In a surprising turn of events, the Rajinikanth-led Coolie has taken a massive lead over the Hrithik Roshan and NTR Jr. led War 2 in the advance bookings at the US box office. With 9 days to go for release, the 6th chapter of Spy Universe has sold tickets worth USD 205K (Hindi + Telugu) in North America, as compared to Lokesh Kanagaraj's film, which has clocked a phenomenal advance booking of USD 1.2 million.

One must note that the North American market is dominated by the Telugu audience, and yet, a Tamil film has taken a big lead in the booking. The scenario is uniform at every place where the pre-sales have opened, with Coolie taking a big lead over War 2, which includes Australia and New Zealand too.

This trend has come across as a surprise as War 2 is a much bigger film than Coolie on the budget front, as also it comes from an already established franchise. More centers are expected to open soon for both films, but the initial lead in this overseas battle is currently inclined towards Rajinikanth, as Coolie is leading the show by a huge margin. What comes across as a shocker is the fact that the Telugu dubbed version of Coolie (USD 200K) is leading over the Telugu version of War 2 (USD 155K) in the US.

While the sales of the Hindi version of War 2 (USD 50K) are negligible, trailing behind Pathaan, Dunki, Jawan, Tiger 3, and Animal, the Telugu version too is trailing behind films like Game Changer in the US. The next 9 days are crucial as War 2 needs to begin to gain momentum to leave a mark in the international markets.

Also Read: War 2: Hrithik Roshan and Jr NTR indulge in off-screen banter; sets internet on fire ahead of epic showdown

Global entertainment icon Nora Fatehi is all set to deliver another cross-cultural musical spectacle with ‘Oh Mama Tetema’ — a vibrant Afro-Bongo fusion remake of the iconic hit by Rayvanny and Diamond Platnumz. Known for her magnetic stage presence and international appeal, Nora will not only perform in the upcoming track but also lend her vocals, marking a dynamic return after her viral 2019 collaboration Pepeta.

The new version, which blends English, Swahili, and Hindi lyrics over the original explosive beat, is already generating massive buzz. Nora took to social media to share an unseen glimpse from the music video, leaving fans in awe. Dressed in an ethereal white silhouette that accentuates her striking features, the look perfectly captures the track’s mix of elegance and energy. Captioning her post with, “A lil tease before the teaser… #OMT Are you ready for Oh mama Tetema.. <3,” Nora offered just enough to spark anticipation without giving away too much.

Adding another layer of musical bliss to ‘Oh Mama Tetema’ is celebrated singer Shreya Ghoshal, whose award-winning voice complements the track’s international soundscape. This marks a rare collaboration bridging Afro-Bongo rhythms with Bollywood-style vocals, promising a one-of-a-kind listening experience.

For Nora Fatehi, the track comes on the heels of her global hit ‘Snake’ with Jason Derulo, which has already crossed 130 million views on YouTube. The performer continues to expand her influence in the international music space, bringing together diverse sounds and cultures in a way that resonates with audiences worldwide.

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Beyond her music, Nora has been making waves in the global fashion circuit. Recently, she turned heads at Paris Fashion Week in Louis Vuitton, dazzled in Oscar de la Renta at the Oscars Vanity Fair After Party, and commanded attention at the American Music Awards in a custom Tom Ford ensemble.  With ‘Oh Mama Tetema’ poised for release, expectations are sky-high. If Nora’s teaser is anything to go by, fans can expect a high-energy visual and musical celebration that merges style, sound, and global culture in one unforgettable package.

Also Read: Nora Fatehi spotted crying at airport; shares cryptic post on Instagram

A new twist to the plot — vastly different from what Aanand L Rai originally shot with Dhanush in their acclaimed film Raanjhanaa twelve years ago — has angered fans of the film, the director, and the actor alike.

The producers of Raanjhanaa, Eros International, have reportedly altered the ending of the film using artificial intelligence to create a new “happy” conclusion. While Aanand L Rai had already voiced his opposition to this AI-generated desecration, Dhanush has now joined the battle, publicly taking a stand against the modification.

Aanand Rai confirms that he and Dhanush are “brothers from different mothers,” and are currently exploring various legal avenues to counter what he describes as “a very dangerous precedent.”

“I am very worried about my other films. So is Dhanush. We are actively looking at judicial remedies to restore and preserve our creative content from such extraneous interventions,” says Aanand.

Apart from Raanjhanaa, the filmmaker and actor have previously collaborated on Atrangi Re and are already planning a third project together. “But before we move forward, we are committed to tackling the current crisis,” Aanand Rai asserts.

Also Read: Raanjhanaa AI-ending row: Eros International counters criticism from Dhanush and Aanand L. Rai, reaffirms ownership of 2013 film

Bollywood actor Aamir Khan has leased four upscale apartments in Mumbai’s Bandra West, specifically in the posh Pali Hill area, for a monthly rent of Rs 24.5 lakhs. The move comes as a temporary relocation, prompted by the redevelopment of the Virgo Cooperative Housing Society, where the actor currently owns multiple residential units.

According to property documents accessed by Zapkey.com and a report by Hindustan Times, Aamir Khan is vacating the Virgo society, where he reportedly owns around 12 apartments, due to an extensive redevelopment project that will replace the current structure with ultra-luxurious, sea-facing residences. Details of the New Lease The new apartments leased by Aamir are located in Wilnomona, a premium residential building just 750 metres away from Puja Casa—the temporary home of fellow superstar Shah Rukh Khan, whose bungalow Mannat is undergoing renovation.

The lease agreement, which spans five years from May 2025 to May 2030, includes a 45-month lock-in period. The lease was officially registered on May 20, 2025, with a stamp duty of over Rs 4 lakhs and a registration fee of Rs 2,000. The agreement also includes a security deposit of over Rs 1.46 crore, and the rent is set to increase by 5% annually. Redevelopment of Virgo Cooperative Housing Society The Virgo society, where Aamir owns a significant number of units, is currently undergoing redevelopment to construct ultra-luxury apartments in the high-end real estate segment. Prices in the revamped project are expected to exceed Rs 1 lakh per sq. ft, with some apartments possibly valued at over Rs 100 crore.

Aamir Khan was last seen in the film Sitaare Zameen Par, directed by RS Prasanna. The film, which also featured Genelia Deshmukh, marked Aamir’s return to the big screen after a nearly three-year hiatus and grossed over Rs 165 crores at the Indian box office.

Also Read: Mahavatar Narsimha Box Office: Film enters top 10 list of most successful movies by Aamir Khan’s ‘Weekend to Lifetime’ formula

Ahsaas Channa likes to keep her fashion score at the highest. From experimenting with stripes to slaying in ballooned skirts, Ahsaas ensures to make heads turn with her stunning fashion outings.

As she celebrates her birthday today, here’s looking at 5 times she stole our hearts with her fashion game.

Striped co-ord

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Ahsaas Channa looked as chic as ever in a white and black co-ord set, featuring a structured top and a mini skirt. The actress gave her appearance a bossy feel by accessorising it with dramatic earrings, customised nails and rich maroon heels.

Dramatic blues

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Ahsaas kept her fashion game way ahead by donning a blue outfit with pink undertones. Her ensemble boasted a pleated structural design and a floor-sweeping trail. She finished her look with stuffed toy pumps that stole the attention and flexed her Kawaii nail game.

Sustainable greens

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Ahsaas Channa opted for sustainable wear by donning a mini jacket dress and pairing it with a broad brown belt. Her outfit was upcycled from an old quilted skirt with hand-embroidered textures.

Old-school aura

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Ahsaas embodied a bossy energy by donning a ballooned mini skirt, and topped it up with layers of a plain blue T-shirt, a striped blue cropped shirt and a grey coat. She amped up the modern glam quotient by accessorising it with metal shades.

Silk saree

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Ahsaas looked as pretty as ever in an ivory silk saree, paired up with an orange blouse, featuring a halter neck. Letting the drape have the limelight, Ahsaas simply opted for traditional jhumkas and bangles.

Also Read: Half CA 2 teaser out: Ahsaas Channa’s rumoured beau Taaruk Raina, Huma Qureshi, and others give shoutout to Amazon MX Player show

Eros International Media Limited has officially responded to criticism regarding the re-release of its 2013 romantic drama Raanjhanaa—now featuring an AI-assisted alternate ending. The re-release, also launched in Tamil as Ambikapathy, has sparked a public backlash from the film’s director Aanand L. Rai and lead actor Dhanush, who expressed disapproval over what they view as a tampering of their original vision.

In an official statement, Eros clarified that the AI-altered version is legally compliant, creatively supervised, and specifically intended for Tamil-speaking audiences. The company emphasized that the original version of Raanjhanaa remains untouched and widely available across all platforms.

“It does not replace or alter the original Raanjhanaa, which remains widely accessible. This alternate edition follows a longstanding cinematic tradition of offering creative adaptations and anniversary re-releases,” the statement read. Ownership and Intellectual Property Rights The production house asserted its legal standing as the sole financier, producer, and rights holder of Raanjhanaa, affirming complete control over the film’s intellectual property, moral rights, and derivative content under Indian copyright law. The statement also addressed Dhanush’s recent remarks, implying that Aanand L. Rai had personally invested in securing his casting in the film.

“While such comments may reflect personal admiration, they are factually inaccurate and legally inconsequential. No private or independent financial investment by Mr. Rai exists within the production, financing, or IP structures of Raanjhanaa,” said Eros, adding that the company undertook full financial risk for the project and retains 100% ownership. Objection to ‘Tere Ishk Mein’ Association With Raanjhanaa Eros has also taken issue with promotional material for Aanand L. Rai’s upcoming film Tere Ishk Mein, which reportedly attempts to position itself as being part of the Raanjhanaa universe. The company called this an “illegal and misleading attempt” and stated that no legal rights, approvals, or IP ownership have been granted for such positioning.

