Nargis Fakhri has once again become the talk of the town, this time not for a film project but for her personal life. A video from a recent high-profile event celebrating the collaboration between Visit Qatar and the Nita Ambani Cultural Centre is going viral on social media, all thanks to a playful moment between the actress, filmmaker Farah Khan, and Nargis’ longtime beau Tony Beig.

The clip shows Nargis posing with paparazzi alongside Farah Khan, when Farah can be seen calling out to Tony Beig, seemingly asking him to stand “near his wife.” While Farah’s words weren’t audible, eagle-eyed fans on social media were quick to lip-read the moment — and they are convinced that Farah just casually confirmed the actress’ marriage.

This candid exchange has reignited chatter about reports that surfaced earlier this year, claiming Nargis had tied the knot with the US-based businessman in a hush-hush ceremony in California. Although no official photos of the bride and groom emerged, a series of glimpses from the intimate event, including a wedding cake adorned with the initials ‘NF & TB’, had gone viral in February, sparking speculation.

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Despite the mounting buzz, Nargis has remained tight-lipped about her alleged marriage. Even during her recent appearance in the ensemble comedy Housefull 5, the actress refrained from addressing questions about her personal life.

The viral video, however, has given fans just the kind of confirmation they were waiting for. With Farah Khan’s playful nudge, social media is flooded with congratulatory messages, fan edits, and curiosity over why Nargis chose to keep her big day under wraps.

Whether or not the actress makes an official statement, one thing is certain — the internet has already declared Nargis Fakhri and Tony Beig as Bollywood’s newest secretly married couple!

Also Read: Nargis Fakhri shuts down a troll for his ageist comment with grace and humour; says, “Embrace it”

Another slice of Mumbai’s cinematic legacy is set to disappear. Famous Studios, the 79-year-old film hub in Mahalaxmi that once echoed with lights, cameras, and action, will soon be razed to make room for a glitzy residential skyscraper.

The studio, founded in 1943 by J. B. Roongta, has been a part of Bollywood’s history for nearly eight decades, offering state-of-the-art facilities for shooting, sound recording, and post-production. From iconic films to ad shoots, countless projects passed through its gates, making it a landmark in the city’s creative ecosystem. But the curtains are finally coming down.

Reports suggest that the landowners themselves will be sealing the deal and currently quite keen on partnering with K Raheja Corp Real Estate. It has been learnt that they have finalized plans to redevelop the 70,000 sq ft plot into a high-rise residential tower. According to layouts submitted to the Brihanmumbai Municipal Corporation, the new project will rise 69 floors above Mahalaxmi, with apartments starting from the ninth floor. Designed as plush 3- and 4-BHK homes, each residence will offer sweeping views of the Arabian Sea and Mahalaxmi Race Course.

The commercial component of the project will be minimal, with the majority of the 4.3 lakh sq ft of built-up area reserved for luxury homes. A mixed-use tag aside, the emphasis is clear—Mahalaxmi’s evolving skyline is leaning heavily toward upscale living.

Interestingly, the redevelopment plan also takes into account connectivity with the Mumbai Metro. The upcoming tower is expected to fall within 500 metres of the Science Museum Metro Station, and feasibility studies are already exploring a direct vestibule link between the two.

If this deal is sealed, for K Raheja Corp, this will mark their third major residential project in Mahalaxmi after Vivarea and Modern Vivarea, further solidifying the area’s transformation into a high-end residential hotspot.

The demolition of Famous Studios is expected to begin by the end of the year, likely before Christmas The move comes on the heels of similar redevelopments, including Goregaon’s Filmistan Studio, which is also being replaced by luxury towers. With nearly 80 years of cinematic legacy behind it, the studio will now soon be confined to memories and archives as it gears up to join the long list of Mumbai’s iconic film addresses lost to the city’s ever-rising skyline.

Also Read: Photos: Celebs snapped at the Femina Miss India 2024 grand finale at Famous Studios in Mumbai

The highly anticipated Gujarati supernatural psychological horror film, Vash: Level 2, has taken audiences by storm, receiving positive reviews since its theatrical release on August 27, 2025. Adding to the film’s widespread acclaim, Bollywood superstar Ajay Devgn took to social media to celebrate the success of Vash Level 2, praising the team and singling out Janki Bodiwala for her remarkable performance.

Taking to Instagram, Aja Devgn shared a heartfelt post about the film by dropping the trailer along with the caption that read, “Good cinema travels far… Best wishes to Krishnadev Yagnik, Kumar Mangat Pathak and the entire team of Vash Vivash Level 2. A special shoutout to Janki Bodiwala for shining yet again.”

