Tarun Gahlot was recently seen in Raid 2 in the role of Chote. This is his third venture with Ajay Devgn and he has previously worked with the talented actor in Rudra – The Edge Of Darkness (2022) and Bholaa (2023). He also features in Ajay’s upcoming romcom, De De Pyaar De 2, the much-awaited sequel to De De Pyaar De (2019). In an exclusive interview with Bollywood Hungama, he opened up about his film.

Tarun Gahlot began by saying, “I can’t say much. The film has shaped up well, and is in the same zone as Luv Ranjan sir’s other films.”

When asked what we can expect, he replied, “It has a double dose of entertainment, comedy and drama. It’s going to be an amazing film. I am confident that people are going to love the movie.”

Tarun Gahlot then spoke highly of Luv Ranjan and director Anshul Sharma saying, “Luv sir has a great command over his writing. Anshul sir has also done very well. His human understanding is very tremendous. We have worked in a very relaxed manner. For the first time, I had that experience where you are in such a comfortable space that you are not afraid of making mistakes. When you don’t have this fear, nothing can be more relaxing for an actor. Aise aur log hone chahiye, so that as a filmmaker, you can grow and deliver better.”

Besides Ajay Devgn, De De Pyaar De 2 also stars Rakul Preet Singh and R Madhavan.

Remembering Sandeep Aur Pinky Faraar

One of the films that stands out in Tarun Gahlot’s filmography is Sandeep Aur Pinky Faraar (2021), directed by Dibakar Banerjee. The film took a while to be made. It was all set to be released on March 20, 2020. However, due to the pandemic, it was pushed indefinitely. It was released on March 19, 2021, at a time when once again, the cases had started to rise. As a result, the film didn’t get much of an audience. It finally got its due on Amazon Prime Video.

Tarun Gahlot began by saying that he was seen in a crucial scene in the opening. He revealed, “The whole scene was written by me and Dibakar. I was also the Haryanvi dialect coach for Arjun Kapoor throughout the film.”

On the tumultuous journey of the film, he stated, “I didn’t have much to do as an actor in Sandeep Aur Pinky Faraar. But I was involved in the whole process as Arjun trained with me for three months. Dibakar and I had worked on the Haryanvi dialogues. I guess every film has its own destiny. Its release date got pushed. Finally, it did release in theatres but due to rising COVID cases, it didn’t reach out to the audience. However, it was a very honest film made by a hard-working team. Hence, it was heartening that finally it reached out to people through OTT. I got the same feeling for Raid 2’s success as well though with Raid 2, the response is far more.”

Sandeep Aur Pinky Faraar starred Arjun Kapoor and Parineeti Chopra in leading roles. Tarun Gahlot continued, “Arjun and I formed a great bond. He wrote a very nice note for me on Instagram. I was quite touched. It helped people know that I have worked as an actor and coach on the film. Hence, a lot of people then reached out to me.”

Also Read: EXCLUSIVE: Raid 2 actor Tarun Gahlot talks about working with Ajay Devgn: “If he is around, he’ll talk about fitness, take you to the gym; if he sees you having unhealthy food, he’ll scold you, ‘Pagal ho gaya hai kya…'”

Aamir Khan is gearing up for the release of Sitaare Zameen Par. The film is in the news for many reasons, one of it being that Aamir plans to release it on YouTube after its theatrical run and not on any OTT platform. As part of the promotions of the film, he organized a Taare Zameen Par Fan Meetup featuring the team of the 2007 classic in the presence of hundreds of fans. Interestingly, another YouTube connection emerged with regards to Taare Zameen Par at this event.

The host Laksh Maheshwari said that in the scene where Aamir Khan is seen with a boat, the photograph seen in the room is that of the actor’s mother and father, as per trivia on the internet. Aamir Khan clarified, “No, that’s not my mom and dad. I guess, it is someone else’s mom and dad (smiles)! Maybe it’s Amole Gupte’s parents. I don’t know. But it's not my parents at all.”

The host expressed the desire to show the scene but then revealed that he couldn’t do so as Taare Zameen Par is not available on any streaming platform. Aamir Khan agreed, “Yes, the film is not anywhere.” He then said, “Ek kaam karte hai. I have started a YouTube channel called Aamir Khan Talkies. I’ll tell my team that let’s upload Taare Zameen Par there free of cost. It can be available for 1-2 weeks.” The audience clapped loudly, indicating that they approved of the idea.

TZP team goes down memory lane

Aamir Khan was then joined by Darsheel Safary, Tisca Chopra and Vipin Sharma and they went down memory lane. Aamir Khan revealed, “For a scene, there was a tear on my face; I didn’t want it. Hence, we removed it. But now, with VFX, such changes are a cakewalk.”

Darsheel Safary spoke about the song ‘Bumm Bumm Bole’, “It was a great experience shooting this song for sir. I was the only one who couldn’t dance. You can see me being upset in the song. I was upset in real life too as everyone around me was dancing. Shiamak Davar sir himself had come to choreograph the song and I was upset about it. Later on, Aamir sir and I did dance together.”

Aamir Khan talked highly of Darsheel, “When I used to explain the shot to him, he used to keep dancing continuously. I used to not mind it as I knew he was absorbing the whole scene. He was not distracted. As soon as we would go for a take, he would get into character immediately.”

Vipin Sharma opened up, “After the film, wherever I used to go, people used to say, ‘Where is Darsheel? You didn’t bring him’. Darsheel was asked the same question.”

Vipin raised laughs as he said, “He used to call me Vipin; it was the most cherished memory of the shoot! One day, I came in the vanity van. He sat on my lap and told me, ‘Vipin, they (people in the unit) will go to hell’. I asked, ‘Why’. He said, ‘They are all eating chicken. You are a vegetarian. You and I are safe’!”

A visibly embarrassed Darsheel Safary clarified, “I was 8 years old then!”

Vipin Sharma, on a serious note, added, “I am not married. I don’t have a family. I never experienced what it means to have a child. He (Darsheel) gave me that experience to feel like a father. I’ll always be there for him!” As expected, Darsheel was quite touched by this confession and so were all the attendees.

Also Read: Aamir Khan to promote Sitaare Zameen Par at IPL 2025 Finals, to join the Bhojpuri commentary team

Ranbir Kapoor is all set to take the Dhoom franchise forward, as reports suggest he will headline Dhoom 4 in a slick new avatar. The fourth instalment of the popular action-heist franchise is being planned as a reboot, with Brahmastra director Ayan Mukerji likely to helm the project under the Yash Raj Films (YRF) banner.

According to a report by Pinkvilla, YRF’s head honcho Aditya Chopra is personally invested in shaping the new vision for Dhoom 4 and is currently in the process of locking a script that matches with the legacy of the franchise, along with screenwriter Shridhar Raghavan. “Aditya Chopra has been closely involved in developing the story and screenplay of Dhoom 4 with Shridhar Raghavan. They are currently working on the story draft that’s worthy of the hype around the reboot with Dhoom 4,” a source said.

The franchise, known for its suave anti-heroes, looks to continue the trend with Ranbir playing the antagonist. “Ranbir is the apt choice for Dhoom 4, and the character is also designed keeping his aura and personality in mind. The new Dhoom film is being designed keeping the global action standards in mind, and the visual pallete, as also storytelling will be very different from the already established YRF Spy Universe,” the source added.

Details of the rest of the cast continues to stay under wraps including the names of the actors who will be seen in the roles of police officer Jai and Ali, originally played by Abhishek Bachchan and Uday Chopra in the film series. YRF is planning to take Dhoom 4 on floors by April 2026, with a target wrap by the end of the same year. The makers are eyeing a 2027 release.

Ranbir Kapoor, who is currently working on Love & War with real-life wife Alia Bhatt and Vicky Kaushal, will reunite with director Sanjay Leela Bhansali after 2007’s Saawariya for that period romance. Meanwhile, Ayan Mukerji is in the final stages of post-production for War 2, starring Hrithik Roshan, Jr NTR, and Kiara Advani. The action thriller is slated for release on August 14, 2025.

With Ranbir’s charisma and Ayan’s storytelling sensibilities coming together for the fourth time, Dhoom 4 is shaping up to be one of the most anticipated action spectacles in the coming years.

Also Read: Ranbir Kapoor, Vicky Kaushal scene postponed as Mumbai rains disrupt Love & War shoot: Report

Suhana Khan has officially joined the Adidas family as the new face of the brand's latest campaign, focusing on the Adidas Originals Superstar sneakers. With this association, Suhana steps into the world of high-profile brand endorsements, further establishing her presence in the entertainment and fashion industries.

Speaking about her collaboration, Suhana expressed excitement and a deep personal connection to the brand. “I’m super thrilled to be joining the iconic adidas family. The brand has always held a special place in my heart, with its classic sneakers being a staple in my wardrobe. adidas Originals stands for creativity, authenticity, and staying true to yourself — values I truly admire. To now be part of a legacy rooted in culture that has inspired so many across the world feels incredibly special,” she shared.

Known for her effortless style and poised public appearances, Suhana’s inclusion marks a significant moment for Adidas India’s evolving brand narrative — one that embraces cultural relevance and youthful energy. Neelendra Singh, general manager, Adidas India, highlighted the brand's vision behind the collaboration. “At Adidas India, we have always believed in the power of cultural creators, those who shape the now and define what’s next. Suhana Khan infuses fresh energy into some of our most iconic apparel pieces and classic sneaker silhouettes like the Superstar, reimagining them for a new generation. Her style is effortless and expressive, and we’re excited to welcome her into the adidas family as we continue to champion individuality and self-expression through street culture,” he added.

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The Adidas Originals Superstar sneakers have long been considered a cultural staple, blending legacy with modern relevance. With Suhana at the forefront, the campaign aims to resonate with Gen Z audiences while staying true to the brand’s timeless ethos.

The actress, who is expected to make her theatrical debut soon with King, has aimed at carving her niche as an actor and public figure. This latest role as a brand ambassador adds another notable chapter to Suhana Khan’s rising journey — one that’s deeply rooted in both heritage and contemporary cool.

