Filmmaker Ajay Bahl’s Section 375 recently completed six years. The film starred Rahul Bhat in the role of a filmmaker accused of a sexual crime. On the film’s anniversary, he got talking to us about his experience of doing the film in an interview.

Ajay Bahl’s rare film on the MenToo movement in which you played a victim of a false sex offence case, is now 6

It’s hard to believe Section 375 completes six years. That film changed me, it made me dig deep into a very layered character and confront difficult truths about consent and power. Even today, people come up to me and say the film made them think, argue, even fight about right and wrong. That’s exactly what we wanted to do - start a conversation.

It is hard to believe the film actually got made

I will always be grateful to producer Kumar Mangat and director Ajay Bahl and the team for trusting me with such a bold story. For me, Section 375 wasn’t just a role, it was a responsibility, and I’m proud it continues to stay relevant.

Do you feel the MenToo movement got smothered by the MeToo movement?

I do feel that the #MenToo conversation never got the space it deserved. The moment anyone spoke about false accusations or misuse of laws, it was seen as undermining the larger cause of women’s safety, which was never the intention. For me, #MenToo was never about discrediting genuine survivors of assault. It was about acknowledging that justice should be fair to everyone, regardless of gender. There are real victims on both sides, women who face harassment, and men whose lives are destroyed by false accusations. Section 375 tried to show exactly that that the law can be misused, and that we must talk about both justice for survivors and safeguards for the innocent.

Where would you place Section 375 among your films?

If I had to place Section 375 in my career, I’d put it somewhere in the top. Rohan Khurana made me fearless. It taught me to embrace the grey and never shy away from uncomfortable stories.

Why are more such films not made?

Because we’re scared, scared of offending, scared of backlash, scared of losing box office numbers. Films like Section 375 are rare because they make people uncomfortable, and discomfort isn’t always good for business. But that’s exactly why such films matter. Cinema’s job, at its best, is to hold up a mirror and make us reflect. Good cinema should do more than just entertain; it should make us think. Section 375 proved that audiences are ready for uncomfortable truths. It’s the film industry that needs to catch up.

Also Read: Rahul Bhat hosts lavish Kashmiri dinner for The Wives team; director Madhur Bhandarkar attends

The Enforcement Directorate (ED) has issued summonses to former Trinamool MP and actor Mimi Chakraborty and Urvashi Rautela in connection with its investigation into the alleged illegal operations of the online betting platform 1xBet, as per a report by NDTV.

Chakraborty has been asked to appear at the ED’s Delhi headquarters on Monday, while Rautela is to report a day later on Tuesday.

This development forms part of an ongoing probe into several betting apps accused of defrauding large numbers of people and investors of crores of rupees, and allegedly evading substantial taxes.

Specifically, Chakraborty is expected to be questioned about her alleged connections with 1xBet, which is under scrutiny for possible money laundering and tax evasion. ED investigators have already questioned several actors and cricketers in relation to the case, including cricketer Suresh Raina.

Meanwhile, government sources say the market for real money online gaming and betting has been subject to increasing regulatory pressure. The Union government has recently introduced legislation banning such gaming, while it disclosed to Parliament that between 2022 and June 2025, it issued 1,524 orders to block online gambling and betting platforms.

Analysts estimate there are about 22 crores Indian users of various online betting apps, of which roughly half 11 crores are regular users. They say the sector is valued at over USD 100 billion, growing at a rate of about 30% annually.

Also Read : Urvashi Rautela claims her Dior baggage was stolen at Gatwick Airport after flying Emirates; seeks urgent help online

Bobby Deol has openly reflected on a period in his career when he felt that his choices had taken a toll on his progress and revealed he resorted to acting classes during the times when “he did not have any work”.

The actor, who received widespread acclaim for his performance in Animal, discussed these setbacks during an interview at the Toronto International Film Festival (TIFF). He said, “Today, I have become more brave and fearless. I have moved away from what my image used to be. The web shows I acted in were very helpful in this regard. In between when I did not have any work, I took acting classes. I asked myself why did my career have a good start? That’s because people saw something in me. However, because of my wrong choices, my career suffered. I worked on regaining faith in myself as well as being disciplined. If you are disciplined, you can put more effort into your work without feeling the pressure.”

Deol also addressed typecasting: “In this industry, one tends to get typecast. It is tough to break that mould. OTT gave me that chance to come out of it. Playing an antagonist character and getting appreciation is something I had not imagined. However, every antagonist has to be different, be it my character in Aashram or Animal.”

Following Animal, Bobby has been active. He is set to feature in The B***ds of Bollywood, the directorial debut of Aryan Khan (son of Shah Rukh Khan), and in Bandar, an Anurag Kashyap film that had its world premiere at TIFF.

Originally launching his career as a lead in the 1995 romantic film Barsaat, Bobby Deol has since appeared in films like Soldier, Badal, Gupt, Race 3, Jhoom Barabar Jhoom, and Ab Tumhare Hawale Watan Saathiyo, among others.

Also Read : EXCLUSIVE: Suneel Darshan on replacing Akshay Kumar with Bobby Deol in Barsaat, “There was an incident after which…”

Filmmaker Danish Renzu’s Songs Of Paradise recently started streaming on Prime Video. The film is inspired from the life of Kashmir’s celebrated singer Raj Begum. Veteran actress Soni Razdan plays the elderly version of the character in the movie. She spoke about the film and her experience of shooting it in an interview with us.

It is good to see you back on screen in Songs Of Paradise. How did the director Danish Renzu convince you? Thank you. Danish discussed this film with me I think before he even wrote the script. Like most people who don’t live in Kashmir, I had not heard of Raj Begum the singer. I said I have to do this role even before I read a script. It just sounded very fascinating.

Did the film live up to your expectations? It has been an honour for me to be a part of this film and to hopefully bring Kashmiri music out of the closet and into the world.

Was it a responsibility portraying Kashmir’s first recorded female singer? Yes, I felt a huge sense of responsibility. As I had never met Raj Begum I had to imagine her character, but at the same time, make sure that I somehow remain true to the iconic figure that she was. Well, I hope I’ve done some small justice to her character.

This is not the first time you play a Kashmiri woman I have never lived in Kashmir, and I have no family there but somehow I have always felt a strong connection to Kashmir and the problems people face there. Strangely, it is work that has taken me back there time and again since I did Raazi in 2018. Danish Renzu has been hugely instrumental in that. We’ve done some beautiful music videos together, shot in Kashmir, about Kashmir.

How will Paradise Lost be Paradise Regained in Kashmir? There is only one way the lost paradise can be regained and that is that some agreement needs to be reached, so that terrorism comes to an end. Things had improved so much, but it’s a constant battle to keep the peace and to keep things humming along in the valley. I am not a politician or an expert on the subject, so I can’t really comment further. But when I visited recently and spoke to people, they were all heartbroken about that terrible incident (Pahalgam attacks). Tourism has come to a grinding halt. It is extremely sad.

Why are you not seen more often on screen? Honestly, it’s not like I am rejecting roles left right and centre. If you want to see me more often, then I guess people will have to offer me more work!

Also Read: Soni Razdan praises daughters Alia Bhatt and Shaheen Bhatt for their “sass and sharp wit” in playful post

Bollywood superstar Salman Khan, who is currently filming his next project Battle of Galwan in Leh, paid a courtesy visit to the Lieutenant Governor of Ladakh, Kavinder Gupta, at Raj Niwas on Saturday, September 13.

The film, directed by Apoorva Lakhia, is based on the 2020 Galwan Valley conflict between the Indian and Chinese armed forces. Salman will be seen portraying Colonel Bikkumalla Santosh Babu, who was among the brave officers leading Indian troops during the clash.

The Office of the Lieutenant Governor of Ladakh shared glimpses of the meeting on social media, writing on X (formerly Twitter): “Bollywood icon Salman Khan paid a courtesy visit to the Hon'ble Lt. Governor Shri @KavinderGupta at the Raj Niwas, #Leh.”

Bollywood icon Salman Khan paid a courtesy visit to the Hon’ble Lt. Governor Shri @KavinderGupta at the Raj Niwas, #Leh. pic.twitter.com/YByFcy8diS — Office of the Lt. Governor, Ladakh (@lg_ladakh) September 13, 2025

Dressed in a classic blue shirt and denim jeans, the actor looked dapper as he shared a warm interaction with the LG. During the meeting, Salman was also presented with a Thangka canvas painting — a traditional Buddhist art form depicting scenes from Buddha’s life. The two posed with the artwork, marking the cordial exchange at Raj Niwas.

Meanwhile, the shoot of Battle of Galwan continues in Leh, marking Salman’s swift return to work after his recent release Sikandar. Besides the film, Salman is also hosting Bigg Boss 19. However, with his ongoing schedule in Leh, the weekend episodes are being temporarily helmed by filmmaker Farah Khan.

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Also Read: Salman Khan extends ‘Best Wishes’ for Nishaanchi to Anurag Kashyap and team

After a successful 50-day theatrical run, Mohit Suri’s Saiyaara, starring debutants Ahaan Panday and Aneet Padda, arrived on Netflix on September 12, 2025. Just a day later, filmmaker Hansal Mehta took to social media to share his thoughts on the film, calling it a reminder of why Bollywood love stories once worked so beautifully.

In a candid note, Mehta wrote, “I don’t necessarily watch the kind of films I make. Or only the kind of films that people presume I would like. I am no cinema snob. That would make life so boring. So here go my thoughts on a film I watched really late last night — thanks to jet lag.”

Praising the film’s emotional depth, Mehta highlighted how Saiyaara struck the right balance with its storytelling elements: “Get the emotions right. Get the music right. Get the timing, the quantity. Get the lead pair right. Ahaan Pandey and Aneet Padda are just that — young, fresh, utterly watchable. You simply cannot look away. The real ‘a star is born’ unfolds here as you watch the young man stride gracefully and the lovely girl emote so effortlessly.”