Directed by Krishnadev Yagnik and produced by Krunal Soni and Kalpesh Soni, the film brings together a stellar ensemble cast which includes Hitu Kanodia, Monal Gajjar, and Hiten Kumar in pivotal roles, marking the return of Janki Bodiwala as Aarya. Serving as a sequel to the 2023 National Award-winning film Vash, which was later adapted into the Hindi blockbuster Shaitaan starring Ajay Devgn and R. Madhavan, Vash: Level 2 continues the spine-chilling legacy of its predecessor.

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The story spans twelve years after saving his daughter Aarya from a dark, malevolent force, Atharva discovers that the evil never truly left her. When a series of violent, puppet-like attacks target a group of schoolgirls, Atharva is compelled to confront this darkness once again — this time facing the formidable black magician, Pratap.

Critics and audiences alike have lauded the film and the way it seamlessly blends psychological tension with supernatural thrills. The release of the Hindi-dubbed version, Vash Vivash Level 2, has further broadened its reach, allowing non-Gujarati-speaking audiences to experience the eerie world created by Yagnik and his team. With its combination of intense performances, hair-raising suspense, and a narrative that pushes the boundaries of regional cinema, Vash Level 2 has firmly established itself as one of the most exciting releases of 2025.

Also Read: Ajay Devgn shares witty birthday wish for Kajol: “Could say a lot but you would still roll your eyes”

Actress Shalini Pandey, best known for her roles in films like Arjun Reddy and the recently acclaimed Maharaj, is living her best life in Italy — and social media cannot get enough of her vacation diaries. The actress, who has been holidaying in the picturesque European country since earlier this month, has been treating fans to a steady stream of photographs and videos that scream travel goals.

After sharing sun-soaked bikini pictures, breathtaking views, and cozy glimpses from her Italian stay a few days ago, Shalini has now dropped another set of photos that has taken the internet by storm. Captioned “Some moka pot and some gelato,” her latest Instagram post showcases a mix of aesthetic experiences that perfectly capture the spirit of her Italian getaway.

In the series of photos, Shalini can be seen enjoying beach time in a chic black bikini, exuding confidence and effortless style. She also shared snapshots of charming Italian streets, her participation in painting sessions, and even a peek inside a massive, beautiful library that left followers awestruck. Adding a personal touch, the actress included a short video of herself deeply engrossed in her painting session, showing fans a side of her personality that extends beyond the glamour of the screen.

Her vacation aesthetics — a blend of culture, leisure, and style — struck a chord with fans, who flooded the comments section with heart and fire emojis. Many praised her natural vibe and the dreamy quality of her Italian sojourn.

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On the professional front, Shalini Pandey is steadily carving a niche for herself in the industry. After making her Hindi debut with Jayeshbhai Jordaar opposite Ranveer Singh in 2022, she earned widespread appreciation for her performance in the Netflix release Maharaj, which also marked the debut of Junaid Khan and starred Sharvari in a key role. Her nuanced role in the series Dabba Cartel, where she shared the screen with stalwarts like Shabana Azmi, Jyotika, and Nimisha Sajayan, further cemented her as a talent to watch out for.

With her Italian vacation posts setting Instagram on fire, Shalini Pandey is proving she knows how to balance work and leisure in style. Fans are now eagerly waiting to see what she shares next from her European adventure — and what exciting projects she signs on to after returning from her much-deserved break.

Also Read: Vijay Deverakonda and Sandeep Reddy Vanga celebrate 8 years of Arjun Reddy; share an unseen throwback video

After delivering films like The Tashkent Files (2019), The Kashmir Files (2022) and The Vaccine War (2023), director Vivek Agnihotri is back with another hard hitting film, The Bengal Files. The makers of the film secured the censor certificate in advance and Bollywood Hungama, in this article, would exclusively focus on the same.

To begin with, the film wasn't passed by the Examining Committee of the Central Board of Film Certification (CBFC). The Bengal Files was referred to the Reviving Committee (RC) presumably due to its content. The RC passed the film but asked for some changes.

The RC asked the makers to remove 'contemptuous' words against the transgender community and replace them with appropriate terms. Similarly, the pictures of prominent personalities were removed and replaced. As per the directive of the RC, the makers submitted supporting documents for the historical events depicted in the film. The makers also provided consent letters from the parents of the child artists involved in the film. Lastly, the disclaimer was depicted with a larger font and also a voiceover.

Once these changes were made, the CBFC passed the film with an 'A' certificate. The duration of the film, as mentioned on the censor certificate, is 204.30 minutes. In other words, The Bengal Files is 3 hours 24 minutes and 30 seconds.