A cease and desist notice, dated July 25, 2025, has been issued to all parties involved in the marketing and creative direction of Tere Ishk Mein. Eros has also notified leading OTT and streaming platforms to prevent any further misrepresentation. “This act represents a clear violation of Eros’s exclusive copyright and intellectual property,” the statement read.

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Creative Direction of AI-Assisted Ending

Addressing criticisms over the use of AI in the alternate ending of Ambikapathy, Eros emphasized that the project was guided by a human creative team, with AI used only as an assistive tool, not as an autonomous content generator.

“Mr. Rai’s dissociation from the Tamil alternate version is his personal choice, but his claim to ownership or moral authority over the work is neither contractually supported nor legally enforceable,” Eros clarified. Clarification on Legal Proceedings Responding to accusations that the re-release is a diversionary tactic amid ongoing regulatory scrutiny, Eros stated that the NCLT proceedings involving Colour Yellow Productions pertain to corporate governance matters, not artistic rights.

“We categorically reject the suggestion that this creative initiative is a ‘strategic distraction’ from unrelated regulatory matters... Conversely, we urge the public and industry stakeholders to see through the coordinated and deliberately timed campaign of misinformation,” the company said.

Also Read: Dhanush slams AI-edited Raanjhanaa re-release: “This isn’t the film I made”

Continuing its legacy of nurturing fresh talent, T-Series has officially welcomed rising singer-songwriter Aditya Rikhari into its diverse musical roster. The music label, headed by Bhushan Kumar, has partnered with the young sensation for an exclusive slate of upcoming film and non-film music projects, including albums and EPs.

The collaboration solidifies Aditya’s growing stature in the Indian music scene. The 24-year-old artist, known for his evocative voice and emotionally resonant lyrics, has already found massive fanfare with recent hits like ‘Sahiba’ and ‘Jaana Samjho Na’ from the upcoming film Bhool Bhulaiyaa 3. Now, under this unique partnership, Aditya is set to work across a wide range of upcoming songs and projects under the T-Series banner, marking a significant leap in his already impressive career.

Bhushan Kumar, Managing Director of T-Series, expressed his excitement over the collaboration, stating, "Aditya has a voice and style that feels honest and relevant. His songwriting connects effortlessly with today’s generation, and we’re thrilled to work with him on multiple upcoming projects. He’s an exciting talent, and we’re looking forward to shaping this journey together across platforms."

Aditya, whose music has resonated across demographics for its freshness and sincerity, also shared his enthusiasm for the partnership, "This strategic partnership with T-Series for some incredible upcoming projects is a landmark moment in my journey as an artist. I’ve always held a deep admiration for both music and cinema, and aligning my passion for music with Bhushan Kumar sir’s vision makes this collaboration even more special. It’s not just about reaching wider audiences, it’s about staying true to the kind of music I believe in: heartfelt, honest, and timeless.”

With this move, T-Series reaffirms its commitment to discovering and empowering the next generation of music creators, expanding its legacy with voices that define the evolving soundscape of Indian music. Fans can now eagerly look forward to a series of soulful, impactful releases from this dynamic collaboration between Aditya Rikhari and T-Series.

Also Read: EXCLUSIVE: Bhushan Kumar’s T-Series teams up with Saiyaara singer Faheem Abdullah for future projects; first music video ‘Bichadna’ to release on August 4, 2025

Acclaimed filmmaker Anurag Kashyap has taken to social media to shower praise on Dhadak 2, calling it the most impactful mainstream debut he has witnessed in a long time. The romantic drama, directed by Shazia Iqbal and starring Siddhant Chaturvedi and Triptii Dimri, released in theatres on August 1, 2025.

Kashyap’s unfiltered and emotional review has created a buzz in Bollywood circles and cinephile communities alike. In his Instagram post, the Gangs of Wasseypur director wrote, “In what is the most searing mainstream debut that I have seen in a very very long time @shaz.3.0 holds a mirror to us of what India really is outside of our bubble that we live in. Aided by terrific performances from @tripti_dimri @siddhantchaturvedi @saurabhsachdeva77 @saadcasm_ @priyanktiwarii @itsharishkhanna @manjiripupala @vipin.sta and writing with #badwelkar, brilliantly shot by @sylvesterfonseca. The film captures the conversation that we avoid on a day-to-day basis.”

He continued by placing the film in the legacy of great Indian cinema and shared, “This is what mainstream cinema was meant to be, and this is what great filmmakers like Raj Kapoor, Bimal Roy, Guru Dutt, K. A. Abbas, B. R. Chopra, Yash Chopra and so many used to do. We forgot to make mainstream films of social relevance. They got relegated to independent art house cinema. This is what Tamizh cinema and so much of cinema from South still does.”

Produced by Dharma Productions, Zee Studios, and Cloud 9 Pictures, the film is a spiritual sequel to Dhadak (2018) and a mainstream adaptation of Mari Selvaraj’s critically acclaimed Tamil film Pariyerum Perumal.

Calling it a bold and uncompromising film, Kashyap added, “A mainstream adaptation of Periyarum Perumal, without losing the essence of it, Dhadak 2 is a punch in the gut. My driver and old friend of 16 years Narayan ji who went with me wept at the end of it and hasn't stopped talking about it since. An extremely brave and powerful film from @dharmamovies. See it for yourself. I won't say much. Congratulations to the whole team. @prashant316 @animeshpanwar @sanyukta_mohta and others that I don't know. Well done team. @somenmishra @karanjohar.” Producer Karan Johar responded by dropping heart emojis on the post, acknowledging the heartfelt appreciation.

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With such strong reactions from the industry’s most honest voices, Dhadak 2 is quickly gaining traction as not just a love story, but as a precious moment in contemporary Indian cinema.

Also Read: Siddhant Chaturvedi on Dhadak 2 and the struggles that shaped him; says, “I still feel like I’m just getting started”

In a shocking turn of events, the re-release of the 2013 romantic drama Raanjhanaa has sparked widespread outrage after the film’s climax was altered using Artificial Intelligence (AI) — without the consent of lead actor Dhanush or director Aanand L Rai. The AI-generated ending, introduced by Eros International, has ignited a heated debate on the ethics of AI in cinema, with Dhanush himself expressing “deep disappointment” and calling the decision a “threat to the integrity of storytelling.”

Taking to X (formerly Twitter), Dhanush didn’t mince words in his statement, “The re-release of Raanjhanaa with an AI-altered climax has completely disturbed me. This alternate ending has stripped the film of its very soul… This is not the film I committed to 12 years ago.” He also called for stricter regulations to prevent similar alterations in the future. “The use of Al to alter films or content is a deeply concerning precedent for both art and artists. It threatens the integrity of storytelling and the legacy of cinema. I sincerely hope that stricter regulations are put in place to prevent such practices in the future”, he added.

For the love of cinema ???? pic.twitter.com/VfwxMAdfoM — Dhanush (@dhanushkraja) August 3, 2025

The original ending of Raanjhanaa was hailed for its heartbreaking realism — Kundan (Dhanush), bloodied and dying, lies unresponsive as Zoya (Sonam Kapoor) cradles his lifeless face. The moment was a raw portrayal of sacrifice and unfulfilled love, cementing the film’s cult status. In stark contrast, the new version shows Kundan surviving his injuries, waking up in the hospital to smiles and upbeat music. Fans were quick to slam the new ending, calling it “a betrayal,” “tone-deaf,” and “an insult to the original narrative.” It began trending as cinephiles shared clips, reactions, and nostalgic tributes to the original.

Adding to the backlash, director Aanand L Rai also voiced his disappointment, confirming he was not consulted and the filmmaker expressed his anger in a heartfelt note on social media. While Eros International released a statement defending their actions as an “experiment in cinematic innovation,” many believe the move sets a dangerous precedent — one where commercial interests override artistic authenticity.

As the controversy brews, one thing is clear: Raanjhanaa may have received a new ending, but the original story — and the emotions it evoked — still lives on in the hearts of its audience.

Also Read: REVEALED: THIS is what happens in the new AI-generated ending of Dhanush-Sonam Kapoor starrer Raanjhanaa

Filmmaker and choreographer Farah Khan recently used social media to call out a fake Instagram account pretending to be her long-time cook, Dilip. She made it clear that the account is not run by her staff member and strongly warned the impersonator. Farah Khan’s popular celebrity cooking vlogs frequently showcase her cook Dilip, who has become an unexpected highlight and gained significant online fame.

On Sunday morning, Farah Khan used her Instagram Stories to expose a fake social media account pretending to be her cook, Dilip. She posted a screenshot of the profile, which had gained over 50,000 followers and falsely identified as a blogger, even including her name in the bio. Calling it a “FAKE account,” Farah stated, “This is a fake account!! N v r complaining...so @dilip.bihariO u better take it down!!"

When Farah Khan called out the impersonator’s profile, the account featured 244 posts, including multiple Reels—many of which had received over 100,000 views—mostly using reused clips from Farah and Dilip’s well-known vlogs. However, shortly after Farah issued her public warning, the account quickly altered its username and display picture, and either deleted or archived all its content. It is now listed as A1 Blogger and displays zero posts.

Interestingly, while the impersonated account had gained significant attention, a few other fake Instagram profiles also claim to be Dilip. However, these have minimal visibility, with most failing to reach even 100 followers.

