Veteran actor Paresh Rawal turned 70 yesterday. Filmmaker and producer Mahesh Bhatt, who has worked with the actor on quite a few films like Naam, Sir and Tamanna, spoke about him in an interview with us.

Your association with Paresh Rawal is long and rewarding. When did you first meet him?

It’s difficult to peer through the mist of time and pinpoint the exact moment you meet someone, who looks like the guy next door but carries within him a volcanic talent. And yet, I vividly remember the first time I met Paresh Rawal. It was at Salim Khan Sahib’s house during the casting of Naam. We were struggling to find an actor for a particularly challenging role, the villain who becomes the roadblock in Sanjay Dutt’s path, a role that would eventually help catapult Sanjay to stardom.

What was your reaction on meeting Paresh?

I am coming to that. “This is Paresh Rawal,” said Salim Sahib. I looked up to see a shy, almost meek-looking young man, who stood up respectfully and shook my hand. I was told he had a bit part in Arjun, a film starring Sunny Deol and directed by Rahul Rawail. But do you know what gravitated me to Paresh?

Tell me?

What drew me in was not his resume—it was his passion for theatre. That was enough for me. Here was a newcomer, thirsty and trained by the stage, someone who would bring an earthiness to the role that was essential. The character was a drug baron, settled overseas but deeply rooted in India. Paresh carried that dust, that fragrance of the land, in his very soul.

You went on to together bleed brilliancy into several projects

His performance in Naam—especially the chilling scene where he warns Sanjay Dutt’s character that this business is a one-way street with “no entry” on the other side—remains etched in people’s memories. The menace in that delivery still resonates. But it was in Tamanna, Pooja Bhatt’s first National Award-winning film, that Paresh truly stole my heart. He played the role of Tiku, a transgender who raises a girl child rescued from the streets of Mumbai.

When I narrated the story to him, he was visibly shaken. He said he would give his heart to the role—and he did. I have rarely seen such total surrender to a part. He became a devotee. I recall a particular scene with Nadira ji—who plays a fading actress slipping into madness—where he gently tries to feed her. That moment, tender and heart-breaking, stands among the tallest performances I have witnessed in Indian cinema.

In my opinion, the piece de resistance of your collaboration was Sir

Sir—prior to Tamanna—where he played Veljibhai, opposite his favourite actor, Naseeruddin Shah. Naseer was stunning in the film, but it was Paresh’s grounded, layered performance that astounded everyone. He played a gangster whose hands were drenched in blood, but who remained in awe of the teacher who came to tutor his daughter. His reverence for Naseer was real, and it showed. In Kubzaa, too, again as Veljibhai, he created a semi-cult classic. Another menacing gangster, rooted in Kutch, with the scent of the earth captured on celluloid.

Your closing thoughts on one of finest actors?

As Paresh turns 70, I look back with deep fondness and gratitude. I recall how he supported a young, struggling theatre director and producer trying to stage a play in Delhi, how he never forgot his roots in NSD (National School of Drama) and the stage, and how the legacy continues through his son, Aditya Rawal. Aditya’s brilliant turn as a terrorist in Hansal Mehta’s Faraaz made me believe that the stream is flowing strong—he will not just carry the legacy forward, he might just surpass it. So here’s to you, Paresh. Seventy years young, still burning bright. You have the vitality, the bite, and the fragrance of the soil in every role you inhabit. And I have a feeling your greatest performances may still be ahead of you.

Happy Birthday, my friend.

Also Read: 17 Years of Jannat: Mahesh Bhatt on love, loss & Emraan Hashmi’s magic; says, “It was never just a movie”

Varun Dhawan has officially wrapped up the Scotland schedule of his upcoming romantic comedy Hai Jawaani Toh Ishq Hona Hai. On May 30, the actor took to Instagram to share a carousel post filled with behind-the-scenes glimpses from the shoot.

“It’s a schedule wrap for us here in Scotland on #haijawaanitohishqhonahai. So many days everyone pulling together to make this happen. Bringing u all the laughs soon. Now back home,” Varun wrote in the caption, expressing gratitude towards the team.

Candid Moments and Co-Star Reactions

The post featured several photos with his co-stars, crew members, and producer Ramesh Taurani. Actor Arjun Kapoor couldn’t resist chiming in with a cheeky comment, calling Taurani “The hypebeast.” Meanwhile, Janhvi Kapoor, who stars opposite Varun in another upcoming film Sunny Sanskari Ki Tulsi Kumari, commented, “Sunny Sanskari is needed back in the bay asap pls.”

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Varun has been actively documenting his time on set. Just a few days ago, he shared a video of himself enjoying lunch during the shoot. His feed paints a lively picture of the production, giving fans a closer look at what’s to come.

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Directed by David Dhawan, Packed with Star Power

Directed by Varun’s father David Dhawan, Hai Jawaani Toh Ishq Hona Hai stars Mrunal Thakur and Pooja Hegde in the lead roles alongside Varun. The film is slated for release on April 10. Recently, a clip from the sets went viral, showing Varun and Mrunal dancing together, fueling speculation that the film will feature a remake of the iconic ‘Chunnari Chunnari’ track originally performed by Salman Khan and Sushmita Sen. chunnari chunnari remake please NO byu/Normal_Weather8827 inBollyBlindsNGossip

A Busy Slate Ahead for Varun

Beyond this film, Varun Dhawan’s calendar is packed. He is currently working on Sunny Sanskari Ki Tulsi Kumari, Bhediya 2, No Entry 2, and Border 2, marking a dynamic phase in his career

Also Read: Varun Dhawan and Pooja Hegde recreate popular 90s song ‘Chunari Chunari’ in Hai Jawani Toh Ishq Hona Hai; BTS photos go viral

Buckle up for the biggest laughter riot of the year as Housefull 5 hits cinemas on 6th June 2025! Helmed by celebrated director Tarun Mansukhani, this film marks a monumental cinematic milestone, bringing together 19 of Bollywood’s most loved stars in one epic comedy franchise.

Housefull 5 continues the legacy of India's longest-running comedy franchise, and this time it’s bigger, bolder, and packed with more madness than ever. Known for his vision and flair, Tarun Mansukhani has achieved what few filmmakers dare to dream, uniting 19 A-list actors in a single high-voltage entertainer.

The stellar ensemble includes: Akshay Kumar, Abhishek A Bachchan, Riteish Deshmukh, Jacqueline Fernandez, Sonam Bajwa, Nargis Fakhri, Sanjay Dutt, Jackie Shroff, Nana Patekar, Chitrangada Singh, Fardeen Khan, Chunky Pandey, Johnny Lever, Shreyas Talpade, Dino Morea, Ranjeet, Soundarya Sharma, Nikitin Dheer, and Akashdeep Sabir — promising a power-packed rollercoaster of comedy, chaos, and charisma.

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Speaking about the film, director Tarun Mansukhani said,"Bringing together 19 A-listers sounds insane on paper, and it was just as mad in real life, in the best way. As director, I knew I had my work cut out. There was no ego or flair, just pure love for the story from every actor bringing madcap energy to the set. The three boys were the soul, the girls brought spark, and legends like Nana Sir, Jackie Sir, and Sanjay Sir showed why they’re icons—effortless charm and presence, it’s unreal! We improvised, laughed, and through all that chaos, my job was to hold it together and shape it into something that truly connects. Now I just hope the audience enjoys watching it as much as we did making it."

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Also Read: EXCLUSIVE: CBFC censors ‘item’ and ‘haram’ in Housefull 5; reduces ‘sensual visuals’ by 2 seconds; both versions have the EXACT same run time

Saif Ali Khan’s versatility isn’t just limited to screen roles. Off-screen, he balances an equally demanding set of characters: father, husband, professional, son, and wears each of them with quiet grace. Recently, while speaking at the Arab Media Summit, Saif opened up about what success truly looks like to him: being present. In an industry that celebrates the non-stop hustle, Saif’s idea of success is refreshingly different — one rooted in stillness, routine, and choosing family over frenzy.

He spoke about the moments that matter, the everyday ones that rarely make headlines but define who we are when the cameras stop rolling. He came home before his children fell asleep, took time off during school holidays, and called both his mother and his kids because that’s what this chapter of life demands. “I hate coming home and seeing the kids already asleep. That’s not success. Success is being able to say, ‘No, I need to go home now to catch that half hour with them.’”

“We get four holidays a year, and when my kids are on break, I don’t work. That time is sacred.” Reflecting on this phase of life, Saif said, “I’m at that crazy age where I have to call both my mom and my children. You think it’s just your parents you have to check on, then you realise it’s both.”

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But more than just being there, Saif spoke about the importance of showing up in the little ways. The kind that don’t get documented, but hold everything together. “Working is important, yes. But so is cooking pasta together, having a meal, and focusing on the kids. That’s the real glue of life.” His perspective is clear and grounded. Real success lies not in the spotlight but in the quiet moments. At the dinner table. On school breaks. In choosing time over attention. “Success and privilege, for me, is being able to say no to work and yes to time with my family.”

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On the work front, Saif has an exciting slate ahead. He will be seen in the high-octane action thriller Race 4, a biopic in collaboration with director Rahul Dholakia, an untitled project with Priyadarshan, and a social thriller with Hansal Mehta.

Also Read: Saif Ali Khan calls for “serious collaboration” between Indian and Arab media: “Their love is phenomenal”

Sonakshi Sinha is back on the big screen with a vengeance. On May 29, the actress took to social media to unveil the official poster of her upcoming psychological thriller, Nikita Roy. The film, which marks her return to theatres after 2024's Bade Miyan Chote Miyan, is set to hit cinemas worldwide on June 27, 2025.