The censor certificate was handed over to the makers on June 25, 2025. Nearly two months later, on August 26, the makers once again approached the CBFC to make voluntary changes in 29 places. The dialogue '100 years old' was changed to 'An old woman who has dementia'. A photo was added in a phone scene while in another place, a phone video was changed. The dialogue 'Bharat ko ek din iska bahut bada harzana dena padega' was reduced. The name Gopal Mukhopadhyay was removed at multiple places.

Further, a scene of vulture and baby was deleted while in another scene, an owl scene was added. The makers also changed text in several scenes.

The makers made two additions - the duration of the scene of the newspaper was increased by a second. In another scene, text and newspaper scene was added in place of another scene, and it's runtime is 68 seconds.

In this way, the makers deleted 1 minute 42 seconds while they added 1 minute 44 seconds. As a result, the revised length of The Bengal Files is 204.32 minutes, or 3 hours, 24 minutes and 32 seconds.

The Bengal Files is the longest Bollywood film in a long time. It is one minute longer than Animal (2023) and 4 minutes longer than the theatrical version of Pushpa 2 (2024). It stars Mithun Chakraborty, Darshan Kumaar, Pallavi Joshi, Saswata Chatterjee and others. It is all set to release on September 5.

Also Read: Vivek Agnihotri warns of legal action if The Bengal Files release is blocked in West Bengal

How did something so crazy ever get made? I am really grateful that the film got made. It required a large dose of guts, and producer Anand Surapur sure did have that. I feel it has the kind of unconventionality that makes it relevant even today—from its themes to its characters and storyline.

How was the idea of Quick Gun Murugan born? The writer Rajesh Devraj was struck by the 1960s Tamil western genre. So, he added the ‘veg vs non-veg’ theme, the concept of life after death, and a hero who aspires to be a normal bank employee.

How did you ever think you could get away with it? We lived in more optimistic times, so the ‘get-away-with-it’ belief was stronger.

Tell me about the zany casting. The producer Anand came up with Rajendra Prasad. I fell in love with him the moment I met him. Rambha was a natural tribute to the genre. Nasser was a bonus.

Why didn’t you carry forward the idea into a franchise? We had planned a sequel. It was to be called The Good, The Bad, The Idli.

Bollywood stars Ayushmann Khurrana and Sara Ali Khan faced a shocking ordeal along with the entire team of Pati Patni Aur Woh 2 during the shoot of this upcoming romantic comedy in Prayagraj, Uttar Pradesh. According to recent reports, local miscreants attacked members of the film crew in broad daylight, exposing glaring lapses in security arrangements for film productions in the state. And now, All Indian Cine Workers Association (AICWA) has issued a press statement calling out this kind of behaviour.

The incident, captured in videos that surfaced on social media over the past two days, shows the crew being assaulted while shooting on location. AICWA’s statement strongly condemned the attack, questioning how filmmakers, actors, and technicians can risk their lives in an environment where law and order are evidently compromised. The association said, “If the Uttar Pradesh Government cannot provide safety and security to those engaged in film production, then what is the purpose of promoting Noida Film City as a shooting hub?”

Highlighting the gravity of the situation, AICWA emphasized the potential impact on Uttar Pradesh’s image and the larger film industry. “Prayagraj is known worldwide for the historic Kumbh Mela, a symbol of India’s rich cultural and spiritual heritage. But incidents like this bring shame to the city’s image on the global stage. Instead of being remembered for peace, faith, and culture, Prayagraj is now making headlines for lawlessness and attacks on film artists,” the statement read.

The association has made three urgent demands including immediate registration of an FIR against the miscreants involved in the violence, strict and foolproof security measures for all film shoots across Uttar Pradesh, and restoration of faith among producers, actors, and technicians to ensure Noida Film City does not lose its standing as a safe and reliable shooting destination. AICWA’s appeal was also directed at the Chief Minister, Shri Yogi Adityanath, urging strict action to prevent such disgraceful incidents and reassure the film fraternity about their safety in the state.

PRESS STATEMENT

Date: 29th August 2025

Issued by: All Indian Cine Workers Association (AICWA)

During the shooting of the film “Pati Patni Aur Woh 2” in Prayagraj, Uttar Pradesh, a shocking incident occurred in broad daylight where local goons attacked members of the film crew… pic.twitter.com/6nuDyBHvWn — All Indian Cine Workers Association (@AICWAOfficial) August 29, 2025

Meanwhile, the film itself is a spiritual sequel to the 2019 hit romantic comedy Pati Patni Aur Woh and is directed by Mudassar Aziz. Alongside Ayushmann and Sara, the movie stars Wamiqa Gabbi in a parallel lead role and features an ensemble cast. The production team is currently wrapping up shooting in Prayagraj, despite the security scare.