In a recent vlog featuring Ajay Devgn, filmmaker Farah Khan shared a humorous story about how she first met her now-famous cook, Dilip. “You know how I found him? Oh my God! I have to tell you this story," she said to Ajay during their conversation. “He was outside your house. How could I forget this? Yeh aapke bungalow ke bahar ghoom raha tha (He was loitering around your bungalow). This was about 12–13 years ago," she added with a laugh.

Farah Khan launched her cooking vlogs featuring her trusted cook Dilip in 2024, and the series has quickly become a hit on social media. With her signature humour and natural rapport with Dilip, Farah adds a delightful charm to every episode. The duo has visited the homes of several celebrities, including Raveena Tandon, Sania Mirza, Malaika Arora, and Himesh Reshammiya, where they prepare easy, comforting dishes while sharing playful banter and engaging in relaxed, candid conversations.

Also Read : Farah Khan hails Shah Rukh Khan’s National Award win for Jawan: “This time the shiddat se koshish really came thru”

Bollywood actor Rani Mukerji visited Mumbai’s revered Siddhivinayak Temple on Friday morning to offer prayers after achieving a significant milestone in her career — winning her first-ever National Film Award. The actor was seen making a quiet visit to the temple, dressed in a simple red and white traditional saree, after she was honoured with the Special Jury Award at the 71th National Film Awards for her performance in Mrs. Chatterjee Vs Norway.

A video shared on Instagram captured Rani arriving at the temple, surrounded by security personnel. Her visit appeared solemn and spiritual, as she sought blessings from Lord Ganesha in what is seen as a gesture of gratitude.

Rani won the Best Actress award for her role in Mrs Chatterjee vs Norway. Rani’s performance in Mrs. Chatterjee Vs Norway received wide acclaim for its emotional depth and powerful portrayal of a mother fighting against an entire system. In the film, she plays a woman whose children are taken away by Norwegian authorities, prompting a fierce legal and emotional battle that spans countries.

In a statement after the award announcement, Rani shared, “I'm overwhelmed to have won the National Award for my performance in Mrs Chatterjee vs Norway. Incidentally, this is the first-ever National Award in my 30-year career. As an actor, I have been fortunate to have some incredible films in my body of work and have received so much love for them.”

She added, “I dedicate my National Award to all the incredible mothers of this world. There is nothing like a mother's love and her ferocity to protect her own. The story of this Indian immigrant mother, who went all out for her child and took on a nation, shook me deeply... a mother's love for her child is unconditional”

Rani’s heartfelt gesture at the temple following her win reflects her grounded nature and the emotional significance this honour holds for her.

Also Read : Allu Arjun showers love on Shah Rukh Khan, Rani Mukerji, Vikrant Massey and Telugu talent in heartfelt National Awards post

Suhana Khan, the daughter of superstar Shah Rukh Khan, took to social media to celebrate a monumental moment in her father's career — his first-ever National Film Award win. Shah Rukh, often hailed as the “King of Bollywood,” received the National Award for the blockbuster film Jawan at the 69th National Film Awards.

The recognition came as a proud moment not just for the actor but also for his fans and family alike.

Suhana shared a childhood photo with her father Shah Rukh Khan. She wrote, “From bedtime stories to stories that leave a mark, No one tells them like you. Congratulations, love you the most.”

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Shah Rukh Khan’s Jawan, directed by Atlee, was a massive commercial success and resonated with audiences across the country. Known for pushing boundaries and reinventing himself with each role, the actor’s performance in Jawan was lauded by critics and fans alike.

The National Award win marks a significant milestone in Shah Rukh’s decades-long career, cementing his place not just as a superstar but also as a respected actor. With his children like Suhana actively cheering for him, the moment becomes all the more special.

Also Read : Shanaya Kapoor on her friendship with Ananya Panday and Suhana Khan: denies competition, says “They are family”

Son of Sardaar 2, the much-awaited sequel to the 2012 hit, is turning up the laughter meter this weekend—and audiences are loving every second of it. After a successful theatrical launch on Friday, August 1st, 2025, the makers have now extended a massive 50% discount offer on tickets through the weekend, making it the perfect time for a fun-filled family movie outing.

Audiences can avail up to Rs. 200 off on their tickets using the code SOS2 across select platforms. The move comes after a phenomenal opening day response and glowing audience reviews praising the film's comedy, chaos, and energetic performances. “Kyuki ab hassne ka samay aa gaya hai (It’s time to laugh your heart out)!” the team declared while announcing the extension of the offer, emphasizing that the film is all about spreading joy and turning the weekend into a laughter riot.

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Son of Sardaar 2 features a power-packed ensemble of actors like Ravi Kishan, Sanjay Mishra, Mrunal Thakur, Neeru Bajwa, Chunky Panday, Kubbra Sait, Deepak Dobriyal, Vindu Dara Singh, Ashwini Kalsekar, Roshni Walia, Sharat Saxena, Sahil Mehta and the late Mukul Dev, in a memorable role, promising madcap mayhem, Directed by Vijay Kumar Arora, the film is a rollercoaster of cultural comedy, hilarious misunderstandings, and heartwarming moments, promising wholesome entertainment for all age groups.

Presented by Jio Studios and Devgn Films, the film is produced by Ajay Devgn and Jyoti Deshpande, along with N R Pachisia and Pravin Talreja, and co-produced by Kumar Mangat Pathak. The movie is released under Devgn Films and SOS 2 Limited banners. With footfalls rising and buzz growing across social media, the extended offer is expected to further boost the film’s already strong box office run.

Also Read: Ajay Devgn mimics Sunny Deol, Suniel Shetty, Jackie Shroff in hilarious Border spoof in Son of Sardaar 2

Ranveer Singh and Alia Bhatt are celebrating in style as their 2023 blockbuster Rocky Aur Rani Kii Prem Kahaani bags the prestigious National Film Award for Best Popular Film Providing Wholesome Entertainment. Directed by Karan Johar, the film not only won hearts at the box office but now holds the highest honour in Indian cinema for its heartfelt storytelling and mass appeal.

Reacting to the win, Ranveer Singh shared an emotional note that’s winning over fans all over again. Reflecting on the film’s impact beyond the silver screen, he wrote, “The real win for RRKPK is how it has grown to become people's go-to comfort film. They rewatch it again and again, as a form of emotional regulation. Ek aisi film jo dil ka bojh halka kar deti hai. That’s wholesome entertainment indeed… Feeling proud, feeling blessed, feeling grateful.”

Ranveer’s portrayal of Rocky Randhawa—a loud yet deeply sensitive Punjabi boy—instantly became a cultural phenomenon, celebrated for breaking stereotypes and bringing vulnerability to masculinity in mainstream cinema. Alia Bhatt, who played the fierce and intelligent Bengali journalist Rani, also took to social media to express her joy. “What a moment… Love to the incredible team that made this film so magical,” she shared with a heart emoji, summing up the emotions of fans and film lovers across the country.

Earlier, Karan Johar, the director of the film and the man behind some of Bollywood’s most iconic love stories, had penned his own heartfelt note, calling the film a personal and professional milestone.

Released in July 2023, Rocky Aur Rani Kii Prem Kahaani quickly became a fan-favorite thanks to its blend of romance, humour, family drama, and progressive messaging. Its star-studded ensemble included Dharmendra, Jaya Bachchan, Shabana Azmi, Tota Roy Chowdhury, and Churni Ganguly, among others.

The film revolves around a quirky couple from contrasting cultures who decide to swap lives with each other’s families for three months before tying the knot—leading to a rollercoaster of emotions, hilarity, and life lessons. With strong performances, chart-topping music, and now a National Award win, RRKPK stands tall as a modern-day Bollywood classic—and for fans, Rocky Randhawa will always be the character that lightened hearts and lit up screens.

Also Read: 71st National Film Awards: Alia Bhatt and Ranveer Singh starrer Rocky Aur Rani Kii Prem Kahaani wins Best Popular Film Providing Wholesome Entertainment and Best Choreography

Tara Sutaria may be a familiar face on screen, but when it comes to her daily routine, she insists nothing has changed since before she became famous. In a candid moment during her appearance on The Ranveer Show, the actress spoke about how she continues to hold on to her old habits, favourite hangouts, and simple pleasures—no matter how many headlines she makes.

“You know, I do the same sh** that I used to do before. Can I say that? Yeah, I do the same stuff that I used to do before. I haven't changed anything in my routine,” she said. “I still go to Soul Fry for karaoke night every Monday, Wednesday and Friday, when I'm not filming.”

Tara's go-to food spots haven’t changed either. “I still like to have my Gajalee Bombay fry. I still… and I do it all the time. It’s not like once in a blue moon. I still go to Goodluck for keema pao. Like, yeah, wow, that’s just… you can’t change that. If you change that, you’re not being true to yourself.”

When asked to clarify if she meant the iconic Goodluck Café in Pune, Tara replied, “Goodluck, here is in Mumbai. How have you not been there? It's opposite Mehboob Studio. Guys, go and have the kheema fry—not the regular kheema fry—with pao and put a double cheese omelet on top of it.”

Speaking of the professional front, Tara was last seen in Apurva. The film was directly released on OTT in 2023. While fans are awaiting her return to the big screen, she was recently seen in AP Dhillon’s music video, ‘Thodi Si Daru.’

Also Read: Tara Sutaria BREAKS SILENCE on dating rumours with Veer Pahariya: “Nice to see and read about it online”

In a momentous achievement for Indian cinema, Kathal: A Jackfruit Mystery has won the Best Hindi Feature Film at the 71st National Film Awards. The comedy-crime satire, produced by Ekta Kapoor, Guneet Monga Kapoor, Achin Jain, and Shobha Kapoor, and directed by debutant Yashowardhan Mishra, captured both critical and audience attention in 2023 for its razor-sharp storytelling and rooted social commentary. Following the win, the team behind the film shared emotional and powerful statements that reflect the journey and impact of this Netflix-backed gem.