The poster features Sonakshi in an intense close-up, exuding a serious, almost ominous presence. Alongside her, the ensemble cast includes Arjun Rampal, Paresh Rawal, and Suhail Nayyar. The film is directed by Kussh S Sinha and produced under the banners of Nicky Vicky Bhagnani Films, Kratos Entertainment, and Nikita Pai Films Ltd. A New Chapter in Sonakshi Sinha’s Career While Nikita Roy will mark Sonakshi’s first theatrical lead since Double XL in 2022 and the ensemble action film Bade Miyan Chote Miyan in 2024, the actress hasn’t been away from screens. In recent years, she expanded her repertoire with digital ventures, including the horror-comedy Kakuda (ZEE5) and Sanjay Leela Bhansali’s period drama Heeramandi: The Diamond Bazaar on Netflix.

The official synopsis of Nikita Roy is still under wraps, but the poster hints at a dark, possibly psychological narrative with mystery elements.

Earlier, the producers, in a joint statement, said, “This film is very close to our hearts. It dares to tread where most mainstream films don't and explores a genre we truly believe audiences are ready for. With a powerful cast, a gripping narrative, and Kussh S Sinha's unique vision, we can't wait for the world to experience Nikita Roy on the big screen.”

Also Read: Prime Video’s Dahaad renewed for season 2? Sonakshi Sinha, Gulshan Devaiah REACT!

As Indian cinema approaches the 100th birth anniversary of Guru Dutt, plans are underway to commemorate his life and legacy on a grand scale. Ultra Media & Entertainment Group, which owns the rights to his filmography, has revealed a multi-layered tribute. It will also include the possibility of a biopic and web series adaptations of his most celebrated works.

Biopic in the Pipeline; Vicky Kaushal a Potential Lead Rajat Agrawal, COO and Director at Ultra Media, confirmed that early discussions have begun for a full-length biopic on the legendary filmmaker. A report by Mid-Day quoted Rajat saying, "Biopics are always challenging because they need to emulate an individual’s greatness and achievements. We would be happy to collaborate with producers and a modern-day director who is a fanatic of Guru Dutt," while noting that the company is in talks with two prominent directors.

When asked about who could portray the complexity and sensitivity of Guru Dutt on screen, Agrawal pointed to Vicky Kaushal as a possible candidate. “Naming one actor would be difficult as there is a plethora of talent, but I feel Vicky Kaushal can bring Guru Duttji’s emotional depth,” he added.

In addition to the biopic, Ultra is exploring the idea of adapting some of Dutt’s acclaimed films into web series. While no formal announcements have been made, Agrawal revealed that two well-known directors have shown interest in reimagining the filmmaker’s stories for the digital space. Restored Versions Unveiled at Cannes 2025 Earlier this month, Ultra Media presented restored versions of Guru Dutt's cinematic landmarks — Pyaasa (1957), Kaagaz Ke Phool (1959), Chaudhvin Ka Chand (1960), and Sahib Bibi Aur Ghulam (1962) — at the Cannes Film Festival 2025, receiving warm response from global audiences. The move is part of a larger initiative to reintroduce Dutt’s works to contemporary viewers while preserving their original charm.

Agrawal emphasized that the restorations stay true to the original black-and-white aesthetic, though a few songs might be colourised as an experiment. “All his movies have been restored in the original black-and-white version to give the same nostalgic feel. However, we are looking at colourising a few songs to see the audience’s reaction.” Nationwide Tribute Ahead of Birth Anniversary In the run-up to Guru Dutt’s birth centenary on July 9, a week-long celebration is being planned across India. The initiative will include theatrical re-releases of the restored classics, curated exhibitions, and panel discussions featuring leading voices from the Indian film industry. The aim is to revisit the genius of a filmmaker who captured human emotion with rare sensitivity and cinematic innovation.

Also Read: Ranbir Kapoor, Vicky Kaushal scene postponed as Mumbai rains disrupt Love & War shoot: Report

Sara Ali Khan, Fatima Sana Shaikh, Ali Fazal, Konkona Sen Sharma, Pankaj Tripathi, Aditya Roy Kapur, Anupam Kher, Neena Gupta, music director Pritam Chakraborty, singers Papon, Shashwat Singh and Raghav Chaitanya, director Anurag Basu and producer Bhushan Kumar attended the grand launch of the song ‘Zamaana Lage’ from Metro…In Dino. The event was memorable as all the prominent actors of the film came together. Pritam Chakraborty, Anurag Basu and Bhushan Kumar were the surprise scene stealers.

Anurag Basu began by talking about his association with Pritam, “We fight like an old couple. We keep fighting until our music doesn't create a love story! Kab music ban jaata hai aur kab music ke saath saath script ban jaata hai, pata nahin chalta. Hum duniya bhar ki baatein karte hai, we eat food, we even cook food and we also end up creating music.”

Pritam Chakraborty also talked highly of the filmmaker and remarked, “Our collaboration is more like a partnership.” Anurag joked, “Aise events aksar hone chahiye. Warna yeh itni taareef kabhi nahin karta zindagi mein!”

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Bhushan Kumar came on stage. Pritam Chakraborty then raised laughs as he revealed, “I have been working in the music industry for more than 20 years. I have not seen somebody as passionate as him. Whether it's 1:00 am or 2:00 am, he's always awake. Hum inse darte hai. Once he caught me at Lokhandwala Back Road from his car and said 'Gaane ka master do'! I was going aaram se listening to songs when suddenly he came in front of me and said ‘Master chahiye mujhe abhi ke abhi’!” Bhushan Kumar, too, couldn’t stop laughing over this incident.

Another special highlight was when the whole team of the film came on stage and performed on ‘Zamaana Lage’. This was followed by an unplugged version by Pritam and a performance of an unreleased track from the film.

Metro…In Dino releases in cinemas on July 4.

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Also Read: Metro…In Dino’s ‘Zamaana Lage’ song launch: Anurag Basu reveals that unlike Life In A Metro, sequel is set in 5 cities; also adds, “Konkona Sen Sharma cried remembering Irrfan Khan in a scene”

In a candid new interview with Hindi Rush, actor Sooraj Pancholi spoke at length about his mother, veteran actress Zarina Wahab, praising her for being the emotional and financial backbone of their family. The Hero actor described her as self-made, resilient, and unwavering in her decisions, despite the many personal challenges she has faced over the years.

“I would love to be a father like my father, and I would love to be a partner like my mother," said Sooraj. “She holds the whole family together, and she has really been through a lot because of us. I have never, ever seen her break down. She has never complained about anything… She’s making her own money, she has never taken even one rupee from my father," he continued.

Highlighting her professional journey, Sooraj pointed out that Zarina Wahab has been working since she was a teenager. “She’s been acting since the age of 16; she’s almost 65 now. She is self-made. She has four homes of her own. She doesn’t come from money. If she wanted to leave, she could have done it long back. Sometimes, women don’t leave because they don’t have backup… She had a route to go to Hyderabad; she has a home in Bandra also. She has her mother’s home in Bandra. She has four sisters, one of them is in America. She has four brothers. She could have left any time, but it’s her decision to stay. I can’t judge their arrangement," he stated hinting at the complex dynamic between his parents.

In an earlier interview, Zarina Wahab had indirectly acknowledged husband Aditya Pancholi’s extramarital affairs, sparking debate. She had shared that while he doesn’t get his affairs home, when he enters the house, he is an excellent father and husband. Wahab further added that how many men, despite having affairs, run their family. The veteran actress had insisted that she doesn’t take these things seriously, a revelation that had surprised many.

Despite past controversies, Sooraj Pancholi’s tribute paints a picture of a woman who chose to stay on her terms, without ever compromising on her dignity or independence. Meanwhile, speaking of Jr. Pancholi himself, the actor, who himself faced several controversies himself, made his big screen comeback with Kesari Veer last week, as the film hit theatres on May 23.

Also Read: Sooraj Pancholi recalls time in Arthur Road jail; says, “I was in the same cell where they had put Kasab”

Yash Raj Films (YRF), known for giving India some of the cult romantic films of all time, has creatively collaborated with a master of the romance genre, Mohit Suri, for an intense love story that has been titled Saiyaara.

Since the announcement of this project, Saiyaara has piqued immense curiosity amongst consumers of Hindi cinema, especially those who love watching soul-stirring romantic films. The film introduces Ahaan Panday in the Hindi film industry and also stars Aneet Padda (who stole hearts with her brilliant performance in the much-acclaimed series Big Girls Don’t Cry) as the female lead. Saiyaara is produced by the company’s CEO Akshaye Widhani.

Saiyaara is set to release on July 18, 2025 in theatres worldwide and YRF is set to start the marketing campaign of this hugely anticipated project with the teaser drop this Friday, May 30.

Bollywood Hungama was also the first one to break the news that Saiyaara will release in cinemas on July 18.

Saiyaara is being billed as an intense love story that brings YRF and Mohit Suri, both known for their huge generation-defining successes in the romantic genre, together for the first time

As per reports, much of the film was shot in 2024 and in February this year, Mohit Suri shot a music festival sequence with 1,000 background artists at Vrundavan Studios in Malad, Mumbai. Reportedly, Ahaan Panday was seen performing on stage and the crowd got mesmerized by his performance. In the middle of his performance, Ahaan also jumps from the stage to further woo the audience.

Also Read: MEGA EXCLUSIVE: Yash Raj Films and Mohit Suri’s intense love story titled Saiyaara; releases on July 18, 2025 in theatres worldwide

Popular television actress Dipika Kakar has revealed that she has been diagnosed with Stage 2 liver cancer, sending shockwaves across the entertainment industry and her massive fanbase. Known for her roles in shows like Sasural Simar Ka and most recently seen on Celebrity MasterChef, Dipika took to Instagram to share a heartfelt note about her health condition.

