Mahesh Manjrekar and Sanjay Dutt once made for an envious director-actor jodi. Both collaborated for the first time on Vaastav (1999). The film turned out to be a cult and is considered to be one of the most accomplished performances of the actor. Later, Mahesh Manjrekar directed Sanjay Dutt in Kurukshetra (2000), Hathyar (2002), Pitaah (2002), Rakht (2004), Viruddh (2005) and Vaah Life Ho Toh Aisi (2005). If all goes well, both might join hands once again, after nearly two decades, for the remake of the acclaimed 2024 Marathi film, Juna Furniture.

A source told Bollywood Hungama, “Mahesh Manjrekar directed Juna Furniture and he played the main lead. The film got a lot of critical acclaim for its message, subject and performances. Mahesh realized that it has the potential to touch the Hindi-speaking audiences as well. Hence, he has begun work on the scripting of the Hindi remake.”

The source further said, “He has approached Sanjay Dutt as he feels that the veteran actor will do complete justice to the role. Both Mahesh Manjrekar and Sanjay Dutt are fond of each other. They have had a great time working with each other and it’s been a while since they collaborated on a project. This was also a reason why the filmmaker was keen on getting the actor on board. However, Sanjay Dutt is yet to reply to Mr Manjrekar on whether he'll be able to act in the remake.”

Juna Furniture is the story of a senior citizen and his son, an IAS officer. The senior citizen often finds himself in need of money and has to ask his son for it. Once, when the father has a similar need, the son is unavailable. The father is so distraught with this experience that he files a case against his son. The film also starred Bhushan Pradhan, Anusha Dandekar, Sameer Dharmadhikari, Sachin Khedekar, Shivaji Satam, Upendra Limaye and Mahesh's wife Medha Manjrekar.

Meanwhile, there were reports earlier this year that Mahesh Manjrekar and Sanjay Dutt might also collaborate on Vaastav 2.

Also Read: The Raja Saab: Sanjay Dutt fans get excited as makers of Prabhas starrer unveil new poster

2026 is going to be exciting as some of the biggest films, featuring popular names, are scheduled for release. One of the highly awaited ones is Love & War. It is directed by Sanjay Leela Bhansali and features an envious star cast comprising Ranbir Kapoor, Alia Bhatt and Vicky Kaushal. Another factor that is enticing about this film is that its Bhansali’s first film in 26 years, which will be shot abroad.

A source told Bollywood Hungama, “Sanjay Leela Bhansali is known for making grand and visually spectacular films. Yet, he hasn’t gone abroad for the same for his films like Devdas (2002), Black (2005), Saawariya (2007), Guzaarish (2010), Goliyon Ki Raasleela Ram-leela (2013), Bajirao Mastani (2015), Padmaavat (2018) and Gangubai Kathiawadi (2022). Hum Dil De Chuke Sanam (1998) was the last film for which he travelled abroad, to Hungary (depicted in the film as Italy), to shoot a crucial sequence of the second half.”

The source continued, “But for Love & War, there’s a requirement of a foreign location. Hence, the filmmaker travelled to Rome, Italy, for a recce earlier this month. The film is expected to be shot in the Italian capital and maybe, a few more places in Europe, later this year.”

As per reports, Sanjay Leela Bhansali will be shooting big face-off sequences between Ranbir Kapoor and Vicky Kaushal this month. The report further stated that around 100 days of shooting were completed until July and 90 more days of filming are left.

Love & War is scheduled to be released on March 20, 2026, on Ramzan Eid. It reunites Sanjay Leela Bhansali with Ranbir Kapoor after nearly 18 years. Ranbir debuted in SLB’s Saawariya. Meanwhile, Alia had worked with the blockbuster director in his last film, Gangubai Kathiawadi. As for Vicky Kaushal, this is his first outing with Sanjay Leela Bhansali.

Also Read: Love & War starring Vicky Kaushal, Ranbir Kapoor heads to Madhya Pradesh for 15-day shoot at British-era army base: Report

In a startling revelation that underscores the systemic undervaluing of playback singers in India, renowned singer Kanika Kapoor—known for chart-topping hits like ‘Baby Doll’ and ‘Chittiyaan Kalaiyaan’—has shed light on the meagre compensation artists often receive for their work. Speaking on Uorfi Javed’s YouTube show Bunkk with Uorfi, she confessed to receiving just Rs. 101 for a song.

She stated, “Singers don’t really get paid. Main saare contracts dikhaati hu, 101 rupees milte hain. They say that they are doing you a favour. I can talk to you about the greatest singer of India. I am not going to give names, but very obvious. I don't think that even he is being paid for most of his greatest songs ever. Or has any publishing, or has any royalty structure. There is nothing like that in India today.”

Her comments paint a bleak picture of an industry where fame and chartbusters don’t necessarily translate into fair financial remuneration.

Kapoor further highlighted the precarious nature of singers' livelihoods, stating, “Only if you are alive and you are able to sing, agar aapki awaaz chal rahi hai, aur aap shows kar paa rahe hain. Jab tak aap shows kar paa rahe hain, tab tak aapko paise milenge. Kal ko kuchh ho jaaye to koi pension plan nahi hai singers ke liye.” (As long as your voice is working and you're able to perform shows, you'll keep earning. But if something happens tomorrow, there's no pension plan for singers)

These remarks expose a stark reality: the recorded music ecosystem often offers negligible direct compensation or any royalty infrastructure. Instead, artists are forced to depend heavily on live performances to make a living.

The revelations have sparked fresh discussions on the need for structural reforms in India’s music industry. With playback singing forming the backbone of Bollywood’s musical identity, her candid account is a call to action for fair contracts, royalty systems, and long-term safety nets to safeguard artists’ well-being.

Kanika Kapoor’s straightforward admission is more than a personal grievance—it’s a clarion call. Her words highlight that even with fame and hit songs, the financial fate of playback singers in India remains precarious, governed more by live-stage survival than fair recognition of their recorded contributions.

At least 120 crew members working on Ranveer Singh’s forthcoming film Dhurandhar have fallen ill due to suspected food poisoning during the shoot in Leh district of Ladakh, forcing the production to pause. The incident occurred on August 17 while filming at Pathar Sahib. “Over 100 workers of a Bollywood film crew were hospitalised in Leh after a suspected case of food poisoning late Sunday evening,” officials told Mid-Day.

The affected individuals experienced severe symptoms such as intense abdominal pain, vomiting, and headaches soon after eating, prompting immediate medical attention at the Sajal Narbbu Memorial Hospital. Around 600 people were served the food that day, out of whom 120 fell ill and required hospitalization. There are rumours suggesting that a few individuals also suffered cardiac-related complications.”

Food samples have been collected and sent for further analysis to pinpoint the root cause of the contamination. Meanwhile, the team has suspended shooting temporarily.

Dhurandhar marks Ranveer Singh’s first collaboration with director Aditya Dhar. While the storyline remains largely under wraps, the teaser hints at an origin story steeped in betrayal, courage, and a hidden war fought by unnamed figures in the shadows. The film also features an impressive ensemble, including Sanjay Dutt, Akshaye Khanna, R Madhavan, and Arjun Rampal.

Reports suggest Ranveer and Aditya are already planning another project, slated to begin once Don 3 wraps. Dhurandhar is currently scheduled to worldwide theatrical release on December 5, 2025.

Also Read : Ranveer Singh unveils Sansaar by D’Decor’s musical ode to sustainable living

Filmmaker Vivek Ranjan Agnihotri has warned that he will pursue legal recourse if the release of his film The Bengal Files is prohibited in West Bengal. This statement came during a press conference following the disruption of the film’s trailer launch in Kolkata.

Scheduled to hit theatres on September 5, The Bengal Files delves into the Calcutta riots of August 16, 1946, triggered by the All-India Muslim League’s call for “Direct Action Day” .

Vivek Agnihotri recounted the series of setbacks faced during the trailer launch: it was initially cancelled by a multiplex, then shifted to a hotel where the power suddenly went out, and police eventually intervened to inquire whether proper permissions had been obtained .

“We will go by the Constitution. We will go legally. If they stop us, we will take the legal course. What can we do? We are common citizens like you… We will pray that sanity prevails and the state government does not do it,” said the director, directly challenging the Mamata Banerjee-led TMC government over alleged suppression of the film .

Addressing controversy involving Gopal Chandra Mukherjee—whose grandson Santanu Mukherjee has registered an FIR claiming the film portrays his grandfather as a “butcher”—Agnihotri clarified that the character is “an inspired character and not central to the plot.” He added, “I will not go into his history. Watch Santanu's interview. I can give you all the links. There is an interview of Gopal Mukherjee on BBC. In that interview, what he has said, we have only shown that much. I have nothing to do with Gopal Mukherjee's life, politics. He was a hero, and I have shown him as a hero.”

He said, “I respect Gopal Mukherjee a lot. His grandsons work with TMC. There is a compulsion there… They have done it legally. We are giving a legal answer to that.”

Agnihotri framed his work as an effort to bring forward “untold stories of India,” explaining: “Our purpose is very clear. I make films on Hindu civilization. That is why I make films on Hindu history. I do not consider myself capable of making films on Islamic history or Christian history.”

Also Read : Vivek Agnihotri faces FIR over alleged misrepresentation of Freedom Fighter Gopal Mukherjee in new film trailer

Bollywood actress Anita Advani recently spoke exclusively to the Indian Express, revealing intimate details about her private marriage with Rajesh Khanna and the challenges she faced within the film industry. Her revelations shed light on a side of Bollywood relationships rarely discussed publicly.

Advani began by explaining why she chose to remain silent about her wedding with Bollywood’s first superstar Rajesh Khanna. “We got married privately, but in the film industry, no one talks about such things openly. Everyone says ‘we’re friends’ or ‘we’re in a relationship’ or something else. But it was already reported in the media that I was with him, so neither of us felt the need to go and publicly announce that we were married. We never felt that need.”

She recounted the intimate ceremony, which took place at a small temple within their home. “I had a mangal sutra made, gold with black beads. He made me wear it. Then he applied sindoor and said, ‘From today, you are my responsibility.’ That’s how our wedding happened one night, just like that.”