Lead actor Sanya Malhotra, who delivered a widely lauded performance as Mahima, responded with deep gratitude. Sanya said, “I’m deeply honored that Kathal has been awarded the National Award for Best Hindi Film. This story has been very special to me, and I’m grateful to Guneet Monga and Achin Jain, and the entire team for trusting me with such a unique role. The film reflects important social realities with satire and heart, and I’m so glad it resonated with audiences. This recognition encourages me to continue choosing meaningful cinema. A heartfelt thank you to the jury and everyone who supported Kathal.”

Celebrating a remarkable debut, director Yashowardhan Mishra shared his joy. “I'm thankful to the jury for this great honour. It is incredibly reaffirming to be recognised for the work we do and the stories we choose to tell. I am grateful to have found collaborators in Guneet Monga Kapoor, Achin Jain, Balaji, Ekta Kapoor, and Netflix. I share this award with my wonderful cast and crew who shaped the film in myriad ways.”

Monika Shergill, Vice President - Content, Netflix India, praised the collaboration and creative risk. “We are incredibly honoured and grateful to celebrate Kathal: A Jackfruit Mystery being awarded Best Hindi Feature Film at the 71st National Film Awards. The National Awards are a benchmark of creative excellence and cultural impact, and this win is a moment of immense pride for everyone who brought this extraordinary film to life”, added Monika.

Under debut director Yashowardhan Mishra’s distinctive vision, and co-written with the acclaimed Ashok Mishra, Kathal is powered by the creative brilliance of our long-time collaborators Balaji Telefilms and Sikhya Entertainment. The film delivers a razor-sharp, socially charged satire rooted in rural India, a story told with rare wit, authenticity, and insight. Sanya Malhotra’s heartfelt and layered performance anchors the film with emotional resonance.”

Guneet Monga Kapoor, Producer and CEO at Sikhya Entertainment, and Achin Jain also shared a powerful message on behalf of their team. She shared, “We are incredibly honoured to receive the Best Hindi Film award for Kathal at the 71st National Film Awards. Every time a story from the heart of India is honoured, it’s a win for every voice that deserves to be heard”. “A heartfelt congratulations to our brilliant director Yashowardhan Mishra and his co-writer Ashok Mishra for crafting a story that is sharp, original, and deeply human. Huge thanks to our producing partners Ekta Kapoor and Shobha Kapoor at Balaji Telefilms, and the entire Sikhya Entertainment team”, Jain said.

Immense gratitude to our trusted platform partner Netflix India, and the incredible Monika Shergill, Ruchika Kapoor Sheikh. Shout out to Pratiksha Rao and Ankita Singh who started this journey. And to Sanya Malhotra, who brought Mahima to life with such nuance, warmth, and unwavering strength!”

Celebrated producer Ekta Kapoor also expressed her gratitude, saying, “I'm thankful to the jury for this great honour. It is incredibly reaffirming to be recognised for the work we do and the stories we choose to tell. I am grateful to have found collaborators in Guneet Monga, Achin Jain, Balaji, and Netflix. I share this award with my wonderful cast and crew who shaped the film in myriad ways.”

Shot entirely in the culturally rich heartland of Madhya Pradesh, Kathal stands as a testament to storytelling that blends humour with hard-hitting truths. Through satire and layered characters, the film explores how truth can often be stranger — and more important — than fiction. This National Award win is not just a feather in the cap of its makers but a rallying cry for every filmmaker striving to tell stories that matter.

Also Read: Anurag Kashyap’s Bandar starring Bobby Deol, Sanya Malhotra to premiere at TIFF 2025; first poster out

Actress Ishita Dutta has shared a deeply personal and emotional update with fans, revealing that she and her firstborn, Vayu, were both recently hospitalised. The actress, who welcomed her second child—a daughter named Veda—with husband and actor Vatsal Sheth in June this year, posted a heart-wrenching photo on social media showing both her and little Vayu’s hands bandaged with IV drips.

In her caption, Ishita wrote, "It's been a really tough month... At a time when I was supposed to be with my newborn, I was making hospital rounds instead. Thankfully, both Vaayu and I are doing much better now." While the actress did not reveal the exact cause of the hospitalisation, her post drew an outpouring of love and concern from fans and fellow celebrities alike. Many praised her strength in dealing with the emotional and physical toll of being ill while also caring for a newborn.

The Drishyam star further addressed the noticeable change in her appearance in recent weeks, especially regarding her weight loss. “A lot of you have been asking me about my weight loss—it wasn't deliberate, just a result of being unwell,” she clarified, quashing speculation about postpartum body changes being a conscious effort.

Ishita and Vatsal, one of television’s most adored couples, became parents to their son Vayu in 2023. Their family grew further in June 2025 with the birth of their daughter, Veda. Fans had celebrated the news of the couple embracing parenthood for the second time, but this latest update brought to light the unexpected challenges the new mom had been silently enduring.

Despite the ordeal, Ishita’s tone remained hopeful, and her message reassured fans that both she and Vayu are now on the road to recovery. The photo she shared served as a quiet testament to her resilience—a mother braving through sickness, separation, and healing, all while navigating the joys and struggles of early motherhood.

With her post now trending, many fans are lauding Ishita for her honesty and strength and sending warm wishes to the entire Sheth-Dutta family.

Also Read: Vatsal Sheth and Ishita Dutta name their baby girl ‘Veda’ in heartwarming ceremony; watch

Actress Ishita Dutta has shared a deeply personal and emotional update with fans, revealing that she and her firstborn, Vayu, were both recently hospitalised. The actress, who welcomed her second child—a daughter named Veda—with husband and actor Vatsal Sheth in June this year, posted a heart-wrenching photo on social media showing both her and little Vayu’s hands bandaged with IV drips.

In her caption, Ishita wrote, "It's been a really tough month... At a time when I was supposed to be with my newborn, I was making hospital rounds instead. Thankfully, both Vaayu and I are doing much better now." While the actress did not reveal the exact cause of the hospitalisation, her post drew an outpouring of love and concern from fans and fellow celebrities alike. Many praised her strength in dealing with the emotional and physical toll of being ill while also caring for a newborn.

The Drishyam star further addressed the noticeable change in her appearance in recent weeks, especially regarding her weight loss. “A lot of you have been asking me about my weight loss—it wasn't deliberate, just a result of being unwell,” she clarified, quashing speculation about postpartum body changes being a conscious effort.

Ishita and Vatsal, one of television’s most adored couples, became parents to their son Vayu in 2023. Their family grew further in June 2025 with the birth of their daughter, Veda. Fans had celebrated the news of the couple embracing parenthood for the second time, but this latest update brought to light the unexpected challenges the new mom had been silently enduring.

Despite the ordeal, Ishita’s tone remained hopeful, and her message reassured fans that both she and Vayu are now on the road to recovery. The photo she shared served as a quiet testament to her resilience—a mother braving through sickness, separation, and healing, all while navigating the joys and struggles of early motherhood.

With her post now trending, many fans are lauding Ishita for her honesty and strength and sending warm wishes to the entire Sheth-Dutta family.

Also Read: Vatsal Sheth and Ishita Dutta name their baby girl ‘Veda’ in heartwarming ceremony; watch

Tara Sutaria has set the internet abuzz with her recent confessions about love and happiness, further fuelling ongoing rumours about her blossoming romance with Sky Force actor Veer Pahariya.

In a candid conversation with Ranveer Allahabadia, Tara appeared radiant and content as she addressed her current relationship status, her thoughts on love, and the magic of timing. Her words, laced with emotion and introspection, have caught fans’ attention, with many speculating that she may have confirmed her relationship with Veer. “I’m very happy right now! Yes! I’m elated over the moon,” she said with a smile, hinting at a romantic chapter in her life.

Describing the experience of love, Tara continued, “Yeah, it’s actually a fun experience. Chaudhvin Ka Chand vibes.” The reference to the classic romantic film only added to the dreamy allure of her present phase.

While she didn’t directly name Veer Pahariya, her reflections on love and what it means to her spoke volumes. “I’m lucky in that department. Because if I didn’t love love as much as I do, and did, and always will, I mean, anyone who loves it as much as I do will be a good partner because you prioritise that above all. It’s the important thing for me undoubtedly.”

The actress also had a heartfelt message for those navigating love or waiting for it to arrive. “Don’t chase love. What is yours will come. And it does come… there’s a very irritating thing that people say to you when you’re alone, which is, when it’s the right time, it will come to you. And you get very irritated with it… Now, I think about it in retrospect. It’s actually true.” Tara concluded with a statement that resonated with many romantics and added, “The universe believes that I’m deserving of that love.”

Tara Sutaria and Veer Pahariya have been spotted together multiple times in recent weeks, leading fans to speculate about their relationship status. Though neither has officially confirmed their romance, Tara’s glowing expressions about love seem to align with the public’s assumptions. With these heartfelt revelations, fans now wait with bated breath — is a dreamy Bollywood love story quietly unfolding?

Also Read: Tara Sutaria BREAKS SILENCE on dating rumours with Veer Pahariya: “Nice to see and read about it online”

In her new vlog on YouTube, actor and television personality Archana Puran Singh reflected on Kapil Sharma’s early life struggles and the emotional depth behind his humor. Joined by her husband Parmeet Sethi and their sons Aaryamann and Ayushmaan, Archana visited music composer Yashraj Mukhate at his home, where candid conversations revealed the inspiration behind one of India’s most celebrated comedians.