In the emotional post, Dipika wrote, “As you all are aware last few weeks have been quite difficult for us... walking into the hospital for a pain in the upper area of my stomach... and then finding out its a tennis ball size tumour in the liver and then Finding out that the tumour is Second stage Malignant (Cancerous) ... it has been one of the most difficult time we have seen, experienced! I am all positive and determined to face this and walk out stronger InshAllah! With my entire family being by my side and All the LOVE and PRAYERS pouring in from all of you I will sail through this too! InshaAllah Keep me in your prayers! Lots Of Love Dipika”

The news comes shortly after her husband and actor Shoaib Ibrahim had shared with the media that a tumour had been discovered in Dipika's liver and further tests were being conducted to determine its nature. Now, the actress herself has confirmed that it is malignant. Following her revelation, several celebrities from the television industry extended messages of support and encouragement.

Her Sasural Simar Ka co-stars, actress Avika Gor wrote, “Praying for your speedy recovery di <3” and Jayati Bhatia added, “U r a very brave girl...keep your strength.”  Her Celebrity MasterChef co-contestant Rajiv Adatia commented, “Always with you Dipika!!! You are strong girl and fighter! You will be fine! Sending you so much love and strength!” Another co-contestant and popular telly star Gaurav Khanna shared, “Be strong Dipika.. we all have u in our prayers.. u wil definitely defeat it .. never loose hope ..” Apart from them, others like Karanvir Sharma, Yesha Rughani, Juhi Parmar, Gauahar Khan, Shraddha Arya, Himanshi Khurana, Arti Singh, Pankhuri Awasthy Rode, and Nikki Sharma also posted heartfelt messages and wished her a speedy recovery.

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Dipika Kakar, who is married to her Sasural Simar Ka co-star Shoaib Ibrahim, is a beloved face on Indian television. The couple became parents to a baby boy, Ruhaan in June 2023. On the work front, after her motherhood, Dipika recently appeared on Celebrity MasterChef as a contestant, where she showcased her culinary passion and impressed audiences with her cooking skills.

Fans and fellow actors continue to rally around her with prayers and positivity as she begins her fight against cancer.

Also Read: Dipika Kakar diagnosed with liver tumour, husband Shoaib Ibrahim reveals in emotional vlog

Rashmika Mandanna has firmly established herself as one of the leading pan-India actresses of her generation, winning hearts and dominating the box office with each new release. Known for her versatile performances and magnetic screen presence, she breathes life into every character she portrays. But her influence extends beyond cinema - Rashmika is also a bona fide fashion trendsetter! Whether donning a classic saree or stepping out in contemporary Western wear, she exudes effortless elegance and confidence. Recently, she was seen gracing an award function, where she looked way too gorgeous in a black custom-made saree.

Beauty in Black Rashmika exudes bold elegance and high-fashion sophistication. She is wearing a dramatic black ensemble that masterfully combines modern edge with classic glamour. The outfit features a corset-style bodice embellished with shimmering detailing, offering structure and a touch of allure. The sheer paneling adds a daring yet tasteful twist, subtly highlighting her silhouette.

The flowing black fabric of the skirt or drape introduces movement and drama to the look, creating a sense of fluidity that contrasts beautifully with the structured top. Rashmika's sleek straight hair and glowing makeup, highlighted by bronzed tones and defined eyes, complement the ensemble perfectly, allowing the outfit to remain the focal point.

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Boss Lady Rashmika is styled in a tailored three-piece pinstripe suit that effortlessly blends classic menswear elements with feminine flair. The ensemble consists of high-waisted, wide-leg trousers, a fitted waistcoat, and an oversized blazer - all in a dark grey pinstripe fabric that adds texture and sophistication.

She pairs the suit with a crisp white button-down shirt, its cuffs stylishly rolled up to bring a touch of casual cool to the otherwise formal look. The waistcoat, buttoned up neatly, enhances her silhouette while maintaining the outfit's structured appeal.

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Traditional Elegance Rashmika exuded ethnic charm in a pink kurta set with intricate golden embroidery and floral embellishments. She paired it with matching pants, a dupatta, and accessorized it with golden earrings, a chain, and a bracelet.

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Fairy in White Rashmika stunned in an exquisite ivory blazer dress that exuded effortless chic. Featuring sharp lapels, structured shoulders, long sleeves, and sleek coat pockets, she elevated the look with elegant golden danglers, embodying sophistication and style.

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Glamorous & Gorgeous Rashmika mesmerized in a gorgeous violet saree that radiated elegance and grace. The violet drape featured "Srivalli" imprinted on the pallu, paying tribute to her film. She paired it with matching earrings and left her wavy hair open, looking angelic.

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Workwear Staples? Rashmika got you! Rashmika embodied boss-lady vibes in a sleeveless black corset top with a deep scoop neckline layered with a chic black blazer. She paired it with high-waisted distressed jeans featuring sequin embellishments, accessorizing with a bold red handbag and black stilettos.

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Nobody does traditional better than Rashmika! Rashmika looked like a traditional queen in a heavily embellished red Anarkali suit featuring intricate gold embroidery, beadwork, and a plunging neckline. She paired it with a sheer dupatta, Kolhapuri-style sandals, statement rings, and dainty earrings. Soft waves, a bindi, and minimal makeup completed her elegant look.

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Party Vibes ft Rashmika Mandanna Rashmika Mandanna looked absolutely glamorous in a dazzling off-shoulder golden dress featuring a bold plunging V-neckline and a striking metallic design. She elevated the look with a sleek middle-parted bob and radiant, dewy makeup, exuding sheer elegance.

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Also Read: Trance of Kuberaa teaser unveils dark, ambitious world featuring Dhanush, Nagarjuna and Rashmika Mandanna; watch 

A day after celebrating his 53rd birthday, Karan Johar unveiled the release date of his next production, Dhadak 2. Starring Siddhant Chaturvedi and Triptii

Dimri in lead roles, the film is slated to hit cinemas on August 1, 2025. The announcement came alongside two emotionally charged posters, offering a glimpse into the film’s intense narrative.

In both posters, Siddhant and Triptii are seen in a tearful embrace, set against a moody blue backdrop. The tagline, “Marne aur ladne mein se ek ko chunna ho… to ladna,” signals a story steeped in resistance and resilience. The rawness of the visuals suggests that Dhadak 2 will diverge significantly from the tone of its predecessor.

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CBFC Roadblock Cleared With Cuts Earlier this year, Bollywood Hungama was the first to report that Dhadak 2 had run into trouble at the Central Board of Film Certification (CBFC). The film, based on caste oppression, was initially stuck due to its sensitive content. It has now been cleared with a U/A 16+ rating, though not without significant alterations.

According to The Hindu, several dialogues were revised, especially those referencing caste history and discrimination. Phrases like “3,000 years of backlog” and caste-specific slurs were replaced or muted. A scene involving public urination was removed entirely, while another sequence showing the humiliation of a character’s father was trimmed. The CBFC also modified a poem recital and requested a revised disclaimer, now extended to 1 minute and 51 seconds and to be read aloud during the film. Run Time and Background Dhadak 2 is a Hindi adaptation of the 2018 Tamil film Pariyerum Perumal, directed by Mari Selvaraj. The remake is helmed by Shazia Iqbal, who makes her directorial debut with the project. With a runtime of 2 hours and 26 minutes, the film aims to bring caste-based social injustice to the forefront, a thematic pivot from the romanticism of the original Dhadak (2018).

It is produced by Dharma Productions in association with Zee Studios and Cloud 9 Pictures.

Also Read: Anurag Kashyap REACTS with a sarcastic comment as Phule faces censorship over caste references after Dhadak 2 

John Abraham launched the graphic novel, ‘Lakadbaggha: The Prologue’, written by actor-filmmaker Anshuman Jha and illustrated by American Comic book artist Brittain Peck. The novel is based on the film Lakadbaggha (2023), which starred Anshuman in the lead role of an animal vigilante. Ridhi Dogra, who also featured in the film, also graced the launch. At the event, John Abraham gave some headline-worthy quotes and also confirmed his upcoming projects.

John Abraham revealed, “Very interestingly, my director has written a comic book called ‘Munkeeman’. We are making a film on it now. It's interesting to talk about it. The name of the director is Abhishek Sharma. I have done a film with him called Parmanu (2018). He's a very smart and intelligent guy. The subject matter is something very interesting. I love animals and that's why we are doing that movie.”

‘Munkeeman’ was launched in 2012. It is inspired by the Monkey Man incident that occurred that year in Delhi. The synopsis of the book on the internet is as follows, “In the summer of 2001 a strange creature created panic and chaos in the city of Delhi. No one had an explanation or clue about his true identity. Then suddenly one day he vanished, never to return until today Munkeeman is back. And he wants you to know that he is not a monster, but India’s own authentic superhero.” Abhishek Sharma also directed films like Tere Bin Laden (2010) and Ram Setu (2022).

Meanwhile, John Abraham looked dashing, especially with his new moustache look. A reporter asked if it was his look for the Rakesh Maria biopic. John Abraham said, “Ji.” When asked about his experience of doing the film, he replied, “Very good,” and refused to speak further. The Rakesh Maria biopic is directed by blockbuster director Rohit Shetty.

Also Read: John Abraham to launch ‘Lakadbaggha: The Prologue’, a comic book based on India’s first animal lover vigilante film

Bipasha Basu is revisiting one of the boldest and most defining roles of her career — her 2003 film Jism. In a recent interview with Hindustan Times, the actress shared how her decision to take up the film was met with strong opposition from everyone around her, including her own manager.

“Jism was the time when I was at the peak, and everyone told me you cannot do adult content film. You are like the typical Hindi heroine who is established in people's hearts now. And I said, I just like the story so much. I said I'll go ahead and do it. Everybody stopped me from doing it. My manager thought I had gone crazy,” Bipasha recalled.

The film, which co-starred John Abraham and featured a sultry narrative, went on to become a critical and commercial success. It not only pushed the envelope in terms of content but also redefined Bipasha's image in the industry—from a conventional Bollywood heroine to a risk-taker who wasn’t afraid of breaking stereotypes.