Also Read: Suhana Khan cheers for Agastya Nanda as Ikkis motion poster drops; Ananya Panday and Navya Nanda join in

Actor Ali Fazal is set to make his South Indian cinema debut in Mani Ratnam’s upcoming film Thug Life. Starring Kamal Haasan in the lead, the film brings together a cast of actors from both Hindi and South Indian industries. It is scheduled for a theatrical release on June 5 in Tamil, Hindi, Telugu, Malayalam, and Kannada.

Marking a pivotal new chapter in his versatile career, Ali Fazal revealed that it didn’t take him more than a second to say yes to the project.

“There are some calls you get in your life that you know instantly are meant to change the course of your journey — this was one of them,” said Ali. “When you hear the name Mani Ratnam, you don’t just think of cinema — you think of legacy, you think of storytelling that’s transcendent, timeless, and deeply rooted in human emotion. I didn’t have to think for a moment before saying yes to Thug Life. A Mani Ratnam film isn’t something you get offered every day, and certainly not alongside someone as iconic as Kamal Haasan. The fact that this project brings together talent from across the Indian film industries in multiple languages makes it even more special. It’s the kind of ambitious, large-scale storytelling I’ve always wanted to be part of. I feel incredibly honoured and excited to step into this universe.”

Thug Life is being mounted as a cinematic extravaganza that blends powerful performances with a gripping narrative and grand visuals, true to Mani Ratnam’s directorial legacy. As the anticipation builds, the makers have promised an epic film that will cater to audiences across geographies and languages.

Ali Fazal, known for his roles in Mirzapur, Victoria & Abdul, Death on the Nile, and Fukrey, is expected to bring his unique screen presence to Thug Life. His debut in South Indian cinema marks a notable step in his career and adds to the growing collaboration between regional and Hindi film industries.

Also Read : Thug Life: Ali Fazal calls Kamal Haasan a global icon of storytelling; says, “To share the screen with is an honour”

Shah Rukh Khan has once again taken over the internet, this time with a leaked video from the sets of his highly anticipated film King. The clip, which surfaced on social media, shows the superstar stepping out of a lift in a Billy Hill sleeveless tank top - revealing his toned abs and body tattoos. The video has sparked a wave of excitement among fans, with many calling it one of his best looks in recent years.

While the exact context of the scene remains under wraps, SRK’s physical transformation and intense screen presence have been widely praised. His new avatar, with a rugged edge, aligns with the buzz around King, where he is expected to portray a grey-shaded gangster. Directed by Siddharth Anand and written by Sujoy Ghosh, the film is positioned as a high-octane action drama.

Fans flooded the comments section with reactions such as “Superb,” “Good look,” and “Love & Respect Mr. Shah Rukh Khan King of Bollywood.” One fan gushed, “It is a killer look after Don 2,” while another wrote, “Bhai kehdo ke ye video 30 saal purana hai bhai, 27 year wale SRK hai ye (Bro, say this video is 30 years old, this is SRK from when he was 27)”.

wthhhhhhh khaaan saaaab pic.twitter.com/gEY3wL1gmS — Aryan (@tumhidekhonaa) June 1, 2025

The video has not only reignited comparisons to Shah Rukh’s Don 2 era look but also built anticipation for his character in King, which appears to be dark, stylish, and action-heavy. While his arms feature several dark spots, rumours suggest that they are marks for body ink as a requisite for the styling of his role – which is being hailed as a refreshing shift from his recent characters.

Adding to the hype around King is the star-studded cast. The film also marks the theatrical debut of Suhana Khan, Shah Rukh’s daughter, who reportedly plays a pivotal role, albeit not his daughter. Abhishek Bachchan is set to play the antagonist, while Munjya actor Abhay Verma will also be seen in a key part. A cameo from Deepika Padukone is also expected to add to this starry affair.

With such a powerful ensemble and SRK’s dramatic transformation, King is fast becoming one of the most anticipated films of the year. The viral video has only fuelled curiosity about what promises to be a gripping cinematic experience.

Also Read: Aamir Khan recalls Shah Rukh Khan’s thoughtful gift in 1996; says, “Shah Rukh gave me a brand-new laptop, complete with all the paperwork and a nice case”

Aamir Khan has opened up about his first marriage to Reena Dutta, offering a rare and heartfelt reflection on the decision they made at a very young age. The actor, who recently announced his relationship with Gauri Spratt, shared candid insights into how their journey together began and evolved as he gears up for the release of Sitaare Zameen Par.

In a podcast with Raj Shamani, Aamir discussed his personal life and recalled his first marriage saying, “Reena aur maine bahut jaldi shaadi kar li (We got married very early). Legally the day that was possible for me to get married – which was April 18, a month’s notice after I turned 21 on March 14 – we got married on that day. Reena was only 19 at the time. We only knew each other for 4 months and that too we had only spent very little time with each other. We did love each other a lot but now when I think back, I feel like a step like marriage should have been a well-thought decision. Uss waqt jawani ke josh mein aap bahut saara cheezein aap nahi samajte ho, halaaki baad mein aapko ehsaas hota hai (At that time, when you are young, you don’t think about many things but you do understand it in the later stages of your life)”.

Despite the impulsive start, Aamir stressed that the relationship was meaningful and enriching. “However, I must say that our marriage was very good. I do not mean that Reena or the marriage with her was a mistake. That is not at all what I am saying. To be honest, Reena is an amazing person because of this early marriage, we actually ended up growing together. Even today, we respect and love each other a lot. But I believe that no one at such a young age or in a hurry should take a huge step in their lives,” he shared.

The actor, who shared 16 years of marriage with Reena before parting ways amicably, acknowledged the impact that period had on shaping his life. He added, “Having said that, I don’t think I would be sitting here if I would have not done that. So I cannot ever call it a ‘mistake’. In fact, another reason why I can’t accept that it was a mistake is because the marriage gave me two most priceless gifts – my kids – Ira and Junaid. I also got to spend about 16 years with Reena.”

Aamir Khan and Reena Dutta got married in 1986 and separated in 2002. Despite their split, the two continued to share a strong friendship and co-parented their children. While Ira is currently married to Nupur Shikhare and she has been working towards social causes, Aamir’s son Junaid made his acting debut in films last year with Maharaj.

Also Read: Aamir Khan says Mahabharat could be his last film: “There may be nothing left after that”

The trailer of Housefull 5 is out and during the launch, producer Sajid Nadiadwala confirmed that 2 versions of the comic caper will be released. He said, “So, if you see at Gaiety, you'll see a character playing a killer but in Galaxy, the culprit will be somebody else. In PVR Audi 4, you'll have one killer but in PVR Audi 5, you'll see a version with a different killer. Even in the same audi, different show timings will have different actors playing the killer. This is happening in the world for the first time.” We asked the trade experts if this move could be a game-changer or will it backfire?

Trade veteran Taran Adarsh said, “It remains to be seen how people react to it. I don’t think it has happened before. People have shot two endings, like what happened with Sholay (1975). But with Housefull 5, there are two versions and they’ll also be available to the audience. That would be very interesting.”

He added, “I’d love to watch it twice as I would want to know what the second ending would be. However, it all boils down to the content. Otherwise, people might watch it only once. The film needs to have repeat value. After all, the identity of the killer comes only towards the end. Hence, for the remainder of the film, you need to have a very gripping screenplay.”

Vishek Chauhan, owner of Roopbani Cinema in Purnia, Bihar, said, “It’s a novelty. It’s not something that happens every week. The idea behind it is to create conversation to get people talking about the film. The worst thing about a film is being royally ignored. If people don’t talk about a film in a positive or negative manner, then you have a problem in hand.”

Trade analyst Atul Mohan explained, “This has never happened in the history of cinema. It is novel but there are also doubts. Today, people hesitate to watch a film in cinema even once and here, there are 2 endings, with the hope that the audience would catch two versions.”

He also appealed that there should be complete clarity on the two versions to avoid confusion. He noted, “There’s an apprehension that one might go watch the second version, to see who the alternate killer is and that person might end up watching the same version for the second time!”

Distributor and exhibitor Raj Bansal, meanwhile, said, “With my experience as a film distributor and exhibitor, I don’t think such an idea can work and guarantee success at the box office.”

Also Read: Housefull 5 cast to visit Seasons Mall in Pune for fan interaction ahead of the release

Bollywood actor Neha Dhupia discussed how her early decisions in the film industry resulted in her being typecast. In a chat with Abhay Deol and comedian Sumukhi on The Durex Podcast, Neha shared that she gained 25 kg after pregnancy and faced trolling, but her husband, actor Angad Bedi, helped her feel beautiful and confident in her own skin.

Neha talked about being trolled for her “It’s her choice” comment on Roadies and how she was typecast in Bollywood. She explained, “Without social media also I was also kind of judged for those kind of films I did early in my career, even when I did only one or two of them. I had to change paths, and that hard part was to make people believe in me. Just because I did a movie like Julie back in the day, doesn't mean I can't do a mainstream comedy film. I felt like I was walking on eggshells later. It’s been eight years since the ‘It’s her choice’ thing happened, and even now, if I go wrong anywhere, trolls flood the comments with the same thing. Nobody understood the context of what I was trying to say.”

She clarified that the message she wanted to convey was that a woman has the right to make her own choices, which represents true freedom. This was in response to her comment on MTV Roadies, where she was misunderstood as defending a woman having five boyfriends.

She shared that now in her 40s, she’s begun prioritizing herself and feeling more comfortable in her own skin. Reflecting on how Angad supported her after pregnancy weight gain, she said, “As an actor, when I gave birth, I gained 25 kgs, but my husband made me feel beautiful. He constantly complimented me. In my mind, I felt like I was jobless, I’d get trolled every time I stepped out, and my clothes didn’t fit. Coming from a beauty pageant background, those things mattered to me, I’m not going to lie. But now, finally in my 40s, I realize those things don’t matter, and I feel like the best version of myself. Today, I feel my sexiest.”