When Yashraj expressed his admiration for Kapil, saying he still finds him “underrated,” Archana replied, “That’s so sweet. Main Kapil ko bolungi. He is supremely talented and has an amazing presence of mind. He still surprises me with his punches. I have seen him performing from the last15 years. Usmein bahut depth hai; itna humour aa hi nahi sakta agar aapmein depth na ho. Music and art kuch nahi aa sakta agar aap mein depth na ho toh.”

She elaborated, “If you can make someone laugh, it means there’s a lot of pain inside you. Kapil has witnessed immense struggle—his childhood was marked by poverty, and he lost his father to cancer. Despite all this, he was gifted with the rare talent to make the world laugh.” Yashraj added by saying, “His skill is truly unmatched.”

Addressing long-standing criticism about her on‑camera laughter, Archana clarified that earlier laughter on shows like Comedy Circus and The Kapil Sharma Show was often artificially inserted by editors, “When people say ki aap unnecessary hasate ho…pehle toh edit ka nonsense tha comedy circus ke time, meri hasi zabardasti daalte the. The punch wasn’t even good; my laugh was edited after that, and I used to look really ridiculous. But yes, the agar joke is 19‑20, then I have to make it 21, but it can’t be a 5…”

Now that editing practices have evolved, she assured that her laughter on current shows is more genuine and earned. This vlog not only offered a peek into Archana’s personal reflections but also renewed appreciation for Kapil Sharma’s remarkable rise from hardship to Hindi comedy stardom.

Also Read : Archana Puran Singh duped by fake website while booking skydiving at iFLy Dubai; says, “Dubai mein hamare paise doob gaye”

A.R. Murugadoss director of Sikandar starring Salman Khan. Released as a pan-India project, the film failed to meet expectations from both fans and critics. Speaking for the first time about its underwhelming performance, Murugadoss reflected on the experience, noting that the sense of satisfaction and emotional connection one feels when creating a film in their mother tongue is often missing when working in other languages.

In an interview with Cinema Vikatan, AR Murugadoss explained, “Only when a film is made in one's mother language can the behaviour, culture, and what the audience wants of that community be understood. Accordingly, trends can be incorporated into the film. That will create a strong connection. But this is not possible when doing films in other languages. You just have to trust the script.”

AR Murugadoss also shared the challenges he faces while directing films in Hindi, particularly in grasping the language and its cultural nuances. “The dialogue we write is translated in several stages. The question arises as to what that original idea is. As a director, only if you understand the language well can you infuse the full emotion into the film. That is why my full potential can only be revealed in mother language films,” said Murugadoss with conviction.

AR Murugadoss’s statement surprised many, especially since Sikandar wasn’t his first venture into Hindi cinema. Previously, he had directed Ghajini, a remake of his own Tamil film, and Holiday: A Soldier Is Never Off Duty starring Akshay Kumar, which was also adapted from a Tamil original. While both films were well-received—Holiday in particular garnered positive reviews and was commercially successful—Sikandar marked a departure as it was an original script rather than a remake, setting it apart from his earlier Hindi directorials.

Also Read : 50 days to go! Countdown to the release of AR Murugadoss’s keenly-awaited Dil Madharaasi starring Sivakarthikeyan begins

Mrunal Thakur isn't following trends; she's blazing her own trail. With each traditional look, she is defining what it means to be a fashion-forward stunner. It is not unknown that she serves statements in the western fashion space, and she also does not fail to hit the ball out of the park with her traditional spark. Here's looking at five times the birthday girl knew how to serve traditional fashion moments and leave her fans breathless during the process.

Lavender charm: Mrunal Thakur radiated traditional elegance in a lavender anarkali, loaded with intricate embellishments all over. Keeping the whole appearance simple yet elegant, Mrunal accessorised her look with diamond jewellery, making a case for traditional elegance.

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Purple bliss: Mrunal Thakur channeled her inner queen in a purple Banarasi saree with golden prints. The actress radiated traditional elegance by accessorising her look with fresh gajras, heavy jhumkas and chunky handpieces.

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Ivory grace: Mrunal Thakur looked as radiant as ever in an ivory anarkali, featuring a detailed border and striking motifs all across the outfit. She styled her hair in voluminous waves and accessorised her look with chandbalis.

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Pastel love: Mrunal Thakur stunned in a pastel outfit featuring rich embroidery across the upper half and full-fledged flair at the bottom. Letting the outfit speak for itself, Mrunal styled her hair in a sleek bun and simply accessorised her ensemble with heavy earrings.

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Yellow elegance: Mrunal Thakur looked as fresh as a daisy in a bright yellow lehenga and paired it with a mirror-worked blouse. She completed her look with a vibrant dupatta featuring a cutout border, providing an extra edge to the outfit's appeal. Mrunal layered her ensemble with heavy jewellery and dished out ultimate traditional fashion goals.

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When it comes to traditional fashion, Mrunal Thakur's selective choices prove that she's a standout in every sense!

Also Read: Mrunal Thakur trained for 3 months to play the Dhol in Son of Sardaar 2; her viral BTS video will leave you cheering

The Saiyaara craze has taken the country by storm, catapulting Ahaan Panday and Aneet Padda to instant fame. During a recent conversation with Komal Nahta, director Mohit Suri shared that Ahaan was initially supposed to debut in a grand YRF project, but it was ultimately scrapped. He also mentioned spending four months working closely with Ahaan to help him look more mature on screen.

Mohit Suri revealed that Ahaan and Aneet each had distinct paths leading up to their debut. He said, “Ahaan has been doing acting workshops with YRF for the last seven years. Before COVID, Ahaan and YRF were planning a grand, larger-than-life film. But post-COVID, cinema changed, and the project was dropped. The same guy who was telling everyone about his big launch—his pride and confidence were completely shattered.”

He went on to say, “People began asking him, ‘Weren’t you supposed to be launched by YRF? What happened now?’ I just know that Aditya Chopra called him after COVID and told him, ‘My faith in you hasn't diminished, but I won’t mind if you start your career elsewhere.’ But Ahaan responded, ‘No, I’ll be launched by YRF only.’ Vo bach gaya. kyunki agar pehle launch hota toh bhut chota lagta. I spent four months with him to make him appear more mature.”

The romantic musical drama follows the journey of Krrish Kapoor (Ahaan Panday), a struggling musician in pursuit of fame and success. Along the way, he meets Vaani Batra (Aneet Padda), an aspiring journalist who later becomes his lyricist. As their relationship blossoms into love, they face several hurdles that put their connection and strength to the test. The film resonated deeply with audiences and has gone on to become the highest-grossing love story in Indian cinema.

Also Read : Saiyaara Box Office: Mohit Suri directorial surpasses Pathaan, Kabir Singh, Sanju and Bajrangi Bhaijaan; breaks into Top 15 All-Time Highest Second Monday grossers

The much-awaited action-comedy Son of Sardaar 2 is all set to storm cinemas this Friday, August 1, 2025. Headlined by Ajay Devgn and backed by Jio Studios, the film’s advance bookings are now officially open — and to sweeten the deal for fans, the makers have announced a special Buy One Get One Free (BOGO) ticket offer, applicable only for first day shows across select theatres.

The promotional offer is a strategic push to boost footfalls on opening day and create early buzz for the sequel, which follows up on the 2012 hit Son of Sardaar. The film promises to retain the franchise’s signature mix of slapstick humour, over-the-top action, and Punjabi family drama — all centred around Devgn’s larger-than-life persona.

'SON OF SARDAAR 2' ADVANCE BOOKINGS OPEN – BOGO OFFER ANNOUNCED... #SonOfSardaar2 advance bookings are now LIVE.#AjayDevgn and #JioStudios have announced a special BOGO [Buy One Get One] free ticket offer – valid only for *first day shows*. Releasing in cinemas THIS FRIDAY [1… pic.twitter.com/YfIMIsGuMf

— taran adarsh (@taran_adarsh) July 30, 2025

However, despite the fanfare, Son of Sardaar 2 faces an uphill battle at the box office. The film’s release is wedged between two high-profile titles — Saiyaara, which continues to dominate screens since its release last Friday, and the much-hyped War 2, slated to release just a week later on August 8. Both films have strong brand pull and big stars, creating stiff competition and potentially dividing audience attention and screen space.

Additionally, while the BOGO offer may help drive higher occupancy on Day 1, it could also impact the film’s opening day revenue. With one free ticket given for every purchase, net collections for Friday could take a hit, particularly in urban centres where the offer is expected to see significant uptake. While this may work to Son of Sardaar 2’s advantage in terms of packed houses and social media chatter, it could dampen the immediate financial return — a factor that holds weight in today’s aggressively competitive box office landscape.

Nevertheless, the film benefits from Ajay Devgn’s mass appeal and the nostalgia attached to the first installment. If early audience reactions are positive, the film could find its footing through strong word-of-mouth, especially in single screens and smaller centres where Devgn continues to draw a loyal base.

As Friday approaches, all eyes will be on how Son of Sardaar 2 navigates the crowd and the commerce — and whether this gamble of timing and ticketing will pay off.

Also Read: Son of Sardaar 2 – Five challenges that lie ahead for the movie at the box office

Tanishaa Mukerji has come out strongly in defence of the recently released romantic musical Saiyaara, after a podcast speaker accused the film’s team of paying Gen-Z audiences to create emotional scenes in theatres for promotional purposes.

The controversial statement was made during The Asymmetric Crew podcast, which featured the creator of The Barber Shop with Shantanu. A speaker, during a candid segment, alleged that the emotional reactions seen in theatres post-Saiyaara screenings were not genuine. “What's happening with this ridiculous Saiyaara movie. The producer of this movie, in my view, has paid ₹500 in dehadi to lots of these Gen-Z young folks to go into these theatres and put on emotional performances of crying… This is how the movie is getting promoted by the way. The whole world has now become a bunch of performers,” the speaker claimed, sparking outrage online.