Looking back, Bipasha believes Jism didn’t just change her career trajectory but also sparked a style revolution among women at the time. “It worked for me and then things changed. Women suddenly were tonging their hair. They wore a bronze look. There was no stereotypical (thing) that the woman can't play the negative character. It all changed after that. So, it's been path-breaking for me. That has been one very important film,” she said.

Directed by Amit Saxena and produced by Pooja Bhatt and Mahesh Bhatt, Jism marked a new chapter in Bollywood’s portrayal of sensuality and female characters, with Bipasha taking on a bold and complex role that few actresses at the time were willing to explore. Her performance in Jism received widespread acclaim, and the film is still remembered today for its bold storytelling, music, and aesthetic visuals. More importantly, it opened up space for female actors to explore darker, more layered roles without being confined to traditional portrayals.

Speaking of her current work commitments, Bipasha Basu has been exploring multiple avenues along with motherhood. The actress is yet to announce about her comeback projects.

Also Read: Bipasha Basu captures family bliss in Goa with husband Karan Singh Grover and daughter Devi; watch

The ongoing controversy surrounding Hera Pheri 3 has taken a fresh turn with veteran actor Paresh Rawal's legal team addressing claims against him. In a conversation with Times of India, Rawal’s lawyer clarified that the actor was never presented with a script or any substantial content from the team working under Akshay Kumar’s production banner.

Rawal’s legal team has also questioned the grounds on which the production house is claiming losses when, according to them, no material—script or agreement—was in place in the first place. According to recent reports, a legal notice has been sent to Akshay Kumar, Priyadarshan, Suniel Shetty, and Paresh Rawal by none other than the original producer – Firoz Nadiadwala. The notice reportedly prohibits all four from participating in any promos, endorsements, or activities related to the Hera Pheri franchise. It further claimed that proceeding with such activities will be considered a wilful breach, asserting that the intellectual property (IP) rights to all characters, including Babu Bhaiya, lie with Nadiadwala.

Sources close to the actor also revealed that Akshay Kumar had assured Rawal, saying, “Don’t worry, trust me. You’ll see it later in the longform agreement.” Based on this assurance and his longstanding rapport with Kumar, Paresh Rawal is expected to have signed the term sheet in good faith. The promo for Hera Pheri 3 was eventually shot on a modified version of the Bhooth Bangla set. However, it was initially intended for a 2026 start, and Rawal had suggested postponing the promo shoot to the following year. As of now, the actor has not received any long-term agreement, script, or formal production information, sources added.

Reports also suggested that the actor has a deep-rooted connection with the beloved character of Baburao Ganpatrao Apte, popularly known as Babu Bhaiya, and hence, sought clarity before proceeding further with the project.

The actor’s legal team told Times of India, “Admittedly, they did not deliver the story, screenplay and also a draft of a long form agreement which was fundamental to the engagement of our client. In the absence of these and also since Mr. Nadiadwala, the producer of the original films, issued notice to our client and raised issues on the making of the film, our client chose to exit and returned the money with interest by terminating the Term sheet.”

With mounting legal tensions and blame games, the fate of Hera Pheri 3 remains uncertain.

Also Read: Paresh Rawal reacts to legal row over Hera Pheri 3 exit: “My lawyer has sent an appropriate response”

The recent row between Bhool Chuk Maaf and PVR has brought to the fore many complaints from the producers about the national chains. One of them is that the makers are asked to pay if they want to put up posters or standees and to play trailers of their films. Girish Johar, producer and film business analyst, wrote on his social media pages, “Asking for monies to be paid for trailer playing, film publicity displays at their sites, cinemas which are already in red are further going downhill. With OTT onslaught sitting on their head, they should instead comfort producers & give them ease of doing business, so that more makers are encouraged to take risks & choose the big screen release instead... the exhibition community should avoid nailing their own coffin !!”

We asked Girish Johar to comment more on this aspect. He said, “The cinemas have started asking monies against showcasing film publicity, be it trailers, digital posters, video walls, etc. It is apparently one of the major sources of revenue for theatres. A certain set of producers have started paying for it. This puts the pressure on even other producers. Small-time filmmakers tend to give in. To each its own I feel. But there should not be a blanket rule for everyone in this regard.”

A multiplex official on condition of anonymity revealed how this model works, “They charge Rs. 10,000 per property roughly for it. But usually, they do a package deal. They’ll ask you to pay Rs. 15-20 lakhs. In return, they’ll not just install your film standee and digital poster but also play the trailer of the film, that too in 200-250 of their multiplexes. Sometimes, the deal also includes the film banner on the multiplex’s website or booking app. The producers include this spend under ‘marketing activity’. It’s an additional cost to the producer.”

The official continued, “Pre-pandemic, this used to happen very rarely. But post-pandemic, this has increased as everything is under the red. They realized this is a nice way to earn additional moolah, not realizing that they are killing the same hand that feeds them.”

A duty manager from a prominent multiplex said, “Many non-national chains don’t charge at all for posters or standees. We put it up for free. However, playing the trailer incurs a charge.”

Vishek Chauhan, owner of Roopbani Cinema in Purnia, Bihar, commented on this matter saying, “I have heard that the multiplexes charge. I am not sure whether they are doing it or not. But if they do, toh isse bada ghatiya kaam aur kuchh nahin ho sakta hai! If a shopkeeper sells Coca-Cola and decided to install its standee, is he going to charge for it from the soft drink brand? Of course not. This doesn’t happen in any business.”

He continued, “This is the reason why the multiplex business is so messed up in India. These multiplexes, especially PVR Inox, have completely destroyed the sheer fabric of the exhibition sector. It’s no wonder that in 1995, there were 25,000 screens in India before the multiplex era. 30 years later, the number has down to 9000.”

Producer Pahlaj Nihalani, who runs a revamped single-screen Nishat in Mumbai, lashed out at this practice. He said, “PVR Inox has been charging for it since the very start. Then, a lot of new producers came in. Also, many actors turned producers. These people had no qualms about paying for it. Soon, it became a standard practice. What is saddening is that there’s a possibility that your film might not play in some theatres where your trailer is being screened. A viewer has come to see ‘A’ film; he’ll see the trailer of ‘B’ film in the interval and decides to watch it. But then, the film might not get showcasing in that cinema hall. Isn’t that unfair to the producers and also to the moviegoers?”

He made it clear that in the single-screen era, there was never a question of paying to play trailers or install standees. “They never charged and even now, they don’t,” he added. “However, if the projection system in a single screen is provided by a third party like UFO, then they’ll charge.”

Pahlaj continued, “Single screens continue to have great relations with filmmakers. Sadly, the same can’t be said about the multiplexes. They squeeze money in every way possible from us. They are killing new talent and ruining the film business.”

He also said that this practice hurts makers but there’s no solution to it, “There’s no industry leader among producers who can talk about these things. Most of them have isolated fights. It happened with Dinesh Vijan (with Bhool Chuk Maaf). Earlier, Ronnie Screwvala was also alone when he spoke about VPF. His next film (Mard Ko Dard Nahi Hota; 2019) didn’t get shows in some theatres as he went against them. Imagine if all the producers rise together and decide not to give films to them. Phir yeh log kahan jaayenge?”

Trade veteran Taran Adarsh, however, had a different point of view, “Today, everything is commercial. The multiplexes are allowing the space in their property to install the standee and are also playing the trailer on the screen. Hence, they feel that they need to be compensated because even they are paying higher rent. It’s a circle.”

He added, “I have seen standees being put up of OTT show. Their promo is also screened before the film or during the interval. The multiplexes obviously would charge for it. Why would they play for free?”

Vishek Chauhan, meanwhile, continues to have reservations on this model. He said, “Theatres should not be charging for all this. It’s a matter of pride to put up a poster in your theatres. That’s our primary job – to promote films. If films work, I’ll be at an advantage. And if I am asking the producer to pay for it, then nothing can be more shameless.”

Also Read: Bhool Chuk Maaf to release in theatres on May 23 after court settlement between Maddock Films and PVR Inox

Actor and IPL franchise co-owner Preity Zinta has contributed Rs 1.10 crore to the Army Wives Welfare Association (AWWA) of the Indian Army’s South Western Command. Her heartfelt gesture comes in the wake of Operation Sindoor, launched by India following the terror attack in Pahalgam on April 22.

Zinta confirmed her association with the South Western Command as she attended an event organized by them, where she also addressed the families of Indian Army personnel. Sharing her emotional experience on Instagram, she wrote, “As I drove towards the auditorium in the South Western Command of the Indian Army, I saw posters of army officers and jawans at regular intervals, that won various bravery awards. Some laid down their lives for our country while others came back with scars from the battlefield. These men were husbands, sons, brothers & fathers. They are part of our armed forces and they gave up their today for our tomorrow!”

“We will never know them. Most of us will never hear of them, think of them or miss them. We might mention their sacrifice in a conversation & admire their bravery for a moment before we get on with our lives. This sad reality hit hard as I struggled to bring a smile on my face when I reached the event for Army Women’s Welfare Association (AWWA),” she added.

Zinta went on to describe her experience meeting the families of martyrs and shared, “At the event I met the women that would miss these men everyday & every moment of their lives. I met their kids and I saw their smiles. There were no complaints & no tears! Just pride, strength & sacrifice. There was so much bravery in that auditorium it humbled me beyond words. It was truly my honour to share the stage with these Veer Naris & their families????”

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Explaining the intent behind her contribution, she stated, “I went with a small contribution to say thank you for your service & for your sacrifice. I wanted them to know they are not forgotten & we are indebted to them forever. After the event I left with a smile on my face & with so much gratitude in my heart. I know our country is in safe hands as long as Hero’s like these guard our borders. I did my part & I sincerely hope each one of you can do yours by finding a way to say thank you to the families of our defence forces... Jai Hind ????????”. She also posted a video from the event where she is seen addressing the audience and interacting with members of the Indian Army and their families.