Addressing her early involvement in her Khanna’s life, Advani said, “Yes, I came into his life before Dimple Kapadia. But we didn’t get married at the time because I was so young. Eventually, I went back to Jaipur.”

The actress also revealed the shocking treatment she faced during Kakaji’s chautha ceremony. “They had bouncers stationed there to stop me from coming in, I learned this from friends. When I told them I planned to go, they warned me that I would not be allowed inside. Still, they said, ‘If anything happens, we’re here for you.’ But I was stunned and asked, ‘Why all this?’ Some of my staff and close friends encouraged me to go, even suggested I carry a camera and record what they do. But I thought, how can I do such a thing on such a solemn day? So I didn’t go. I held my own chautha for him alone at a temple.”

Reflecting on the situation, Advani stated, “It would have been beneath my dignity to go there after everything. And frankly, it was beneath theirs to treat me that way, to call bouncers for me. One of my friends who did attend told me that they were blocking seats to ensure I wouldn’t have a place to sit. They even told one of our family lawyers to ‘handle me’ if I showed up. What does that even mean? I was shocked. I would never go to Kakaji’s chautha to create a scene. I would never even think of it. That’s why I didn’t go. And what happened there? It was all just a show. No one had any real feelings for him.”

Her candid interview provides a rare glimpse into the personal struggles and emotional dynamics of Bollywood, where public appearances often mask private realities.

Also Read: Sharmila Tagore on the re-release of Aradhana, “I was taken as a serious actor in Hindi cinema after this film”

Actor Nakuul Mehta and his wife Jankee Parekh Mehta have announced the arrival of their second child, a daughter, on August 17, 2025, delighting fans and well-wishers across the country. The couple also revealed her birth date as August 15 along with her name in a heartfelt social media post on Instagram which received ample love from the actor’s fans and well-wishers.

Sharing the joyous news on social media, Nakuul wrote, “She’s here. Sufi finally has his Rumi. Our hearts are complete. 15th August 2025. Your task is not to seek for love, but merely to seek and find all the barriers within yourself that you have built against it.”

The announcement immediately garnered a wave of congratulatory messages from the entertainment industry. Celebrities took to social media to shower blessings and love. Gauahar Khan commented, “Awwwww god bless… so happy for your family. Many many congratulations,” while Bharti Singh added, “congratulations yahooooo rumiiiiiii welcome.” Dia Mirza extended her wishes saying, “So much love to all 4 of you,” and Karan V Grover wrote, “Stay blessed Mehta Parivaar.” Sanaya Irani shared her excitement, exclaiming, “Congratulations. It’s a giiiiirrrrrllllll. Lots of love.” Manjari Fadnis, Neeti Mohan, Leenesh Mattoo, Mansi Srivastava, Harshdeep Kaur, Meiyang Chang, Gautam Rode, Karan Mehra, among others also joined in with heartfelt messages, celebrating the family’s happiness.

View this post on Instagram

  A post shared by Nakuul Mehta (@nakuulmehta)

This marks the second addition to the Mehta family. The couple had shared the news of Jankee’s second pregnancy in June 2025 with a playful post that read, “The boy is ready for additional responsibility. So are we. We are accepting blessings, ????????????????????.” Their first child, a son named Sufi, was born on 3 February 2021. Nakuul’s social media posts highlight not just the joy of parenthood, but also the poetic and reflective nature that fans have come to admire.

View this post on Instagram

  A post shared by Nakuul Mehta (@nakuulmehta)

Nakuul and Jankee’s love story spans over a decade. The couple first met during their teenage years and eventually tied the knot on 28 January 2012 in a traditional Hindu wedding ceremony. Their long-standing relationship has been marked by mutual respect, creativity, and shared passions, making their journey to parenthood a celebrated chapter among fans and industry peers alike.

Also Read: Nakuul Mehta opens up about his new collaboration with Star Plus show Udne Ki Aasha; says, “It was a homecoming of sorts to Star Plus where I started my television career”

Vivek Agnihotri directorial The Bengal Files witnessed a fresh controversy as Shantanu Mukherjee, grandson of celebrated Bengali freedom fighter Gopal Mukherjee, filed a police complaint against the filmmaker. The grievance comes in response to the trailer of Agnihotri's upcoming political drama, unveiled on August 16, which coincides with the 80th anniversary of the "Great Calcutta Killings," also known as 'Direct Action Day.'

According to Shantanu Mukherjee, the film inaccurately portrays his grandfather, calling him “Kashai” (meaning butcher) and “Patha” (meaning goat), terms he describes as deeply disrespectful. "My grandfather was an important figure in the freedom movement, working alongside prominent leaders, with his ideology aligned with Netaji Subhash Chandra Bose. To label him in such derogatory terms is not only historically inaccurate but also offensive to our family and the community," Shantanu stated in a statement reported by India Today.

In protest, Shantanu has sent a legal notice to Vivek Agnihotri and lodged a formal FIR demanding a public apology. He expressed frustration that the filmmakers failed to consult the family or verify historical facts before the release of the trailer. "I think Vivek Agnihotri should research more on this. From where did they get this wrong information? He has not contacted us either. That's why we are protesting and will continue to do so," he said.

The film, which is the third installment in Agnihotri’s "Files Trilogy" following The Tashkent Files (2019) and The Kashmir Files (2022), revolves around the 1946 Great Calcutta Killings and the Noakhali riots. It seeks to depict the events as genocide and highlights how these historical atrocities were allegedly silenced or ignored in mainstream narratives. The trailer's release on the anniversary of the tragedy has added emotional weight and intensified public scrutiny.

Film analysts note that Agnihotri’s projects often stir debate for their portrayal of historical events, and this latest controversy underscores the sensitivity surrounding depictions of real-life freedom fighters. Historians and community leaders have echoed Shantanu’s concerns, emphasizing the importance of responsible storytelling when representing figures who played pivotal roles in India’s independence movement.

The dispute raises critical questions about the responsibility of filmmakers to consult families and historians before dramatizing historical events. Whether the controversy will lead to edits in the film or a formal apology remains to be seen, but the FIR and legal notice signal that the debate is only just beginning.

Also Read: Vivek Agnihotri’s The Bengal Files trailer stopped in West Bengal; says, “Democracy is dead in Tagore and Vivekananda’s land”

Bollywood’s beloved superstar Shah Rukh Khan delighted his fans on Saturday evening by hosting an impromptu #AskSRK session on X (formerly Twitter). Known for his witty banter and straightforward charm, SRK answered questions ranging from his upcoming film King to fans’ curiosity about his future projects.

When a fan asked for an update on King, the actor shared a playful yet reassuring progress report. “Did some good shoot… starting soon again. Only leg shots then move to upper body… Insha Allah will be done fast. @justSidAnand is working hard to finish,” SRK revealed. His tongue-in-cheek description of shooting “leg shots” first had fans amused, while also signalling that the project is steadily moving ahead under director Siddharth Anand’s watch.

Did some good shoot….starting soon again. Only leg shots then move to upper body….Insha Allah will be done fast. @justSidAnand is working hard to finish. https://t.co/d88P2te8ll — Shah Rukh Khan (@iamsrk) August 16, 2025

Another fan probed whether audiences could expect Shah Rukh Khan in any other movie besides King. In his signature style, SRK quipped: “Just KING… naam toh suna hoga (have you heard the name)?” The sharp reply instantly trended across social media, reinforcing the anticipation surrounding his first major theatrical release since Dunki.

Just KING….naam toh suna hoga? https://t.co/8zLVmkwmUR — Shah Rukh Khan (@iamsrk) August 16, 2025

King is shaping up to be one of 2025’s most talked-about films. Written by Sujoy Ghosh and directed by Siddharth Anand, the film is expected to be a slick gangster action drama. Adding to the excitement, it marks the theatrical debut of Suhana Khan, Shah Rukh’s daughter, who was last seen in Zoya Akhtar’s Netflix film The Archies as she will be seen sharing screen space with her father for the first time. The cast also includes Abhishek Bachchan, reportedly playing the antagonist, along with Munjya fame Abhay Verma in a pivotal role.

The timing of SRK’s interactive session is noteworthy, coming just a day before Netflix dropped the teaser of Aryan Khan’s directorial debut series The Ba**ds of Bollywood*. As always, Shah Rukh Khan’s session was a mix of humor, honesty, and his signature warmth that keeps his fanbase loyal. With King progressing swiftly and Aryan stepping into direction, audiences can expect a Khan double celebration in the months ahead.

Also Read: Shah Rukh Khan marks Independence Day with AbRam in a heartwarming post

On Saturday, the trailer launch of Vivek Agnihotri’s upcoming and much-debated film The Bengal Files, which depicts the 1946 Calcutta communal riots, was halted at a luxury hotel in Kolkata. The move was met with little surprise, given the sensitive subject matter and the expected backlash. The ruling All India Trinamool Congress (TMC) in West Bengal is known for its strong stance on protecting the state’s minority community.

A senior Trinamool leader, who is also a veteran actor, told this writer on condition of anonymity, “It is unlikely Agnihotri’s film will be released in West Bengal. He has a reputation for being a troublemaker. The Kashmir Files stirred up disturbing anti-Muslim sentiments. That won’t be allowed to happen here.”

Responding to the incident, Vivek Agnihotri took to social media, tweeting, “With anguish I inform you: Today West Bengal police, on orders of ‘top authorities’, illegally stopped the trailer of #TheBengalFiles. First theatres, now even a private hotel.”

Later, speaking further on the controversy, Agnihotri remarked, “Who fears the truth of Hindu genocide? And why? Democracy is dead in Tagore and Vivekananda’s land. The trailer is now being seen all over the country, but since it is based in Bengal, we wanted its launch here. They don’t want the atrocities on Bengali Hindus in 1946 and the fightback of people like Gopal Mukherjee to be shown in cinema. If it is a part of history, do you want to change history? There can be only one reason behind such a move — to ignore the conspiracy to divide Bengal again.”

Veteran actor Anupam Kher, who essays the role of Mahatma Gandhi in The Bengal Files, also came forward in support of the film. Speaking exclusively to this writer, Kher said, “The Bengal Files tells only the truth. Why fear the truth?”