Angad and Neha got married in a private ceremony at a gurudwara that took many by surprise. The couple welcomed their first child, Mehr Dhupia Bedi, in November 2018, followed by their second, Guriq Singh Dhupia Bedi, in 2021.

Meanwhile, Neha is currently serving as a gang leader on Roadies XX, alongside Prince Narula, Elvish Yadav, Rhea Chakraborty, and Gautam Gulati. Hosted by Rannvijay Singha, the show is scheduled to wrap up on June 1.

Also Read : Neha Dhupia joins Shashank Khaitan’s OTT debut Single Papa starring Kunal Kemmu

Actor Priyanka Chopra offered a peek at how her daughter, Malti Marie Chopra Jonas, appeared wearing some of the accessories from the 2025 Met Gala. On Instagram, Priyanka also posted several pictures with her husband, singer Nick Jonas.

In response to the post, one fan commented, "Malti is so cute and adorable in your hat." Another wrote, "Wow!!! Hotties!! And adorable MM wearing mama's hat." Some other follower said, "So gorgeous, my jaw is dropping, queen @priyankachopra behaviour truly PCManiac love always." Another comment read, "Malti and the hat are everything." An Instagram user added, "Absolutely stunning, but Malti stole the show."

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Priyanka also posted a video showing her getting ready for the event. In the clip, Malti hugged her and twirled around in her outfit. The toddler was also seen trying on Priyanka’s shoes. At one point, Malti walked around wearing Priyanka’s hat and gloves. The actor was heard asking someone, “Can you take a picture from here?”

In the video, Nick was seen walking out with Priyanka after she finished getting ready for the event. As it started to rain, he held her dress and carried an umbrella while they made their way to their vehicle. Priyanka captioned the video, "BTS." For the occasion, Nick wore a tailored white suit.

Priyanka married Nick Jonas in 2018 in Rajasthan, celebrating with a traditional Christian ceremony followed by a Hindu one. They welcomed their daughter Malti via surrogacy in January 2022.

Also Read : Arjan Bajwa recalls Priyanka Chopra shooting Fashion amid her father’s cancer diagnosis: “She is someone who is extremely hardworking”

The magic of Saiyaara is already capturing hearts across the country. Yash Raj Films’ much-awaited romantic drama dropped its official teaser on Friday, and it has received an overwhelming response—from audiences to stars like Alia Bhatt and Shraddha Kapoor. Joining the growing list of admirers is acclaimed filmmaker Anurag Basu. Taking to X, showered praise on the teaser and its director Mohit Suri, calling it “outstanding” and affirming, “Mohit Suri never disappoints.”

Directed by Mohit Suri, Saiyaara marks the much-anticipated launch of Ahaan Panday, making his silver screen debut under the prestigious Yash Raj Films banner. Starring opposite him is Aneet Padda, also stepping into the limelight as the film’s leading lady. Together, they breathe life into a quintessential YRF love story—one that blends youthful passion with timeless emotional depth.

Mohit never disappoints!! Outstanding Teaser https://t.co/fNVftFnu74 — anurag basu (@basuanurag) May 31, 2025

The teaser offers an evocative glimpse into what promises to be a deeply felt romance, charged with emotional intensity and striking visuals. From longing gazes to moments of vulnerability, the fresh pairing of Ahaan and Aneet showcases a palpable chemistry that hints at a love story filled with heartache, hope, and poetic beauty. Set against the backdrop of rain-soaked streets and intimate silences, Saiyaara pays homage to the monsoon romance—a beloved cinematic motif that has defined generations of Hindi films.

Produced by Yash Raj Films CEO Akshaye Widhani, Saiyaara is set for a grand theatrical release worldwide on July 18, 2025.

Also Read : Metro…In Dino’s ‘Zamaana Lage’ song launch: Bhushan Kumar, Anurag Basu, Pritam Chakraborty steal the show with their hilarious anecdotes, banter; music composer sets the stage on fire with LIVE performance

While Disha Patani may be known for her high-octane performances on screen and disciplined fitness routines, her downtime paints a much more grounded and relatable picture. Away from the camera and choreography, the actress finds joy in quiet Sundays, travel goals, and a handful of quirky hobbies.

“I train, then lie in bed and eat – a lot,” she laughs, describing how she likes to slow down on Sundays. For Disha, these days off are less about glam and more about geeky pleasures. She enjoys watching movies or playing video games like Pokémon and Tekken on her Nintendo Switch or PlayStation. “I’m a bit of a geek,” she admits.

Her love for Japanese culture isn’t limited to anime and gaming. A trip to Japan left a lasting impression on her. “It was like I stepped inside an anime; it was surreal,” she recalls. Enchanted by the vibrant culture and food, Disha even dreams of living there someday. “I’d love to live in Japan at some point – have one house there and one in India. That would be amazing.”

The wanderlust doesn’t end there. Antarctica has been a long-standing dream for her, inspired by countless childhood hours spent watching documentaries. “One day, I’ll go there,” she says, calling it a destination still parked on her bucket list.

When she’s not travelling or training, Disha dabbles in creative outlets — though only if they keep her interest. “I tried drums, piano… but I get bored if I don’t learn fast,” she admits. She’s also painted and played basketball in the past but hasn’t had much time for either lately. What has stayed consistent, however, is her need to keep things tidy. “I think I have OCD,” she jokes. “I’m always fixing things, arranging cupboards.” While she doesn’t call herself a perfectionist, she confesses, “I like things a certain way.”

Also Read: Disha Patani says visiting Japan felt like “stepping inside an anime”; Antarctica is still on her bucket list

Veteran actor Paresh Rawal turned 70 yesterday. Filmmaker and producer Mahesh Bhatt, who has worked with the actor on quite a few films like Naam, Sir and Tamanna, spoke about him in an interview with us.

Your association with Paresh Rawal is long and rewarding. When did you first meet him?

It’s difficult to peer through the mist of time and pinpoint the exact moment you meet someone, who looks like the guy next door but carries within him a volcanic talent. And yet, I vividly remember the first time I met Paresh Rawal. It was at Salim Khan Sahib’s house during the casting of Naam. We were struggling to find an actor for a particularly challenging role, the villain who becomes the roadblock in Sanjay Dutt’s path, a role that would eventually help catapult Sanjay to stardom.

What was your reaction on meeting Paresh?

I am coming to that. “This is Paresh Rawal,” said Salim Sahib. I looked up to see a shy, almost meek-looking young man, who stood up respectfully and shook my hand. I was told he had a bit part in Arjun, a film starring Sunny Deol and directed by Rahul Rawail. But do you know what gravitated me to Paresh?

Tell me?

What drew me in was not his resume—it was his passion for theatre. That was enough for me. Here was a newcomer, thirsty and trained by the stage, someone who would bring an earthiness to the role that was essential. The character was a drug baron, settled overseas but deeply rooted in India. Paresh carried that dust, that fragrance of the land, in his very soul.

You went on to together bleed brilliancy into several projects

His performance in Naam—especially the chilling scene where he warns Sanjay Dutt’s character that this business is a one-way street with “no entry” on the other side—remains etched in people’s memories. The menace in that delivery still resonates. But it was in Tamanna, Pooja Bhatt’s first National Award-winning film, that Paresh truly stole my heart. He played the role of Tiku, a transgender who raises a girl child rescued from the streets of Mumbai.

When I narrated the story to him, he was visibly shaken. He said he would give his heart to the role—and he did. I have rarely seen such total surrender to a part. He became a devotee. I recall a particular scene with Nadira ji—who plays a fading actress slipping into madness—where he gently tries to feed her. That moment, tender and heart-breaking, stands among the tallest performances I have witnessed in Indian cinema.

In my opinion, the piece de resistance of your collaboration was Sir

Sir—prior to Tamanna—where he played Veljibhai, opposite his favourite actor, Naseeruddin Shah. Naseer was stunning in the film, but it was Paresh’s grounded, layered performance that astounded everyone. He played a gangster whose hands were drenched in blood, but who remained in awe of the teacher who came to tutor his daughter. His reverence for Naseer was real, and it showed. In Kubzaa, too, again as Veljibhai, he created a semi-cult classic. Another menacing gangster, rooted in Kutch, with the scent of the earth captured on celluloid.

Your closing thoughts on one of finest actors?

As Paresh turns 70, I look back with deep fondness and gratitude. I recall how he supported a young, struggling theatre director and producer trying to stage a play in Delhi, how he never forgot his roots in NSD (National School of Drama) and the stage, and how the legacy continues through his son, Aditya Rawal. Aditya’s brilliant turn as a terrorist in Hansal Mehta’s Faraaz made me believe that the stream is flowing strong—he will not just carry the legacy forward, he might just surpass it. So here’s to you, Paresh. Seventy years young, still burning bright. You have the vitality, the bite, and the fragrance of the soil in every role you inhabit. And I have a feeling your greatest performances may still be ahead of you.

Happy Birthday, my friend.

Also Read: 17 Years of Jannat: Mahesh Bhatt on love, loss & Emraan Hashmi’s magic; says, “It was never just a movie”

Varun Dhawan has officially wrapped up the Scotland schedule of his upcoming romantic comedy Hai Jawaani Toh Ishq Hona Hai. On May 30, the actor took to Instagram to share a carousel post filled with behind-the-scenes glimpses from the shoot.

“It’s a schedule wrap for us here in Scotland on #haijawaanitohishqhonahai. So many days everyone pulling together to make this happen. Bringing u all the laughs soon. Now back home,” Varun wrote in the caption, expressing gratitude towards the team.

Candid Moments and Co-Star Reactions

The post featured several photos with his co-stars, crew members, and producer Ramesh Taurani. Actor Arjun Kapoor couldn’t resist chiming in with a cheeky comment, calling Taurani “The hypebeast.” Meanwhile, Janhvi Kapoor, who stars opposite Varun in another upcoming film Sunny Sanskari Ki Tulsi Kumari, commented, “Sunny Sanskari is needed back in the bay asap pls.”