According to reports, the funds have been donated from Zinta’s share of Punjab Kings' Corporate Social Responsibility (CSR) fund and will be directed toward empowering Veer Naris (war widows) and supporting the education of their children.

Preity Zinta has received widespread appreciation online for his gesture with many lauding her for using her platform and resources to support the families of India’s armed forces.

Also Read: Preity Zinta slams fake news over morphed images with 14-year-old cricketer Vaibhav Suryavanshi

Alia Bhatt made a dazzling impact at the 78th Cannes Film Festival as she returned to the prestigious red carpet for the third time for the grand finale of her debut at the event this year. Representing two global beauty and fashion giants — L’Oreal Paris and Gucci — the Bollywood star made a lasting impression with her fashion-forward appearances that blended Indian elegance with high-end couture.

The actress attended the festival's closing ceremony in a custom Gucci ensemble that took social media by storm. Staying true to her roots while keeping it contemporary, Alia stunned in a one-of-a-kind lehenga gown, featuring intricate crystal embroidery in Gucci’s iconic GG monogram pattern. The fusion silhouette, inspired by traditional Indian ethnic wear, garnered widespread admiration online, with many lauding the creative blend of heritage and haute couture.

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Styled impeccably, the look not only celebrated her role as the global brand ambassador for Gucci but also reaffirmed her influence as a global fashion icon.

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Earlier during her Cannes stint, Alia also made a splash in a photoshoot set against the scenic French Riviera. She wore a three-piece customized outfit by Gucci, complemented by a matching scarf and a stylish pair of sunglasses. The effortlessly chic ensemble added a modern, street-style twist to her otherwise red carpet-heavy wardrobe, showcasing her versatility and ease in high fashion.

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Adding more glamour to her Cannes journey, Alia walked the red carpet twice earlier this week as an ambassador for L’Oreal Paris. Both appearances were met with enthusiastic reactions from fashion critics and fans alike, with her outfits quickly becoming trending topics on social media platforms.

Alia Bhatt’s participation at Cannes this year marked a new chapter in her global presence. While 2025 was her debut year at the film festival, her poise and confidence throughout made it seem like she had always belonged on that international stage. Meanwhile, on the film front, Alia has a busy schedule ahead with Alpha in the pipeline for release in December and Love & War slated to hit cinemas in March 2026.

Also Read: Alia Bhatt dazzles in Armani Prive at Cannes 2025 for L’Oreal event

Bollywood’s much-awaited war-drama Ikkis now has a release date! Dinesh Vijan’s Maddock Films has officially announced that the film will hit cinemas on Thursday, October 2, 2025, coinciding with Gandhi Jayanti, a national holiday known for strong box office openings.

Helmed by National Award-winning filmmaker Sriram Raghavan, Ikkis marks the acclaimed director’s return after the success of Badlapur under the Maddock banner. The film brings together a powerhouse ensemble — veteran legend Dharmendra, rising star Agastya Nanda (grandson of megastar Amitabh Bachchan), and the critically acclaimed actor Jaideep Ahlawat.

Ikkis is based on the extraordinary real-life story of Second Lieutenant Arun Khetarpal, a Param Vir Chakra (PVC) awardee who displayed unmatched courage and made the ultimate sacrifice during the 1971 Indo-Pak war. The film promises to blend emotional depth, patriotic fervor, and gripping storytelling — hallmarks of Raghavan’s unique narrative style.

This is Agastya Nanda’s second major film after his debut, and Ikkis positions him in a challenging, emotionally rich role that could cement his place in Bollywood’s next-gen talent. For Dharmendra, the film marks a return to intense drama, while Jaideep Ahlawat’s inclusion hints at a layered, possibly commanding performance.

Backed by Maddock Films, Ikkis is already being touted as one of 2025’s most awaited films, both for its subject and for the collaboration of some of the industry’s finest talents.

Interestingly, by choosing this release date, Ikkis will be clashing at the box office with Rishab Shetty’s Pan-India film Kantara: Chapter 1, which is a prequel to his 2022 surprise hit Kantara.

Also Read: Kantara Chapter 1 makers urge fans to avoid unverified updates as they share shoot update

Disha Patani is once again heating up Instagram with a collection of stunning new beach photos featuring her in an olive green bikini. She showcased her fit physique while posing by the seaside, and fans have definitely noticed the timing of her post, especially after Kiara Advani recently turned heads with her bikini look in the War 2 teaser.

Known for her daring fashion statements and fitness-centric posts, Disha shared the striking photos late Friday night. In the images, she confidently displayed her toned abs and curves basking in the sunlight, sparking an immediate buzz across social media.

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Social media quickly filled with theories, as fans highlighted the matching bikini colors and the timing of Disha’s post. ‘It’s clearly intentional, especially considering the late-night timing… at midnight… and the bikini color matching Kiara’s,’ noted one user.”

Some speculated that the rivalry could be linked to their shared debut film. One comment read, “It’s ironic that she chose to wear a bikini in the same color theme as Kiara… it clearly suggests there’s some kind of rivalry between them.”

On the professional front, Disha Patani made her acting debut with the Telugu film Loafer. She gained widespread recognition in Bollywood by playing the love interest of the late Sushant Singh Rajput in MS Dhoni: The Untold Story. The actress also appeared in a film alongside Jackie Chan called Kung Fu Yoga. In 2024, she featured in three films: Yodha with Sidharth Malhotra, Kalki 2898 AD with Prabhas, and Kanguva with Suriya.

This year, she is set to appear in Anees Bazmee’s multi-starrer Welcome To The Jungle. Director Ahmed Khan recently shared that the film was shot in various locations, with a major part of the shooting taking place in Dubai, UAE.

Also Read : Mother’s Day 2025: Celebrities celebrate with moms, mom-in-laws and their little ones

Shahid Kapoor and Taapsee Pannu have teamed up for the first time ever — not for a film, but for a new ad campaign that is turning heads for all the right reasons. The Bollywood stars have joined hands with Vogue Eyewear in a collaboration that blends style, confidence, and modern aesthetics, delivering a powerful message about authenticity and self-expression.

Set against the backdrop of a contemporary gallery filled with modern art and sleek visuals, the Vogue Eyewear ad showcases Shahid and Taapsee in striking eyewear pieces, capturing introspective moments that reflect their personalities. The concept of the campaign leans heavily into the idea of embracing ‘a life where you make your own rules’, and the visual storytelling adds depth to this narrative.

Speaking about the campaign, Shahid Kapoor shared, “Style to me has always been about self-expression without boundaries. I'm excited to join Vogue Eyewear and to be part of its campaign, that encourages people to be themselves, unapologetically and without rules.” Known for his versatile style and effortless cool, Shahid’s inclusion in the campaign brings a fresh and masculine energy to the Vogue Eyewear brand.

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Taapsee Pannu, who has long been an ambassador for the brand, echoed similar sentiments. “Working with Vogue Eyewear has always been about embracing who I am unfiltered and free," she said. Speaking on the collaboration with Shahid Kapoor, she added, "Together we hope to inspire more people to own their style, their way."

The pairing of Shahid Kapoor and Taapsee Pannu in this stylish and conceptual campaign has garnered attention not just for their onscreen chemistry but also for the unique synergy they bring to the brand. Both actors represent a generation that values individuality over trends, and their collaboration feels like a natural extension of their personalities.

Also Read: Taapsee Pannu to launch exclusive eyewear in her name in association Vogue Eyewear

In a landmark moment for Maharashtra's remote tribal belt, mobile theatre company PictureTime has launched the state’s first state-of-the-art inflatable cinema hall in Gadchiroli, with the premiere screening of Vicky Kaushal-starrer Chhaava. This unique initiative brings the magic of the big screen to a region previously untouched by modern cinema infrastructure.

Located in one of Maharashtra’s most underserved districts — with over 90% of its population residing in rural areas — Gadchiroli is now home to a high-tech, fully air-conditioned inflatable theatre equipped with 5.1 Dolby sound, digital projection, and 120 push-back seats. This initiative is aimed at making world-class cinema accessible to the 10-lakh-strong population of the district at affordable ticket prices of just ₹150.

Directed by Laxman Utekar and produced by Dinesh Vijan, Chhaava, which chronicles the life of Maratha warrior Sambhaji Maharaj, was chosen as the debut screening to spark cultural interest and revive cinema-going habits in the region.

The launch event, held on May 22, saw attendance from key dignitaries including Dr. Milindji Narote (MLA, Gadchiroli Assembly Constituency), Avishyant Panda (IAS, Collector, Gadchiroli), Mr. Prashantji Waghare (BJP Zilha Adhyaksh), and Mr. Surajit Roy (COO & President, PictureTime) among others.

Following the inauguration, the cinema hall kicks off regular programming with two films: Ata Thambaycha Naay (Marathi) and Kesari Veer (Hindi) starring Suniel Shetty. Speaking at the launch, Sushil Chaudhary, Founder & CEO of PictureTime, said, “At PictureTime, our mission has always been to democratize cinema by taking it to the remotest corners of India — places where the magic of the big screen has long remained out of reach. The launch of our inflatable theatre in Gadchiroli, Maharashtra, with the screening of Chhaava, and our recent expansion into Bommidi, Tamil Nadu, mark important milestones in this journey. We believe that access to cinema is not just about entertainment — it’s about inclusion, inspiration, and creating shared cultural experiences for every Indian, no matter where they live,” he added.

The inflatable theatre has been set up as a Public-Private Partnership (PPP) with the Municipal Corporation of Gadchiroli, which will own the infrastructure, while PictureTime will manage programming and operations.

Looking ahead, the programming will include a mix of Marathi and Hindi mainstream releases, along with a dedicated effort to screen films from independent filmmakers who often struggle with theatrical distribution.