Mehta also appreciated Suri’s treatment of Alzheimer’s in the narrative, describing it as more of a metaphor than a medical condition: “A device for conflict, drama, and memory. Suspension of disbelief at its best. The dialogues, the cinematography, the well-directed scenes are all cloaked in a rare emotional maturity. You care about these leads, you want them to find their way back.”

While he pointed out some shortcomings — including unconvincing secondary roles and an underdeveloped father–son track — Mehta emphasized that the heartfelt love story and Mohit Suri’s signature music lifted the film: “Yes, the secondary parts are unconvincing, the father–son relationship undercooked. But the heartfelt love story overwhelms it all. And the music! Mohit pours his soul into every note. You can feel it.”

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Concluding his review, Mehta lauded the film’s ability to evoke classic Bollywood emotions: “Love here comes with the spectacle, the fanfare, the teary eyes, the energy and yet, the hold, the pause. Nobody does it better than Mohit Suri. By the end, you’re not sure what exactly worked. But it did. Big time. You smile, you hum, you get misty-eyed, you relive young, vulnerable love. And really, what more does a love story need?”

For the unversed, Saiyaara was released in theatres on July 18, 2025, and turned out to be the second-highest-grossing Hindi film of 2025.

Also Read: EXCLUSIVE: Anand Pandit analyses the surprise success of Saiyaara, “There were no interviews of the lead stars in the media, trailer received sensational reviews”; also opens up on the relevance of promotions in a specially authored article

Divya Khossla plays a pivotal role in producer Prerna Arora’s upcoming saga Jatadhara. Before that film hits the theatres, Divya’s Ek Chatur Naar released yesterday. Prerna spoke highly about Divya as an artist and a person in an interview with us.

You are very close to Divya Khossla Divya is both a friend and a force. And now I’m thrilled to cheer her on as she headlines Ek Chatur Naar—a bold and defining step that reflects her fearless instinct as an actor. Divya is playing a long-time player, and I’m proud to be part of this chapter and the next.

She makes very unconventional choices as an actor She’s that rare mix—director-producer turned leading lady—who keeps raising the bar with every choice. From the mainstream josh of Satyameva Jayate 2 to the emotional graph in Yaariyan 2, and most recently the grit she brought to Savi, her evolution is undeniable.

She is the heroine in your supernatural thriller Jatadhara When I saw the prep she did—right down to immersing herself in real locations for character work—I knew I had to bring that fire into Jatadhara. As Sitara in our film, she adds scale and soul.

The two of you represent girl power in the Hindi film industry There should be many more Divya Khosslas in our industry, a wife, a mother, a successful director and an actor. As for me, I am slowly getting there.

Also Read: Divya Khossla speaks on method prep for Ek Chatur Naar: “They made me sweep, scrub, and clean”

Rana Daggubati is one of the producers of the upcoming Tamil period film Kaantha along with Dulquer Salmaan, who also plays the lead. The movie, currently in the post-production stage, is set to release later this year.

In an exclusive chat with Bollywood Hungama, Daggubati, while speaking about the film, was all praise for Dulquer. He said, “Dulquer and I have been friends for, maybe, two decades now. It’s amazing that we got to get together on Kaantha. It’s because of Selva (Selvamani Selvaraj), the filmmaker, that we found a story that was very honest and truthful. It captures the milieu of the 1950s very beautifully in a human story.”

Raggubati believes the film couldn’t have been made without Dulquer. “Still early on to tell but I think if it wasn’t Dulquer, I don’t know who else would have pulled this off,” he said.

Rana Daggubati is also excited as his SS Rajamouli directed magnum opus Baahubali will be releasing in theatres as a five-hour version of both the movies in the series on October 31. It is titled Baahubali: The Epic. “I think the beauty of Baahubali is the fact that it hasn’t dated even now,” he said. “It’s so relevant and cool. From the time we put out the teaser and trailers out, people got very excited, like it was a (new) release itself.”

On what one can expect from Baahubali: The Epic, Daggubati added, “This time in the theatres you will get to see a version that the audience has never seen before. It has two parts together, re-cut and re-mastered by Rajamouli. We got to see it, we were very excited for the audience to get a glimpse of it.”

Ever since the release and the subsequent success of both the Baabubali movies, Rana Daggubati and Prabhas have acquired the tag of ‘Baahubali actors’. When asked whether he is happy with such a tag, Daggubati said, “Well, anybody who is associated with Baahubali will be happy about it. I think Baahubali is something that even the audiences are happy if they are associated with watching it. So yes, it’s always a great honour.”

Also Read: EXCLUSIVE: Rana Daggubati on backing Sundance winner Sabar Bonda, “It was All We Imagine As Light that pushed us to take this film”

Debut filmmaker Anuparna Roy, winner of the Orizzonti Award for Best Director at the 82nd Venice Film Festival for her film Songs of Forgotten Trees, has defended her remarks on Palestine amid growing controversy, and revealed that noted filmmaker Anurag Kashyap had advised her against speaking on the subject.

Speaking to ANI, Roy said, “I meant whatever I said at the festival. It was said with the intention of pointing out the injustice around the world. If I support Palestine, if I am standing against injustice, it doesn't make me less Indian. People are thinking that I have spoken about it for the first time, but it's not that. I mentioned Palestine while receiving an award in Russia. This doesn't mean that I will not talk about the genocides or the violence in Nepal.”

She added, “I request everyone to celebrate the achievement and not 'politicise' it in such a manner. I don't represent anything.”

Roy also described being discouraged from making such remarks. “People are claiming that I made the comments under the influence of Anurag Kashyap, but I was strictly advised by my producers, my mentor, and Anurag Kashyap himself that I don't need to talk about it. I went beyond their advice and said it all. Now I understand why they asked me to avoid it. Things have been going completely against me. People are even calling me a traitor. But I am not angry at all. I made one film and I will make another one,” she said.

She added, “I will continue to speak against injustice. I believe such things should come into discussion, whether it is Kashmir, Murshidabad, or Gujarat.”

Regarding her acceptance speech at Venice, Roy stood firmly by her stance: “Every child deserves peace, freedom, liberation and Palestinians are no exception... It's a responsibility at the moment to stand by Palestine.... I might upset my country, but it doesn't matter to me anymore.”

Songs of Forgotten Trees was the only Indian film in Venice’s Orizzonti section, exploring the lives of two migrant women in Mumbai as they deal with loneliness, survival, and fleeting connections.

Also Read : Anuparna Roy becomes first-time director to win Orizzonti award at Venice for songs of Forgotten Trees

When two fashion-forward stars step out in the same designer outfit, comparisons are inevitable. This time, Malavika Mohanan and Alia Bhatt found themselves in a friendly fashion face-off, both opting for a striking Gucci look that blends structure with understated glamour.

Malavika Mohanan’s Take Malavika made a confident statement in the all-Gucci ensemble. She styled the brown fitted jersey shirt with wide-leg trousers in a slightly lighter shade, cinched neatly with a leather belt. What set her look apart was the choice of accessories—golden earrings, an oxidized choker, a chunky bracelet, and a maroon purse that added depth to the earthy palette. With her hair pulled back into a messy low ponytail, she struck a fine balance between polished elegance and effortless ease.

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Alia Bhatt’s Interpretation Alia, on the other hand, wore the same outfit for a magazine shoot and gave it a fresh editorial spin. She paired the brown shirt and linen trousers with a standout golden chain choker cascading down to her waist. A pop of contrast came through her yellow Gucci purse, complemented by maroon-brown stilettos. With her hair styled in soft, tousled waves and a nude, dewy makeup look, Alia’s version leaned into youthful charm and magazine-ready appeal.

Style Showdown Both actresses stayed true to their personal style while honoring the outfit’s sophistication. Malavika’s approach felt more event-ready and grounded, while Alia’s leaned into high-fashion drama with playful touches. Neither look outshines the other completely—they simply highlight the versatility of the ensemble.

Also Read: Malavika Mohanan on working with Mohanlal in Hridayapoorvam; says, “I love that my character Haritha is so well etched out”

In what promises to be a major launch onto the Bollywood scene, Aryan Khan is stepping into three significant roles in the upcoming series The Ba***ds of Bollywood. Not only is this his debut as a writer‐director, but he is also making his singing debut in a track alongside Punjabi superstar Diljit Dosanjh.

The song, titled ‘Tennu Ki Pata,’ is the latest release from the series’ soundtrack. Aryan’s voice features partially on it, along with Diljit and composer‐producer Ujwal Gupta. The lyrics are written by Kumaar. It follows two earlier tracks from the same album, ‘Tu Pehli Tu Aakhri’ and ‘Badli Si Hawa.’

On-screen, the series will be led by Lakshya, with Raghav Juyal, Sahher Bambba, and Anya Singh in parallel lead roles. And in terms of cameos, it brings together a major line-up, Aamir Khan, SS Rajamouli, Disha Patani, Karan Johar, Badshah, Shah Rukh Khan himself. It's like having all industry titans under the same roof.”

Although the trailer is just out, it has already generated buzz. Among the comments from viewers are observations such as: “an outsider leaving a dharma production film and getting banned by kjo, hmm where have we heard that one before”, “this lowkey looked liked kartik and dharma beef story where the outsider is in dilemma and Targetted from everywhere”, and “Very Aryan calling Aaryan promo”.

The Ba***ds of Bollywood is slated for release on September 18 on Netflix.

Also Read : The Ba***ds Of Bollywood song ‘Tenu Ki Pata’ out: Manoj Pahwa vs. Badshah battle in this quirky Diljit Dosanjh track is unmissable, watch

During his recent stay in India, global pop icon Ed Sheeran made headlines with a striking comparison between Shah Rukh Khan’s blockbuster Om Shanti Om and the cult classic Star Wars. Speaking with Zane Lowe on his YouTube channel, Sheeran said that encountering Om Shanti Om for the first time was like “introducing Star Wars to someone… They just go like, ‘What the f*** is this?’”