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Varun has been actively documenting his time on set. Just a few days ago, he shared a video of himself enjoying lunch during the shoot. His feed paints a lively picture of the production, giving fans a closer look at what’s to come.

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Directed by David Dhawan, Packed with Star Power

Directed by Varun’s father David Dhawan, Hai Jawaani Toh Ishq Hona Hai stars Mrunal Thakur and Pooja Hegde in the lead roles alongside Varun. The film is slated for release on April 10. Recently, a clip from the sets went viral, showing Varun and Mrunal dancing together, fueling speculation that the film will feature a remake of the iconic ‘Chunnari Chunnari’ track originally performed by Salman Khan and Sushmita Sen. chunnari chunnari remake please NO byu/Normal_Weather8827 inBollyBlindsNGossip

A Busy Slate Ahead for Varun

Beyond this film, Varun Dhawan’s calendar is packed. He is currently working on Sunny Sanskari Ki Tulsi Kumari, Bhediya 2, No Entry 2, and Border 2, marking a dynamic phase in his career

Also Read: Varun Dhawan and Pooja Hegde recreate popular 90s song ‘Chunari Chunari’ in Hai Jawani Toh Ishq Hona Hai; BTS photos go viral

Buckle up for the biggest laughter riot of the year as Housefull 5 hits cinemas on 6th June 2025! Helmed by celebrated director Tarun Mansukhani, this film marks a monumental cinematic milestone, bringing together 19 of Bollywood’s most loved stars in one epic comedy franchise.

Housefull 5 continues the legacy of India's longest-running comedy franchise, and this time it’s bigger, bolder, and packed with more madness than ever. Known for his vision and flair, Tarun Mansukhani has achieved what few filmmakers dare to dream, uniting 19 A-list actors in a single high-voltage entertainer.

The stellar ensemble includes: Akshay Kumar, Abhishek A Bachchan, Riteish Deshmukh, Jacqueline Fernandez, Sonam Bajwa, Nargis Fakhri, Sanjay Dutt, Jackie Shroff, Nana Patekar, Chitrangada Singh, Fardeen Khan, Chunky Pandey, Johnny Lever, Shreyas Talpade, Dino Morea, Ranjeet, Soundarya Sharma, Nikitin Dheer, and Akashdeep Sabir — promising a power-packed rollercoaster of comedy, chaos, and charisma.

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Speaking about the film, director Tarun Mansukhani said,"Bringing together 19 A-listers sounds insane on paper, and it was just as mad in real life, in the best way. As director, I knew I had my work cut out. There was no ego or flair, just pure love for the story from every actor bringing madcap energy to the set. The three boys were the soul, the girls brought spark, and legends like Nana Sir, Jackie Sir, and Sanjay Sir showed why they’re icons—effortless charm and presence, it’s unreal! We improvised, laughed, and through all that chaos, my job was to hold it together and shape it into something that truly connects. Now I just hope the audience enjoys watching it as much as we did making it."

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Also Read: EXCLUSIVE: CBFC censors ‘item’ and ‘haram’ in Housefull 5; reduces ‘sensual visuals’ by 2 seconds; both versions have the EXACT same run time

Saif Ali Khan’s versatility isn’t just limited to screen roles. Off-screen, he balances an equally demanding set of characters: father, husband, professional, son, and wears each of them with quiet grace. Recently, while speaking at the Arab Media Summit, Saif opened up about what success truly looks like to him: being present. In an industry that celebrates the non-stop hustle, Saif’s idea of success is refreshingly different — one rooted in stillness, routine, and choosing family over frenzy.

He spoke about the moments that matter, the everyday ones that rarely make headlines but define who we are when the cameras stop rolling. He came home before his children fell asleep, took time off during school holidays, and called both his mother and his kids because that’s what this chapter of life demands. “I hate coming home and seeing the kids already asleep. That’s not success. Success is being able to say, ‘No, I need to go home now to catch that half hour with them.’”

“We get four holidays a year, and when my kids are on break, I don’t work. That time is sacred.” Reflecting on this phase of life, Saif said, “I’m at that crazy age where I have to call both my mom and my children. You think it’s just your parents you have to check on, then you realise it’s both.”

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But more than just being there, Saif spoke about the importance of showing up in the little ways. The kind that don’t get documented, but hold everything together. “Working is important, yes. But so is cooking pasta together, having a meal, and focusing on the kids. That’s the real glue of life.” His perspective is clear and grounded. Real success lies not in the spotlight but in the quiet moments. At the dinner table. On school breaks. In choosing time over attention. “Success and privilege, for me, is being able to say no to work and yes to time with my family.”

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On the work front, Saif has an exciting slate ahead. He will be seen in the high-octane action thriller Race 4, a biopic in collaboration with director Rahul Dholakia, an untitled project with Priyadarshan, and a social thriller with Hansal Mehta.

Also Read: Saif Ali Khan calls for “serious collaboration” between Indian and Arab media: “Their love is phenomenal”

Sonakshi Sinha is back on the big screen with a vengeance. On May 29, the actress took to social media to unveil the official poster of her upcoming psychological thriller, Nikita Roy. The film, which marks her return to theatres after 2024's Bade Miyan Chote Miyan, is set to hit cinemas worldwide on June 27, 2025.

The poster features Sonakshi in an intense close-up, exuding a serious, almost ominous presence. Alongside her, the ensemble cast includes Arjun Rampal, Paresh Rawal, and Suhail Nayyar. The film is directed by Kussh S Sinha and produced under the banners of Nicky Vicky Bhagnani Films, Kratos Entertainment, and Nikita Pai Films Ltd. A New Chapter in Sonakshi Sinha’s Career While Nikita Roy will mark Sonakshi’s first theatrical lead since Double XL in 2022 and the ensemble action film Bade Miyan Chote Miyan in 2024, the actress hasn’t been away from screens. In recent years, she expanded her repertoire with digital ventures, including the horror-comedy Kakuda (ZEE5) and Sanjay Leela Bhansali’s period drama Heeramandi: The Diamond Bazaar on Netflix.

The official synopsis of Nikita Roy is still under wraps, but the poster hints at a dark, possibly psychological narrative with mystery elements.

Earlier, the producers, in a joint statement, said, “This film is very close to our hearts. It dares to tread where most mainstream films don't and explores a genre we truly believe audiences are ready for. With a powerful cast, a gripping narrative, and Kussh S Sinha's unique vision, we can't wait for the world to experience Nikita Roy on the big screen.”

Also Read: Prime Video’s Dahaad renewed for season 2? Sonakshi Sinha, Gulshan Devaiah REACT!

As Indian cinema approaches the 100th birth anniversary of Guru Dutt, plans are underway to commemorate his life and legacy on a grand scale. Ultra Media & Entertainment Group, which owns the rights to his filmography, has revealed a multi-layered tribute. It will also include the possibility of a biopic and web series adaptations of his most celebrated works.

Biopic in the Pipeline; Vicky Kaushal a Potential Lead Rajat Agrawal, COO and Director at Ultra Media, confirmed that early discussions have begun for a full-length biopic on the legendary filmmaker. A report by Mid-Day quoted Rajat saying, "Biopics are always challenging because they need to emulate an individual’s greatness and achievements. We would be happy to collaborate with producers and a modern-day director who is a fanatic of Guru Dutt," while noting that the company is in talks with two prominent directors.

When asked about who could portray the complexity and sensitivity of Guru Dutt on screen, Agrawal pointed to Vicky Kaushal as a possible candidate. “Naming one actor would be difficult as there is a plethora of talent, but I feel Vicky Kaushal can bring Guru Duttji’s emotional depth,” he added.

In addition to the biopic, Ultra is exploring the idea of adapting some of Dutt’s acclaimed films into web series. While no formal announcements have been made, Agrawal revealed that two well-known directors have shown interest in reimagining the filmmaker’s stories for the digital space. Restored Versions Unveiled at Cannes 2025 Earlier this month, Ultra Media presented restored versions of Guru Dutt's cinematic landmarks — Pyaasa (1957), Kaagaz Ke Phool (1959), Chaudhvin Ka Chand (1960), and Sahib Bibi Aur Ghulam (1962) — at the Cannes Film Festival 2025, receiving warm response from global audiences. The move is part of a larger initiative to reintroduce Dutt’s works to contemporary viewers while preserving their original charm.

Agrawal emphasized that the restorations stay true to the original black-and-white aesthetic, though a few songs might be colourised as an experiment. “All his movies have been restored in the original black-and-white version to give the same nostalgic feel. However, we are looking at colourising a few songs to see the audience’s reaction.” Nationwide Tribute Ahead of Birth Anniversary In the run-up to Guru Dutt’s birth centenary on July 9, a week-long celebration is being planned across India. The initiative will include theatrical re-releases of the restored classics, curated exhibitions, and panel discussions featuring leading voices from the Indian film industry. The aim is to revisit the genius of a filmmaker who captured human emotion with rare sensitivity and cinematic innovation.

Also Read: Ranbir Kapoor, Vicky Kaushal scene postponed as Mumbai rains disrupt Love & War shoot: Report

Sara Ali Khan, Fatima Sana Shaikh, Ali Fazal, Konkona Sen Sharma, Pankaj Tripathi, Aditya Roy Kapur, Anupam Kher, Neena Gupta, music director Pritam Chakraborty, singers Papon, Shashwat Singh and Raghav Chaitanya, director Anurag Basu and producer Bhushan Kumar attended the grand launch of the song ‘Zamaana Lage’ from Metro…In Dino. The event was memorable as all the prominent actors of the film came together. Pritam Chakraborty, Anurag Basu and Bhushan Kumar were the surprise scene stealers.

Anurag Basu began by talking about his association with Pritam, “We fight like an old couple. We keep fighting until our music doesn't create a love story! Kab music ban jaata hai aur kab music ke saath saath script ban jaata hai, pata nahin chalta. Hum duniya bhar ki baatein karte hai, we eat food, we even cook food and we also end up creating music.”