In a sharp rebuttal, actress and producer Tanishaa Mukerji dismissed the criticism, calling it baseless and regressive. “Completely disagree. Times are changing and these people are stuck in the past. Love and appreciate the new. And honestly, what rubbish is this man saying? Does he know anything for a fact. He is using the phenomenon of Saiyaara to get views by talking negatively. If people are reacting to a film what is so wrong about that. Just because he cannot relate doesn’t mean the younger generation doesn’t either. Every generation is different. This is India. We react. Go watch the film see how the audiences are moved. Then talk. This is just Bollywood bashing! Brands just have to find new ways to connect to their audiences!” Tanisha said in a strongly worded statement.

Saiyaara has become somewhat of a cultural moment ever since its release, especially among younger audiences. The film marks the Bollywood debut of Ahaan Panday, nephew of veteran actor Chunky Panday, alongside newcomer Aneet Padda. Directed by Mohit Suri and produced under the Yash Raj Films banner, the film blends soulful music with an intense love story.

While the debate rages on about modern film marketing and audience behavior, Tanishaa’s statement has sparked an important conversation on generational shifts and how emotion-driven content connects with evolving viewers.

Also Read: Saiyaara Box Office: Mohit Suri directorial surpasses Pathaan, Kabir Singh, Sanju and Bajrangi Bhaijaan; breaks into Top 15 All-Time Highest Second Monday grossers

Mohit Suri’s Saiyaara, featuring newcomers Ahaan Panday and Aneet Padda, brings back the charm of old-school romantic storytelling in Hindi cinema with its captivating visuals and soulful music. One such track is ‘Tum Ho Toh’, composed by Vishal Mishra, sung by Vishal Mishra and Hansika Pareek, with lyrics penned by Raj Shekhar. In a recent YRF video, the team behind the song shared insights into its creation.

Talking about the creation of ‘Tum Ho Toh’, Mohit Suri said, “Vishal and me go a long way, and while everyone is going to him with the very serious, somber, angsty songs, I said, there’s a happy side to you, Vishal. There’s a fun side to you, and let’s make a song on that side. But still in the romantic thing, which is not emotionless. And that’s how ‘Tum Ho Toh’ came.”

Singer Vishal Mishra shared his experience working with Mohit Suri, saying, “He believes that I should make more fun songs. And he said, I want you to make a song that is fun yet soulful, yet romantic, and yet very exuberant of young love. It was beautiful. So we had to make a very fresh song. And Raj Shekhar was there and he came up with my most favorite line of the song. That if you are around me, everything is just beautiful.”

Raj Shekhar said, “Mohit sir’s brief was to create a song that carries the energy of youth but also has a certain stillness to it. Like one of the lines says, ‘Even recklessness with you feels like peace.’ I had written the initial part of the song first, and Vishal composed it based on that. From there, the song started to take shape.”

Talking about working with Vishal Mishra, Mohit Suri said, “Vishal hears a brief of the whole film and the story and he says what is the thought you know it just comes to him it’s like ‘I’m feeling this, I’m feeling that’. You know what I like about Vishal is he can work with you for the whole day and then turn around and tell you we need to make something better.”

Describing the emotion behind the song, Raj Shekhar said, “It’s about two people coming together and trying to find eternity in a single moment. I feel that when two beautiful hearts meet, that one moment becomes something that lasts forever.”

Vishal added, “It comes from a beautiful place, a Sufi space. So it’s special for me, very, very special to Raj ji, and to Mohit as well. I want you to go and give it all your love—make it your own song. You’ll find a part of yourself in it, some vulnerable, scattered piece of your soul.”

Also Read: Making of Saiyaara song ‘Humsafar’: Singer duo Sachet-Parampara say, “In this song, you’ll notice the dynamic between the male and female energies”

In a strategic move to modernize its heritage brand, Vasmol has officially signed acclaimed actress Vidya Balan as the brand ambassador for its newly launched Vasmol Henna Crème Hair Colour and Shampoo Hair Colour lines. This launch marks a shift to a newer format—amenity‑based, ammonia‑free crème products—blending traditional henna benefits with modern convenience.

Vasmol’s CEO, Dheeraj Arora, highlighted the brand’s legacy, “For over six decades, Vasmol has been an integral part of Indian homes, cherished not just in daily rituals but also deeply within our hearts. Our newest offering, Vasmol Henna Crème Hair Colour, signifies another meaningful step forward, where tradition meets modern convenience. Vidya Balan is the perfect embodiment of Vasmol's core values, rooted in tradition yet modern in her choices. Her authentic persona resonates deeply with Indian women who value genuine, enduring beauty.”

Priyanka Puri, Senior VP–Marketing at Vasmol’s parent company HRIPL, reinforced this alignment, “The launch of Vasmol Henna Crème Hair Colour marks a pivotal moment in our brand journey, where tradition meets modern science. It’s more than just a product; it’s a promise of safe, ammonia-free grey coverage rooted in the timeless power of henna and enriched with the convenience of a crème format for today’s discerning woman. We are excited to have Vidya Balan. Her elegance, authenticity, and strong voice for self-expression perfectly mirror our brand’s ethos. She embodies the modern Indian woman who embraces her roots while moving forward with confidence. With Vidya as our ambassador, we aim to deepen consumer trust and strengthen Vasmol’s legacy across generations. Together, we proudly say— ‘Surakshit rahe mere baal, Vasmol Henna Crème Hair Colour ka kamaal.”

Vidya Balan herself expressed excitement for the partnership, “Every woman wants to look and feel her best without compromising on care. Henna has always been a special part of our culture. Vasmol Henna Crème Hair Colour brings that familiar goodness in a modern, no-ammonia format that women can trust. It’s safe, rooted, and beautiful, everything I believe in. I’m excited to be back with the brand that celebrates natural beauty and the joy of being yourself.”

The new product range is available in budget‑friendly pack sizes, starting from 25 ml, and is accessible across leading retail outlets nationwide. This campaign launch comes amidst a broader trend of major Indian brands onboarding well-respected female celebrities—such as Triptii Dimri, Meenakshi Chaudhary, Jasprit Bumrah, and Sachin Tendulkar—to strengthen emotional connect and brand narrative across Bharat.

Also Read : Vidya Balan shuts down body image critics; says, “I actually believe there is nothing wrong with me”

Filmmaker Siddharth Anand, best known for directing blockbusters like Pathaan and War, recently took to social media platform X (formerly Twitter) to express his admiration for the romantic drama Saiyaara. Though a little late in catching the film in theatres, Anand was visibly moved by the cinematic experience, calling it a masterpiece of craft and emotion.

In his heartfelt post, Siddharth wrote, “A little late to the party. Had heard so much about the film already. Apart from it being the blockbuster of course. Went in to the film with all these expectations. And yet! Just LOVED IT!!! Just wow! Here’s a filmmaker at his finest! His craft at its peak. His conviction unhinged!”

Tagging director Mohit (handle @mohit11481), he continued, “You have given the audience in me such a ride! I wanted to step outside the theatre and give you a big hug!! I’m so happy seeing your best film!!! (Arguably maybe) But I believe it is!!”

A little late to the party. Had heard so much about the film already. Apart from it being the blockbuster ofcourse. Went in to the film with all these expectations. And yet! Just LOVED IT!!! Just wow! Here’s a film maker at his finest! His craft at its peak. His conviction… — Siddharth Anand (@justSidAnand) July 28, 2025

Anand also lauded lead actors Ahaan and Aneet Padda for bringing Krish and Vaani to life. “You both made me believe in Krish & Vaani. You made them tangible! I fell in love with your love! If you know what I mean,” he added. “I didn’t want the film to end and I don’t think audience did too.. no one moved an inch till the screen went black!!”

The filmmaker also gave a big shout-out to YRF and its team—Adi Chopra, Akshaye, and Sumanna—for backing the film with full conviction. “Who said love stories are passé. Thank you for bringing tears and joy back to cinemas!!!” he wrote, before ending with a plea that may echo what many fans are now feeling, “Come on bring Saiyaara 2 !!!!!”

Also Read : Is Shah Rukh Khan starrer King starting tomorrow? Siddharth Anand drops cryptic hint ahead of Suhana Khan’s birthday

In what’s shaping up to be one of the most anticipated tracks of the year, Bollywood Hungama can exclusively confirm that the hitmaking team behind the iconic ‘Kesariya’—director Ayan Mukerji, composer Pritam, lyricist Amitabh Bhattacharya, and singer Arijit Singh—are reuniting for a romantic track in War 2, featuring Hrithik Roshan and Kiara Advani.

The track, which is expected to drop this week, will be the first song from War 2 to be released, just ahead of the film’s grand Independence Day weekend opening on August 14, 2025. The internet has been buzzing with chatter about this reunion, and now, the collaboration has been officially confirmed by Yash Raj Films, the producers of the upcoming spy action thriller.

While YRF spokesperson confirms the latest update, they refrained from giving away plot details, but a source close to the development reveals, “It is a beautiful track that shows the romance between Hrithik and Kiara’s characters in War 2. The song is soft, emotional, and soulful—very different from the high-octane tone of the film. It will reveal the backstory of their relationship.”

Bollywood Hungama had earlier reported that the romantic ballad is actually a flashback number, shedding light on Kabir (Hrithik Roshan) and Kavya (Kiara Advani) and their past connection. Shot in the scenic locales of Rome and Tuscany, glimpses of the shoot had leaked online months ago, creating a frenzy among fans eager to witness this on-screen pairing’s chemistry.