Also Read: Vivek Agnihotri launches The Bengal Files trailer on Direct Action Day in Kolkata – Here’s why the date matters

Netflix, in collaboration with Red Chillies Entertainment Pvt. Ltd., has unveiled the much-anticipated first look of The Ba***ds of Bollywood, marking Aryan Khan’s official directorial debut. The streaming giant shared a teaser across its social media platforms, giving audiences a first taste of what promises to be an unconventional, high-energy series.

The teaser opens with a voiceover reminiscent of the romantic tone from his father Shah Rukh Khan starrer classic Mohabbatein, evoking nostalgia for Bollywood’s golden era. However, the atmosphere quickly shifts, landing a biting punchline that signals a departure from convention. While the voice might faintly remind audiences of Shah Rukh Khan, the delivery, intent, and freshness is introduced by none other than Aryan showcasing his uniqueness.

With this teaser, Aryan Khan steps into the limelight as a storyteller in his own right. His opening words in the video encapsulate the essence of the show: “Bollywood – jisse aapne saalon se pyaar bhi kiya aur vaar bhi kiya, main bhi wohi karunga, bohot saara pyaar… aur thoda sa vaar.” The line suggests that the series will celebrate Bollywood’s charm while also critiquing its clichés, blending reverence with rebellion.

Described as “fun, filmy, aur thoda zyaada,” the show aims to straddle the line between homage and satire. It promises to be provocative yet rooted, stylised yet chaotic, bringing forward a voice that represents a generational shift in how Bollywood stories are told and consumed.

View this post on Instagram

  A post shared by Netflix India (@netflix_in)

The series features an ensemble cast including Bobby Deol, Lakshya, Sahher Bambba, Manoj Pahwa, Mona Singh, Manish Chaudhari, Raghav Juyal, Anya Singh, Vijayant Kohli, and Gautami Kapoor. With such a diverse lineup, expectations are high for a multi-layered narrative packed with drama, humour, and self-awareness.

Behind the scenes, The Ba***ds of Bollywood has heavyweight backing. Gauri Khan serves as the producer, while Bonnie Jain and Akshat Verma take on the role of executive producers. Aryan Khan co-created the series along with Bilal Siddiqi and Manav Chauhan, with the trio also credited as writers.

The teaser concludes with Netflix’s announcement that a detailed preview of the series will be released on August 20, setting the stage for one of the most talked-about debuts in recent memory.

As anticipation builds, Aryan Khan’s first project signals not only a personal milestone but also the arrival of a new narrative voice - one that dares to playfully dissect the very industry it was born into.

Also Read: Shah Rukh Khan treats fans to a surprise; announces the teaser drop of the directorial debut of his son Aryan Khan on August 17

The Indian Film Festival of Melbourne (IFFM) 2025 turned into a star-studded celebration as Indian cinema’s finest talents were honoured at the prestigious Awards Night. Applause, emotion, and pride filled the air as filmmaker Neeraj Ghaywan’s poignant drama Homebound emerged as the evening’s biggest winner, bagging both Best Film and Best Director.

Bollywood icon Aamir Khan was conferred with the coveted Excellence in Cinema Award, recognising his unparalleled legacy and contribution to Indian cinema. Speaking about his win, Aamir Khan said, “I have been attracted to telling stories from a very young age. Filmmaking is a collaborative art and this award and recognition wouldn’t have been possible without my writers, directors, co-stars, and the audiences who have given me the opportunity to tell the stories and be part of the many stories I have been part of.”

Meanwhile, Abhishek Bachchan delivered an emotional moment on stage as he won Best Actor (Male) – Film for I Want to Talk. Abhishek Bachchan, visibly moved after his Best Actor win, added, “Life has come a full circle for me. I came here in 2022 where I was feted with the excellence in cinema award for my body of work. But this is an emotional moment for me to get the best actor on this very stage and be recognised for my role in a film that’s extremely special to me. It was 3 years back in Melbourne at this same festival where Shoojit Da offered me this role in I Want To Talk. It was Shoojit Da who believed in me that I could pull off this role and this role is an ode to my father and my daughter because it’s about caring and raising a parent.”

The festival’s winners reflected the incredible diversity and depth of Indian storytelling across formats. Homebound was declared Best Film, while Neeraj Ghaywan won Best Director for the same. Angammal earned the title of Best Indie Film with Gugun Kigpen receiving a Special Mention for Boong. Geetha Kailasam won Best Actor (Female) – Film for her performance in Angammal.

The television segment saw Black Warrant win Best Series, with Jaideep Ahlawat taking home Best Actor (Male) – Series for Paatal Lok Season 2, and Nimisha Sajayan winning Best Actor (Female) – Series for Dabba Cartel. Reflecting on the journey, Jaideep said "This award is truly overwhelming. To be recognized on an international platform like the Indian Film Festival of Melbourne is an honor I will cherish forever. Hathiram Chaudhary's journey has been an extraordinary one, and this award belongs to the entire team who poured their heart and soul into making Paatal Lok what it is today. I’m deeply grateful to the jury and, most importantly, to the audience for their love and support. This is for all of you."

Among the honorary recognitions, Arvind Swamy was celebrated with the Leadership in Cinema Award, Vir Das was honoured with the Disruptor Award, Aditi Rao Hydari was recognised for Diversity in Cinema, and Baksho Bondi won the Equality in Cinema Award. Arvind Swamy shared his happiness over the award and stated, “I’m still a student of cinema even though I have been given leadership in cinema for my work. If anyone offers me role even today that’s in my comfort zone, I wouldn’t do it, I always want roles that challenge me. I’m grateful for the recognition to be given the Leadership in Cinema award at IFFM 2025.”

Other categories included the short film  where Kalar Pencils by Dhananjay Santosh Goregaonkar won Best Short Film (India), while Drifters by David Liu was awarded Best Short Film (Australia).

Now in its 16th edition, IFFM has once again reaffirmed its status as the largest Indian film festival outside of India, bringing together filmmakers, stars, and audiences in a grand celebration of cinema. The festival continues until August 24, with Homebound serving as the closing film.

Also Read: Aamir Khan inaugurates Indian Film Festival of Melbourne 2025 with Gauri Spratt; unveils opening night film Baksho Bondi

The Indian Film Festival of Melbourne (IFFM) 2025 turned into a star-studded celebration as Indian cinema’s finest talents were honoured at the prestigious Awards Night. Applause, emotion, and pride filled the air as filmmaker Neeraj Ghaywan’s poignant drama Homebound emerged as the evening’s biggest winner, bagging both Best Film and Best Director.

Bollywood icon Aamir Khan was conferred with the coveted Excellence in Cinema Award, recognising his unparalleled legacy and contribution to Indian cinema. Speaking about his win, Aamir Khan said, “I have been attracted to telling stories from a very young age. Filmmaking is a collaborative art and this award and recognition wouldn’t have been possible without my writers, directors, co-stars, and the audiences who have given me the opportunity to tell the stories and be part of the many stories I have been part of.”

Meanwhile, Abhishek Bachchan delivered an emotional moment on stage as he won Best Actor (Male) – Film for I Want to Talk. Abhishek Bachchan, visibly moved after his Best Actor win, added, “Life has come a full circle for me. I came here in 2022 where I was feted with the excellence in cinema award for my body of work. But this is an emotional moment for me to get the best actor on this very stage and be recognised for my role in a film that’s extremely special to me. It was 3 years back in Melbourne at this same festival where Shoojit Da offered me this role in I Want To Talk. It was Shoojit Da who believed in me that I could pull off this role and this role is an ode to my father and my daughter because it’s about caring and raising a parent.”

The festival’s winners reflected the incredible diversity and depth of Indian storytelling across formats. Homebound was declared Best Film, while Neeraj Ghaywan won Best Director for the same. Angammal earned the title of Best Indie Film with Gugun Kigpen receiving a Special Mention for Boong. Geetha Kailasam won Best Actor (Female) – Film for her performance in Angammal.

The television segment saw Black Warrant win Best Series, with Jaideep Ahlawat taking home Best Actor (Male) – Series for Paatal Lok Season 2, and Nimisha Sajayan winning Best Actor (Female) – Series for Dabba Cartel. Reflecting on the journey, Jaideep said "This award is truly overwhelming. To be recognized on an international platform like the Indian Film Festival of Melbourne is an honor I will cherish forever. Hathiram Chaudhary's journey has been an extraordinary one, and this award belongs to the entire team who poured their heart and soul into making Paatal Lok what it is today. I’m deeply grateful to the jury and, most importantly, to the audience for their love and support. This is for all of you."

Among the honorary recognitions, Arvind Swamy was celebrated with the Leadership in Cinema Award, Vir Das was honoured with the Disruptor Award, Aditi Rao Hydari was recognised for Diversity in Cinema, and Baksho Bondi won the Equality in Cinema Award. Arvind Swamy shared his happiness over the award and stated, “I’m still a student of cinema even though I have been given leadership in cinema for my work. If anyone offers me role even today that’s in my comfort zone, I wouldn’t do it, I always want roles that challenge me. I’m grateful for the recognition to be given the Leadership in Cinema award at IFFM 2025.”

Other categories included the short film  where Kalar Pencils by Dhananjay Santosh Goregaonkar won Best Short Film (India), while Drifters by David Liu was awarded Best Short Film (Australia).

Now in its 16th edition, IFFM has once again reaffirmed its status as the largest Indian film festival outside of India, bringing together filmmakers, stars, and audiences in a grand celebration of cinema. The festival continues until August 24, with Homebound serving as the closing film.

Also Read: Aamir Khan inaugurates Indian Film Festival of Melbourne 2025 with Gauri Spratt; unveils opening night film Baksho Bondi

The wait for one of Bollywood’s most anticipated sequels is finally over. On the occasion of India’s 79th Independence Day, the makers of Border 2 unveiled the film’s first poster along with its official release date. The war drama, inspired by true stories, is set to hit theatres on January 22, 2026, giving audiences the perfect build-up to the extended Republic Day weekend.