Pritam Chakraborty also talked highly of the filmmaker and remarked, “Our collaboration is more like a partnership.” Anurag joked, “Aise events aksar hone chahiye. Warna yeh itni taareef kabhi nahin karta zindagi mein!”

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Bhushan Kumar came on stage. Pritam Chakraborty then raised laughs as he revealed, “I have been working in the music industry for more than 20 years. I have not seen somebody as passionate as him. Whether it's 1:00 am or 2:00 am, he's always awake. Hum inse darte hai. Once he caught me at Lokhandwala Back Road from his car and said 'Gaane ka master do'! I was going aaram se listening to songs when suddenly he came in front of me and said ‘Master chahiye mujhe abhi ke abhi’!” Bhushan Kumar, too, couldn’t stop laughing over this incident.

Another special highlight was when the whole team of the film came on stage and performed on ‘Zamaana Lage’. This was followed by an unplugged version by Pritam and a performance of an unreleased track from the film.

Metro…In Dino releases in cinemas on July 4.

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Also Read: Metro…In Dino’s ‘Zamaana Lage’ song launch: Anurag Basu reveals that unlike Life In A Metro, sequel is set in 5 cities; also adds, “Konkona Sen Sharma cried remembering Irrfan Khan in a scene”

In a candid new interview with Hindi Rush, actor Sooraj Pancholi spoke at length about his mother, veteran actress Zarina Wahab, praising her for being the emotional and financial backbone of their family. The Hero actor described her as self-made, resilient, and unwavering in her decisions, despite the many personal challenges she has faced over the years.

“I would love to be a father like my father, and I would love to be a partner like my mother," said Sooraj. “She holds the whole family together, and she has really been through a lot because of us. I have never, ever seen her break down. She has never complained about anything… She’s making her own money, she has never taken even one rupee from my father," he continued.

Highlighting her professional journey, Sooraj pointed out that Zarina Wahab has been working since she was a teenager. “She’s been acting since the age of 16; she’s almost 65 now. She is self-made. She has four homes of her own. She doesn’t come from money. If she wanted to leave, she could have done it long back. Sometimes, women don’t leave because they don’t have backup… She had a route to go to Hyderabad; she has a home in Bandra also. She has her mother’s home in Bandra. She has four sisters, one of them is in America. She has four brothers. She could have left any time, but it’s her decision to stay. I can’t judge their arrangement," he stated hinting at the complex dynamic between his parents.

In an earlier interview, Zarina Wahab had indirectly acknowledged husband Aditya Pancholi’s extramarital affairs, sparking debate. She had shared that while he doesn’t get his affairs home, when he enters the house, he is an excellent father and husband. Wahab further added that how many men, despite having affairs, run their family. The veteran actress had insisted that she doesn’t take these things seriously, a revelation that had surprised many.

Despite past controversies, Sooraj Pancholi’s tribute paints a picture of a woman who chose to stay on her terms, without ever compromising on her dignity or independence. Meanwhile, speaking of Jr. Pancholi himself, the actor, who himself faced several controversies himself, made his big screen comeback with Kesari Veer last week, as the film hit theatres on May 23.

Also Read: Sooraj Pancholi recalls time in Arthur Road jail; says, “I was in the same cell where they had put Kasab”

Yash Raj Films (YRF), known for giving India some of the cult romantic films of all time, has creatively collaborated with a master of the romance genre, Mohit Suri, for an intense love story that has been titled Saiyaara.

Since the announcement of this project, Saiyaara has piqued immense curiosity amongst consumers of Hindi cinema, especially those who love watching soul-stirring romantic films. The film introduces Ahaan Panday in the Hindi film industry and also stars Aneet Padda (who stole hearts with her brilliant performance in the much-acclaimed series Big Girls Don’t Cry) as the female lead. Saiyaara is produced by the company’s CEO Akshaye Widhani.

Saiyaara is set to release on July 18, 2025 in theatres worldwide and YRF is set to start the marketing campaign of this hugely anticipated project with the teaser drop this Friday, May 30.

Bollywood Hungama was also the first one to break the news that Saiyaara will release in cinemas on July 18.

Saiyaara is being billed as an intense love story that brings YRF and Mohit Suri, both known for their huge generation-defining successes in the romantic genre, together for the first time

As per reports, much of the film was shot in 2024 and in February this year, Mohit Suri shot a music festival sequence with 1,000 background artists at Vrundavan Studios in Malad, Mumbai. Reportedly, Ahaan Panday was seen performing on stage and the crowd got mesmerized by his performance. In the middle of his performance, Ahaan also jumps from the stage to further woo the audience.

Also Read: MEGA EXCLUSIVE: Yash Raj Films and Mohit Suri’s intense love story titled Saiyaara; releases on July 18, 2025 in theatres worldwide

Popular television actress Dipika Kakar has revealed that she has been diagnosed with Stage 2 liver cancer, sending shockwaves across the entertainment industry and her massive fanbase. Known for her roles in shows like Sasural Simar Ka and most recently seen on Celebrity MasterChef, Dipika took to Instagram to share a heartfelt note about her health condition.

In the emotional post, Dipika wrote, “As you all are aware last few weeks have been quite difficult for us... walking into the hospital for a pain in the upper area of my stomach... and then finding out its a tennis ball size tumour in the liver and then Finding out that the tumour is Second stage Malignant (Cancerous) ... it has been one of the most difficult time we have seen, experienced! I am all positive and determined to face this and walk out stronger InshAllah! With my entire family being by my side and All the LOVE and PRAYERS pouring in from all of you I will sail through this too! InshaAllah Keep me in your prayers! Lots Of Love Dipika”

The news comes shortly after her husband and actor Shoaib Ibrahim had shared with the media that a tumour had been discovered in Dipika's liver and further tests were being conducted to determine its nature. Now, the actress herself has confirmed that it is malignant. Following her revelation, several celebrities from the television industry extended messages of support and encouragement.

Her Sasural Simar Ka co-stars, actress Avika Gor wrote, “Praying for your speedy recovery di <3” and Jayati Bhatia added, “U r a very brave girl...keep your strength.”  Her Celebrity MasterChef co-contestant Rajiv Adatia commented, “Always with you Dipika!!! You are strong girl and fighter! You will be fine! Sending you so much love and strength!” Another co-contestant and popular telly star Gaurav Khanna shared, “Be strong Dipika.. we all have u in our prayers.. u wil definitely defeat it .. never loose hope ..” Apart from them, others like Karanvir Sharma, Yesha Rughani, Juhi Parmar, Gauahar Khan, Shraddha Arya, Himanshi Khurana, Arti Singh, Pankhuri Awasthy Rode, and Nikki Sharma also posted heartfelt messages and wished her a speedy recovery.

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Dipika Kakar, who is married to her Sasural Simar Ka co-star Shoaib Ibrahim, is a beloved face on Indian television. The couple became parents to a baby boy, Ruhaan in June 2023. On the work front, after her motherhood, Dipika recently appeared on Celebrity MasterChef as a contestant, where she showcased her culinary passion and impressed audiences with her cooking skills.

Fans and fellow actors continue to rally around her with prayers and positivity as she begins her fight against cancer.

Also Read: Dipika Kakar diagnosed with liver tumour, husband Shoaib Ibrahim reveals in emotional vlog

Rashmika Mandanna has firmly established herself as one of the leading pan-India actresses of her generation, winning hearts and dominating the box office with each new release. Known for her versatile performances and magnetic screen presence, she breathes life into every character she portrays. But her influence extends beyond cinema - Rashmika is also a bona fide fashion trendsetter! Whether donning a classic saree or stepping out in contemporary Western wear, she exudes effortless elegance and confidence. Recently, she was seen gracing an award function, where she looked way too gorgeous in a black custom-made saree.

Beauty in Black Rashmika exudes bold elegance and high-fashion sophistication. She is wearing a dramatic black ensemble that masterfully combines modern edge with classic glamour. The outfit features a corset-style bodice embellished with shimmering detailing, offering structure and a touch of allure. The sheer paneling adds a daring yet tasteful twist, subtly highlighting her silhouette.

The flowing black fabric of the skirt or drape introduces movement and drama to the look, creating a sense of fluidity that contrasts beautifully with the structured top. Rashmika's sleek straight hair and glowing makeup, highlighted by bronzed tones and defined eyes, complement the ensemble perfectly, allowing the outfit to remain the focal point.

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Boss Lady Rashmika is styled in a tailored three-piece pinstripe suit that effortlessly blends classic menswear elements with feminine flair. The ensemble consists of high-waisted, wide-leg trousers, a fitted waistcoat, and an oversized blazer - all in a dark grey pinstripe fabric that adds texture and sophistication.

She pairs the suit with a crisp white button-down shirt, its cuffs stylishly rolled up to bring a touch of casual cool to the otherwise formal look. The waistcoat, buttoned up neatly, enhances her silhouette while maintaining the outfit's structured appeal.

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Traditional Elegance Rashmika exuded ethnic charm in a pink kurta set with intricate golden embroidery and floral embellishments. She paired it with matching pants, a dupatta, and accessorized it with golden earrings, a chain, and a bracelet.

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Fairy in White Rashmika stunned in an exquisite ivory blazer dress that exuded effortless chic. Featuring sharp lapels, structured shoulders, long sleeves, and sleek coat pockets, she elevated the look with elegant golden danglers, embodying sophistication and style.

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Glamorous & Gorgeous Rashmika mesmerized in a gorgeous violet saree that radiated elegance and grace. The violet drape featured "Srivalli" imprinted on the pallu, paying tribute to her film. She paired it with matching earrings and left her wavy hair open, looking angelic.

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Workwear Staples? Rashmika got you! Rashmika embodied boss-lady vibes in a sleeveless black corset top with a deep scoop neckline layered with a chic black blazer. She paired it with high-waisted distressed jeans featuring sequin embellishments, accessorizing with a bold red handbag and black stilettos.

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Nobody does traditional better than Rashmika! Rashmika looked like a traditional queen in a heavily embellished red Anarkali suit featuring intricate gold embroidery, beadwork, and a plunging neckline. She paired it with a sheer dupatta, Kolhapuri-style sandals, statement rings, and dainty earrings. Soft waves, a bindi, and minimal makeup completed her elegant look.