With the creative forces behind Kesariya at the helm, expectations are already soaring. The emotional resonance of that song had struck a chord with millions, and this upcoming track aims to do the same, this time within the intense world of espionage and betrayal. Arijit Singh, who earlier delivered the chartbuster Ghungroo with Hrithik in War (2019), returns to lend his voice once again—this time for a more intimate and heartfelt melody.

While War 2 promises to be a visual spectacle and high-stakes action drama—especially with the formidable face-off between Hrithik Roshan and NTR Jr.—this flashback love song adds a touch of vulnerability and emotional complexity to Kabir’s arc. For fans, it’s a glimpse into what Kabir once had and what may have shaped the man he has become.

Directed by Ayan Mukerji, and produced by Aditya Chopra under the YRF Spy Universe, War 2 is set for a Pan-India release in Hindi, Telugu, and Tamil across theatres and IMAX screens. Following the blockbuster response to its teaser and trailer, this song release is poised to be the next big moment in the campaign—and it couldn’t come at a better time.

With a musical dream team at work and Hrithik Roshan, and Kiara Advani front and centre in a roles that promise both action and aching emotion, this track is expected to set the tone for what could be the most memorable love story in the Spy Universe yet.

Also Read: EXCLUSIVE: Hrithik Roshan-Kiara Advani’s War 2 love track is a ‘Flashback’ song exploring Kabir-Kavya’s past

The excitement surrounding Toxic, slated to be the biggest action spectacle of 2026 is only getting more intense. The high-octane action drama, headlined by superstar Yash, boasts an ensemble cast featuring Akshay Oberoi, Tara Sutaria, Huma Qureshi, and more. And what’s setting the buzz ablaze is the revelation that every lead actor in the film is performing their own stunts, yes, including the fierce female stars.

Sources close to the film have confirmed that Toxic is designed as a gritty, high-impact action film, where the makers insisted on raw, real action sequences, performed by the actors themselves under the close supervision of a professional stunt and action team.

Akshay Oberoi, who is known for his commitment to physical roles, has reportedly been undergoing intense action training for months. Alongside him, Yash, known for redefining mass action cinema, is also executing his stunts, ensuring a visceral visual experience for the audience. The film doesn’t stop at male-led action; both Tara Sutaria and Huma Qureshi are taking on physically demanding sequences with absolute grit and determination, pushing the envelope for action heroines in Indian cinema.

Speaking about the action-packed nature of the film, a source from the production said, "Akshay Oberoi and Yash are performing major action set-pieces themselves, no doubles. And it's not just the male leads. Tara Sutaria and Huma Qureshi have shocked everyone on set with their dedication to training and pulling off full-fledged stunts. The action in Toxic is brutal, slick, and grounded and every actor is giving it their all."

With adrenaline-fueled sequences, powerful performances, and a cast that is committed to doing their own stunts, Toxic promises to redefine action cinema in India. The film is expected to hit theatres in 2026 and continues to be one of the most talked-about projects in the industry.

Also Read: Yash shifts the remaining shoot of Toxic from Bengaluru to Mumbai to facilitate Kiara Advani’s pregnancy

As the Hindi film industry navigates fierce competition from South Indian cinema, booming OTT platforms, and rapidly shifting audience tastes, Tahir Raj Bhasin views this moment not as a crisis, but as a transformative opportunity. In a candid interview, he invoked the example of Shah Rukh Khan in the 1990s, hoping to emulate the same blend of disruption and charisma that defined that era's cinema.

Currently earning rave reviews for his role as 'The Collector'—a powerful antagonist in Neeraj Pandey’s Special Ops 2—Tahir has carved a respected place in Hindi cinema without the backing of a traditional film family. Reflecting on SRK’s influence, he explained:

“90s SRK was disruptive. It was the villain in Baazigar and the charmer that we saw in DDLJ. SRK today is an icon, but what he was doing in the 90s, were all the kind of heroes like Kabhi Haan Kabhi Na, who were flawed and had an element of charm to them. And so comes the idea to me that I would lend my skill to stories that are disruptive and drive them as entertainingly as possible.”

Tahir describes Bollywood as a “living organism” that must evolve, “It evolves and has to change and adapt to the time and to the audience.” He added, “Only in times of change can new experiments and new things be tried out.”

On the OTT versus theatrical experience, he stated, “There’s a charm in seeing a film in a theatre with a large community in a dark room and great surround sound,” “But then there are some stories that are better told in an episodic format on OTT.”

Tahir also shared how Special Ops 2 gained a surprisingly balanced and enthusiastic response, particularly from female fans, “I thought the genre would appeal more to a male audience because of the action and espionage. But the response has been very balanced.” He added, “You always want to leave the audience feeling like they want to know more. Curiosity is the best way to engage with your audience.”

Looking ahead, Tahir hinted at a diverse upcoming slate, including a mystery thriller for Netflix opposite Parineeti Chopra. He said, “Absolutely. We’re looking at a bunch of scripts. It’s always about finding the right part.”

A declared “hardcore Bollywood buff,” he shared he’s open to transitioning into romantic hero roles if the script resonates with him.

Also Read : EXCLUSIVE: Like Saiyaara stars, YRF talent Tahir Raj Bhasin’s absence from Mardaani promotions also worked big time: “Not going OVERBOARD with PR before release helps maintain curiosity”; actor also talks about “out of the world” response to Special Ops 2; opens up on UPI changed to OBI, not sharing screen space with Kay Kay Menon

Tahir Raj Bhasin came into the limelight with Mardaani (2014), where he played the ruthless and suave villain. 11 years later, he once again gets into the villain zone with Special Ops 2. In an exclusive interview with Bollywood Hungama, the dashing actor spoke about the feedback, his journey and a lot more.

How has the feedback been for Special Ops 2? It’s incredible. I am over the moon at the moment! It's out of this world; it's 3 times what I expected. If you get to be a part of the show that has already set a benchmark in Season 1, then you know that you are shouldering the responsibility of upping that benchmark. And when fans write to you and appreciate your part, it’s the best thing an actor can get.

What are the fans saying? On social media, people are saying stuff like ‘Gadar character’ and ‘Jhakaas acting’. Some are asking why I didn’t listen to the full thumri, something I had requested from the Banaras artists! The philosophy of the Collector has connected with the people. So, it was great to see that from the acting to the way the character carried himself to the locations, people have invested in various aspects of the show.

How did you bag the show? Did you approach director Neeraj Pandey, or was it the other way round? I was approached by Neeraj Pandey’s office. That itself was a big compliment because getting a chance to go head-to-head with Kay Kay Menon was a feat. I have always admired Neeraj Pandey’s work. I grew up watching A Wednesday (2008) and Special 26 (2013). For me, his work comes under the realism-meets-style category. I resonate with it as my acting is also on the same lines.

When I was called, I went to meet him. From the minute he narrated the first scene, where the antagonist is introduced listening to classical music, I was hooked, as it was so unusual!

Since Neeraj Pandey is known to do extensive research and incorporate true events or characters, was your part also inspired by any real person? I won’t say one person but my characters and the plot were inspired by multiple people or episodes. The names might have been changed while depicting the cyber attack references in the show, but they are all real issues, be it corporate espionage or national security. That’s what I like about Neeraj Pandey’s writing – it is rooted in research. If the show was made 10 years ago, it would have been categorized as science fiction, but today, everything that the Collector is shown indulging in is a reality. It raises an important question: What is security anymore? Conventionally, you would see an antagonist fighting with guns or muscles. But here, it's just with a VPN and your data.

How was it to shoot with Neeraj Pandey? I have heard that he’s particular about his script and prefers to shoot exactly as per the writing… Yes. In fact, he’s also a man of few words. In a day or two, you will understand what he wants to convey. Because he invests time in writing the script himself, he is very particular. He is like ‘Pause yahaan par hai toh yahin par rakho’, ‘emotion yahin change hona chahiye’, etc. He has the same approach even to his shot-taking. He has a lot of clarity. He sees the edit before he gets on the set.

Interestingly, you and Kay Kay Menon don’t have scenes together… Yes, and thank you for realizing that. People are asking me, ‘What was it like shooting with Kay Kay Menon’. And I tell them that ‘I haven’t shot with him’!

But did you regret not sharing screen space with him despite being a part of the same show? I won’t say I regretted it, but I knew that for a genre like this, the fact that we never met and the way it was done was fascinating. Our confrontation was minimal; many remarked that they wanted to see more of it. But I feel that leaving viewers at a point where they want to see more is always better than them complaining ki ‘Yeh bahut zyada ho gaya’. It was minimal yet impactful. Going forward, I’d love to work with him again and hopefully we’ll share the screen together.

In the show, we noticed that the word ‘UPI’ was changed to ‘OBI’. Why was that done? Honestly, you act according to the creative directions being given to you. I am sure that they had creative reasons behind doing so. I am not very clear on what the reason was. Yes, you are right; it was changed. But the audience, by and large, understood as my character also says that it's an attack on the country’s financial institution. There’s also a line that ek bhikhari se lekar ek businessman tak, sab use karte hai. Hence, people knew what we were referring to.

It’s been a while since you worked in a film and you have concentrated mainly on OTT shows. I have noticed that you have kept a healthy balance of playing protagonist as well as antagonist, be it with Yeh Kaali Kaali Ankhein or Sultan Of Bombay and now Special Ops 2. Was that intentional? Yes, 100%. OTT is a great space where you can experiment a lot. The kind of stories that you can tell there can be out-of-the-box. Yeh Kaali Kaali Ankhein starts as a love triangle. Then it goes wrong and the character turns grey. Sultan Of Delhi is a typical Milan Luthria gangster type of drama. So, the goal is always to not get set in one mould. You create a mould and then you break it. I am drawn to lead parts that are disruptive. The same goes for the character of Collector in Special Ops 2. When he enters the story, it leads to a plot twist. That’s what my one-line bio would be – I am the plot twist!