Sheeran’s visit to India was in connection with the filming of his track ‘Sapphire’ alongside Bollywood singer Arijit Singh. Reflecting on his travels, he remarked: “What was interesting about doing the whole India tour was that the only reason we were there was to shoot the music video. We thought that we needed to go all over the country and shoot a little bit everywhere. I love that every hundred miles, the culture, language, food, fashion, rhythms, and all of it changed.”

On the subject of Indian cinema, Sheeran recalled being introduced to Om Shanti Om. He said, “It's a wealth of discovery of movies, and someone going like, ‘Oh, have you seen this movie? Have you seen Om Shanti Om?’ It's like a really big Shah Rukh Khan movie, and it has amazing songs and dances in it. This is a weird analogy, but it is almost like introducing Star Wars to someone for the first time, and they just go like, ‘What the f*** is this?’ There are superstars in the same country singing in different languages.”

He called his stay in India and his work with Arijit Singh “the most incredible days of my musical journey,” as he was seen wandering through local streets, riding in autos, and even giving surprise performances in Hyderabad.

Om Shanti Om, directed by Farah Khan and released in 2007, was a major milestone in Bollywood: it marked Deepika Padukone’s debut opposite Shah Rukh Khan and is celebrated for its spectacle, music, and dance.

Also Read : Is Ed Sheeran making his Bollywood singing debut in Shah Rukh Khan’s King? Here’s what we know!

The Pan-India mythological-fantasy film Mirai has been released today worldwide. The excitement for it is there due to the subject, casting, exciting trailer and also the association of Karan Johar’s Dharma Productions for the Hindi version. Bollywood Hungama has learned that Mirai is not just a one-part saga. The makers have intended it to be a multi-part series and the hint about it is given towards the end of the film.

Mirai ends with the promise of a sequel. The title of the second part is mentioned in the end slate - Mirai: Jaithraya. That’s not all. A mid-credit scene is shown to the audience and it introduces the new villain of the series – Rana Daggubati!

Further, Rana’s character is shown to possess a mysterious power. It is quite intriguing and with this scene, the makers make it clear that Veda, the protagonist, is up for a bigger threat in the sequel. Rana Daggubati looks apt for the casting and moreover, his role will surely remind one of his legendary villainous act as Bhallaladeva in Baahubali.

Mirai stars Teja Sajja, Manchu Manoj, Ritika Nayak, Shriya Saran and others. Written and directed by Karthik Gattamneni, it is the story of an orphan who realizes that he is in the world for the greater good and to stop an evil force. Teja plays the protagonist Veda while Manchu Manoj is the villain, Mahabhir Lama.

At the trailer launch of Mirai’s Hindi version in Mumbai, Teja Sajja remarked, “Why does nobody question when the same love story is made again and again, but the moment we try to tell a story inspired by our ‘dharma’, people start raising doubts? We should feel proud—this is our land, these are our morals. In the 3 minutes 10 seconds of the trailer, only 10 seconds show a glimpse of Lord Rama, and for that alone, questions of religion are being raised. This film is not just about that—it’s a mix of fantasy, action, adventure, superhero storytelling, and deep emotions. We’re bringing all of this together through the lens of our Indian itihasa, in a fresh and cool way, so that the younger generation can connect with it and embrace it.”

Also Read: People Media Factory drops second song ‘Jaithraya’ from Teja Sajja starrer Mirai; watch

Actor-turned-presenter Mandira Bedi has opened up about the difficult beginning to her stint as a host during the 2003 Cricket World Cup, saying that despite a rocky first week, she managed to turn public opinion around by changing her approach on live TV. The account appeared in an Indian Express report summarising Bedi’s conversation on Sanjeev Datta’s Personality School YouTube channel.

Mandira said, “Cricket was career changing for me,” revealed she was spotted after screen tests and selected from among many hopefuls. “My first reaction was yes when they asked me to host the World Cup, but a lot came after that. They were screen-testing 1000 other women.” She remembered how intimidating it was to sit beside legendary ex-cricketers and face live television for the first time.

She reflected on her first experience of hosting the World Cup, describing it as highly challenging. Sharing the stage with legendary former cricketers, she admitted, “No matter how much you prepare for that moment, you’re never truly prepared for it.”

Reflecting on that opening week, Bedi admitted, “The beginning was disastrous. I had a lot of baggage in my head, thinking this is cricket, it is the highest rated content on Indian television. And words once spoken on live TV cannot be taken back. I had a lot of nervous energy and I messed up a few times. After every show, I would put my head down and would cry.”

She said channel executives intervened to calm her and reshape expectations. “Eventually, they had a little intervention, and they told me that you have what it takes, but there is something that is holding you back, just go and have fun. They told me you are not a commentator or an analyst, so just go and ask whatever you want, nothing is off the table,” she revealed.

After that talk, Bedi changed tack on air. “Post that intervention with tears streaking on my face, I went on air and I smiled through it all. That was half the job done. I smiled and asked cheeky questions. I made people laugh and everything changed after that.”

She added, “The first week was a disaster, but it was a long tournament, so I took time to change people’s minds. All the talk that was coming about ‘how dumb she is, not one word that she speaks is sensible’, it changed to ‘what a delight it is to have her on the panel, she makes the panel more fun.’ A lot of people’s minds got changed during that period of a few weeks.”

Also Read : Mandira Bedi likely to return in Kyunki Saas Bhi Kabhi Bahu Thi reboot after 25 years: Report

Salman Khan, one of Bollywood’s most popular stars, has delivered several major hits over the years. His 2012 action thriller Ek Tha Tiger was a huge success and went on to become a blockbuster. Now, the film is set for an exciting re-release on the big screen.

Salman Khan’s much-loved film Ek Tha Tiger is set to return to theatres with a special re-release. This gives fans a chance to revisit the action-packed entertainer on the big screen, while also offering audiences who missed it during its original run in 2012 the opportunity to experience the film in cinemas for the first time.

Ek Tha Tiger, released in 2012, was among the year’s biggest hits and marked the beginning of YRF’s Spy Universe. The film introduced audiences to Tiger, played by Salman Khan, and set the stage for the franchise. Directed by Kabir Khan, it also features Katrina Kaif in the lead, alongside Ranvir Shorey, Roshan Seth, Girish Karnad, and Gavie Chahal in supporting roles.

Apart from the re-release, Salman Khan has a busy lineup of big commercial projects. His upcoming war drama Battle of Galwan has already sparked conversations online following the release of its first look. Meanwhile, a possible reunion with Kabir Khan for Bajrangi Bhaijaan 2 could bring back the emotionally driven storytelling that marked their earlier collaboration.

Also Read : The INSIDE Story: Salman Khan’s meeting with Rajnath Singh clears roadblocks for Battle Of Galwan

Filmmaker Hansal Mehta’s web series Gandhi was recently screened at the Toronto International Film Festival (TIFF) to a standing ovation. The show, which is produced by Applause Entertainment, sees Pratik Gandhi play Mahatma Gandhi. The actor spoke about the experience in an interview with us.

Your series Gandhi was screened at the Toronto International Film Festival to a standing ovation which is not a common occurrence at this festival Well it’s a lifetime experience for me. My heart is full of gratitude and satisfaction. It’s the biggest project of my career till now. Lots of firsts attached to this one. My wife Bhamini and I are working on screen together for the first time. That’s a long awaited dream come true for us.

It is also the first series to be shown at the TIFF. Normally they screen feature films It is a first ever made in India, made by Indians on Gandhi. I am sure the world has not seen this Gandhi ever before. It’s about Mohan we don’t know much about. We screened only the first two episodes at TIFF. We got a standing ovation and that was extremely overwhelming. I am happy that the world will explore Bhamini’s talent through her impactful and compelling performance as Kasturba. Can’t wait to show the series to my audience in India.

Do you see this as your international launch? Yes, I would like to believe so. Going by the response we have got in Toronto, I can only see the impact of the series spreading.

Also Read: “Historic and Humbling”: Hansal Mehta reacts to Gandhi becoming first Indian series at TIFF primetime

Komal Nahta is back with a new season of his podcast, Game Changers: The Producer Series. This edition will feature producers sharing insights about their journeys.

The next guest on the series is actor Aamir Khan. In his conversation with Komal Nahta, he shared that he never planned on becoming a producer, as his father’s struggles in the field had once discouraged him from pursuing it.

Aamir revealed how he was happy being an actor and never wanted to become a producer, “Mujhe lagta hai jab maine apne father ka career dekha first-hand jab main chhota tha, toh mujhe realise hua mujhe producer kabhi nahi banna hai. Kyunki sabse zyada mehnat aapki hoti hai, risk aap le rahe ho, paise aap laga rahe ho aur sirf aap gaaliyaan kha rahe ho. Plus, a lot of times aapke saath team kabhi cooperate nahi karti, toh meri father ki film 8 saal lagi thi locket banane mein. Toh yeh sab dekhke mujhe laga yaar hum ab actor ban gaye hai, gaadi bhi chal gayi hai, Qayamat Se Qayamat Tak hit hogyi hai. Mujhe producer banne ki kya zaroorat hai. Mein jab film karunga mujhe paise mil jaayenge, I'll be happy. Aur mein apne producer ko tang bhi nahi karta hoon, toh I am happy.”

He further added, “Aur maine interviews bhi diye, agar aap mere early interviews padhenge, toh log mujhe puchte the, ki aap kabhi produce karenge toh mein kehta tha kabhi nahi, aur kuch bhi kar lunga, mein direct toh definitely karunga, act toh kar hi raha hoon par produce mein kabhi life mein nahi karunga. Yeh, mere categorical statements hai, aise categorical statements kabhi nahi karne chahiye.”