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Party Vibes ft Rashmika Mandanna Rashmika Mandanna looked absolutely glamorous in a dazzling off-shoulder golden dress featuring a bold plunging V-neckline and a striking metallic design. She elevated the look with a sleek middle-parted bob and radiant, dewy makeup, exuding sheer elegance.

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Also Read: Trance of Kuberaa teaser unveils dark, ambitious world featuring Dhanush, Nagarjuna and Rashmika Mandanna; watch 

A day after celebrating his 53rd birthday, Karan Johar unveiled the release date of his next production, Dhadak 2. Starring Siddhant Chaturvedi and Triptii

Dimri in lead roles, the film is slated to hit cinemas on August 1, 2025. The announcement came alongside two emotionally charged posters, offering a glimpse into the film’s intense narrative.

In both posters, Siddhant and Triptii are seen in a tearful embrace, set against a moody blue backdrop. The tagline, “Marne aur ladne mein se ek ko chunna ho… to ladna,” signals a story steeped in resistance and resilience. The rawness of the visuals suggests that Dhadak 2 will diverge significantly from the tone of its predecessor.

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CBFC Roadblock Cleared With Cuts Earlier this year, Bollywood Hungama was the first to report that Dhadak 2 had run into trouble at the Central Board of Film Certification (CBFC). The film, based on caste oppression, was initially stuck due to its sensitive content. It has now been cleared with a U/A 16+ rating, though not without significant alterations.

According to The Hindu, several dialogues were revised, especially those referencing caste history and discrimination. Phrases like “3,000 years of backlog” and caste-specific slurs were replaced or muted. A scene involving public urination was removed entirely, while another sequence showing the humiliation of a character’s father was trimmed. The CBFC also modified a poem recital and requested a revised disclaimer, now extended to 1 minute and 51 seconds and to be read aloud during the film. Run Time and Background Dhadak 2 is a Hindi adaptation of the 2018 Tamil film Pariyerum Perumal, directed by Mari Selvaraj. The remake is helmed by Shazia Iqbal, who makes her directorial debut with the project. With a runtime of 2 hours and 26 minutes, the film aims to bring caste-based social injustice to the forefront, a thematic pivot from the romanticism of the original Dhadak (2018).

It is produced by Dharma Productions in association with Zee Studios and Cloud 9 Pictures.

Also Read: Anurag Kashyap REACTS with a sarcastic comment as Phule faces censorship over caste references after Dhadak 2 

John Abraham launched the graphic novel, ‘Lakadbaggha: The Prologue’, written by actor-filmmaker Anshuman Jha and illustrated by American Comic book artist Brittain Peck. The novel is based on the film Lakadbaggha (2023), which starred Anshuman in the lead role of an animal vigilante. Ridhi Dogra, who also featured in the film, also graced the launch. At the event, John Abraham gave some headline-worthy quotes and also confirmed his upcoming projects.

John Abraham revealed, “Very interestingly, my director has written a comic book called ‘Munkeeman’. We are making a film on it now. It's interesting to talk about it. The name of the director is Abhishek Sharma. I have done a film with him called Parmanu (2018). He's a very smart and intelligent guy. The subject matter is something very interesting. I love animals and that's why we are doing that movie.”

‘Munkeeman’ was launched in 2012. It is inspired by the Monkey Man incident that occurred that year in Delhi. The synopsis of the book on the internet is as follows, “In the summer of 2001 a strange creature created panic and chaos in the city of Delhi. No one had an explanation or clue about his true identity. Then suddenly one day he vanished, never to return until today Munkeeman is back. And he wants you to know that he is not a monster, but India’s own authentic superhero.” Abhishek Sharma also directed films like Tere Bin Laden (2010) and Ram Setu (2022).

Meanwhile, John Abraham looked dashing, especially with his new moustache look. A reporter asked if it was his look for the Rakesh Maria biopic. John Abraham said, “Ji.” When asked about his experience of doing the film, he replied, “Very good,” and refused to speak further. The Rakesh Maria biopic is directed by blockbuster director Rohit Shetty.

Also Read: John Abraham to launch ‘Lakadbaggha: The Prologue’, a comic book based on India’s first animal lover vigilante film

Bipasha Basu is revisiting one of the boldest and most defining roles of her career — her 2003 film Jism. In a recent interview with Hindustan Times, the actress shared how her decision to take up the film was met with strong opposition from everyone around her, including her own manager.

“Jism was the time when I was at the peak, and everyone told me you cannot do adult content film. You are like the typical Hindi heroine who is established in people's hearts now. And I said, I just like the story so much. I said I'll go ahead and do it. Everybody stopped me from doing it. My manager thought I had gone crazy,” Bipasha recalled.

The film, which co-starred John Abraham and featured a sultry narrative, went on to become a critical and commercial success. It not only pushed the envelope in terms of content but also redefined Bipasha's image in the industry—from a conventional Bollywood heroine to a risk-taker who wasn’t afraid of breaking stereotypes.

Looking back, Bipasha believes Jism didn’t just change her career trajectory but also sparked a style revolution among women at the time. “It worked for me and then things changed. Women suddenly were tonging their hair. They wore a bronze look. There was no stereotypical (thing) that the woman can't play the negative character. It all changed after that. So, it's been path-breaking for me. That has been one very important film,” she said.

Directed by Amit Saxena and produced by Pooja Bhatt and Mahesh Bhatt, Jism marked a new chapter in Bollywood’s portrayal of sensuality and female characters, with Bipasha taking on a bold and complex role that few actresses at the time were willing to explore. Her performance in Jism received widespread acclaim, and the film is still remembered today for its bold storytelling, music, and aesthetic visuals. More importantly, it opened up space for female actors to explore darker, more layered roles without being confined to traditional portrayals.

Speaking of her current work commitments, Bipasha Basu has been exploring multiple avenues along with motherhood. The actress is yet to announce about her comeback projects.

Also Read: Bipasha Basu captures family bliss in Goa with husband Karan Singh Grover and daughter Devi; watch

The ongoing controversy surrounding Hera Pheri 3 has taken a fresh turn with veteran actor Paresh Rawal's legal team addressing claims against him. In a conversation with Times of India, Rawal’s lawyer clarified that the actor was never presented with a script or any substantial content from the team working under Akshay Kumar’s production banner.

Rawal’s legal team has also questioned the grounds on which the production house is claiming losses when, according to them, no material—script or agreement—was in place in the first place. According to recent reports, a legal notice has been sent to Akshay Kumar, Priyadarshan, Suniel Shetty, and Paresh Rawal by none other than the original producer – Firoz Nadiadwala. The notice reportedly prohibits all four from participating in any promos, endorsements, or activities related to the Hera Pheri franchise. It further claimed that proceeding with such activities will be considered a wilful breach, asserting that the intellectual property (IP) rights to all characters, including Babu Bhaiya, lie with Nadiadwala.

Sources close to the actor also revealed that Akshay Kumar had assured Rawal, saying, “Don’t worry, trust me. You’ll see it later in the longform agreement.” Based on this assurance and his longstanding rapport with Kumar, Paresh Rawal is expected to have signed the term sheet in good faith. The promo for Hera Pheri 3 was eventually shot on a modified version of the Bhooth Bangla set. However, it was initially intended for a 2026 start, and Rawal had suggested postponing the promo shoot to the following year. As of now, the actor has not received any long-term agreement, script, or formal production information, sources added.

Reports also suggested that the actor has a deep-rooted connection with the beloved character of Baburao Ganpatrao Apte, popularly known as Babu Bhaiya, and hence, sought clarity before proceeding further with the project.

The actor’s legal team told Times of India, “Admittedly, they did not deliver the story, screenplay and also a draft of a long form agreement which was fundamental to the engagement of our client. In the absence of these and also since Mr. Nadiadwala, the producer of the original films, issued notice to our client and raised issues on the making of the film, our client chose to exit and returned the money with interest by terminating the Term sheet.”

With mounting legal tensions and blame games, the fate of Hera Pheri 3 remains uncertain.

Also Read: Paresh Rawal reacts to legal row over Hera Pheri 3 exit: “My lawyer has sent an appropriate response”

The recent row between Bhool Chuk Maaf and PVR has brought to the fore many complaints from the producers about the national chains. One of them is that the makers are asked to pay if they want to put up posters or standees and to play trailers of their films. Girish Johar, producer and film business analyst, wrote on his social media pages, “Asking for monies to be paid for trailer playing, film publicity displays at their sites, cinemas which are already in red are further going downhill. With OTT onslaught sitting on their head, they should instead comfort producers & give them ease of doing business, so that more makers are encouraged to take risks & choose the big screen release instead... the exhibition community should avoid nailing their own coffin !!”

We asked Girish Johar to comment more on this aspect. He said, “The cinemas have started asking monies against showcasing film publicity, be it trailers, digital posters, video walls, etc. It is apparently one of the major sources of revenue for theatres. A certain set of producers have started paying for it. This puts the pressure on even other producers. Small-time filmmakers tend to give in. To each its own I feel. But there should not be a blanket rule for everyone in this regard.”

A multiplex official on condition of anonymity revealed how this model works, “They charge Rs. 10,000 per property roughly for it. But usually, they do a package deal. They’ll ask you to pay Rs. 15-20 lakhs. In return, they’ll not just install your film standee and digital poster but also play the trailer of the film, that too in 200-250 of their multiplexes. Sometimes, the deal also includes the film banner on the multiplex’s website or booking app. The producers include this spend under ‘marketing activity’. It’s an additional cost to the producer.”

The official continued, “Pre-pandemic, this used to happen very rarely. But post-pandemic, this has increased as everything is under the red. They realized this is a nice way to earn additional moolah, not realizing that they are killing the same hand that feeds them.”

A duty manager from a prominent multiplex said, “Many non-national chains don’t charge at all for posters or standees. We put it up for free. However, playing the trailer incurs a charge.”