The attack raises critical questions about safety protocols on film sets, especially when high-profile stars are involved. It has sent ripples of concern across the Indian film industry, reminding authorities that robust security is indispensable to safeguard not only the talent but also the hardworking crew that brings movies to life.

Also Read: Ayushmann Khurrana–Sara Ali Khan film set experiences chaos: Pati Patni Aur Woh 2 shoot turns ugly in Prayagraj

Filmmaker Shekhar Kapur's daughter Kaveri Kapur, has reportedly been approached for what is being described as one of the most psychologically intense reality shows in recent Indian television. The high-stakes concept is said to revolve around shifting power dynamics, where participants’ social standing and influence swing dramatically based on their decisions, strategies, and alliances — creating an atmosphere both thrilling for viewers and emotionally taxing for contestants.

For Kaveri, who has been steadily carving her own space in the entertainment industry, this project could emerge as a defining platform — one that allows her to showcase not just her talent, but also her personality, grit, and resilience to a wider audience. While attempts to reach Kaveri or her representatives proved unsuccessful, buzz around the show suggests it is not for the faint-hearted. Whether she decides to step into this intense reality format or not remains a question that has everyone watching closely.

Kaveri, already celebrated for her poetry, songwriting, music, and her Bollywood debut Bobby Aur Rishi Ki Love Story, would be stepping into uncharted territory with this reality TV venture — a move that could make waves in a space far removed from her artistic roots. While only time will reveal if she gives her nod, the buzz around her possible participation has already stirred significant curiosity. With Masoom 2 also in her lineup, audiences are keen to see what’s next for the multi-talented GenZ star.

Also Read : Kaveri Kapur teases “very exciting stuff” with a cheeky thumbs-up

The big-screen spectacle of Dharma Productions is back, and it arrives with a bang this Dussehra! The much-awaited teaser of Sunny Sanskari Ki Tulsi Kumari has finally dropped, setting the stage for what promises to be the grand festive entertainer of 2025. Slated for release on October 2, the film is already being hailed as the quintessential Dharma experience, filled with vibrant emotions, high-voltage drama, and all the elements that define Bollywood masala at its finest.

The teaser opens with dazzling visuals and a colorful swirl of music, dance, and romance, capturing the unmistakable Dharma Productions vibe. Audiences are treated to glimpses of Varun Dhawan and Janhvi Kapoor’s playful chemistry, Sanya Malhotra and Rohit Saraf’s intriguing screen presence, and the comedic punches delivered by Varun himself. The promise is clear — this is not just a love story, but a rollercoaster ride of laughter, lies, and larger-than-life celebrations.

Directed by Shashank Khaitan, Sunny Sanskari Ki Tulsi Kumari also carries the weight of a proven partnership. This marks the third collaboration between Varun Dhawan and Khaitan, after the runaway successes of Humpty Sharma Ki Dulhania (2014) and Badrinath Ki Dulhania (2017). With both films being massive fan favorites, the reunion has only heightened anticipation among cinegoers.

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Speaking of anticipation, the teaser has already set social media buzzing. From the upbeat music to the promise of a family-centred story, fans are calling it a return of the classic Dharma magic to theatres. The film, in many ways, is designed to be the ultimate festive entertainer — one that blends the sparkle of romance with the charm of comedy, drama, and vibrant Indian family traditions.

Produced by Karan Johar, Adar Poonawalla, Apoorva Mehta, and Shashank Khaitan, under the banners of Dharma Productions and Mentor Disciple Entertainment, the film is also being positioned as a celebration of Indian cinema’s grand storytelling style.

With the teaser now out, all eyes are on the countdown to Dussehra. If first impressions are anything to go by, Sunny Sanskari Ki Tulsi Kumari might just be the blockbuster that lights up the festive season, delivering everything audiences expect — and more — from a big-screen Dharma entertainer.

Also Read: Akshay Oberoi gets emotional as he wraps up shoot for Sunny Sanskari Ki Tulsi Kumari

The much-awaited romantic comedy Pati Patni Aur Woh 2, starring Ayushmann Khurrana and Sara Ali Khan, has found itself in the middle of an unexpected storm. The film, which brings the two actors together for the first time on screen, is currently being shot in Prayagraj (formerly known as Allahabad). However, what was supposed to be a smooth schedule recently took a turbulent turn when the production team faced major resistance from the locals.