The timing of the announcement serves as a tribute to India’s Bravehearts, echoing the patriotic sentiment that made the original Border a landmark film in Indian cinema. The newly released poster showcases Sunny Deol back in his most memorable role — a battle-hardened soldier — dressed in military gear and gripping a bazooka with fierce determination. With an intense gaze and the weight of duty etched on his face, Deol embodies the courage and sacrifice of the Indian armed forces, ready to once again lead audiences into an emotionally charged cinematic battlefield.

Speaking about the announcement, producer Bhushan Kumar said, “Border is more than a film — it’s an emotion for every Indian. With Border 2, we aim to carry forward that legacy and bring it to a new generation. The new release date gives audiences more time to come together and experience the film in theatres during an extended Republic Day weekend.”

Producer Nidhi Dutta added, “The first Border was a heartfelt salute to our armed forces. This time, we return with the same passion, a fresh story, and a promise to evoke the same pride and tears in every theatre. With the new release date, we are happy to bring the film to cinemas sooner, allowing audiences to enjoy a longer Republic Day weekend.”

Director Anurag Singh highlighted the significance of the Independence Day reveal, stating, “Announcing the date on Independence Day is symbolic. This day reminds us of the sacrifices made by our soldiers for India’s freedom and so does our film. It’s an honour and a privilege to honour their undying spirit through this story.”

View this post on Instagram

  A post shared by tseriesfilms (@tseriesfilms)

Directed by Anurag Singh, Border 2 features an ensemble cast including Sunny Deol, Varun Dhawan, Diljit Dosanjh, Ahan Shetty, Medha Rana, Mona Singh, and Sonam Bajwa. The film is produced by Bhushan Kumar and J.P. Dutta, with production support from Krishan Kumar and Nidhi Dutta, under the banners of T-Series and J.P. Films.

Backed by a powerful production team including Bhushan Kumar, Krishan Kumar, J.P. Dutta, and Nidhi Dutta, Border 2 promises to uphold the emotional intensity and patriotic fervour of its predecessor while introducing a new generation of viewers to its legacy. With its release timed to coincide with a long Republic Day weekend, the film is poised to deliver a stirring tribute to the heroism and indomitable spirit of the Indian soldier.

Audiences can gear up for what promises to be a monumental saga of patriotism, courage, and sacrifice as Border 2 storms into cinemas nationwide on January 22, 2026.

Also Read: BREAKING: CBFC passes date announcement teaser of Border 2 with a U/A 16+ certificate

An old video of actress Mrunal Thakur from her Kumkum Bhagya days resurfaced online a couple of days ago, sparking controversy and heated discussions across social media. The clip, dating back to her time on the popular Ektaa R. Kapoor show on Zee TV, features Thakur in a light-hearted media interaction with her co-star Arjit Taneja.

In the video, Mrunal is heard asking, “Would you rather marry someone who is more manly with muscles?” When Taneja responds that he would prefer a physically fit partner, she quips, “Go marry Bipasha then. Listen, I am far better than Bipasha.” While seemingly meant as playful banter, the remark did not sit well with fans of Bollywood actress Bipasha Basu, many interpreting it as body-shaming and dismissive.

As the clip gained traction online with fans and followers slamming Thakur for her opinions, Mrunal decided to address the matter head-on by issuing a candid apology on her social media page. “19-year-old me as a teenager said many silly things. I didn’t always understand the weight of my voice or how much words, even in jest, could hurt. But it did, and for that I am deeply sorry. My intent was never to body-shame anyone,” her statement read. She further added, “It was playful banter in an interview that went too far. But I understand how it came across, and I truly wish I had chosen my words differently. With time, I’ve grown to appreciate that beauty comes in every form, and that’s something I truly value now.”

Her clarification has been widely shared, with many appreciating her honesty, growth, and willingness to take accountability. The actress, known for her strong yet empathetic persona, concluded by reiterating her belief that women can be both “soft and strong” — a combination she believes makes them unstoppable.

Also Read: Mrunal Thakur: “If someone hacks my phone they will find…” | Star Tech

This Independence Day is more special for Hindi film lovers as the all-time classic Sholay completes 50 glorious years. Directed by Ramesh Sippy, written by Salim-Javed (Salim Khan and Javed Akhtar) and starring Sanjeev Kumar, Amitabh Bachchan, Dharmendra, Amjad Khan, Hema Malini and Jaya Bachchan, the movie continues to win hearts generation after generation.

A major achievement for Sholay was that it ran for as many as five years on a trot in Mumbai’s Minerva cinema. It was founded by filmmaker and producer FC Mehra and was later looked after by his son and veteran filmmaker Umesh Mehra. On Sholay’s 50th anniversary, Mehra went down memory lane in an exclusive chat with Bollywood Hungama on its phenomenal run in their cinema and also provided some interesting trivia related to the film.

Umesh Mehra refutes stories about Sholay struggling in the initial weeks

When Sholay was released in 1975, Minerva and their film business was run by FC Mehra. Umesh Mehra recalled that at that time, he was a young assistant director and was just too happy to attend the film’s star-studded premiere.

It has been said a lot in the media over the decades that Sholay didn’t perform well in the first two weeks and picked up only after that. However, Umesh Mehra said that there is no truth to this. “No truth in it. Bakwaas, sab jhooth hai,” he said. “It was full in advance for two years. Every day it was full. There was this negative publicity which is very common in our industry. Some vested interests will try and bring down a film. There was another lobby which kept saying that the film is going to flop. But who can win against the public?”

Sholay, the only film that genuinely ran in cinema for years

Over the years, there have been quite a few films that have run in cinemas for years. But Mehra said that Sholay was the only film that had an organic run. “In my humble opinion, this was the only film that had a genuine run,” he said. “There are many films that have run (for a number of years) but they have not had that public paid run. Maybe they were paid by the producer, distributor or actor. But this was the only film which the public made run for five years.”

The original run of Sholay was four hours long

Sholay’s runtime was little over three hours when it released. Mehra revealed that the first run of the film was much longer. “I know for a fact that the first run of the film when they shot was over four hours. Shinde sahab (the late legendary editor MS Shinde) brought that down to three hours. It’s not a straightforward screenplay – there is flashback and other things. He was a brilliant man,” he said. Interestingly, MS Shinde was the only member from the Sholay team to receive a Filmfare Award that year.

Sholay’s print was stuck with the Customs just before the premiere

Just before Sholay’s premiere at Minerva on the evening of August 14, its 70 mm print couldn’t reach the cinema. “The whole industry was there,” recalled Mehra. “It was a huge premiere. An interesting part is that the 70 mm print was stuck in the Customs. So, they showed the film in cinemascope print for the premiere. And 95% of the people could not make the difference at that point of time. Minerva had that special projection system through which cinemascope covered the whole screen. So, people were like, ‘Kya effect hai!’, ‘Kya impact hai!’.” The 70 mm print reached the cinema later in the day and the movie was played again.

Pic 1 - Advance booking for Sholay which opened a week before its release Pic 2 - Sholay enter into 35th Week in Minerva

Pic 3 - Sholay enter into 246th Week in Minerva. Balcony Ticket price - ₹5.50

Image Credit - Naved & Shiv Shetty https://t.co/IyuvsfsTqE pic.twitter.com/e8C3ITnH7t

— Mumbai Heritage (@mumbaiheritage) August 31, 2024

One-kilometre-long queues for advance booking

Umesh Mehra revealed that for two years, every show of Sholay in Minerva was full one week in advance. “There was one (ticket) window for balcony and one for stall,” he said. “Every Friday when the booking opened, each of these lines would be one kilometre long. The film continued (in regular shows) for two years and then in matinee it continued up to five years.”

He added, “Minerva always had this unique position of having huge openings even for films like Deewar or our own Alibaba Aur 40 Chor. The queue of a kilometre became a norm. Minerva got connected to all successful films. Anybody who put up a movie in Minerva, knew, at least, 15 to 25 weeks was confirmed. Metro just took the tagline but Minerva was called the ‘Pride of Maharashtra’.”

Audience throwing money on the screen was common back then

Those were the days when the public reaction was seen to be believed. “Whether it was Sholay or the opening sequence of Alibaba’s cave in Alibaba Aur 40 Chor, public used to whistle and clap,” he said. “During songs, they used to throw coins. The sweepers would be happy as they could collect that money. And dancing in the aisles was a common phenomenon. The whole atmosphere was something else to watch a film.”

Stars often visited Minerva to check public reactions

Like other cinemas, filmstars used to visit Minerva too to check out public reactions. From the cast of Sholay, the debutant villain showed up once. “I think Amjad Khan came,” said Mehra. “Whenever stars would come, they would come late at night. We had a special sort of system where the lift took them directly to the top floor of the auditorium. So, nobody used to realize when they came and left.”

How many times Umesh Mehra has seen Sholay?

When asked how many times has he seen Sholay, Mehra said, “I would have seen the film 50 or 100 times. I don’t even remember how many times. My office was in the basement. So, whenever I had time, I used watch. It was a huge learning on how screenplay moves, how action moves, how a film is shot, etc. It was a textbook for all of us in that generation.”

Also Read: Sholay to be honoured at Toronto International Film Festival along with Stephen Spielberg’s Jaws, confirms Javed Akhtar

Actors Sidharth Malhotra and Janhvi Kapoor, along with director Tushar Jalota, visited the Tirupati temple to seek divine blessings ahead of the release of their upcoming romantic drama Param Sundari. The film, produced by Maddock Films, is slated to hit theatres on August 29, 2025.

The visit to the holy shrine comes just days after the makers unveiled the trailer on August 12, 2025. The film marks the first on-screen collaboration between Sidharth Malhotra and Janhvi Kapoor, a pairing that has already generated buzz among fans.

View this post on Instagram

  A post shared by Sidharth Malhotra (@sidmalhotra)

About the Trailer The 2-minute, 40-second trailer introduces viewers to Param Sundari’s central love story — a romance that transcends geography, language, and cultural boundaries. Sidharth plays Param, a charming Punjabi boy, while Janhvi portrays Sundari, a spirited South Indian girl.

The trailer opens with a light-hearted sequence of Param and Sundari flirting inside a church. Their playful banter is peppered with witty references to both Bollywood and regional cinema. However, the tone shifts when Sundari accuses Param of playing with people’s emotions, setting the stage for a dramatic conflict.