Vishek Chauhan, owner of Roopbani Cinema in Purnia, Bihar, commented on this matter saying, “I have heard that the multiplexes charge. I am not sure whether they are doing it or not. But if they do, toh isse bada ghatiya kaam aur kuchh nahin ho sakta hai! If a shopkeeper sells Coca-Cola and decided to install its standee, is he going to charge for it from the soft drink brand? Of course not. This doesn’t happen in any business.”

He continued, “This is the reason why the multiplex business is so messed up in India. These multiplexes, especially PVR Inox, have completely destroyed the sheer fabric of the exhibition sector. It’s no wonder that in 1995, there were 25,000 screens in India before the multiplex era. 30 years later, the number has down to 9000.”

Producer Pahlaj Nihalani, who runs a revamped single-screen Nishat in Mumbai, lashed out at this practice. He said, “PVR Inox has been charging for it since the very start. Then, a lot of new producers came in. Also, many actors turned producers. These people had no qualms about paying for it. Soon, it became a standard practice. What is saddening is that there’s a possibility that your film might not play in some theatres where your trailer is being screened. A viewer has come to see ‘A’ film; he’ll see the trailer of ‘B’ film in the interval and decides to watch it. But then, the film might not get showcasing in that cinema hall. Isn’t that unfair to the producers and also to the moviegoers?”

He made it clear that in the single-screen era, there was never a question of paying to play trailers or install standees. “They never charged and even now, they don’t,” he added. “However, if the projection system in a single screen is provided by a third party like UFO, then they’ll charge.”

Pahlaj continued, “Single screens continue to have great relations with filmmakers. Sadly, the same can’t be said about the multiplexes. They squeeze money in every way possible from us. They are killing new talent and ruining the film business.”

He also said that this practice hurts makers but there’s no solution to it, “There’s no industry leader among producers who can talk about these things. Most of them have isolated fights. It happened with Dinesh Vijan (with Bhool Chuk Maaf). Earlier, Ronnie Screwvala was also alone when he spoke about VPF. His next film (Mard Ko Dard Nahi Hota; 2019) didn’t get shows in some theatres as he went against them. Imagine if all the producers rise together and decide not to give films to them. Phir yeh log kahan jaayenge?”

Trade veteran Taran Adarsh, however, had a different point of view, “Today, everything is commercial. The multiplexes are allowing the space in their property to install the standee and are also playing the trailer on the screen. Hence, they feel that they need to be compensated because even they are paying higher rent. It’s a circle.”

He added, “I have seen standees being put up of OTT show. Their promo is also screened before the film or during the interval. The multiplexes obviously would charge for it. Why would they play for free?”

Vishek Chauhan, meanwhile, continues to have reservations on this model. He said, “Theatres should not be charging for all this. It’s a matter of pride to put up a poster in your theatres. That’s our primary job – to promote films. If films work, I’ll be at an advantage. And if I am asking the producer to pay for it, then nothing can be more shameless.”

Also Read: Bhool Chuk Maaf to release in theatres on May 23 after court settlement between Maddock Films and PVR Inox

Actor and IPL franchise co-owner Preity Zinta has contributed Rs 1.10 crore to the Army Wives Welfare Association (AWWA) of the Indian Army’s South Western Command. Her heartfelt gesture comes in the wake of Operation Sindoor, launched by India following the terror attack in Pahalgam on April 22.

Zinta confirmed her association with the South Western Command as she attended an event organized by them, where she also addressed the families of Indian Army personnel. Sharing her emotional experience on Instagram, she wrote, “As I drove towards the auditorium in the South Western Command of the Indian Army, I saw posters of army officers and jawans at regular intervals, that won various bravery awards. Some laid down their lives for our country while others came back with scars from the battlefield. These men were husbands, sons, brothers & fathers. They are part of our armed forces and they gave up their today for our tomorrow!”

“We will never know them. Most of us will never hear of them, think of them or miss them. We might mention their sacrifice in a conversation & admire their bravery for a moment before we get on with our lives. This sad reality hit hard as I struggled to bring a smile on my face when I reached the event for Army Women’s Welfare Association (AWWA),” she added.

Zinta went on to describe her experience meeting the families of martyrs and shared, “At the event I met the women that would miss these men everyday & every moment of their lives. I met their kids and I saw their smiles. There were no complaints & no tears! Just pride, strength & sacrifice. There was so much bravery in that auditorium it humbled me beyond words. It was truly my honour to share the stage with these Veer Naris & their families????”

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Explaining the intent behind her contribution, she stated, “I went with a small contribution to say thank you for your service & for your sacrifice. I wanted them to know they are not forgotten & we are indebted to them forever. After the event I left with a smile on my face & with so much gratitude in my heart. I know our country is in safe hands as long as Hero’s like these guard our borders. I did my part & I sincerely hope each one of you can do yours by finding a way to say thank you to the families of our defence forces... Jai Hind ????????”. She also posted a video from the event where she is seen addressing the audience and interacting with members of the Indian Army and their families.

According to reports, the funds have been donated from Zinta’s share of Punjab Kings' Corporate Social Responsibility (CSR) fund and will be directed toward empowering Veer Naris (war widows) and supporting the education of their children.

Preity Zinta has received widespread appreciation online for his gesture with many lauding her for using her platform and resources to support the families of India’s armed forces.

Also Read: Preity Zinta slams fake news over morphed images with 14-year-old cricketer Vaibhav Suryavanshi

Alia Bhatt made a dazzling impact at the 78th Cannes Film Festival as she returned to the prestigious red carpet for the third time for the grand finale of her debut at the event this year. Representing two global beauty and fashion giants — L’Oreal Paris and Gucci — the Bollywood star made a lasting impression with her fashion-forward appearances that blended Indian elegance with high-end couture.

The actress attended the festival's closing ceremony in a custom Gucci ensemble that took social media by storm. Staying true to her roots while keeping it contemporary, Alia stunned in a one-of-a-kind lehenga gown, featuring intricate crystal embroidery in Gucci’s iconic GG monogram pattern. The fusion silhouette, inspired by traditional Indian ethnic wear, garnered widespread admiration online, with many lauding the creative blend of heritage and haute couture.

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Styled impeccably, the look not only celebrated her role as the global brand ambassador for Gucci but also reaffirmed her influence as a global fashion icon.

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Earlier during her Cannes stint, Alia also made a splash in a photoshoot set against the scenic French Riviera. She wore a three-piece customized outfit by Gucci, complemented by a matching scarf and a stylish pair of sunglasses. The effortlessly chic ensemble added a modern, street-style twist to her otherwise red carpet-heavy wardrobe, showcasing her versatility and ease in high fashion.

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Adding more glamour to her Cannes journey, Alia walked the red carpet twice earlier this week as an ambassador for L’Oreal Paris. Both appearances were met with enthusiastic reactions from fashion critics and fans alike, with her outfits quickly becoming trending topics on social media platforms.

Alia Bhatt’s participation at Cannes this year marked a new chapter in her global presence. While 2025 was her debut year at the film festival, her poise and confidence throughout made it seem like she had always belonged on that international stage. Meanwhile, on the film front, Alia has a busy schedule ahead with Alpha in the pipeline for release in December and Love & War slated to hit cinemas in March 2026.

Also Read: Alia Bhatt dazzles in Armani Prive at Cannes 2025 for L’Oreal event

Bollywood’s much-awaited war-drama Ikkis now has a release date! Dinesh Vijan’s Maddock Films has officially announced that the film will hit cinemas on Thursday, October 2, 2025, coinciding with Gandhi Jayanti, a national holiday known for strong box office openings.

Helmed by National Award-winning filmmaker Sriram Raghavan, Ikkis marks the acclaimed director’s return after the success of Badlapur under the Maddock banner. The film brings together a powerhouse ensemble — veteran legend Dharmendra, rising star Agastya Nanda (grandson of megastar Amitabh Bachchan), and the critically acclaimed actor Jaideep Ahlawat.

Ikkis is based on the extraordinary real-life story of Second Lieutenant Arun Khetarpal, a Param Vir Chakra (PVC) awardee who displayed unmatched courage and made the ultimate sacrifice during the 1971 Indo-Pak war. The film promises to blend emotional depth, patriotic fervor, and gripping storytelling — hallmarks of Raghavan’s unique narrative style.

This is Agastya Nanda’s second major film after his debut, and Ikkis positions him in a challenging, emotionally rich role that could cement his place in Bollywood’s next-gen talent. For Dharmendra, the film marks a return to intense drama, while Jaideep Ahlawat’s inclusion hints at a layered, possibly commanding performance.

Backed by Maddock Films, Ikkis is already being touted as one of 2025’s most awaited films, both for its subject and for the collaboration of some of the industry’s finest talents.

Interestingly, by choosing this release date, Ikkis will be clashing at the box office with Rishab Shetty’s Pan-India film Kantara: Chapter 1, which is a prequel to his 2022 surprise hit Kantara.

Also Read: Kantara Chapter 1 makers urge fans to avoid unverified updates as they share shoot update

Disha Patani is once again heating up Instagram with a collection of stunning new beach photos featuring her in an olive green bikini. She showcased her fit physique while posing by the seaside, and fans have definitely noticed the timing of her post, especially after Kiara Advani recently turned heads with her bikini look in the War 2 teaser.

Known for her daring fashion statements and fitness-centric posts, Disha shared the striking photos late Friday night. In the images, she confidently displayed her toned abs and curves basking in the sunlight, sparking an immediate buzz across social media.

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Social media quickly filled with theories, as fans highlighted the matching bikini colors and the timing of Disha’s post. ‘It’s clearly intentional, especially considering the late-night timing… at midnight… and the bikini color matching Kiara’s,’ noted one user.”

Some speculated that the rivalry could be linked to their shared debut film. One comment read, “It’s ironic that she chose to wear a bikini in the same color theme as Kiara… it clearly suggests there’s some kind of rivalry between them.”