With Game Changers Podcast: The Producer Series, Komal Nahta brings insightful conversations with some of Indian cinema’s most notable producers. Episodes are available on the YouTube channel, Game Changer: The Series.

Also Read : 30 years of Rangeela: Ram Gopal Varma on not working with AR Rahman after Rangeela and Daud, “You need a lot of patience to work with him”

Prajakta Koli is deeply affected by the growing violence and unrest in Nepal, with the disturbing visuals and reports leaving her saddened. She has chosen to cancel her planned trip to the country and expressed solidarity with those suffering from the crisis.

On Tuesday, Prajakta shared her concern and sorrow over the ongoing unrest in Nepal through an Instagram Story. In her note, she conveyed her thoughts and extended solidarity with those impacted by the situation.

Prajakta wrote, “What happened in Nepal yesterday is truly heartbreaking. Any form of celebration at such a time feels inappropriate. My heart goes out to the families of those who have suffered. I was really looking forward to being there and meeting everyone, but now isn’t the right time. Hopefully, I’ll get to see you all very soon.”

The upheaval in Nepal stems from protests led by Generation Z sparked by the government’s decision to shut down popular social media platforms for failing to register with the Ministry of Communication and Information Technology. This move ignited widespread anger rooted in long-standing issues of corruption, nepotism, and economic marginalization of youth.

Despite the government's efforts to reverse the social media ban, protestors remain undeterred. Several sites of authority including Parliament, the President’s Office, the Prime Minister’s residence, Supreme Court, and party headquarters have been set ablaze. A particularly tragic incident led to the death of Rajyalaxmi Chitrakar, wife of former Prime Minister Jhala Nath Khanal. In the midst of the crisis, Prime Minister KP Sharma Oli has resigned, and the Nepali Army has assumed control of security operations.

In solidarity with those affected, Prajakta’s decision underscores the gravity of the situation on the ground. Her message stands as a poignant expression of empathy and restraint during a time when “any form of celebration feels inappropriate.”

Also Read : Prajakta Koli becomes the ONLY Indian creator on 2025 TIME100 Creators List

AR Rahman created the soundtrack for the Oscar-winning 2008 film Slumdog Millionaire. Its iconic song ‘Jai Ho’ brought him two Academy Awards—for Best Original Score and Best Original Song—along with several other accolades. Surprisingly, Rahman nearly turned down the project after his agent advised against it. In a recent interview, the composer shared that his then-manager worried he might lose his job, as director Danny Boyle was known for rejecting people’s work. Despite the concern, Rahman chose to follow his instincts, and the songs ultimately gained global recognition and acclaim.

Speaking with Suchitra Tyagi at TIFF 2025, Rahman shared that his agent feared he might be fired due to director Danny Boyle’s reputation for discarding contributors. “Actually, what happened was my agent at that time said, ‘Don’t do this because you might get fired’. I said, ‘Okay, nobody will know that I got fired if I don’t tell it out’. So, I scored the movie and Danny was amazing. You have all the system around which confuses you. So, I went ahead with it and the result was great. It was actually a leap of faith and courage. Sometimes, people confuse you but you have to think what you have to do, what is right.’”

In a move that highlights both caution and creativity, the composer kept his work under wraps from his own team. “I did it in secret. The team thought it was a documentary or something like that.” Rahman said, noting how the project ultimately catapulted him onto the international stage. “It brought in a bigger international audience for me. In life, you get certain projects which are very blessed.”

When asked if he is difficult to satisfy, the music composer responded, “To please myself? Yes. I torture myself. I am not seeking validation. My validation which I seek is within myself. If I do something under my level, I feel guilty. I don’t sleep for many nights.”

He added, “Sometimes, I have sleepless nights for a month, thinking about why I did something and how I should have done better. Even with mixing or anything else. I have trained a lot of people now, so that even if I miss anything, they do the last checkup. The problem with life is that the more you evolve, the more guilty you feel, the more you want to go deep in within your work.”

Slumdog Millionaire went on to become a defining milestone in Rahman’s career, with its iconic track ‘Jai Ho’ earning him Academy Awards for both Best Original Score and Best Original Song. The episode stands as a powerful testament to the importance of trusting one’s creative judgment, even in the face of doubt.

Also Read : Nora Fatehi sizzles in ‘Tamancha’; A.R. Rahman and Sunidhi Chauhan drop explosive track from Ufff Yeh Siyapaa

Tanisha Mukerji, who has always been candid about her personal life, recently opened up about her past relationships and heartbreaks in an interview with Pinkvilla. The actress, who was once in the spotlight for her high-profile romances with actor Uday Chopra and former Bigg Boss contestant Armaan Kohli, shared that she is now in a happy phase of life, in love with herself and the journey she’s on.

During the candid conversation, Tanisha addressed her much-publicised relationship with Armaan Kohli, which had begun on the sets of the reality show Bigg Boss. Their chemistry inside the house kept audiences hooked and even boosted the show’s TRPs. However, after the season ended, their romance fizzled out. Speaking about it, Tanisha said, “Woh itna heartbreak nahi tha (it was not really a heartbreak).”

Instead, she admitted that the end of her relationship with Uday Chopra left a deeper impact on her. “I was more heartbroken jab mera Uday ke sath breakup hua. Because we were friends. We were very close and we have known each other for a very long time,” she confessed.

For those unaware, Uday and Tanisha starred together in the Yash Raj banner film Neal ‘n’ Nikki (2005), which created much buzz at the time. Their friendship eventually grew into a romantic relationship, but the breakup left Tanisha hurt, not only because of the romance but also due to the loss of a long-standing friendship. However, the actress—known for her optimistic outlook—chose to see the brighter side of things. “I am the kind of person who always looks at the bright side of things. I just can’t help it. I believe that whatever happens, happens for the good,” she added.

Currently, Tanisha is embracing life with positivity and gratitude. Despite the heartbreaks of the past, she believes those experiences shaped her into who she is now. With her candidness, Tanisha once again reminded fans why she remains one of the most relatable voices in Bollywood.

Also Read: Tanishaa Mukerji blasts critic for calling Saiyaara success ‘fake’: “What rubbish is this man saying?”

You were so much fun to watch in Ram Gopal Varma’s Darling. It’s one of the films where I had the most fun playing a negative role — especially taking revenge, but in a slightly humorous way.

How did you and Ramu get together? Working with Ram Gopal Varmaji back then was an absolute treat. He observed me very closely in our first meeting and, surprisingly, picked up on certain mannerisms of mine. He then made me use those in the character. He let me be, and that helped bring out a powerful performance. I remember one particularly tough monologue — it just flowed naturally, without feeling forced.

It couldn’t be easy playing a ghost. Ramuji allowed me to be completely free in front of the camera — no body language coaching, no workshops, just pure spontaneity. That’s exactly how I like to work. Thank God there were no workshops back then, because for some of us, they can kill that spark of spontaneity.

How did Fardeen Khan and you get along? (Laughs) Poor Fardeen got a lot of whacks from me in this film! I remember apologising to him after every shot because my character had to be so mean to him. In reality, though, he’s one of my closest buddies. We had a great time shooting together. And I loved the song Tadap Tadap. Though Isha [Koppikar] and I had very little screen time together, she was an absolute sweetheart on set. Honestly, I just had a blast doing such a role. I also remember your review from back then, where you praised me a lot — it’s still special.

Do you believe in ghosts? Hahaha… I believe in angels!

This September, Star Gold will present the World TV Premiere of Kesari Chapter 2: The Untold Story of Jallianwala Bagh on Saturday, September 13, at 8 PM. Inspired by true events and based on the book The Case That Shook the Empire by Raghu Palat and Pushpa Palat, the film revisits a pivotal yet lesser-known chapter of India’s freedom movement. It highlights the courtroom battle led by barrister C. Sankaran Nair, who boldly challenged the British Crown to reveal the truth behind the 1919 Jallianwala Bagh massacre.

Directed by debutant Karan Singh Tyagi, who himself has been a lawyer by profession and produced by Dharma Productions, the film combines gripping drama with historical depth. Akshay Kumar leads the cast as C. Sankaran Nair, a man whose moral reckoning led him to challenge the might of the British Empire. He is joined by R. Madhavan and Ananya Panday in pivotal roles that add intensity and emotional depth to this courtroom battle.

Commenting on the World TV Premiere, a JioStar Spokesperson said, “Star Gold has consistently been at the forefront of bringing landmark premieres to TV, and Kesari Chapter 2 is another proud addition to this slate. With stirring performances and a gripping narrative, this premiere is a doorway to an extraordinary tale of courage and sacrifice, inspired by the events of Jallianwala Bagh.”

Talking about the premiere Akshay Kumar shared, “Playing C. Sankaran Nair has been one of the most fulfilling roles of my career. His story is a testament to the fact that courage isn't just on the battlefield it's also found in the fight for truth and justice. I'm very happy that this Untold story of Jallianwala Bagh will now reach homes across the country and millions of people will know the truth behind the massacre when Kesari Chapter 2 premieres on Star Gold on 13th September at 8 PM.”

Madhavan commented, “Neville McKinley was a complex and challenging character to portray. His story is one of internal conflict, and it was a privilege to be a part of this powerful narrative. I’m excited for audience across the country to witness this courtroom battle and to know the truth of Jallianwala Bagh that most of us were unaware of. Watch it all unfold in the World TV Premiere of Kesari Chapter 2 on September 13, at 8 PM, only on Star Gold.”

Ananya Panday expressed, “Playing Dilreet Gill has been an absolute honour for me. She represents the fearless youth who believed in truth above all else. Being part of a film that captures such an important moment in our country’s history has been truly special, and I hope viewers, especially the youth, feel the same pride and inspiration I did while bringing Dilreet’s character to life. I’m really looking forward to audiences across the country joining us for the World TV Premiere on Star Gold on September 13 at 8 PM.”