The narrative follows Param’s journey as he attempts to win back Sundari’s trust and prove the sincerity of his love, against the backdrop of familial and societal expectations.

View this post on Instagram

  A post shared by Maddock Films (@maddockfilms)

The Buzz Around Param Sundari Backed by Maddock Films, the project has been touted as a pan-India romantic entertainer that blends humour, drama, and cross-cultural charm. With Sidharth and Janhvi pairing up for the first time, expectations are high for their on-screen chemistry. Param Sundari is scheduled for a nationwide theatrical release on August 29, 2025.

Also Read: Janhvi Kapoor’s dialect coach Sheba Raju showers praise on her for her accent in Param Sundari: “You sound perfect as a half Malayali, half Tamil ponnu”

In a move as bold as it is rooted, Ugaoo — India’s #1 home gardening company — has announced beloved actor and pop culture icon Jackie Shroff as its brand ambassador. This collaboration with the well-known environmentalist marks a pivotal moment for Ugaoo as it evolves from a green brand adored by urban audiences to a cultural mainstay across India’s Tier 2 and 3 cities.

Having spent a decade cultivating a greener India, Ugaoo has played a key role in shaping how urban Indians perceive and interact with nature in their everyday lives. The brand has steadily built emotional equity through a strong content-first strategy, using storytelling, community-driven campaigns, and relatable plant care content to make gardening less intimidating and more joyful for everybody. Ugaoo’s digital presence has cultivated a loyal, plant-loving community that views houseplants not just as décor, but as meaningful companions, symbols of personal growth, and tools for emotional expression.

As Ugaoo enters its next phase of growth, reaching deeper into the heartland, it needs more than a campaign; it needs a cultural bridge. Jackie Shroff, the beloved Bollywood actor and original green crusader, fits this role seamlessly. Known for his earthy authenticity, irreverent charm, and lifelong love for plants, Jackie has always walked the walk. From arriving at events with a spider plant slung around his neck, spreading the green message far and wide, to nurturing his organic farm, his connection to nature is both personal and deeply profound.

Moreover, Jackie’s legacy as a pop culture icon with a devoted fan base that cuts across age groups makes him the perfect ambassador for Ugaoo. This brand resonates equally with Gen Z, millennials, and older generations. His persona is timeless, his appeal is cross-generational, and his relevance in India’s cultural imagination makes this collaboration a natural fit.

“Jackie Shroff is not just a face, he’s a feeling. For years, we’ve worked to make plants a part of India’s emotional and cultural fabric. And Jackie embodies everything we believe in: he's playful, rooted, and passionately green. There is nobody we would have worked with in this capacity — it was Jackie or no one. As we prepare to expand across Bharat, his presence brings instant relatability, timeless credibility, and a refreshing sense of fun to our story,” said Siddhant Bhalinge, Founder & CEO of Ugaoo.

Jackie’s association with Ugaoo launches with a high-impact campaign film conceptualised by Thought Over Design and produced by Cathect Studios. Set in a cozy living room, the film opens on a dramatic note with a distraught plant parent grieving over her wilted Alocasia. Jackie consoles her in his signature style, ordering a fresh one from Ugaoo, with the promise of a longer and healthier plant for life. The film ends with the unforgettable line, “Ugaoo, Bhidu, Ugaoo,” blending emotion, humour, and plant care into a perfectly potted story.

Speaking of the association, Jackie Shroff said, "Plants aren't just decor; they're companions, therapy, and a connection to life. Putting my hands in the soil brings me peace. Associating with Ugaoo is a no-brainer; they're spreading a green movement across India. Together, we're nurturing a generation that values nature. I'm glad to be a part of this mission, inspiring others to live rooted and connected."

This collaboration is more than a celebrity tie-in; it’s a cultural moment. It signals Ugaoo’s ambition to embed itself into the everyday lives of Indians by using plants not just as décor but as emotional connectors. The brand is also tapping into a growing trend: making plant gifting a thoughtful, lasting alternative to traditional gifts like flowers and chocolates, symbolising care, growth, and continuity.

Whether it’s a spider plant sent as an apology, twin succulents exchanged as modern-day friendship bracelets, or a potted pothos marking a couple’s first home together, Ugaoo is redefining how India expresses emotion. Plants, unlike other conventional gifts, last longer, grow with you, and become shared symbols of care and connection.

Simultaneously, Ugaoo continues to champion gardening as a mental wellness ritual. With more people seeking mindful habits in their fast-paced urban lives, simple acts like watering plants, nurturing leaves, and watching something grow have emerged as a powerful, grounding routine.

With over 1 million customers and a growing footprint across e-commerce, q-commerce, and offline stores in Mumbai, Pune, and Bengaluru, Ugaoo is now primed for outsized scale. Jackie’s association marks the beginning of a series of initiatives, from new product formats to regional storytelling, that will cement Ugaoo’s position as India’s most culturally relevant and emotionally resonant green brand.

As India begins to view plants not just as purchases but as an integral part of how we live, love, and heal, Ugaoo — with Jackie Shroff by its side — is here to lead the way.

Also Read: Ajay Devgn mimics Sunny Deol, Suniel Shetty, Jackie Shroff in hilarious Border spoof in Son of Sardaar 2

The excitement among fans is reaching fever pitch as the upcoming action thriller War 2 has officially received the go-ahead for release on August 14. Marking the first-ever collaboration between Bollywood superstar Hrithik Roshan and Telugu cinema icon Jr NTR, the film is set to deliver a power-packed cinematic experience. Jr NTR took to social media to express his heartfelt gratitude to the Andhra Pradesh government for facilitating the film’s release through a new government order.

In a recent tweet, Jr NTR wrote, “My sincere thanks to the Honourable CM of Andhra Pradesh, Sri @NCBN garu and the Honourable Deputy CM, Sri @PawanKalyan garu, for passing the new G.O. for the #War2 release. I also extend my gratitude to the Cinematography Minister Sri @kanduladurgesh garu.” The gesture reflects the strong support from the state government towards big cinematic ventures, underscoring the growing importance of pan-India films.

My sincere thanks to the Honourable CM of Andhra Pradesh, Sri @NCBN garu and the Honourable Deputy CM, Sri @PawanKalyan garu, for passing the new G.O. for the #War2 release. I also extend my gratitude to the Cinematography Minister Sri @kanduladurgesh garu. — Jr NTR (@tarak9999) August 12, 2025

Directed by Ayan Mukerji and produced by Aditya Chopra under the prestigious Yash Raj Films banner, War 2 is the sixth installment in the acclaimed YRF Spy Universe and serves as a sequel to the 2019 blockbuster War. The film boasts a stellar ensemble cast with Hrithik Roshan, Jr NTR, and Kiara Advani in lead roles, accompanied by powerhouse actors Ashutosh Rana and Anil Kapoor.

War 2 weaves an intense narrative centred around Kabir Dhaliwal, a former Indian intelligence agent who turned rogue and evolved into one of the most dangerous adversaries threatening national security. In response, the Indian government deploys Special Units Officer Vikram, portrayed by Hrithik Roshan, a highly skilled and relentless operative. Vikram’s mission is clear: neutralize the threat posed by Kabir. However, beneath his tough exterior lies a complicated past that fuels his resolve to complete this perilous task.

The film promises a gripping blend of thrilling action sequences, emotionally charged moments, and a compelling storyline that explores themes of loyalty, betrayal, and patriotism. With the YRF Spy Universe gaining momentum, War 2 is poised to elevate the franchise to new heights.

As August 14 approaches, anticipation continues to build, with fans eagerly awaiting the first glimpse of this high-octane thriller. The powerful collaboration between Hrithik Roshan and Jr NTR is expected to draw audiences across language barriers, cementing War 2 as one of the year’s most anticipated releases.

Also Read: War 2 end credits hide 2 game-changing YRF Spy Universe secrets

Radico Khaitan Limited has announced a landmark partnership with Bollywood superstar Shah Rukh Khan, his son Aryan Khan’s D’YAVOL Luxury Collective, and entrepreneur Nikhil Kamath, co-founder of Zerodha, to introduce a new premium alcoholic beverages venture under D’YAVOL Spirits. This collaboration seeks to develop some of the finest spirits in the world, targeting discerning consumers both within India and in international markets, focusing on globally sourced products that celebrate rich regional heritage through bottled-in-origin offerings.

The board of directors at Radico Khaitan has given the green light for a strategic investment and collaboration with D’YAVOL Spirits B.V. and D’YAVOL Spirits Private Limited. Under this agreement, Radico Khaitan will acquire a 47.5% equity stake in each company, with a total investment valued at up to Rs. 40 crore.

The partnership agreements, signed with D’YAVOL B.V., D’YAVOL India, Aryan Khan, Harprit Singh, NK Enterprises Holding Limited, and Kamath Technology LLP, position Radico Khaitan as the largest shareholder across both entities. The alliance will be responsible for the global marketing, trading, and distribution of premium spirit brands, with luxury tequila set to be the flagship launch.

Abhishek Khaitan, Managing Director of Radico Khaitan, expressed his enthusiasm: “Radico Khaitan has always believed in leading the alcobev space with consumer-centric innovation. With D’YAVOL Spirits, we are entering a bold new chapter, combining our proven expertise in blending, marketing and distribution with the charm and charisma of the global icon Shah Rukh Khan, the entrepreneurial spirit of Aryan Khan and Nikhil Kamath’s disruptive and visionary outlook.”

Shah Rukh Khan added, “Every great idea needs the right energy behind it. With Abhishek’s experience, Nikhil’s passion, and our creative instinct at D’YAVOL, we are building something bold, relevant, and future-facing." Aryan Khan, Co-Founder of D’YAVOL, highlighted the brand’s cultural aspirations and shared, “Our ambition is to shape a brand that doesn’t just sit on a shelf but lives in culture.”

Entrepreneur Nikhil Kamath shared his perspective on the evolving luxury market and stated, “Tomorrow’s best brands will be built on history, culture, and craftsmanship. That’s what excites me about D’YAVOL — an Indian brand with the intent and ability to compete anywhere in the world.”