PictureTime has already made waves with similar inflatable cinemas across India, including locations such as Ladakh (the world’s highest theatre), Kishtwar (J&K), Asifabad (Telangana), Bapatla and Nagaur (Rajasthan), and Khatima (Uttarakhand) — continuing its mission to transform cinema access across the nation.

Also Read: From Vicky Kaushal in Chhaava to Janki Bodiwala in Shaitaan: 6 performances from 2024-2025 that gave us goosebumps

We had earlier reported that in a major setback to the much-awaited Hera Pheri 3, Akshay Kumar and his production house Cape of Good Films has reportedly taken legal action against veteran actor Paresh Rawal for abruptly backing out of the project. Advocate Pooja Tidke, representing the production house, confirmed that a legal notice has been issued, citing breach of contract and damages amounting to Rs 25 crores.

According to the legal team, Rawal had officially committed to the film earlier this year and even began shooting. “Stakeholders had met, confirmed the production of the film. In fact, Paresh ji had tweeted about the film sometime in the end of January, indicating very clearly that he would be associated with it. Thereafter, there were contracts entered into, the shooting for the trailer began. In fact, there was some portion about three or three and a half minutes of the film itself that had been shot,” said Tidke in a statement to PTI.

Advocate Pooja Tidke, on behalf of #AkshayKumar 's production house, speaks on #HeraPheri3 #PareshRawal exit casepic.twitter.com/ewEejmZSBC — Akshay Kumar Fans Group (@AKFansGroup) May 22, 2025

However, the situation took a sharp turn in May, when Rawal allegedly revealed to Bollywood Hungama about him no longer being a part of the film. The sudden withdrawal has reportedly shocked the cast and crew. “It’s taken everybody by surprise”. “There have been expenses incurred towards the cast, towards the crew, towards leading senior actors, logistics, equipment, shooting of the trailer,” she shared and continued, “Trailers have been shot and released. So, there's been a substantial amount of money already invested in the film. Shooting had begun. Of course, you know, everyone's synchronized schedules are now disrupted. Professionally, it's affected everyone,”

The advocate further elaborated on the potential fallout, highlighting that the production house had already paid Rs 11 lakhs to Rawal and had begun shooting based on the contractual agreement. “These are damages towards the losses suffered on account of a unilateral pullback from the film after having committed, acted upon the contract that he had already entered into. Of course, the production house paying senior actors, the production house has incurred its own costs”, Tidke noted.

The legal notice served gives Rawal a seven-day window to respond, a period that is set to end in the next couple of days. “So far, there's been no development since then. It is true. We have issued a legal notice”. “While also expressing hope for an amicable resolution, she mentioned, “I'm sure parties are talking to each other and trying to work things out”, and concluded, “Let's hope things work out. It's good for all the stakeholders in the film. It's good for the audience. It's good for the franchise. It's a very beloved franchise. So, let's see what happens”.

As per current reports, no new update has emerged since the notice was sent, but sources suggest that informal conversations may be underway to resolve the issue out of court. The Hera Pheri franchise, known for its cult status and comic timing, continues to face uncertainty as fans eagerly await clarity on the future of its third installment.

Also Read: Hera Pheri 3 Row: Akshay Kumar’s Cape of Good Films sends legal notice to Paresh Rawal over Rs 11 Lakh payment

Aishwarya Rai Bachchan made her second red carpet appearance at the Festival de Cannes 2025 with yet another look that seamlessly fused Indian heritage with global haute couture. After captivating audiences with her first ensemble earlier this week, the L'Oréal Paris ambassador returned to the spotlight wearing a statement creation by designer Gaurav Gupta — and true to form, she brought with her a message rooted in tradition and meaning.

Her black sculptural gown, titled the ‘Heiress of Clam,’ featured a dramatic, draped silhouette reminiscent of old Hollywood glamour. Embellished with a cosmic burst of metallic hues and glass crystals, the gown exuded both mysticism and elegance. But it was her cape that truly stole the show — a regal Banarasi brocade handwoven in Varanasi and inscribed with a Sanskrit shloka from the Bhagavad Gita: "Karmanye Vadhikaraste Ma Phaleshu Kadachana", a verse that encourages selfless action without attachment to outcomes. This added a philosophical and distinctly Indian depth to her couture appearance, a motif she has consistently embraced over her years at Cannes.

Going by her previous look which included the addition of Benarasi Silk and Sindoor and other culture elements, it seems that Aishwarya has decided to use fashion as a platform for cultural storytelling this time, not shying away from even adding layers of spiritual context to her looks. While some may label this as overly didactic, it undeniably sets her apart on a red carpet otherwise dominated by trend-driven aesthetics.

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Her beauty look was kept elegant and powerful, complementing the overall grandeur of the ensemble. With dewy skin, bold eyeliner, and a signature red lip, the makeup subtly elevated the dramatic effect of the gown. Her hair, rich and glossy in her signature brown shade, was styled to enhance her commanding presence.

Celebrating its 28th year at Cannes, L'Oréal Paris marked the occasion with the theme "Lights, Beauty, Action" — a fitting backdrop for Aishwarya's larger-than-life presence. With the second look of this season being appreciated as well, the actress seems to have charmed audience this time by staying true to her persona of grace and elegance!

Also Read: Aishwarya Rai Bachchan makes powerful statement with ‘Saree’ and ‘Sindoor’ at Cannes 2025

Aishwarya Rai Bachchan returned to the Cannes red carpet this year in a powerful tribute to Indian handloom and heritage, donning a bespoke ivory Banarasi saree by Manish Malhotra. The former Miss World, who has long been associated with the festival, made a memorable appearance in a handwoven kadwa Banarasi drape paired with a shimmering tissue veil and an imperial set of heirloom rubies from the Manish Malhotra Jewellery line.

The saree, rooted in India’s centuries-old weaving tradition, showcased kadwa technique detailing—an intricate handloom artistry that reflects the richness of Varanasi's textile legacy. With the caption calling her the “OG Indian Queen of Cannes,” Malhotra highlighted not just the craftsmanship but also Aishwarya’s consistent presence as a representative of Indian fashion on a global platform.

Styled by Allia Al Rufai and Nayaab Randhawa, Aishwarya’s look went beyond visual elegance. The actress opted for a mid-partition hairstyle by Stephane Lancien, and her makeup - done by Kavyesh Sharma—was classic yet impactful. Red lipstick and a vivid streak of sindoor added cultural symbolism to the ensemble, with many online noting the use of vermillion as a possible ode to Operation Sindoor - India’s recent military response following the tragic Pahalgam terror attack that claimed the lives of 28 civilians. Whether intended or not, the symbolism has sparked conversations about the actress’ silent support towards her nation as many believed that she remained silent during the India-Pakistan conflict situation.

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Meanwhile, some others see it as a subtle personal statement wherein Aishwarya has indirectly addressed the ongoing speculation regarding her separation rumours with actor-husband Abhishek Bachchan with this traditional red-carpet moment—particularly the use of sindoor, thereby shutting them down and assuring concerned fans that ‘all is well’.

On the professional front, Aishwarya was last seen portraying the layered and enigmatic antagonist Nandini in Mani Ratnam’s Ponniyin Selvan franchise, which released in two parts across 2022 and 2023. The period epic earned her praise for her poised performance and screen presence.

As the actress graced Cannes once again, her appearance in handwoven Indian textiles was less about grandeur and more about grace, symbolism, and celebrating India's craft on an international red carpet.

Also Read: Aishwarya Rai and Abhishek Bachchan steal the show with ‘Kajra Re’ moves in this viral wedding video

Salman Khan is among the very few in Indian Cinema, who has managed to successfully transition into television. He managed to capture the attention of audiences on the small screen with Dus Ka Dum and Bigg Boss, and over the years is termed as one of the most successful hosts of TV. We have an extremely exciting news for all Salman Khan fans now.

Reliable sources have confirmed that Salman Khan is in advanced talks to replace Amitabh Bachchan as the host of Kaun Banega Crorepati. "Salman Khan is the king of the small screen, and the best face to replace Amitabh Bachchan is him, as he also has a strong connect with the audience in the smaller centres. Earlier, Shah Rukh Khan has also hosted KBC, and if everything goes well, Salman will be the newest to take the television sets by storm," a source told Bollywood Hungama.

We have heard that the negotiations for the financials are going on in full swing at the moment. "Get ready to tune into Sony as Salman Khan might host the biggest and most popular quiz show of India as Amitabh Bachchan will be stepping back from KBC due to personal reasons," the source tells us further.

Meanwhile, Salman Khan will also be hosting the next season of Bigg Boss, and is gearing up to start shooting for director Apoorva Lakhia's next film from July.

Also Read: Salman Khan to play Colonel Bikumalla Santosh Babu in his next: Report

A biopic on Bharat Ratna Dr. APJ Abdul Kalam, India’s 11th President and renowned aerospace scientist, has been officially announced at the 2025 Cannes Film Festival. Titled Wings of Fire, the film will be directed by Om Raut, known for Tanhaji: The Unsung Warrior, and will feature National Award-winning actor Dhanush in the lead role.

The project brings together major names from the Indian film industry which includes Abhishek Agarwal under Abhishek Agarwal Arts — the banner behind The Kashmir Files — and Bhushan Kumar under the T-Series banner who will be coming together to produce the film. The screenplay is penned by Saiwyn Quadras, whose previous writing credits include Neerja, Maidaan, and Parmanu: The Story of Pokhran.

The film aims to trace Dr. Kalam’s extraordinary journey — from his modest beginnings in Rameswaram to his rise as one of India’s most respected scientific minds and eventually, the President of the country. Often referred to as the ‘Missile Man of India,’ Dr. Kalam’s legacy continues to inspire generations, most notably through his memoir ‘Wings of Fire’.

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Casting Dhanush in the titular role is being described as one of the film’s key moments. The actor, who has earned acclaim for his versatility and emotional depth, will portray a figure deeply cherished by the nation. The film is positioned not just as a political biography, but as an exploration of Dr. Kalam’s values — science, spirituality, education, and leadership.