Karan Johar stated, “Producing Kesari Chapter 2 has been a journey of immense pride for Dharma Productions. The story of C. Sankaran Nair is a powerful testament to the fight for truth, and we were committed to bringing this pivotal moment in our history to the screen with the grandeur and authenticity it deserves. We can't wait for everyone across the country to watch the World TV Premiere on Star Gold on September 13, at 8 PM.”

Director Karan Singh Tyagi added, “Reading about C. Sankaran Nair's unwavering fight to expose the truth of the Jallianwala Bagh massacre deeply moved me as a filmmaker. This wasn't just a historical event; it was a pivotal, yet largely untold, chapter of our nation's past that fuelled our fight for freedom and justice. My purpose with this film was to illuminate the incredible courage of a man who, armed with nothing but his convictions and the law, challenged the might of the British Empire. I'm truly eager for audiences to witness his story in Kesari Chapter 2, premiering on Star Gold on September 13 at 8 PM.”

Also Read : Akshay Kumar joins Ganesh Visarjan beach cleanliness drive with CM Devendra Fadnavis – fans call him the ‘real hero’

This year has been significant for the Roshan family in more ways than one. 2025 began with them dominating the limelight, first for the release of The Roshans on Netflix, followed by the re-release of Kaho Naa Pyaar Hai (2000). It also means that Hrithik Roshan also completed 25 years as an actor and this feat was also celebrated in a grand fashion. 2 months later, it was announced that Hrithik would take the baton from his father, Rakesh Roshan, and direct Krrish 4. Bollywood Hungama exclusively spoke to Rakesh Roshan on his 76th birthday recently and during this conversation, he shared a major update about Krrish 4.

Rakesh Roshan is known to meticulously plan his projects and sketch out a detailed production plan and schedule before going on floors. Krrish 4 is no exception. He explained, “The script didn’t take a lot of time. The pressure was the budgeting. Now that we have an idea of the definite budget required for this film, we’ll be starting the film.”

With the Roshans’ trademark discipline ensuring the project is firmly structured before execution, Rakesh Roshan further elaborated on the timelines, “The work is going on all in full swing. We are going to start the shoot of the film by the middle of next year. This is because the pre-production is much more extensive in this film. Hence, we have to be well-prepared before we go on floors.”

When asked if the shoot would go on until the end of 2026, the legendary filmmaker replied in the affirmative. Will Krrish 4 then be released in 2027 or 2028? Rakesh Roshan replied, “We plan to release it in 2027.”

Krrish 4 is the fourth part of the blockbuster superhero franchise, the first three being Koi Mil Gaya (2003), Krrish (2006) and Krrish 3 (2013). All these three movies were directed by Rakesh Roshan. Interestingly, Krrish 4 is co-produced by Yash Raj Films (YRF). It marks the first collaboration between YRF and the esteemed production house of the Senior Roshan, Filmkraft.

Also Read: Rakesh Roshan reveals that Hrithik Roshan taking over Krrish 4 doesn’t mean he is retiring from filmmaking: “I would return to direction if I find something that interests me”

Tyaani Jewellery by Karan Johar has debuted its latest marketing initiative, named Forces of Tyaani, marking a strategic expansion into the men’s jewellery domain. The campaign enlists acclaimed actor Jim Sarbh as the campaign’s face, underlining the brand’s renewed focus on men’s fine jewellery offerings.

Historically, Tyaani has concentrated primarily on women’s jewellery. However, with this campaign, the brand seeks to reposition jewellery as a staple of everyday menswear—moving beyond traditional male accessories like belts, watches, and cufflinks. While the brand has previously offered a limited selection of men’s pieces, Forces of Tyaani marks a deliberate, elevated push to make jewellery a routine styling choice for male customers.

The campaign’s visual narrative features Jim Sarbh adorned with a long necklace and cocktail rings crafted in 18kt yellow gold, adorned with both uncut and cut diamonds and colored stones. These items blend modern and traditional design sensibilities through innovative setting techniques.

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Karan Johar, the brand’s founder, commented, “Style, for me, is about self-expression—and jewellery is one of the most personal and powerful ways to define it. With this campaign, we are amplifying our men’s fine jewellery offering, making it a bold and natural part of modern style. Jim embodies that spirit perfectly—effortless, authentic, and unafraid to experiment. He makes jewellery his own, which is exactly what Tyaani stands for.”

Jim Sarbh, as the brand ambassador, shared, “I’ve always believed style should have an element of surprise, something that feels truly your own. Jewellery, for me, brings that unexpected edge—it’s bold yet effortless, personal yet versatile. What I love about Tyaani’s pieces is how naturally they slip into everyday style, while still making a statement. This campaign is about embracing that twist, that individuality, and I’m excited to be a part of it.”

Currently, the campaign is live across Tyaani’s digital platforms, ushering in a fresh narrative for what men’s styling can embrace.

Also Read : Mirai Mumbai press meet: Karan Johar hails Ahaan Panday and Aneet Padda’s Saiyaara: “Woh superstars nahin the; ab superstars ban gaye hain”

Ananya Panday revealed that choosing celebrated designer Gauri Khan to style her new Mumbai home was driven by heartfelt sentiment. In an interview with NIF Global, recalling their long-standing bond, Ananya described Gauri as “almost been a second mother to me,” explaining, “Honestly, for me, it was a sentimental decision to have Gauri Khan do my house because I have grown up around her and she has almost been a second mother to me. She knew me, really me. She was like, if I was doing this for Suhana [Khan, her daughter], then I would have done something very similar.”

She further emphasized how Gauri balanced familiarity with respect. “What I liked about Gauri ma'am was that even though she had known me since I was a kid, she still took me seriously. She saw that this is my first house and I would want to do it in a way… so she never put too many of her opinions or decisions… she left it open to me. Everything was like a question or conversation… ‘Is this something you would like?’ ‘Do you want to try this?’  Interior design is such a personal thing... it is also someone's home where they will be spending every single day. So understanding the person's personality is very important.”

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Expressing gratitude on Instagram, Ananya wrote: “My first home... my dream home…thank you @gaurikhan... no one could have understood exactly what I wanted better than you... and made it so so so special for me... you’re the best, love you!!!”

On the work front, Ananya will be seen in Tu Meri Main Tera, Main Tera Tu Meri, co-starring Kartik Aaryan and produced by Dharma Productions, is scheduled to hit theatres on February 13, 2026.

Also Read : Ananya Panday opens up on body positivity; says, “Being kind to your body is most important”

The anime market in India is niche but also significant and this has been proved yet again by the bookings of Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle. It is all set to release on Friday, September 13 and many shows are already sold out or about to get house full, astonishing the trade and industry.

The advance booking opened on Friday, September 5 and in no time, the tickets started getting sold like hot cakes. The demand is especially high for the Japanese 2D IMAX version. Looking at the response, shows as early as 5 am have been added. In the IMAX screen at Cinepolis Seawoods, Navi Mumbai, a 5:20 am show of Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle will be played on the release day. Such early morning shows have become common in the post-pandemic for biggies, but this is the first time that a Japanese film has achieved this feat in India.

The IMAX at PVR Vegas Dwarka and Inox Vishal Mall in Delhi will each have a 6:40 am show while PVR Ambience Gurugram and PVR Select City Walk will play shows at 7:30 am. In Bengaluru, 6:30 am shows have been incorporated in the IMAX screens at PVR Nexus, Inox Mantri Square and Inox Galleria Mall. The earliest show in India, as of now, is at Inox Megaplex, Pune. It'll play the 5:15 am show, that is, 5 minutes before the show at Cinepolis Seawoods. With demand for tickets increasing with each passing day, many more such early morning shows are expected to be added not just in IMAX properties but also in non-IMAX theatres.

As for Friday night, PVR sold 25,000 tickets of Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle, while Cinepolis had a sale of 6,000 tickets. However, in the last 24 hours, more than 65,000 tickets have been sold on the ticketing app BookMyShow. Hence, expect the Japanese anime film to take a surprising start on September 12.

Boney Kapoor’s much-awaited film Maidaan (2024), starring Ajay Devgn, was finally released after years of delay due to Covid-19. Despite getting unanimous acclaim, it failed to work at the box office. Boney Kapoor, in an interview to Komal Nahta, said that he has paid money to all the vendors, though he suffered a huge loss.

Boney said, “If the film didn’t work, how are the vendors to blame? They patiently waited. For instance, a vendor charged Rs. 100 for his services. I paid him Rs. 60 while the film was in production. I owed him Rs. 40. For those Rs. 40, he waited for 4 years. Will it be fair after I tell such vendors after all these years, ‘My film has flopped and hence, I can’t pay’? I borrowed money to pay them.”

He continued, “A few of them met me with their father. This is because their father had also worked with me earlier. They got mithai ka dabba aur woh mujhe aashirwad deke gaye hai. Then there were some who voluntarily cut down on 10-15% of the amount that I owed them. They would tell me, ‘Pados ke office ki film super-hit hui hai. Uske paise aaj tak nahin mile hai’, ‘yeh producer ke itne paise balance hai’. I would tell them, ‘Mujhe kuch nahin sunna hai. What I owe you (I’ll pay you)’.”

Boney Kapoor further stated, “This has happened even before the release of No Entry. If I assure someone that they’ll be paid in a month and before he would call me, I would phone him and tell him, ‘Yaar, 15 din aur late ho jaayenge’. Also, I never changed my number. Isse yeh hota hai ki jisko paise lene hai, uska hausla rehta hai. Iske liye himmat chahiye. I could look into the eyes of every person I owe money because I know I’ll pay him back. I believe this goodwill has kept me relevant even today (smiles).”

Boney Kapoor then opened up on the difficulties he faced in making Maidaan, “I suffered losses as the film was stranded for 4-4 ½ years because of Covid. 70% of the shoot was completed in January 2020. We were all set to shoot the matches from March 22. 250 actors playing foreign team players had arrived in Mumbai. Who had imagined that it would go on for so long? I kept the unit here until the last flight of the actors' origin country. This happened many times. Moreover, my set got washed out during the cyclone.”