This collaboration marks a significant step in Radico Khaitan’s strategy to expand its footprint in the luxury spirits segment, leveraging star power and entrepreneurial expertise to capture a growing demand for sophisticated, heritage-rich alcoholic beverages.

Also Read: Neil Nitin Mukesh hails Shah Rukh Khan and Kartik Aaryan for conquering without connections; says, “We all draw inspiration, it’s very refreshing to see that”

Vaani Kapoor is no stranger to transformation, but her turn in Mandala Murders is something else entirely — a performance steeped in quiet torment, emotional claustrophobia, and the haunting stillness of unspoken pain. Netflix’s dark, psychological crime thriller doesn’t just stretch her as an actor; it forces her into an emotional terrain where shadows aren’t just visual but visceral.

For Kapoor, one scene remains etched in her memory. “There’s a moment when Rea finally feels relieved when the guilt of that little girl leaves her for good. It’s quiet but deeply emotional… like stepping into a space where pain and relief exist side by side,” she recalls. On set, it was less about grand gestures and more about surrendering to the subtleties — the slight relaxation of shoulders, the softening of eyes, the tear that falls after years of holding it back. “That rawness made the moment deeply personal for me.”

In Mandala Murders, trauma is not a plot device — it’s the air her character breathes. The series marries a labyrinthine mystery with aching questions about justice and identity. Kapoor admitted, “What stayed with me… was how it combines a gripping, out of the ordinary mystery with deep questions about justice and identity. Being part of a story that’s both intense and thought provoking made the experience special.”

This is Kapoor’s first major OTT release on Netflix, a platform that beams her performance to living rooms from Mumbai to Madrid. Did that global scale shift her approach? “There was definitely an awareness… but I’ve always believed in giving every character the same honesty and care, no matter who or how many people are watching. That said, it’s a really sweet feeling to know the love and appreciation are coming from all across the world.”

The series’ heavy atmosphere isn’t just in the writing — it’s in the production design, where dimly lit rooms, oppressive colour palettes, and a constant hum of unease seep into her performance. “The sets, colours, and atmosphere made the world feel heavy and tense, which helped me show how she was feeling inside. Being in that environment made it easier to bring her story to life in a natural way.”

Now that she’s proven her mettle in the dark, twisted corridors of crime drama, does Kapoor see herself returning to this genre? Her answer is telling. “I believe there’s room to explore all kinds of characters and stories. So, I’m open to wherever the journey takes me next.”

In Mandala Murders, Vaani Kapoor doesn’t just shed her glamorous image — she buries it, only to exhume something far more compelling: an actress willing to embrace discomfort, mine silence for meaning, and let the shadows speak as loudly as the light. It’s the kind of performance that lingers long after the credits roll, quietly taking up residence in the viewer’s mind — exactly where she wants it.

Also Read: Vaani Kapoor stuns in rose gold tissue Anarkali worth Rs 84.4k for Mandala Murders promotions

Sara Ali Khan is undoubtedly one of the most beautiful and talented actresses in Indian cinema. With remarkable roles and an undeniable screen presence, she has emerged as the voice of a generation. In just a short time in the industry, she has garnered a massive and loyal fan following. Beyond her acting prowess, her impeccable fashion sense has been the talk of the town. Be it ethnic elegance or chic western wear, she exudes a royal and regal charm in every ensemble. With her grace, confidence, and effortless poise, she turns heads wherever she goes. Today, as she celebrates her birthday, we look at 6 times Sara Ali Khan proved she is every bit regal and royal in her outfits!

A Royal Vision in White Sara Ali Khan stunned in a pure white strapless mini dress adorned with delicate ruffled floral detailing. She paired it with white stilettos, a neat bun, diamond earrings, and a simple watch, a true vision of elegance and royalty in white.

View this post on Instagram

  A post shared by Sara Ali Khan (@saraalikhan95)

Slaying Blue Pastel with Royal Grace Sara Ali Khan looked enchanting in a strapless pastel blue mini dress featuring a dramatic bow at the back. With her hair tied into a simple ponytail, she radiated royal charm. Diamond earrings and golden stilettos completed the look, making her the epitome of elegance in pastel.

View this post on Instagram

  A post shared by Sara Ali Khan (@saraalikhan95)

Sara Ali Khan’s Royal Charm in gown Sara Ali Khan looked every bit a princess in a nude-toned gown featuring a thigh-high slit and elegant cut-out detailing at the waist. Adorned with crystal embellishments and a dramatic trail flowing from her shoulder, she styled her hair in a unique bun, with nude makeup and glossy lips.

View this post on Instagram

  A post shared by Sara Ali Khan (@saraalikhan95)

Indian Princess in Lehenga Sara Ali Khan looked like an Indian royal princess in an exquisite lehenga crafted from vintage brocade sarees, featuring multi-coloured panels, a violet blouse with golden designs, and a golden silk dupatta with red borders. She styled her hair in soft waves, adorned with a violet rose, and wore a green emerald choker.

View this post on Instagram

  A post shared by Sara Ali Khan (@saraalikhan95)

Royal Barbie Doll in Baby Pink Sara Ali Khan looked adorable in a bubblegum pink mini latex dress featuring a cute bow on the front. She paired it with matching pink heels, pink nails, a small bun hairstyle, and golden earrings, radiating playful yet chic charm.

View this post on Instagram

  A post shared by Sara Ali Khan (@saraalikhan95)

Embracing the Indian Couture Royalty Sara Ali Khan dazzled in a multicolored, richly embroidered lehenga featuring intricate ikkat work that celebrates cultural heritage and craftsmanship. She paired it with a deep-cut choli and a heavy, gracefully draped dupatta. Her royal look was completed with heavy traditional jewelry, highlighting her regal elegance.

View this post on Instagram

  A post shared by Sara Ali Khan (@saraalikhan95)

Also Read: Ibrahim Ali Khan shares heartfelt Raksha Bandhan post for sister Sara Ali Khan: “I promise in this lifetime to always take care of you, always stand by you, always support you” 

The clash between Hrithik Roshan and NTR's War 2 with Rajinikanth's Coolie is turning out to be a lot more intense than expected. While the Lokesh Kanagaraj film is running a one-horse race at the worldwide box office, it has managed to fight against the YRF Spy Universe saga despite a limited release in some centres. Going against the general norm, the iconic single screen of India - Raj Mandir - has allotted 1 show to Coolie and 4 shows to War 2 on Thursday.

And to everyone's surprise, Coolie is scoring better per-show than War 2 at the iconic single screens, despite not getting a single prime time show. As per the data set we analysed early in the morning on BookMyShow, Coolie has sold 250 tickets in Raj Mandir for the 8.45 AM show alone, whereas War 2 has sold overall 500 tickets in all 4 shows put together.

The per-show average of Coolie is 250, and there is a high chance for it to get housefull in advance booking alone. The per-show average of War 2 on the other hand is half of Coolie i.e. 125 tickets per show. A source told Bollywood Hungama on anonymity, "If Coolie had got one more show in Raj Mandir, it could have surpassed the overall sales of War 2. However, the film is still fighting out a 400 crore biggie with just one show. The hype for Coolie is real, but restricted due to fractured showcasing."

At the moment, Raj Mandir is one of the very few cinema halls to share shows of War 2 with Coolie. It would be exciting to see if others follow the same.

Also Read: War 2 GRAND event in Hyderabad: Jr NTR remembers Hrithik Roshan’s “BEAUTIFUL hug” on first day of shoot: “I am extremely PROUD to have danced beside you”; adds, “Ayan Mukerji will be remembered for directing one of the GREATEST films of our time”

The makers and cast of the much-awaited historical drama Chhaava recently gathered for a Star Gold roundtable, where they revealed astonishing, unplanned coincidences that occurred during the film’s production — events that mirror the very history they were recreating on screen.

At the heart of these revelations was a remarkable incident during the shooting of the film’s climax. The night of February 2 marked the gruelling shoot of a pivotal, intense sequence involving actor Vicky Kaushal. During this demanding scene, Vicky suffered a nerve injury to his arm, which forced the entire production to halt for nearly two months. What left the entire Chhaava team in awe was the realization that this exact date — February 2 — is historically significant as the day when Chhatrapati Sambhaji Maharaj endured brutal torture in real life. This eerie parallel added an unexpected depth and emotional gravity to the filming experience, making the team feel a deep connection to the legendary Maratha warrior’s sacrifice.

The coincidences did not end there. While shooting the Rajyabhishek (coronation) scene of Chhatrapati Sambhaji Maharaj, the cast and crew were struck by the fact that the filming date aligned perfectly with Sambhaji Maharaj’s actual ascension to the throne. This serendipitous timing further intensified the sense of destiny surrounding the project, as if the past and present were converging in a poetic dance of history and cinema.

Director Laxman Utekar, alongside Vicky Kaushal, Divya Dutta (who portrays Maharani Soyrabai), and Vineet Singh Kumar (playing Kavi Kalash), shared these behind-the-scenes moments, expressing how these unplanned historical coincidences left them inspired and humbled. The experience has given Chhaava a profound emotional layer that audiences are sure to feel.

Chhaava is set to premiere on Star Gold this Independence Day weekend, August 17, Sunday at 8 PM. This epic saga of courage, sacrifice, and honor pays tribute to the indomitable spirit of Chhatrapati Sambhaji Maharaj, making it a must-watch for history buffs and cinema lovers alike. Don’t miss witnessing the roar of Chhaava and experience history coming alive on your screens this Independence Day!

Also Read: Chhaava team expresses happiness as the film premieres on television, to air on Star Gold this Independence Day weekend

This must be the only film in the world with the word ‘toilet’ in its title? Sir, I am very proud of that film, and not the least bit apologetic about the title. The film addressed the crucial issue of sanitation and hygiene for women. Even today, women travelling long distances often have no access to proper washrooms. Men can relieve themselves anywhere, but for women… it’s a very different challenge.

That’s true. Do you think Toilet: Ek Prem Katha brought about a change in the way we look at hygiene for women? I would like to think so. As a woman, I empathised deeply with Bhumi Pednekar’s character. I feel we don’t address women-centric issues often enough.