Next month, in August, your first major film Mardaani will complete 11 years. Even there, we saw you as a ruthless villain. It was made by Yash Raj Films (YRF) and you are a YRF talent. Recently, their blockbuster film Saiyaara was released and the way the lead newcomer actors didn’t do pre-release interviews was appreciated. It reminded me how even you were not revealed to the media before Mardaani’s release and when you finally came out for a post-release press conference, it was lapped up. You recently stressed on ‘less is more’ principle when it comes to your work. Do you prefer that in real life as well?

I can only speak for Mardaani. And it was intentional, as there was a mystery to my character. There was an intrigue to know who he is. And it matched up with what the overall story was. It’s a part I always count as one of my favourites because, again, it was disruptive. You don’t get to see such roles and that’s why it stood out. There was a lot of love for it, both from within the industry and the audience. Also, the idea to not go overboard with the PR before the film release helps maintain the curiosity. It’s always been my belief and I know that my agency believes the same, that let your work do the talking. Once people are convinced about your work, then even a conversation makes more sense.

I remember watching Mardaani on the first day of release and while exiting the theatre, patrons were discussing you. They wanted to know who you were and what your name was. It indeed left a huge impression… Thank you so much. 11 years after that film, I got a chance to play an all-out antagonist in Special Ops 2. It's great to see that it’s getting almost the same kind of appreciation.

Will you be back in Mardaani 3? I would love to return but unfortunately, in the first part, my character was killed! Unless someone creates a character of a twin brother, I don’t think it's possible (smiles).

What next from your side? I just finished shooting a fun series. It co-stars Parineeti Chopra. It’s a mystery drama, directed by Rensil D’Silva. It will air on Netflix.

Are you looking at returning to films? Yes. There are scripts on the table and it's all about finding the correct project.

Also Read: Tahir Raj Bhasin thanks ‘captain of the ship’ Neeraj Pandey after the success of Special Ops 2

Salman Khan took to Instagram recently to share a reflective and deeply personal note, quoting a thought-provoking piece of advice from his father, veteran screenwriter Salim Khan. The superstar, dressed in a simple black Being Human t-shirt, paired the image with a caption that struck a chord with fans and followers.

“Present becomes yr past, past catches up 2 your future, present Is a gift, do right with it, mistakes repeated becomes a habit n then your character, dont blame any 1, no 1 can make u do anything that u don’t want to. My dad just said this to me, it’s so true. Kash I heard this earlier but never too late,” wrote Salman.

The cryptic yet philosophical post has sparked widespread speculation among fans, with many trying to decode whether the star was hinting at personal regrets or sharing a general life reflection. Known for maintaining a guarded personal life, Salman’s rare introspection struck a nerve with audiences who praised the humility and truth in the message.

The post comes at a significant time for Khan, who is currently gearing up for one of the most ambitious roles of his career. The actor is set to portray Colonel Bikumalla Santosh Babu in the upcoming war drama Battle of Galwan. The film, inspired by a chapter in ‘India’s Most Fearless 3’ by Shiv Aroor and Rahul Singh, is expected to go on floors in early August.

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According to recent reports, the release date of Battle of Galwan has been pushed from its initially speculated Eid 2026 window. A source informed Bollywood Hungama, “This is because three films are already scheduled for release on March 19, 2026 – Yash-starer Toxic, the comic caper Dhamaal 4, and Sanjay Leela Bhansali’s intense romantic drama Love & War, starring Ranbir Kapoor, Alia Bhatt, and Vicky Kaushal.”

While Salman Khan hasn’t commented on the revised timeline, his focus seems to be on both self-growth and embodying the real-life heroism of Col. Santosh Babu. His post, filled with quiet wisdom and emotional resonance, reminds fans that even the biggest stars are constantly evolving — sometimes, with just a few words from a father.

Also Read: Salman Khan reveals why he enclosed his iconic balcony with bulletproof glass; says, “I would find people sleeping there…”

If the buzz in the industry is anything to go by, Khosla Ka Ghosla 2 is officially in the pipeline, nearly two decades after the cult satirical comedy first hit theatres in 2006. The original film—starring Anupam Kher, Boman Irani, Navin Nischol, Pravin Dabbas, Tara Sharma, Ranvir Shorey, and Vinay Pathak—earned widespread acclaim for its quirky yet grounded portrayal of middle-class Delhi and its battle against corruption and real estate scams.

According to a recent Pinkvilla report, the sequel is now in active development, with Umesh Bisht and his team at the helm of scripting and casting. A source close to the project confirmed, “Khosla Ka Ghosla 2 script is locked and presently in the casting stage. The team is aiming to start by November this year for a 2026 release. Much like the first part, this one too is an outright comic entertainer.”

The biggest update so far is the addition of actress Huma Qureshi to the ensemble. The source further revealed, “Huma has come on board as one of the main characters of Khosla Ka Ghosla 2. She heard the script and loved what is on paper. The film will most likely be produced by T-Series, and the modalities are being worked out at the moment.”

Interestingly, Huma Qureshi has been expanding her creative reach. Alongside acting, she has launched a production house with her brother and fellow actor, Saqib Saleem. “Huma has also started her own production house with her brother and the first film, Baby Do Die Do is scheduled to release soon,” the source added.

While the return of original cast members like Anupam Kher and Boman Irani is yet to be officially confirmed, anticipation is running high among fans who made the first film a sleeper hit.

In the meantime, Huma is also juggling a packed slate with the Yash-starrer Toxic, OTT projects, and now, her debut venture as a producer. Fans of the film are quite excited about this news where Khosla Ka Ghosla 2 with its witty tone and timeless relevance is all set to revive the laughter and layered satire that made the first film a classic.

Also Read: Boman Irani on initially refusing his iconic role in Khosla Ka Ghosla: “I thought, ‘This isn’t for me'”

Veteran filmmaker Vidhu Vinod Chopra, known for iconic films like Parinda, 1942: A Love Story, and 3 Idiots, recently shared a hard-hitting critique of Bollywood's evolving culture during an episode of Creator x Creator hosted by SCREEN. The filmmaker opened up about his experiences with now-celebrated actors and how success often alters personalities and artistic intent.

“There is more purity in new people, less corruption. Many people who assisted me have become great filmmakers today; when I meet them now, I can see the difference. When they worked with me, there was a certain purity. Unfortunately, if I cast a new face in my film and that one movie does well, it changes them,” Chopra said, underlining the transformative—often negative—impact of fame on fresh talent.

Having launched the careers of several celebrated stars, Chopra didn’t hold back in recalling how the industry changes people. “I’ve worked with so many people and I’ve seen them change. Mission Kashmir was Hrithik Roshan’s first film… Vidya Balan’s first film… Boman Irani’s first film… There’s a whole list, I don’t know how many. As they become successful, all of them, this isn’t an individual thing, they change. That’s why I like people who are nobodies, because once you become somebody, you don’t remain the same person,” he said candidly.

The filmmaker also expressed disappointment in the industry's growing fixation on box office numbers and mass success over creative authenticity. “The people only care about the hits these days. No one has a vision, and no one wants to create for the joy of creating. They make one massive film with a Rs 400 crore box office collection, and suddenly they start walking differently,” Chopra remarked.

In a sharply worded anecdote, Chopra illustrated the shift in attitude that often accompanies success. “There was a producer who I knew, and he was always very polite while talking and had a soft demeanour. Suddenly one day, he meets me with his chest puffed and some weight in his voice. I asked him, ‘Teri koi picture hit ho gayi (Did one of your films succeed)?’ He said, ‘Sir, you know everything; my film did succeed.’ I told him that I had no idea that one of his films worked; all I knew was that his spine is connected to his bank balance, and that’s why he was walking upright. These days the spine is always connected to the bank balance and not the quality of their work.”

Chopra's brutally honest insights offer a sobering look at the evolution of creative integrity in modern Indian cinema.

Also Read: Vidhu Vinod Chopra recalls Munna Bhai MBBS earning Rs 1 crore at a single centre in Chennai after being rejected by South Indian distributors: “It’s the film that made me rich”

Actor Avinash Tiwary recently called out a Pakistani writer and celebrity stylist for body-shaming him on social media, and did so with poise and purpose. The exchange began when Rao Ali Khan, a self-proclaimed stylist and commentator, left unsolicited remarks on one of Avinash's Instagram posts.

Referring to the actor's physique in two of his recent shows, Khan commented: "Loved Bombay Meri Jaan. Was thinking why do you have belly fat in Khakhee and Bombay Meri Jaan both. Happy to see fitter body – super super." In another comment, he added: "Loved Bombay Meri Jaan but pls loose [sic] weight and look fit."

The remarks were quickly picked up by fans and social media users, many of whom found them unnecessary and disrespectful. Avinash, however, chose not to ignore them. Instead, he responded with a dignified yet pointed reply: "Sir, you are a journalist… if you had done any research you would know it was for the part... I suggest get beyond the idea of just vanity for cinema. Thank you."

This comes days after Avinash opened up on being relevant as an actor and shedding the OTT tag. In a chat with IANS, Avinash said, “The OTT actor tag only happened because there was COVID, but I was looking to do theatricals. Last year, I was doing a couple of films, which didn't take off. That's when I realised I need to take control of things to create a distinction that says I'm not just only on one platform."

Speaking of the professional front, the 39-year-old actor recently wrapped shooting for Ginny Wedss Sunny 2, wherein he will be seen sharing the screen space with Medha Shankr.

Also Read: Laila Majnu director Sajid Ali on casting Triptii Dimri and Avinash Tiwary; says, “We needed faces without stardom”