Boney was asked about the rising cost and he confessed, “The original budget was Rs. 120 crores. But due to delays and Covid, the cost went up to Rs. 210 crores.”

He also said, “We had a unit of 600-800 people during the shoot of the matches. Because of Covid, there were restrictions. I used to order food from Taj Flight Kitchens. There were 4 ambulances. No one was allowed to eat together. They were given food packets and if they needed a refill of the meal, tents were set up for it. We didn’t give them local water. We signed a deal with a particular brand to supply water. Uska accha khaasa bill tha. We had to give the foreign actors the assurance that the water is safe for them to consume. All this added to the cost, more so when you did it over a period of 3 years.”

He revealed, “During the shoot of match scenes, there were hardly any foreigners in Mumbai. Even if we had to do multiplication during VFX, we needed 1000-2000 junior artists to show a crowd of 40,000 people. Hence, we had to fly to Bangkok for those sequences. For the stadium exterior, we shot outside different universities in Bangkok.”

Also Read: Boney Kapoor reveals why Sridevi charged Rs. 70 lakhs lesser for Mom: “She told me, ‘Mujhe mat dena par A R Rahman ko le lo’”; also talked about her not-so-known talents: “She did 90% of her makeup; would sketch the outfits…”

7 ½ years ago, Boney Kapoor’s wife Sridevi passed away suddenly, shocking the industry and fans at large. In an interview with Komal Nahta, Boney Kapoor opened up about her not-so-known talents.

He began by saying, “She had a lot of understanding about filmmaking. She used to realize that the lighting was not perfect. 90% of the makeup, she used to do on her own. She would decide what kind of hair would suit the costume. She would sketch the outfits she felt would be appropriate. For the costumes of Roop Ki Rani Choron Ka Raja (1993), Leena Daru was sent to Kashmir to where Sri was shooting, as she was not happy with the clothes sent to her for trial. She gave the costume idea and colour scheme. Consequently, I had to change the colour scheme of the set to match the costume!”

Boney continued, “So, she used to sketch everything. You can check with Manish Malhotra and Neeta Lulla how much she has contributed to their growth.”

Boney Kapoor revealed, “Initially, her 4-5 Hindi films were dubbed. She felt her performance was compromised. So, she learned Hindi. She would have a Hindi teacher in the dubbing studio. That’s how she started dubbing on her own. For Mom (2017), she dubbed for the Tamil and Telugu version. For the Malayalam version, there was a dubbing artist. Yet, she sat with her to see that the dubbing was in sync with the performance. Very few artists have such dedication.”

He also said, “For Mom, we wanted to hire A R Rahman. But he was expensive and we couldn’t afford him. We had allotted money for Sri’s fees as well. She told me, ‘I don’t want the balance money’. It was a good, substantial amount of Rs. 50-70 lakhs. She told me, ‘Mujhe mat dena par Rahman ko le lo’!”

Also Read: Boney Kapoor CONFESSES: “I paid Rs. 3.5 cr for the remake rights of Comali; have now given Hindi rights to Luv Ranjan”; also confirms that he’s planning a film with Shraddha Kapoor

Rakesh Roshan turned 76 on September 6 and on this joyous occasion, the legendary filmmaker spoke exclusively with Bollywood Hungama about his birthday plans and his recent health scare. He also opened up for the first time about surprising netizens by posting a dance reel exactly a month ago.

Happy Birthday to you, sir! I believe this is your 76th birthday… Thank you. And yes, it is indeed my 76th birthday. Every year, my birthday comes. If my birthday fell in a leap year on February 29, it would have been better (laughs)! But that hasn’t happened, and it comes every year. Nevertheless, birthdays make you feel more energetic and show you a new path. You must work according to this new path and agenda.

What are your plans this year for your birthday? This time, we’ll again celebrate with my family in Khandala. A close friend of mine is also throwing a party for us friends. It’ll be in Mumbai and will be held once I return.

In July, you informed everyone through a post on Instagram that you had to be hospitalized as both carotid arteries to the brain had more than 75% blockage. How are you doing now and how many days were you hospitalized for? I was in the hospital for around 2-3 days, after which I was absolutely fine. I was very lucky that it was diagnosed on its own. I had no symptoms. I happened to go for a check-up and found out that I had this problem. Actually, it was not a big problem, but I decided to resolve it.

In your post, you raised a valid point that carotid brain artery sonography, often ignored completely, is a must for everyone who is above 45-50 years old... Yes, I wrote that as most people are not aware of it.

Two weeks after this post, you dropped a video of you dancing to the War 2 song ‘Aavan Jaavan’. I think it’s the first time you posted such a reel. What made you do so? (Laughs) I love that song very much, including the dance steps. There’s a dance studio in the same building as my office. So, I just went there. The boys and girls were practicing a dance. I asked them whether we could dance on ‘Aavan Jaavan’. They agreed and taught me the steps in 30 minutes. Then we shot the video. It was done just for the fun of it.

Was there a thought behind the red shirt? No. I have worn that shirt so many times. I just expressed the desire to wear a hat. A dancer boy in the dance studio had a hat. I wore it and tied a handkerchief around my neck. It was all spontaneous. It wasn’t planned.

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Did Hrithik Roshan know about your plan to dance on ‘Aavan Jaavan’? How did he react to it? No, he didn’t. Once the video was shot, I uploaded it. He found it when he saw the video on Instagram! As for his reaction, it was the same as what he wrote on Instagram (smiles).

Also Read: Inside Rakesh Roshan’s Khandala Mansion: A 22,400 sq. ft. hillside paradise worth Rs 120 crores

Bandish Bandits star Ritwik Bhowmik is all set to make his theatrical debut with Abhootpurva (meaning Unprecedented). Bhowmik, who commands a huge online following, has become one of the breakout stars of his generation. The film, described as a unique Rom-Hor-Com, a blend of romance, horror, and comedy, brings together Bhowmik with seven acclaimed actors and a female lead, whose names will be revealed in a full cast announcement next month.

Set against the backdrop of Agra in the 90s, Abhootpurva is pitched as a heartwarming and fun theatrical experience. The film blends the innocence of first love, the quirks of small-town life, and an unexpected supernatural twist. Music, too, is central to the film, underlining the nostalgia of the decade.

In an exclusive quote to Bollywood Hungama, Ritwik Bhowmik shared: “This script felt incredibly special from the very first narration. It has stayed with me ever since; it lingers like a beautiful dream. It’s exactly the kind of storytelling I have always wanted to be a part of. It continues to live in my head and heart every day. It is heartwarming in the truest sense, a story about love, innocence, and moments that linger long after.”

Producer Khyati Madaan added, “Abhootpurva is a film very close to my heart. It’s set in 90s Agra, where love felt pure, simple, and yet larger than life. With romance, humor, nostalgia, and a touch of the supernatural, this film is designed as a true big-screen experience. Having Ritwik make his theatrical debut with us makes it even more special, and the ensemble we’re about to announce will surprise everyone.”

To introduce the essence of the film, the makers have shared a heartwarming note, which is brought to you exclusively by Bollywood Hungama.

The film is produced by Khyati Madaan under her banner Not Out Entertainment, and Sumit Kumar Mishra. Cameras are scheduled to roll in November 2025.

This marks Not Out Entertainment’s second major announcement this year, after the reveal of Ahan Shetty’s upcoming film, positioned as India’s first horror feature inspired by a national tragedy. Madaan, who previously spearheaded campaigns at major Indian studios such as Red Chillies Entertainment, Disney India, and Maddock Films, recently unveiled a diverse production slate that includes a slice-of-life drama directed by Habib Faisal (Do Dooni Chaar, Ishaqzaade) alongside these genre-bending projects.

Bhowmik rose to fame as the male lead in Bandish Bandits and has since appeared in a range of OTT projects, including The Whistleblower, Modern Love Mumbai, and Maja Ma. Abhootpurva marks his transition to the big screen with a story positioned as both unconventional and theatrical in scope.

Also Read: Ritwik Bhowmik on playing a gangster in Khakee: The Bengal Chapter, “My constant need to offer something new has driven me to go from Radhe in Bandish Bandits to Sagor in Khakee”

The Bigg Boss 19 house, known for its constant dose of high-voltage drama, witnessed a surprising conflict during mealtime when Kunickaa Sadanand stirred controversy by removing puris from the plates of Zeishan Quadri, Gaurav Khanna, Ashnoor Kaur, and Abhishek Bajaj. While most contestants brushed off the act, Zeishan was visibly offended and refused to eat, sparking a heated argument that soon divided the house.

“Removing food from someone’s plate is unfair. Once food is served, it’s theirs — no one has the right to take it away,” Zeishan declared, firmly pushing his plate aside. His reaction surprised several contestants, but he stood by his principles, insisting that it was against his ethics to eat after someone had interfered with his plate.

Baseer Ali quickly backed Zeishan, confronting Kunickaa directly. “You can’t just take food off someone’s plate; that’s wrong,” he argued, setting the stage for an intense showdown. Tanya and Neelam echoed his sentiment, siding with Zeishan and pointing out that respect for personal space extended even to something as simple as a meal.

However, not everyone agreed. Farrhana Bhat suggested that Quadri should have spoken up in the moment rather than silently tolerating it before refusing to eat. Her stance sparked further debate, with some housemates questioning whether Zeishan Quadri had blown the issue out of proportion.

The disagreement escalated into a full-blown argument between Kunickaa Sadanand and Baseer, with raised voices echoing through the house. The incident left contestants split into camps — some siding with Zeishan’s insistence on respect and fairness, while others felt Kunickaa’s action was a minor slip that didn’t warrant such outrage.