I agree. But your new film Jatadhara is a masculine action film? Sir, you are mistaken. Jatadhara has a very strong female protagonist, played by Sonakshi Sinha. When you see her in the film, you will be stunned. I promise you.

Waiting to be stunned. What is your most cherished memory of Toilet: Ek Prem Katha? Akshay Sir’s warmth, support, and confidence. It encouraged all of us to do our best. Now, I want to make a sequel to Toilet: Ek Prem Katha that focuses on the safety of women in public spaces.

Would Akshay be a part of it? If he agreed to be part of it, we would be honoured and delighted.

Also Read: Aamir Khan and Akshay Kumar – two pillars of purposeful cinema in an era chasing formulas; Sitaare Zameen Par, 3 Idiots, Toilet: Ek Prem Katha, Pad Man, etc are living proofs

The advance booking of War 2 commenced on Saturday and the excitement for the film is increasing as the release date of August 14 nears. The producers, Yash Raj Films (YRF), are also distributing the film and they have all gone out to ensure that the Hrithik Roshan-Jr NTR starrer gets the best showcasing. Bollywood Hungama has been at the forefront in providing exciting updates about this film and today, we bring to you the release strategy opted for by YRF.

An exhibition source told Bollywood Hungama, “The distribution wing of YRF has sent a list of requirements to all the theatres. To begin with, they have asked single-screen cinemas that they can't split shows. In other words, the cinema hall should allot all shows in their property to War 2. The same directive also applies to two-screen and three-screen cinemas as well.”

The source further said, “The YRF team has asked 2-screen properties to play a minimum of 12 shows of War 2 and a minimum of 18 shows need to be played in 3-screen theatres. Multiplexes with 4, 5 and 6 screens need to play 21, 27 and 30 shows a day respectively. For 7-screen multiplexes, 36 shows are a must, while for 8-screen plexes, 42 shows are mandatory in a day. There should be 48 shows in 9-screen cinemas and for multiplexes with 10 screens and more, the requirement is 54 shows.”

Finally, the distribution team made it clear that all cinemas should confirm the show timings and pricing with their office before commencing the advance booking for War 2. A few days ago, Bollywood Hungama had reported that YRF has asked cinemas to go for mega blockbuster pricing for War 2. As a result, the ticket rates are expected to be in the same range as Pushpa 2 – The Rule.

Also Read: War 2 GRAND event in Hyderabad: Jr NTR remembers Hrithik Roshan’s “BEAUTIFUL hug” on first day of shoot: “I am extremely PROUD to have danced beside you”; adds, “Ayan Mukerji will be remembered for directing one of the GREATEST films of our time”

In a recent and deeply personal revelation, actor Faisal Khan has accused his family of confining him at home for a year, labelling him as mentally ill and claiming he was subjected to treatment against his will. After his statements have stirred significant media attention, a united response was issued by the Khan family. Aamir Khan, along with other family members, issued a heartfelt collective statement addressing Faisal’s accusations.

Faisal was seen speaking to Pinkvilla wherein he said, “Mujhe qaid kar ke rakha tha ghar mein ek saal (I was confined in the house for a year) and they were saying I’ve got schizophrenia and I’m a mad person and I will harm society. JJ Hospital mein mujhe 20 din rakha gaya (I was kept at the hospital for 20 days), test kiya gaya, general ward mein, mental logon ke saath (I was tested in the general ward where I was kept with mental people).”

Meanwhile, Aamir Khan and his family family expressed their distress over the “hurtful and misleading portrayal” of Zeenat Tahir Husain, Nikhat Hegde, and Aamir himself. They emphasized in the statement that all (these) decisions regarding Faisal’s care were made with collective consent and medical guidance. “It is important to share that every choice regarding Faissal has been taken collectively as a family, in consultation with multiple medical professionals, and has been based on love, compassion, and a desire to support his emotional and psychological wellbeing,” the statement reads.

The Khan family also revealed that they have avoided discussing these private matters publicly to protect the dignity and privacy of all involved. They made a sincere request to the media to handle the situation with sensitivity and avoid sensationalizing a painful period for their family. “We request the media for empathy, and to refrain from turning a private matter into salacious, inflammatory and hurtful gossip,” they urged.

The statement was signed by several family members, including Reena Datta, Junaid Khan, Ira Khan, Farhat Datta, Rajiv Datta, Kiran Rao, Santosh Hegde, Seher Hegde, Mansoor Khan, Nuzhat Khan, Imran Khan, Tina Fonseca, Zayn Marie Khan, and Pablo Khan, reflecting a unified front amid the ongoing controversy.

Faisal Khan, once a promising child actor, has had a turbulent journey with mental health struggles that have often been in the public eye. His recent revelations shed light on the challenges faced within families when dealing with psychological disorders and the complexities that arise when private issues become public.

This episode highlights the crucial need for compassion and understanding towards mental health, especially when it involves loved ones. The Khan family’s plea for privacy and empathy serves as a reminder to approach such sensitive matters with care, rather than judgment or sensationalism.

Also Read: EXCLUSIVE: Vijay Ganguly shares ASTONISHING trivia: “Taare Zameen Par’s song ‘Bum Bum Bole’ was supposed to be a 3-day shoot but filming took 11 days…working with Aamir Khan is like going back to school”

Hrithik Roshan and Jr NTR attended the much-talked-about War 2 promotional event organized on a grand scale in Hyderabad. First, Akshaye Widhani of Yash Raj Films (YRF) came to speak, followed by director Ayan Mukerji. Finally, both Hrithik and NTR came on stage and it led to a frenzy. The speech by NTR was the final attraction of the event and it was worth the wait.

Jr NTR began by saying, “I would like to thank Adi Chopra sir for giving me the confidence to do this film. I can’t wait to be back with YRF. I would like to thank my director, Ayan Mukerji. There wouldn’t have been any director in this country other than Ayan Mukerji to helm War 2! Ayan Mukerji was the only option and he would be remembered for directing one of the greatest films of our time, called War 2. I know how many sleepless nights he has spent carving this amazing visual extravaganza. Thank you Ayan, for being a guiding force for me and Hrithik sir. 2025 will have another blockbuster director emerging in this country and his name is going to be Ayan Mukerji.”

Jr NTR continued, “When I saw Hrithik in Kaho Naa Pyaar Hai (2000), I went mad. One of the finest and impeccable actors, that is Mr Hrithik Roshan. If there’s any actor in this country who is most dedicated to his craft, it's Mr Hrithik Roshan. If there’s a person who has got humbleness towards his profession, it’s Mr Hrithik Roshan. He is the greatest dancer of our country!”

Hrithik smiled and shook his head, indicating that he disagreed with the statement. Jr NTR told Hrithik, “I am extremely proud to have danced beside you. There’s no competition here. It's not about who has done the best. The song (‘Janaab-e-Aali’) compliments two good dancers.”

Jr NTR further said, “I have learnt a lot from that man. I have seen myself multiple times in Mr Hrithik Roshan. There’s a quality in me – try and try till you die. You, Hrithik sir, have made it stronger in me. 75 days of working with you have taught me so much. I can’t wait to get back on screen with you again. Thank you so much for welcoming me with open arms and for giving me that beautiful hug on the first day. I’ll never forget those moments.”

The man of the masses then remarked, “This is not a movie of NTR going into Hindi cinema, but this is equally Hrithik sir coming to Telugu cinema!”

War 2 releases in cinemas on August 14.

Also Read: War 2 GRAND event in Hyderabad: Hrithik Roshan tells Jr NTR fans, “You will love my brother the same way FOREVER”; tells NTR, “No matter whether or not we do another film, I will always keep tasting your biryani”

Veteran filmmaker Sooraj Barjatya, known for redefining family entertainment in Indian cinema, recently spoke to Bollywood Hungama about his upcoming television serial Manpasand Ki Shaadi (Colors TV) and his filmmaking philosophy, drawing parallels with contemporaries Karan Johar and Aditya Chopra.

In the candid conversation, Barjatya reflected on how their shared backgrounds shaped their creative approach. “Actually, the three of us are quite in tandem on one point. They are much younger than me, but we are of the same generation, and plus we are golden spoon people. We haven’t seen the ups and downs of life. We have always traveled in cars,” he said.

According to the Hum Aapke Hain Koun…! director, this privileged upbringing influenced the kind of cinema they make. “When our time came, we were passionate about filmmaking. So we showed the world that it was a fairy tale, and that was the era of the 90s, where people wanted to see fairy tales. We are into one particular kind of cinema. But I think both Adi and Karan, and I, we all would like to show dreams. If any of us is asked to go to reality, I think none of us knows that life. To that extent, we are a little spoiled.”

View this post on Instagram

  A post shared by RK (@rohitkhilnani)

Barjatya also described himself as the most traditional among the trio. “Maybe it has to do with my upbringing. But essentially, we three are on the good side, on the simple side. I am sure if given a choice, even Karan would like to do Rocky Aur Rani Kii Prem Kahaani today. It may be to do with our age, but essentially, we are making family films. Comparatively, I am the most conservative of the three of us—and I think that lies in my strength.”

Also Read: Salman Khan explains why his Atlee film couldn’t materialize: “I believe it was the budget of the film”; CONFIRMS film with Sooraj Barjatya; funnily shares challenges for Bajrangi Bhaijaan 2

The much-anticipated romantic thriller Ek Deewane Ki Deewaniyat, starring Harshvardhan Rane and Sonam Bajwa, has a new release date. Initially slated to hit cinemas on Gandhi Jayanti, October 2, the film will now arrive on October 21, 2025.

The update comes with a fresh version of the film’s intense poster, featuring the lead pair in a gripping moment, hinting at the film’s passionate and dramatic tone.

View this post on Instagram

  A post shared by PVR Cinemas (@pvrcinemas_official)

Announced earlier this year on Valentine’s Day, the project was originally titled Deewaniyat before being retitled Ek Deewane Ki Deewaniyat. In June, Harshvardhan Rane revealed that the team had wrapped filming, sharing a behind-the-scenes video from the set’s wrap-up celebrations. However, the joyous occasion took an unexpected turn when a freak pyrotechnic mishap occurred. Fortunately, no one was injured in the incident, and filming concluded successfully.

