unveiled in London felt like reliving a piece of our history - a story that has truly travelled across generations.”

She further added, “Seeing it find its rightful place in Leicester Square, a location of such enormous significance to DDLJ, makes this moment even more special. For the film to be honoured in this way in the UK - the first Indian film to receive such recognition - is something that will forever stay in the hearts and minds of all DDLJ fans across the world. I'm grateful to everyone who continues to keep our film in their hearts after all these years.” The statue now joins the “Scenes in the Square” trail  a tribute to global film heritage and stands as a tribute to DDLJ’s enduring legacy, resonating with fans around the world decades after its release. Also Read : Shah Rukh Khan pens heartfelt tribute to Andre Russell on his retirement from IPL