As always, Bigg Boss fans are eagerly watching to see how this conflict plays out in upcoming episodes. Will the house manage to restore peace, or will this food fight spark deeper rivalries?

Catch all the drama of Bigg Boss 19 streaming 24x7 on JioHotstar, with daily episodes airing at 9:00 PM on JioHotstar and 10:30 PM on COLORS.

Also Read: Bigg Boss 19: Baseer Ali calls Farrhana Bhatt his ‘Pehla Pyaar’; sparks love-hate frenzy in the house

Prime Video, on September 5, announced the exclusive global streaming premiere of Maalik, available to stream on the service. Directed by Pulkit and produced by Kumar Taurani and Jay Shewakramani, the film is headlined by Rajkummar Rao along with a powerhouse ensemble cast including Prosenjit Chatterjee, Manushi Chhillar, Huma Qureshi, Anshuman Pushkar, and Swanand Kirkire.

Set against the gritty and pulsating backdrop of Allahabad in the 1980s, Maalik follows the story of Deepak (Rajkummar), a young man from a modest farming background who walks into the world of crime and rises through the ranks to become the city’s most powerful and feared gangster, known as Maalik.

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Blending high-voltage action, deep emotional conflict, and political intrigue, the film weaves together themes of ambition, violence, corruption, betrayal, and the consequences of wielding power in the world of crime. Chronicling one man's turbulent ascent from an oppressed background to the echelons of mafia power in Allahabad, this action drama effectively grips viewers with the protagonist's pursuit of power and respect while unraveling the tangled complexities of love and family.

Also Read: Rajkummar Rao and Patralekhaa’s romantic New Zealand getaway is straight out of a postcard; watch

Actor Kartik Aaryan has officially wrapped shooting for his upcoming film Tu Meri Main Tera Main Tera Tu Meri. The actor took to social media to share the news with fans, posting a video from the wrap-up bash on set and a long note expressing gratitude to the cast and crew.

Calling the 57-day schedule “an unforgettable, fun-filled, super-fast roller-coaster ride,” Kartik thanked director Sameer Vidwans for steering the project, as well as producers Karan Johar, Apoorva Mehta, and Adar Poonawalla for their support. “Energies matter. Vibes matter!! And that’s exactly why the presence of @karanjohar @apoorva1972 @bhumikabhandula and @adarpoonawalla made it all the more special,” he wrote.

Kartik also dedicated warm words to his co-star Ananya Panday, writing, “Thank you for being such a wonderful costar. No one else could have brought to life what you did in TMMT with your presence. It’s always pure joy working with you.”

The film also features veteran actors Jackie Shroff and Neena Gupta, with whom Kartik collaborated for the first time. Sharing his excitement, he noted, “I can only express my heartfelt gratitude for their blessings and learnings. Just wait to witness their magic on the big screen.”

Kartik further acknowledged writer Karan Sharma for creating his character Ray, hinting that audiences would fall in love with him “even more than Sattu.”

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Reacting to Kartik’s post, Ananya Panday commented playfully, “Arey a-rayyyyy! Sooooo sweeet! Had the best timeeeee - only laughing as usual / to many many many more movies together.” Chandni Bhabhda, a social media influencer and mimic artist known for her Alia Bhatt impressions, also dropped a compliment, calling him the “Sweetest and the most hardworking and hottie Rayyy.”

Tu Meri Main Tera Main Tera Tu Meri went on floors in May 2025, with shooting beginning in Croatia before moving to Nawalgarh in Rajasthan. The film is directed by Sameer Vidwans, who previously collaborated with Kartik on Satyaprem Ki Katha. The film is expected to release on Valentine’s Day 2026.

Also Read: Ananya Panday steals a moment at the Taj Mahal mid-shoot of Tu Meri Main Tera Main Tera Tu Meri; watch

Amitabh Bachchan, like every year, expressed his devotion to Lord Ganesha by contributing to Mumbai’s most popular Ganpati pandal, Lalbaugcha Raja. The veteran actor, who is a regular visitor to the shrine along with his family, made a generous offering of Rs 11 lakh this year.

A video shared by celebrity photographer Viral Bhayani showed Lalbaugcha Raja secretary Sudhir Salvi holding a cheque worth Rs 11 lakh near the grand idol of Lord Ganesha. The caption accompanying the video read, “Amitabh Bachchan Ji generously donated Rs 11 lakh to Lalbaugcha Raja, received by Secretary Sudhir Salvi ji!”

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While many acknowledged the gesture as a mark of faith, a section of social media users voiced disapproval. Several netizens argued that the donation could have been directed towards relief efforts for states grappling with severe floods, including Punjab, Himachal Pradesh, Uttarakhand, and Jammu.

One user commented, “Punjab ke liye karte to zyada khushi milti.” Another wrote, “Kya faida idhar karne ka? Punjab, Uttarakhand, Himachal and Jammu and Kashmir are suffering the worst time with floods… He should donate there. Yeh sab chairman khaate hai paise.”

A different comment read, “Ye paise waha donate karo jaha sabse zyada zaroorat hai. Itni baadh aayi hai jaha-jaha bhi vaha sabse zyada zaroorat hai. Bhagwan ke paas to sab kuch hai.” Echoing similar sentiments, another user added, “Ameer ameer ho rahe hain, gareeb aur gareeb ho rahe hain.”

Speaking of the professional front, the 82-year-old is currently seen hosting his popular show, Kaun Banega Crorepati.

Also Read: Amitabh Bachchan sends heartfelt wishes to Anurag Kashyap’s Nishaanchi trailer; fans go wild

Our film industry is largely male dominated. Has it been a challenge to find your voice in this masculine cacophony? This is a tough question to answer. But I think we’ve all just been waiting for the right stories and the right storytellers—and more importantly, for people like Dulquer Salmaan to back those stories so they can reach their full potential. For a long time, there’s been hesitation to take risks with women-led films, but this one feels like it’s opening new doors. What’s been most moving is the kind of support it’s received—not just from women, but from men as well. So many men, both within the industry and the audience, have made it their mission to celebrate this film and say, “See what women can do.” That really goes to show how much we sometimes underestimate our audiences. They’re capable of so much love and support, as long as the content is strong.

Your journey as an actor has been swift yet steady. How did you make it happen? It’s hard to pinpoint exactly how I’ve reached here, but I know I’ve been blessed in many ways. I’ve had the chance to work with some of the best people in the industry, and I was born into a family that gave me both inspiration and opportunities. More than anything, I’ve had the privilege of choice—to wait for stories that truly speak to me, rather than taking up every opportunity that comes my way. Not everyone has that luxury, and I try to use it responsibly by picking projects that challenge me and mean something to the audience. At the heart of it, I think it’s a mix of hard work, patience, and whatever God has blessed me with. Mostly, I just feel grateful.

Your father, filmmaker Priyadarshan, says he still can’t believe you’ve reached here without his help. I don’t think that’s a fair statement for him to make. It’s very sweet, because he knows how hard I work for the opportunities I get, but honestly so much of why I’m even here has to do with him. All through my childhood, he passionately spoke about cinema and made sure my priorities were about the craft, not the fame. So, if anything, I owe a big part of this journey to him.

How did Lokah happen? That’s best answered by screenwriter Dominic Arun, because long before I came on board, he had been working on this story with cinematographer Nimish Ravi for about two or three years. Interestingly, it was originally meant to be a very small, standalone film. But once Dulquer Salmaan came in, he saw something much bigger in it. He’s someone who always has a larger vision and ambition for the kinds of stories we can tell, and he encouraged them to expand it into a bigger universe. He told them not to think of it as just a female-centric film, but as something with far more potential—and he backed that vision completely. Honestly, it’s the three of them who made my character Chandra’s story much larger than it was initially meant to be.

What was your first reaction when you were offered the film? Challenged, intrigued, enthused? I very clearly remember the day Dominic narrated Lokah to me. The moment he left, I thought, “Wow, this is incredible… but also so ambitious.” I had two doubts: one, whether I was the right person for it, and two, whether Dominic—someone I didn’t know personally—could actually pull it off. Within minutes of him leaving, I called everyone I knew who knew him. I told them I’d heard a script I loved but needed to know one thing: Can this guy really pull off something so big?

And what did they say? The response was unanimous. Every single person I trusted said the same thing—Dominic is incredibly talented. One person, who usually never has anything nice to say about anyone, was full of praise for his technical brilliance. Another actor told me Dominic was one of the very few people he trusted and would give dates to, anytime, no questions asked. A third person—who was originally approached for a role—said, “I don’t have the dates because I’m in the middle of my biggest film, but if I did, I’d do this film in a heartbeat. And you absolutely should too.” And they were right.

Funnily enough, after we started shooting and became friends, Dominic laughed and said, “You know all my friends called me right after the narration to tell me you were checking up on me!” I told him they were traitors—but at least they gave me the right advice! That’s how I found the confidence in him.

How were you sure you could pull it off? Honestly, the confidence in myself—I’m still not sure it was fully there. But I knew I couldn’t say no to something this special. I was insecure, thinking maybe there were better people than me out there for this role. But I saw it as something that came to me for a reason, and I wasn’t going to question what God was offering me. I promised myself one thing: I would give it everything I had. And that’s what I did.

Tell me about the shooting process. Were the stunts tough to do? I had the best time shooting this film, even though it was one of the most challenging experiences I’ve had. Most of it was shot through the night for months on end, but I honestly have no complaints because those were some of the best months of my life—and that’s entirely thanks to the team around me. We had Yannick Ben on board because we had big ambitions for this project and wanted the best of the best. But since we were already on an overstretched budget, we had to plan carefully. All the action had to be shot in one go. Flying Yannick’s team back and forth wasn’t possible, so for three weeks straight, we shot non-stop action. I was in the middle of stunts, fights, and training every single day. It was intense, but when you’re working toward a shared vision, you discover an energy you didn’t even know you had.