Director Om Raut, in a statement, said, “In an era starved of true statesmen, Kalam stood above politics and pettiness. He was a man known for the power of education, excellence, and indigenous innovation. To bring his story to screen is an artistic challenge and a moral and cultural responsibility. It’s the most important experience of my life.”

Producer Abhishek Agarwal added, “We are excited to bring the epic life of Dr. Kalam to the big screen. Collaborating with Om Raut, Dhanush, and Bhushan Kumar makes this one of Indian cinema’s most prestigious projects. It is a privilege to tell this story.”

Bhushan Kumar of T-Series said, “Dr. Kalam’s journey continues to inspire millions. We feel honored to be part of a film that pays tribute to such an extraordinary individual. This marks our third collaboration with Om Raut, and our first with Dhanush and Abhishek Agarwal on a story of national significance.”

With production underway, further details remain under wraps. However, with Om Raut’s cinematic vision, Dhanush’s performance, and the support of two major production houses, Wings of Fire is being positioned as a biopic with global reach and national relevance.

Also Read: Tere Ishk Mein shooting update: Banaras schedule begins for Dhanush starrer with Aanand L Rai

After finalising paperwork to be the female lead of Spirit, Deepika Padukone seems to have lost out on the chance to be a part of Sandeep Reddy Vanga directorial with Prabhas. According to very reliable sources, Sandeep Reddy Vanga had a massive fallout with Deepika Padukone, and the actress is now out of his ambitious cop thriller led by Prabhas.

A source shared with Bollywood Hungama, "Sandeep Reddy Vanga got the shock of his life when Deepika Padukone refused to shoot for more than 6 hours a day for Spirit. That's not all, the actress, via her agency, also started to demand an amendment to the contract. Their point of contention was simple - if the shoot extends beyond 100 days, Deepika will have to be paid extra for every single day of shoot beyond the commitment on paper."

The source informed that Sandeep Reddy Vanga discussed this with his producer, who tried his best to bring both the talents on the same page. "However, Deepika and her team were not willing to bow. Sandeep Reddy Vanga eventually told Deepika to back out of the film. He is now looking to recast for the part," the source tells us further.

Apparently, Deepika was charging Rs. 40 crores for Spirit, and post the fallout, Sandeep is looking to cast someone with a lesser price. The film is scheduled to go on floors in October 2025, and the new cast will be locked in a month's time, but one can say with confidence that Sandeep is upset with Deepika Padukone's pattern of working at the moment.

Also Read: Deepika Padukone charges Rs 20 crores for Sandeep Reddy Vanga and Prabhas’ Spirit: Report

Actor Janhvi Kapoor made her much-anticipated debut at the prestigious Cannes Film Festival on May 20, before the world premiere of her upcoming film Homebound. For her red carpet appearance, Kapoor embraced Indian craftsmanship by wearing a custom ensemble designed by Tarun Tahiliani and styled by Rhea Kapoor.

The actor’s look seamlessly blended heritage and haute couture. Janhvi donned a soft blush-toned skirt and corset ensemble, crafted from handwoven real tissue fabric sourced from Benares. The outfit’s surface featured a distinctive hand-crushed technique, lending it both depth and texture. A signature Tarun Tahiliani drape added a sculptural fluidity to the silhouette, while the raw, uncut hem was left intentionally untouched, celebrating the authenticity of the weave.

She complemented the ensemble with classic old-world elegance — her makeup was kept minimal with softly defined eyes, pink-hued lips, and radiant skin. Her hair was styled in a low bun, draped in sheer pleated fabric matching her outfit, evoking a sense of vintage romance. Layers of pearl necklaces and a statement diamond pendant completed the look, adding a regal touch to her first Cannes outing.

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Sharing images from the red carpet, designer Tarun Tahiliani described the creation on Instagram as “an intentional ode to the authenticity of the weave.”

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Janhvi walked the red carpet alongside her Homebound co-stars Ishaan Khatter and Vishal Jethwa, as well as director Neeraj Ghaywan and producer Karan Johar. The film tells the story of two friends from a small village in North India whose bond is tested when they enter the police force.

Homebound was screened under the Un Certain Regard section at the festival, a category known for spotlighting unique storytelling voices. Acclaimed filmmaker Martin Scorsese has joined the project as its executive producer. The film is backed by Karan Johar, Adar Poonawalla, Apoorva Mehta, and Somen Mishra, with Marijke de Souza and Melita Toscan du Plantier serving as co-producers.

Also Read: Shikhar Pahariya steals the spotlight as he supports Janhvi Kapoor at Cannes for Homebound premiere

On the occasion of Jr NTR’s 42nd birthday, Yash Raj Films released the much-anticipated teaser of War 2, officially marking the Telugu superstar’s Bollywood debut. The film, set within the ever-expanding YRF Spy Universe, stars Hrithik Roshan in the lead and is being helmed by Ayan Mukerji.

While War (2019) was directed by Siddharth Anand, its sequel continues the story of Kabir, played by Hrithik Roshan. In War 2, Jr NTR enters the spy franchise as the antagonist, and the teaser gave audiences a brief glimpse into his character, one that appears menacing and calculated. The teaser primarily features a voiceover by Jr NTR, with quick flashes of high-stakes action sequences between him and Hrithik Roshan. Though it avoids revealing much about the plot or characters, the visual tone and intensity suggest a showdown-driven narrative.

Following the teaser drop, Jr NTR took to social media to share a note of gratitude. He wrote, “Sometimes I pause and look back at this journey and every time, it's you who come to mind first. Thank you my dear fans for your constant presence and heartfelt wishes. The response to the War 2 teaser has been incredible. I can't wait for you to experience it on August 14th. A big thank you to all my well wishers, media and colleagues in the industry for your warm wishes. Grateful, always.”

Thank you. pic.twitter.com/62BsFWHKHP — Jr NTR (@tarak9999) May 20, 2025

The teaser received a mixed response online. While many viewers praised Jr NTR’s intense screen presence and the scale of action glimpsed, others felt the teaser could have offered more clarity or visual content. Nonetheless, the announcement dominated social media discussions, especially among Jr NTR’s massive Telugu fanbase.

War 2 is scheduled for release on August 14, 2025, and will be a pan-India project, hitting theatres in Hindi, Telugu, and Tamil.

Also Read: Kiara Advani wishes War 2 co-star Jr NTR a happy birthday after teaser reveal

Kamal Haasan, Mani Ratnam, A R Rahman, Silambarasan T R, Trisha Krishnan, Abhirami and Ashok Selvan attended the press conference of their much-awaited Pan India film, Thug Life, at a multiplex in Mumbai. A few weeks ago, there were reports that this much-awaited film would arrive on a digital platform after completing 8 weeks in cinemas. This was a significant move as most Tamil biggies opt to arrive on OTT in just 4 weeks. The national chains, that is, PVR, Inox, and Cinepolis, have a strict rule of not releasing films that don’t adhere to the eight-week rule. As a result, the trade was excited over this development. With a release in the biggest multiplex chains, the chances of Thug Life scoring, especially in the Hindi version, will be significantly higher.

At the Thug Life Mumbai press conference, Kamal Haasan was asked about it and he confirmed that the reports were indeed true. He said, “It's not even an experiment. It's a pragmatic thing to do. I am glad the OTT platforms agreed and we sat together. It was not a negotiation. It's a plan which maybe others could follow. It'll make the industry healthy. We are glad that we are the first to be there to avail of that opportunity.”

The news comes at a time when Bhool Chuk Maaf, starring Rajkummar Rao and Wamiqa Gabbi, is all set to arrive on Amazon Prime Video within two weeks of its theatrical release. The national chains have made an exception with this film due to the intervention of the court.

Meanwhile, Kamal Haasan was also asked about the box office expectations for his upcoming film. He commented, “We are not looking at 'how big'. But it shouldn't be 'how small' (laughs). We have to look at break-even because it's a business. Mani is from a business school and I am from this business. I grew up in this business. So, you can't disrespect business and do business with the business.”

Thug Life releases in cinemas on June 5 worldwide.

Also Read: Kamal Haasan’s kiss scene with Abhirami from Thug Life to be removed from the film

You’re off to Cannes for the restored screening of Satyajit Ray’s Aranyer Din Ratri? Yes, thank God the war situation did not escalate—I wouldn’t have gone if it had. I’m glad Aranyer Din Ratri is being shown at Cannes. The film was actually better appreciated outside India, even when it was originally released. Europe, especially, loved it. It was a big, big hit in Paris. Every time I watched it with an international audience—every time Robi Ghosh came on screen—they clapped and thoroughly enjoyed the film.

Simi Garewal was cast as a tribal. Wasn't that rather unusual? It was rather unusual because the Santhals are generally shorter in stature, and Simi is quite tall.

Also, very sophisticated and urban? She didn’t come across that way in the film… thanks to the makeup and styling. She worked very well in the role. Yes, she was tall—very tall—but no one really noticed. Her height wasn’t a concern in the overall portrayal. Of course, in India—especially in Kolkata—there was some criticism. But her performance was very, very good. In fact, the entire cast was impeccable.

You mentioned earlier that the film was more appreciated abroad? Yes, they understood the alienation of a certain section of society from the mainstream. The class differences, so to speak. There’s a sense of superiority among the group—using English phrases, carrying an air of “I’m better than you.” Ashim, the character Soumitra Chatterjee plays, embodies that quality.

What about your character? I’m sort of the conscience of the plot—the agent of change, really. You have to watch the film to understand it fully. The other characters become slightly better after meeting my character. Soumitra’s character has a subtle relationship with mine—his arrogance is bruised by my quiet defiance. I don’t say much, but he knows I’m a little more clever than him. So, both women in the film impact the men in different, transformative ways. It’s a very subtle film—I can’t really explain the story in words.