View this post on Instagram

  A post shared by Harshvardhan Rane (@harshvardhanrane)

Produced by Anshul Garg and directed by Milap Milan Zaveri, Ek Deewane Ki Deewaniyat promises an intense cocktail of love, obsession, and drama, and is now set to light up the big screens just ahead of the festive season.

Also Read: Trade experts say that Saiyaara’s massive success prove that Kartik Aaryan-Anurag Basu’s next and Harshvardhan Rane’s Ek Deewane Ki Deewaniyat are also at an advantage

The Hindi remake of The Intern, first announced in 2021 with Deepika Padukone producing and starring, is finally seeing fresh developments—though not in the way fans initially expected.

Back in 2021, the project was intended for a swift turnaround, with plans for release the very next year. However, after nearly five years of little progress and only sporadic updates, reports now suggest that Padukone will no longer appear on screen in the film. Instead, she will take on the role of producer exclusively, overseeing what’s being described as a “creative and logistical reboot” of the project.

A report by Mid-Day quoted a source saying, “This time, Deepika will step away from acting in the film to serve solely as a producer, overseeing the creative and logistical reboot. A new leading lady is being cast to play the part she was once slated to perform.”

According to the source, the decision comes as part of Padukone’s broader career shift towards creation and storytelling. “The Intern is the first of five projects she plans to mount in the coming year. She is looking to tell stories that are globally relevant,” the insider added.

The original 2015 Hollywood film, directed by Nancy Meyers, starred Robert De Niro as a senior intern at a fashion start-up, alongside Anne Hathaway. The story has already been adapted in Japan as the 2022 TV drama Unicorn Ni Notte, featuring Hidetoshi Nishijima in De Niro’s role and Mei Nagano in Hathaway’s part.

With Padukone now solely behind the camera, casting for the lead role in the Hindi remake is underway.

Also Read: Deepika Padukone breaks the internet with 1.9 billion views on Instagram reel; sets world record

Viju Shah is known for giving music mostly in Rajiv Rai’s films. But he also composed music for filmmaker Hansal Mehta when he was just starting out with Chhal. Starring Kay Kay Menon, Prashant Narayan, Jaya Seal and Shri Vallabh Vyas, the underworld drama was acclaimed for its storytelling and music. As Chhal completes 23 years, Viju Shah looked back at the film in an interview with us.

You have been mostly associated with Rajiv Rai’s cinema. But Chhal was an early collaboration with Hansal Mehta

Chhal marked my first time association with producer Nitin Patil, director Hansal Mehta, lyricist Amitabh Varma, recording and mixing engineer Tanay Gajjar (Ava Studio) and of course singer KK… The experience on the whole was very enjoyable.

It was amazing how space was made in Chhal for music and songs

Chhal although not being a musical, had decent music considering the genre of the film. I remember singer KK being excited and thrilled rendering the title track of the film. Other singers being Asha Bhosleji, Alka Yagnik, Sadhana Sargam and Shaan. Javed Ali sang an alaap in one of the songs. I also enjoyed working on the background score of the film. Chhal also happened to be the debut film of actors Kay Kay Menon and Prashant Narayan. I must tell you what happened before the recording of the song ‘Dil Jhanjhanale Jaane Jaana sung’.

Do tell

Ava Studio happened to be on the 4th floor. On the day of Ashaji’s dub, the lift was out of order. Instead of cancelling the dub, Ashaji climbed four floors to dub the song. Such was her commitment and dedication towards her profession. I can never forget this noble gesture.

Also Read: Tridev to Zora: Viju Shah on his unbroken association with Rajiv Rai, “After Vishwatma he was being pressurized to take someone else”

Director Ashwin Kumar, producer Shilpaa Dhawan, Chaluve Gowda of Homebale Films and eminent distributor Anil Thadani attended the success press meet of their surprise animated blockbuster, Mahavatar Narsimha. Usually, film events are held in five-star hotels. But the success press conference of this devotional film was held at Mumbai’s ISKCON Temple.

Mahavatar Narsimha ends with the promise of a sequel, Mahavatar Parshuram. Ashwin Kumar was asked about it and also spending eight years making the first part.

The director said, “When you look at the technological advances that are there today, we didn’t have those facilities when we started out. Also, we were dealing with a certain budget and technology at hand. Also, technology obsoletes faster than you think. It is only by the grace of the divine that it (Mahavatar Narsimha) has been pulled off to such an extent. But from the next time around, janta jandardhan ko expectation hai. Hence, we also need to up our game and up our technology. Fortunately, we have wonderful producers and distributors. Also, we have the tech and the artists. So, we need to pan it out faster. Hence, we are looking at arriving (with Mahavatar Parshuram) in two years.”

Ashwin Kumar further said, “It’ll make for a never-seen-before experience and on a scale that’s never been experienced before. That is my promise to you!”

Chaluve Gowda, meanwhile, shared about the epic reaction given by superstar Prabhas and blockbuster filmmaker Prashanth Neel of Salaar and KGF fame, “Anil sir saw the film with Prabhas sir and Prashanth Neel. After the screening, they called Ashwin and told him, ‘You come down South and do an action movie’ (laughs)!”

Interestingly, even before the release of Mahavatar Narsimha, the makers announced that they’ll be making several films under the Mahavatar Cinematic Universe. After Mahavatar Parshuram, Mahavatar Raghunandan will be released in 2029, followed by Mahavatar Dwarkadhish in 2031, Mahavatar Gokulananda in 2033, Mahavatar Kalki Part 1 in 2035 and Mahavatar Kalki Part 2 in 2037.

Also Read: Homable Films and Kleem Production unveil success trailer of Mahavatar Narsimha as the film creates history at the Box Office

For years, Raghav Juyal was celebrated as the entertainer who lit up every frame—his signature slow-mo dance moves and effortless comic timing made him a crowd favorite. But one year ago, everything changed. With the release of Kill, and then Gyarah Gyarah, the spotlight shifted—and so did the story.

In the series, audiences met a version of Raghav they hadn’t seen before: quiet, grounded, and arrestingly still. As Inspector Yug Arya, he didn't play to the gallery. He pulled viewers in, not with flamboyance, but with restraint—and the impact was undeniable.

Reflecting on the role a year later, Raghav says, “The uniform changed how I spoke, how I stood, how I listened. It carried weight—even in silence. I wasn’t just solving a case on screen. I was solving how people saw me. I had to unlearn the performer in me to find the stillness of Yug. Slowly, he grew inside me. His silences, his still gaze, his posture—they stayed with me, even off set. I felt like I owed the uniform, and the man wearing it, a certain respect.”

Gyarah Gyarah wasn’t just another credit on his filmography—it became a pivot. While the show featured a compelling ensemble and layered storytelling, Raghav’s performance emerged as yet another breakthrough after Kill—quietly redefining his screen identity.

Also Read: Raghav Juyal joins Nani starrer The Paradise; makers reveal surprise role on his birthday

The much-anticipated war drama Battle of Galwan, starring Salman Khan as Colonel Bikkumalla Santosh Babu, is set to roll cameras in Ladakh later this month, skipping its originally planned Mumbai schedule. Earlier, it was reported that an elaborate set was under construction at Mehboob Studios in Bandra for the first leg of shooting for Apoorva Lakhia’s directorial venture. However, production plans have now shifted. Reportedly, the film will commence its shoot in Ladakh from August 22 to September 3, with the Mumbai leg postponed indefinitely.

Creative Call Behind the Change

Mid-Day quoted an insider saying, “It’s a creative decision. The makers want to start directly with the action scenes. Also, Salman sports a distinct look, and for continuity purposes, there couldn’t have been a 30-day gap between the Mumbai and Ladakh stints. Apoorva felt that the sequences would need to be shot in succession.”

The report further added that the Bandra set, which had been readied for the initial shoot, is now being dismantled. Whether any sequences — such as a song or patchwork shots — will eventually be filmed in Mumbai will be decided during the project’s final phase.

Battle of Galwan will depict the India–China military clash that occurred in June 2020. Salman Khan will portray Colonel Bikkumalla Santosh Babu, the commanding officer of the 16 Bihar Regiment, who was posthumously awarded the Maha Vir Chakra in 2021 for his bravery during the confrontation.

View this post on Instagram

  A post shared by Salman Khan (@beingsalmankhan)

While rumours have circulated about potential hurdles with the Ministry of Defence over the film’s sensitive subject, sources close to the production dismiss them. “The film is about a soldier’s bravery. It’s not villainising another country. The makers wouldn’t have announced the film without permissions in place,” the insider clarified.

Also Read: Lawrence Bishnoi gang claims responsibility for second attack on Kapil Sharma’s cafe in Canada; threatens Bollywood over Salman Khan links

The Rajinikanth led Coolie is turning out to be a box office hurricane as the film has surpassed all expectations in the advance booking. With 6 days to go for release, Coolie has sold tickets worth Rs. 27 crores in the international markets, making it the best advance of all time for an Indian film outside of Baahubali 2. Leading from the front is the US, followed by Malaysia, the UAE, and Australia/New Zealand.

The film is looking to score history at the box office with an unimaginable opening day at the overseas market. The first day could be as high as Rs. 80 crores on Thursday, which speaks volumes about the hype commanded by Coolie among the cinema-going audience. While the total overseas advance of Coolie stands at Rs. 27 crores, War 2 has a sub-par response with advances of Rs. 4.50 crores. The Telugu version of War 2 has contributed 50 percent to the total advances so far.

The film is trailing behind Coolie internationally, and the hope for revival in this will be the business in India, especially driven by NTR Jr. in Andhra Pradesh and Telangana, and Hrithik Roshan in the Hindi markets. At the moment, it looks like a clean sweep for Coolie to emerge as the first pick at the worldwide box office, until and unless War 2 makes up for the overseas gap with performance in India. Right now, it's safe to conclude that the hype for War 2 is hit by a tornado in the form of Coolie.

Also Read: Aamir Khan intervenes in Coolie release: Makes direct call to PVR-Inox, seeks premium showcasing ahead of War 2 clash