On the professional front, Disha Patani made her acting debut with the Telugu film Loafer. She gained widespread recognition in Bollywood by playing the love interest of the late Sushant Singh Rajput in MS Dhoni: The Untold Story. The actress also appeared in a film alongside Jackie Chan called Kung Fu Yoga. In 2024, she featured in three films: Yodha with Sidharth Malhotra, Kalki 2898 AD with Prabhas, and Kanguva with Suriya.

This year, she is set to appear in Anees Bazmee’s multi-starrer Welcome To The Jungle. Director Ahmed Khan recently shared that the film was shot in various locations, with a major part of the shooting taking place in Dubai, UAE.

Also Read : Mother’s Day 2025: Celebrities celebrate with moms, mom-in-laws and their little ones

Shahid Kapoor and Taapsee Pannu have teamed up for the first time ever — not for a film, but for a new ad campaign that is turning heads for all the right reasons. The Bollywood stars have joined hands with Vogue Eyewear in a collaboration that blends style, confidence, and modern aesthetics, delivering a powerful message about authenticity and self-expression.

Set against the backdrop of a contemporary gallery filled with modern art and sleek visuals, the Vogue Eyewear ad showcases Shahid and Taapsee in striking eyewear pieces, capturing introspective moments that reflect their personalities. The concept of the campaign leans heavily into the idea of embracing ‘a life where you make your own rules’, and the visual storytelling adds depth to this narrative.

Speaking about the campaign, Shahid Kapoor shared, “Style to me has always been about self-expression without boundaries. I'm excited to join Vogue Eyewear and to be part of its campaign, that encourages people to be themselves, unapologetically and without rules.” Known for his versatile style and effortless cool, Shahid’s inclusion in the campaign brings a fresh and masculine energy to the Vogue Eyewear brand.

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Taapsee Pannu, who has long been an ambassador for the brand, echoed similar sentiments. “Working with Vogue Eyewear has always been about embracing who I am unfiltered and free," she said. Speaking on the collaboration with Shahid Kapoor, she added, "Together we hope to inspire more people to own their style, their way."

The pairing of Shahid Kapoor and Taapsee Pannu in this stylish and conceptual campaign has garnered attention not just for their onscreen chemistry but also for the unique synergy they bring to the brand. Both actors represent a generation that values individuality over trends, and their collaboration feels like a natural extension of their personalities.

Also Read: Taapsee Pannu to launch exclusive eyewear in her name in association Vogue Eyewear

In a landmark moment for Maharashtra's remote tribal belt, mobile theatre company PictureTime has launched the state’s first state-of-the-art inflatable cinema hall in Gadchiroli, with the premiere screening of Vicky Kaushal-starrer Chhaava. This unique initiative brings the magic of the big screen to a region previously untouched by modern cinema infrastructure.

Located in one of Maharashtra’s most underserved districts — with over 90% of its population residing in rural areas — Gadchiroli is now home to a high-tech, fully air-conditioned inflatable theatre equipped with 5.1 Dolby sound, digital projection, and 120 push-back seats. This initiative is aimed at making world-class cinema accessible to the 10-lakh-strong population of the district at affordable ticket prices of just ₹150.

Directed by Laxman Utekar and produced by Dinesh Vijan, Chhaava, which chronicles the life of Maratha warrior Sambhaji Maharaj, was chosen as the debut screening to spark cultural interest and revive cinema-going habits in the region.

The launch event, held on May 22, saw attendance from key dignitaries including Dr. Milindji Narote (MLA, Gadchiroli Assembly Constituency), Avishyant Panda (IAS, Collector, Gadchiroli), Mr. Prashantji Waghare (BJP Zilha Adhyaksh), and Mr. Surajit Roy (COO & President, PictureTime) among others.

Following the inauguration, the cinema hall kicks off regular programming with two films: Ata Thambaycha Naay (Marathi) and Kesari Veer (Hindi) starring Suniel Shetty. Speaking at the launch, Sushil Chaudhary, Founder & CEO of PictureTime, said, “At PictureTime, our mission has always been to democratize cinema by taking it to the remotest corners of India — places where the magic of the big screen has long remained out of reach. The launch of our inflatable theatre in Gadchiroli, Maharashtra, with the screening of Chhaava, and our recent expansion into Bommidi, Tamil Nadu, mark important milestones in this journey. We believe that access to cinema is not just about entertainment — it’s about inclusion, inspiration, and creating shared cultural experiences for every Indian, no matter where they live,” he added.

The inflatable theatre has been set up as a Public-Private Partnership (PPP) with the Municipal Corporation of Gadchiroli, which will own the infrastructure, while PictureTime will manage programming and operations.

Looking ahead, the programming will include a mix of Marathi and Hindi mainstream releases, along with a dedicated effort to screen films from independent filmmakers who often struggle with theatrical distribution.

PictureTime has already made waves with similar inflatable cinemas across India, including locations such as Ladakh (the world’s highest theatre), Kishtwar (J&K), Asifabad (Telangana), Bapatla and Nagaur (Rajasthan), and Khatima (Uttarakhand) — continuing its mission to transform cinema access across the nation.

Also Read: From Vicky Kaushal in Chhaava to Janki Bodiwala in Shaitaan: 6 performances from 2024-2025 that gave us goosebumps

We had earlier reported that in a major setback to the much-awaited Hera Pheri 3, Akshay Kumar and his production house Cape of Good Films has reportedly taken legal action against veteran actor Paresh Rawal for abruptly backing out of the project. Advocate Pooja Tidke, representing the production house, confirmed that a legal notice has been issued, citing breach of contract and damages amounting to Rs 25 crores.

According to the legal team, Rawal had officially committed to the film earlier this year and even began shooting. “Stakeholders had met, confirmed the production of the film. In fact, Paresh ji had tweeted about the film sometime in the end of January, indicating very clearly that he would be associated with it. Thereafter, there were contracts entered into, the shooting for the trailer began. In fact, there was some portion about three or three and a half minutes of the film itself that had been shot,” said Tidke in a statement to PTI.

Advocate Pooja Tidke, on behalf of #AkshayKumar 's production house, speaks on #HeraPheri3 #PareshRawal exit casepic.twitter.com/ewEejmZSBC — Akshay Kumar Fans Group (@AKFansGroup) May 22, 2025

However, the situation took a sharp turn in May, when Rawal allegedly revealed to Bollywood Hungama about him no longer being a part of the film. The sudden withdrawal has reportedly shocked the cast and crew. “It’s taken everybody by surprise”. “There have been expenses incurred towards the cast, towards the crew, towards leading senior actors, logistics, equipment, shooting of the trailer,” she shared and continued, “Trailers have been shot and released. So, there's been a substantial amount of money already invested in the film. Shooting had begun. Of course, you know, everyone's synchronized schedules are now disrupted. Professionally, it's affected everyone,”

The advocate further elaborated on the potential fallout, highlighting that the production house had already paid Rs 11 lakhs to Rawal and had begun shooting based on the contractual agreement. “These are damages towards the losses suffered on account of a unilateral pullback from the film after having committed, acted upon the contract that he had already entered into. Of course, the production house paying senior actors, the production house has incurred its own costs”, Tidke noted.

The legal notice served gives Rawal a seven-day window to respond, a period that is set to end in the next couple of days. “So far, there's been no development since then. It is true. We have issued a legal notice”. “While also expressing hope for an amicable resolution, she mentioned, “I'm sure parties are talking to each other and trying to work things out”, and concluded, “Let's hope things work out. It's good for all the stakeholders in the film. It's good for the audience. It's good for the franchise. It's a very beloved franchise. So, let's see what happens”.

As per current reports, no new update has emerged since the notice was sent, but sources suggest that informal conversations may be underway to resolve the issue out of court. The Hera Pheri franchise, known for its cult status and comic timing, continues to face uncertainty as fans eagerly await clarity on the future of its third installment.

Also Read: Hera Pheri 3 Row: Akshay Kumar’s Cape of Good Films sends legal notice to Paresh Rawal over Rs 11 Lakh payment

Aishwarya Rai Bachchan made her second red carpet appearance at the Festival de Cannes 2025 with yet another look that seamlessly fused Indian heritage with global haute couture. After captivating audiences with her first ensemble earlier this week, the L'Oréal Paris ambassador returned to the spotlight wearing a statement creation by designer Gaurav Gupta — and true to form, she brought with her a message rooted in tradition and meaning.

Her black sculptural gown, titled the ‘Heiress of Clam,’ featured a dramatic, draped silhouette reminiscent of old Hollywood glamour. Embellished with a cosmic burst of metallic hues and glass crystals, the gown exuded both mysticism and elegance. But it was her cape that truly stole the show — a regal Banarasi brocade handwoven in Varanasi and inscribed with a Sanskrit shloka from the Bhagavad Gita: "Karmanye Vadhikaraste Ma Phaleshu Kadachana", a verse that encourages selfless action without attachment to outcomes. This added a philosophical and distinctly Indian depth to her couture appearance, a motif she has consistently embraced over her years at Cannes.

Going by her previous look which included the addition of Benarasi Silk and Sindoor and other culture elements, it seems that Aishwarya has decided to use fashion as a platform for cultural storytelling this time, not shying away from even adding layers of spiritual context to her looks. While some may label this as overly didactic, it undeniably sets her apart on a red carpet otherwise dominated by trend-driven aesthetics.

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Her beauty look was kept elegant and powerful, complementing the overall grandeur of the ensemble. With dewy skin, bold eyeliner, and a signature red lip, the makeup subtly elevated the dramatic effect of the gown. Her hair, rich and glossy in her signature brown shade, was styled to enhance her commanding presence.

Celebrating its 28th year at Cannes, L'Oréal Paris marked the occasion with the theme "Lights, Beauty, Action" — a fitting backdrop for Aishwarya's larger-than-life presence. With the second look of this season being appreciated as well, the actress seems to have charmed audience this time by staying true to her persona of grace and elegance!

Also Read: Aishwarya Rai Bachchan makes powerful statement with ‘Saree’ and ‘Sindoor’ at Cannes 2025