Where would you place this film among your vast body of work? Of course, Devi is at the top of my list. Then Apur Sansar. I’d place Aranyer Din Ratri at number three—as far as the character, the experience, and the joy of working on a film goes. The camaraderie with the co-actors, the location—Palamu was a very challenging place to shoot in. And the film remains incredibly contemporary and relevant even today. The black-and-white cinematography looked stunning—the sharpness of the forest worked beautifully.

Ray shot the film himself. Yes, with Aranyer Din Ratri, Manikda went solo. Subrata Mitra wasn’t involved in this film.

But Soumendu Roy was there, right? Soumendu Roy handled the lighting, but Manikda operated the camera himself for the first time. After this film, he started doing more and more on his own—camera, dialogues, costumes, wardrobe—everything.

Not many people know this. Yes, it’s not widely known. But Ray’s versatility was extraordinary. Maybe it was also because he didn’t have much money to work with—that pushed him to take charge of every department himself.

Many years later, Goutam Ghose remade Aranyer Din Ratri as Abar Aranye? Yes, that was a tribute to Manikda. I won the National Award for Best Supporting Actress for that film. It was very well received.

Did you reprise the same character? Yes, we all retained the same names. Tabu was a new addition, but otherwise we had Soumitra Chatterjee, Shubhendu Chatterjee… Samit Bhanja, though he was battling cancer at the time. He wasn’t well, but he still chose to be a part of the film. He was very happy to work. Despite his illness, he wanted to be with us. Who does that kind of thing today? It was amazing—the dedication of those days. That was his last film. He made a real effort because he wanted to be part of it.

Also Read: Sharmila Tagore and Simi Garewal celebrate India and Indian Cinema as they grace Cannes screening of Aranyer Din Ratri

Sharmila Tagore and Simi Garewal made a striking appearance at the prestigious Cannes Film Festival as they attended the screening of the restored version of Aranyer Din Ratri, one of Satyajit Ray’s most acclaimed works. The film was showcased in the Cannes Classics section after a six-year-long restoration led by American filmmaker Wes Anderson.

Draped in a simple yet elegant emerald-green saree, Sharmila Tagore exuded timeless charm with her minimalistic jewellery and graceful presence on the red carpet. Accompanying her was her daughter and jewellery designer Saba Pataudi, who was seen in a bright yellow floral ethnic ensemble. Saba shared several glimpses from their Cannes experience on social media and wrote a reflective caption alongside her pictures, saying, “Let the party begin....! Moments before the Red carpet .... scene. In the midst of chaos was calm. Hectic yet happy. Frenzy and fantastic. And self conscious. Mixed emotions coursing through , yet here is a chance to explore the NEW. Always start afresh . Believe in yourself and make the most of opportunities. They're there today. The future isn't here yet. :) Live it up.”

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Simi Garewal, another iconic figure from Indian cinema, opted for her signature all-white ensemble created by designer Karleo. True to her classic style, Simi brought an air of understated elegance to the red carpet in her all-white embroidered outfit and a matching chunky necklace among her other low-key accessories.

Veteran actors Sharmila Tagore and Simi Garewal attended the screening of Aranyer Din ratri, directed by the legendary Oscar winning director Satyajit Ray at the 78th iconic annual Cannes Film Festival. Aranyer Dinratri is being screened under the Cannes classic section. pic.twitter.com/jHbRLkXwQ2 — Sourav || সৌরভ (@Sourav_3294) May 20, 2025

Social media was abuzz with photos and videos from the evening, with fans and cinephiles celebrating the presence of Indian legends at a global platform and lauding the film’s restored version. Many hailed the moment as a proud tribute to Indian cinema’s golden legacy, now shining afresh in 4K resolution.

Aranyer Din Ratri, originally released in 1970, is a poignant Bengali drama that follows four friends who leave the city behind for a holiday in the forests of Palamau, only to face a series of introspective and transformative encounters. The film is based on the novel by the same name written by Sunil Gangopadhyay and the cast includes Sharmila Tagore, Simi Garewal, Soumitra Chatterjee, and Subhendu Chatterjee. Its restored version was long awaited and the Cannes screening served as a reminder of Ray’s enduring cinematic legacy and global relevance.

Also Read: Indraneil Sengupta on working with Sharmila Tagore in Puratawn, “We actors thrive in that environment which Sharmila ji provided us by being so nice”

Amidst wrapping up the shoot for Bhooth Bangla, actor Akshay Kumar spent the weekend in Kerala engaging in creative discussions with OMG 2 director Amit Rai. The duo reportedly used the final leg of the horror-comedy shoot as an opportunity to flesh out early ideas for the third installment in the Oh My God franchise.

According to a report by Pinkvilla, Amit Rai accompanied Akshay Kumar to Kerala during the three-day song shoot of Bhooth Bangla, where they extensively discussed potential narratives for OMG 3. The report quoted a source saying, “Amit Rai had multiple ideas for OMG 3, and he discussed all the plot points with Akshay Kumar throughout the stay. The duo brainstormed over various directions the story could take. The intent is to continue the most loved franchise, and take the third part on floors in 2026.”

Both Akshay and Amit reportedly shared a strong creative rapport over the weekend. As of now, Amit Rai is working on developing a draft that could shape the third chapter of the courtroom social dramedy series. “Following the success of OMG and OMG 2, the stakes are high. The makers are in no hurry to rush through the process. They want the story to carry the franchise’s legacy while introducing fresh elements,” the source added.

If everything falls into place, OMG 3 is likely to go on floors in the second half of 2026. The casting will be finalised once the script is locked, but the tone of the film is expected to remain consistent with the earlier parts, tackling social themes through a courtroom setting with a touch of satire.

Meanwhile, Akshay Kumar has officially completed the shoot for Bhooth Bangla, a horror-comedy directed by Priyadarshan. The actor filmed a song with Wamiqa Gabbi over a three-day schedule in Kerala, marking the wrap of the film. The film is scheduled to release on April 2, 2026. Next on Akshay’s calendar is a thriller directed by Priyadarshan, co-starring Saif Ali Khan, which is scheduled to go on floors in August 2025. He will also be seen in Housefull 5, which will be released on June 6, 2025.

Also Read: Akshay Kumar announces wrap of Bhooth Bangla with a bts video: “Grateful for the madness, the magic, and the memories”

Singer and reality TV personality Rahul Vaidya has made headlines after revealing that he turned down a lucrative professional offer from Turkey, citing the country’s stance post Operation Sindoor. His decision comes days after actress Rupali Ganguly publicly called for a boycott of Turkey, criticizing the country’s support to Pakistan following the Indian military operation.

In an interview with Bombay Times, Vaidya opened up about his choice and said that no amount of money could sway him when it came to prioritizing national interest. “The offer was lucrative—they were paying me Rs 50 lakh. But I told them that no work, no money, and no fame is bigger than the interest of the country. They even offered me more, but I made it clear that it wasn’t about the money. This issue is far more important than that. It’s not about me as an individual; it’s about the nation. And we have to stand by our nation," he said.

Rahul, who gained immense popularity after his stint in Indian Idol and Bigg Boss, made it clear that patriotism holds greater value to him than international exposure or financial gain. “I have no interest in going to a country that is an enemy of my country and does not respect it. Whatever I am today is because of my country and my fellow countrymen. Anyone who goes against the interests of my country and countrymen will not be entertained,” he added.

Vaidya further highlighted how Indian citizens have significantly contributed to Turkey’s tourism and hospitality industry in recent years, especially through high-end destination weddings and luxury vacations. Expressing his disappointment, he said, “Indians spend so much money in Turkey and give them enormous business by hosting weddings there. We give them revenue worth crores and this is how they respond? How can we continue spending money in a country that isn’t even loyal to us?"

Rahul Vaidya’s stance has garnered attention on social media as more public figures express concern over geopolitical ties and national dignity igniting conversations around responsible global engagement and cultural diplomacy continue to intensify in the entertainment industry.

Also Read: Rahul Vaidya to paparazzi, “Unhone block kyun kiya uska jawab toh mile na mujhe” amid Virat Kohli row

Reports are doing the rounds that Shraddha Kapoor is no longer a part of Ekta Kapoor’s upcoming thriller. However, filmmaker Rahi Anil Barve, who is said to be directing the film, has seemingly dismissed the rumours. “These are all rumours. Everything is a rumor,” Barve told Bombay Times when asked about Shraddha’s exit. He did not confirm or deny her departure but added a cryptic note: “Right now all I can say is that I'm finishing Rakt Brahmand. I am working on my next. That's it.”

Readers may recall that Bollywood Hungama reported that Shraddha reportedly asked for a fee of Rs 17 crores, along with a share in the film’s profits. This would have made her one of the highest-paid actresses in Bollywood. However, the latest PeepingMoon report stated that Ekta Kapoor found the amount too high, especially considering the challenges faced by women-led films at the box office.

Due to this, the film’s budget may have been impacted, and the producers have now started looking for a new lead. The report added that the makers are in talks with several top actresses to step in.

Meanwhile, Shraddha is said to be exploring multiple projects. She is reportedly in talks with Dinesh Vijan, Boney Kapoor, and Bhushan Kumar. A formal announcement about her next project is expected within the next two months.

While there has been no official confirmation from Shraddha Kapoor or Ekta Kapoor's team, director Rahi Anil Barve has resumed work on his upcoming web series Rakt Brahmand. The fantasy drama stars Aditya Roy Kapur, Samantha Ruth Prabhu, Wamiqa Gabbi, and Ali Fazal. It was earlier delayed due to financial issues but is now set to begin filming in Mumbai next month. Barve is expected to focus on Ekta’s thriller only after finishing this project.

Also Read: Shraddha Kapoor backs out of Ektaa Kapoor’s next with Rahi Anil Barve? Fee dispute sparks exit: Report