How intense was your preparation? My training began much earlier, from the day I got the role. Action and stunts were completely new territory for me, especially on this scale. To be honest, I wouldn’t have even called myself an athletic person growing up. But training for this film changed that—it pushed me in ways I didn’t expect and made me discover a strength I didn’t know I had. Looking back, as tough as it was, those weeks of action are some of the best memories I’ll carry with me.

Which among your films so far were stepping stones? And tell me about your forthcoming projects. So far, every film has been a stepping stone—some pushed me forward in big ways, others made me pause and reassess my craft, but each one has taught me something valuable. I’m very grateful for that journey. Up next, I have Genie with Ravi Mohan Sir, which is ready for release, and Marshall with Karthi Sir, a rural gangster drama. Both are very different from what I’ve done before, and I’m really excited for audiences to see them.

Also Read: Sharvari showers love on Kalyani Priyadarshan starrer Lokah: Chapter 1 Chandra: “One of the coolest movies I watched this year”

Tiger Shroff has been known to do films targeted at the audiences of all ages. But with Baaghi 4, he has made an exception. It is his first ‘A’ rated film due to excessive violence and bloodshed. Sadly, despite giving the film an adult-only rating, the Central Board of Film Certification (CBFC) asked for several cuts, Bollywood Hungama has exclusively learned.

Baaghi 4 was certified on August 26, in time for its release worldwide on September 5. However, the Examining Committee (EC) enforced 23 visual as well as audio cuts. The scene of the hero standing on a coffin was deleted. In a scene, a character lights a cigarette from a ‘niranjan diya’ and the EC asked the makers to delete the one-second shot. Then, a scene of rubbing the hand on the hip of a girl was replaced. There's a frontal nude scene in the film, which was 'hidden' by the CBFC.

Another scene of lighting a cigarette, this time from an amputated hand, was deleted. This particular shot was 13 seconds long. A shot where a knife is thrown towards the statue of Jesus Christ was deleted. The CBFC also asked the makers to remove the 'scene of hit of fist and the leaning of the statue of Jesus'.

Apart from these visual cuts, the CBFC used its scissors in several violent scenes. At three places, the EC deleted scenes of throats being cut. The EC also axed shots of hands being cut and two shots of goons being cut and killed by swords. In a particular sequence, the scene of excessive violence, totaling 11 seconds, was deleted. Lastly, a scene of killing by inserting a sword in someone's skull was deleted.

Coming to the audio cuts, the words 'bhang b*****a' were replaced while the words 'b****e' and 'fingering' used by cops were replaced with appropriate terms. In the dialogue 'Bhai tujhe condom mein hi rehna chahiye tha', the word 'condom' was muted. Meanwhile, in the dialogue 'Tera wajood hi mit jaayega God' was replaced with 'Sab dekhte reh jayenge'. Finally, the dialogue 'Woh bhi darta hai mujhse' was deleted while 'Don khoke, ekdum ok' was muted.

Once these changes were made, Baaghi 4 was passed with an ‘A’ certificate. The length of the film, as mentioned on the censor certificate, is 163.50 minutes. In other words, Baaghi 4 is 2 hours, 43 minutes and 50 seconds long.

3 days later, on August 29, the makers of Baaghi 4 approached the CBFC once again as they decided to further cut down the film’s length. They shortened the duration of as many as 19 scenes and removed 6 minutes and 45 seconds of the film. The final run time of the film is 157.05 minutes, that is, 2 hours, 37 minutes and 5 seconds. This is the third film in recent times to go for voluntary cuts after receiving certification, the other two being War 2 and The Bengal Files.

Also Read: Harnaaz Sandhu sets screens ablaze in ‘Yeh Mera Husn’ from Baaghi 4 starring Tiger Shroff, Sanjay Dutt

Bollywood superstar Akshay Kumar recently made waves online after visiting the iconic Guruvayur Temple in Kerala, looking every bit the quintessential Malayali. The actor embraced traditional attire, sporting a crisp ‘mundu veshti’ paired with a matching shirt, perfectly capturing the region’s cultural essence.

Photographer Nithin Narayanan shared a series of candid shots from Akshay’s visit on social media, captioning them, “Sometimes the best pictures are the unplanned ones.” The images quickly went viral, garnering immense love and admiration from fans. Enthusiastic followers flooded the post with comments, expressing delight and excitement over the actor’s serene temple moments. Responses ranged from “Moments like this” and “Love” to “My favourite Akshay Kumar in Guruvayur Temple,” reflecting how deeply fans appreciated this unguarded glimpse of the superstar.

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Akshay’s temple visit comes amidst a busy period in his career. Not long ago, he shared a major professional update about his reunion with Saif Ali Khan after more than 18 years. The two actors are collaborating for the film Haiwaan, directed by Priyadarshan. This movie is a remake of the 2016 Mohanlal film Oppam. Akshay had taken to social media to share his excitement, writing, “Hum sab hi hain thode se shaitaan… Koi upar se Saint, koi andar se Haiwaan :)) Starting the shoot for #Haiwaan today with my absolute favourite captain of the ship, @priyadarshan.official Sir. Great to be working with Saif after nearly 18 years. Let’s get the haiwaniyat rolling!!”

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Meanwhile, Akshay is also gearing up for the release of the highly anticipated courtroom comedy-drama Jolly LLB 3. The film promises an intense showdown as two “Jollys”—Akshay himself and Arshad Warsi—come together for the first time. Starring alongside Amrita Rao and Huma Qureshi, the movie is set to hit theatres on September 19, and fans are already counting down the days.

The Guruvayur visit not only showcased Akshay’s reverence and humility but also highlighted his effortless style and charm, making it a delightful visual treat for fans across the country. With his candid moments at the famous temple and multiple film projects on the horizon, Bollywood’s Khiladi has once again proven why he remains one of the most beloved and versatile stars in the industry.

Also Read: Akshay Kumar sparks buzz with fun poll on Jolly LLB 3 trailer launch venue; watch

Acclaimed filmmaker Sanjay Leela Bhansali is facing a legal controversy after an FIR was filed against him and two members of his team in Bikaner, Rajasthan. The complaint, lodged on Monday, September 1, by line producer Prateek Taj Mathur, alleges fraud, misbehaviour, and breach of trust.

According to Circle Officer Vishal Jangid, Mathur claimed that he was hired as a line producer for Bhansali’s upcoming film Love & War, but his contract was later abruptly cancelled, revealed a PTI report. He alleged that Bhansali, along with producers Arvind Gill and Utkarsh Bali, removed him from the project without paying him, despite his taking on multiple responsibilities during production.

Mathur stated in the FIR that he had arranged all necessary resources for the shoot and coordinated with government departments as required. However, when he attempted to meet Bhansali’s team at a hotel, he was allegedly met with misbehaviour and disrespect. The FIR has been registered under charges of fraud, criminal conspiracy, and criminal intimidation, and Bichhwal SHO Govind Singh Charan is currently investigating the matter.

The FIR raises serious questions about the internal handling of production responsibilities and the professional conduct of those involved in the project. As of now, Sanjay Leela Bhansali and his team have not issued a response regarding the allegations.

Love & War, directed by Bhansali, is an epic saga starring Ranbir Kapoor, Alia Bhatt, and Vicky Kaushal in lead roles. The film reportedly features Ranbir and Vicky as Indian Air Force pilots. Several portions of the movie were recently shot in Rajasthan. As per the latest reports, it has been learnt that a visual from the film is expected to be unveiled on Ranbir Kapoor’s birthday, September 28, although it remains unconfirmed whether this will be a first look poster or a teaser featuring all three actors. The movie is scheduled for a theatrical release in March 2026.

With the FIR now registered and the investigation underway, the legal dispute has cast a shadow over the production of what is expected to be one of the most anticipated films of 2026.

Also Read: REVEALED: Sanjay Leela Bhansali goes global; Love & War to be his first overseas shoot in 26 years after Hum Dil De Chuke Sanam

Acclaimed filmmaker Sanjay Leela Bhansali is facing a legal controversy after an FIR was filed against him and two members of his team in Bikaner, Rajasthan. The complaint, lodged on Monday, September 1, by line producer Prateek Taj Mathur, alleges fraud, misbehaviour, and breach of trust.

According to Circle Officer Vishal Jangid, Mathur claimed that he was hired as a line producer for Bhansali’s upcoming film Love & War, but his contract was later abruptly cancelled, revealed a PTI report. He alleged that Bhansali, along with producers Arvind Gill and Utkarsh Bali, removed him from the project without paying him, despite his taking on multiple responsibilities during production.

Mathur stated in the FIR that he had arranged all necessary resources for the shoot and coordinated with government departments as required. However, when he attempted to meet Bhansali’s team at a hotel, he was allegedly met with misbehaviour and disrespect. The FIR has been registered under charges of fraud, criminal conspiracy, and criminal intimidation, and Bichhwal SHO Govind Singh Charan is currently investigating the matter.

The FIR raises serious questions about the internal handling of production responsibilities and the professional conduct of those involved in the project. As of now, Sanjay Leela Bhansali and his team have not issued a response regarding the allegations.

Love & War, directed by Bhansali, is an epic saga starring Ranbir Kapoor, Alia Bhatt, and Vicky Kaushal in lead roles. The film reportedly features Ranbir and Vicky as Indian Air Force pilots. Several portions of the movie were recently shot in Rajasthan. As per the latest reports, it has been learnt that a visual from the film is expected to be unveiled on Ranbir Kapoor’s birthday, September 28, although it remains unconfirmed whether this will be a first look poster or a teaser featuring all three actors. The movie is scheduled for a theatrical release in March 2026.

With the FIR now registered and the investigation underway, the legal dispute has cast a shadow over the production of what is expected to be one of the most anticipated films of 2026.

Also Read: REVEALED: Sanjay Leela Bhansali goes global; Love & War to be his first overseas shoot in 26 years after Hum Dil De Chuke Sanam