According to eyewitness accounts, tensions between the crew and some locals escalated during filming, eventually spiralling into a physical confrontation. Reports suggest that certain members of the crew were allegedly beaten up by agitated locals, creating panic on the set. The exact cause of the rift remains unclear, but the situation has raised concerns about security arrangements during high-profile shoots in crowded public spaces. Fight During Shooting of Pati Patni aur Wo 2 byu/bollyfanboi inBollyBlindsNGossip

Even as this controversy brewed, another set of videos from the film’s shooting quickly made their way to social media, drawing immense attention from fans. In one clip, Ayushmann Khurrana and Sara Ali Khan can be seen sitting inside a car, engaged in what appears to be a heated exchange. While the argument is part of a dramatic scene for the film, the intensity of their performances left many viewers intrigued. Onlookers and passersby were spotted recording the shoot on their mobile phones, further fueling the buzz online. Wifey Patni Sara Angry with Her in Pati Patni aur wo 2 Shooting byu/bollyfanboi inBollyBlindsNGossip

The videos have since gone viral, with fans excited to catch the sizzling new pairing of Ayushmann and Sara on screen. This marks their first collaboration, and audiences are already curious to see their chemistry in this quirky, modern take on love and relationships.

Pati Patni Aur Woh 2 is directed by Mudassar Aziz, who also helmed the 2019 Kartik Aaryan starrer Pati Patni Aur Woh, which featured Bhumi Pednekar and Ananya Panday. This new chapter introduces an entirely fresh storyline, with Wamiqa Gabbi stepping in as the other leading lady. The ensemble cast further boasts names like Rakul Preet Singh and Chunky Panday, promising an entertaining rollercoaster of romance, comedy, and drama.

Despite the unexpected hurdles in Allahabad, the makers are determined to complete the schedule on time. With the viral buzz surrounding both the clash and the on-screen drama, Pati Patni Aur Woh 2 has already become one of the most talked-about films in the making.

Also Read: Sooraj Barjatya confirms Ayushmann Khurrana as the new ‘Prem’ in upcoming family drama; says, “Ayushmann is a committed and talented actor”

Bollywood actress Tara Sutaria recently opened up about her beauty and makeup regimen in an exclusive conversation with ELLE. The actress, known for her glowing skin and chic looks, shared insights into how she approaches makeup on a daily basis.

Tara revealed, “I feel my makeup to keep most probably heavier rather than lighter, lighter sometimes works best for me.” She emphasized that while she enjoys experimenting with makeup, her real beauty secret lies in skincare. “My go-to back hack is perhaps to focus more on skincare rather than makeup,” she explained, highlighting the importance of a healthy base before applying any products.

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When asked about her favourite makeup essentials, Tara didn’t hesitate to reveal her top picks. “My favourite makeup product is Mascara. I have always thought that I have small eyes, so I like to put a lot of Mascara and a little bit of blush. And I love crushed lip gloss, that is my favourite O2 product,” she said, sharing her love for products that enhance her natural features while keeping the look fresh and radiant.

Tara’s candid take on makeup showcases her balanced approach — combining skincare with key makeup products to accentuate her features. Her focus on mascara, blush, and lip gloss reflects a minimalist yet impactful style that many fans are likely to try. Through her conversation with ELLE, Tara Sutaria not only offers a glimpse into her beauty routine but also inspires readers to prioritize self-care and embrace their natural charm.

Also Read : Bobbi Brown India launches first-ever bridal campaign with Tara Sutaria

Bollywood actor Govinda and his wife, Sunita Ahuja, have addressed recent speculation about their marriage, firmly denying any rift between them.  The couple appeared united during the Ganesh Chaturthi celebrations at their residence, putting to rest rumours suggesting a possible divorce.

In a candid interaction with the Viral Bhayani, Sunita expressed her unwavering commitment to her husband, stating, “Aaj toh humko sath dekhne ke baad sharam karo bhaiii bolne ke liye yeh baat. Itna close jo hum khade the, ek dusre the sath aisa lagta bhi hai kya hum alag honge, kabhi nahi. Jab tak hum moonh na khole tab tak aap please rumours pe believe na karein, aap log koi bhi cheez mein na boliye.”

The couple's son, Yashvardhan Ahuja, also joined them during the festivities, and the family was seen distributing sweets to the paparazzi gathered outside their home.  Govinda wore a red kurta, while Sunita donned a purple saree, radiating warmth and unity.

Earlier, Govinda's manager, Shashi Sinha, had dismissed the divorce rumors, labeling them as outdated and misleading.  He emphasized that the speculations were baseless and urged the public to disregard them.

Govinda and Sunita have been married for over three decades.  They kept their union private until the birth of their daughter, Tina Ahuja, in 1989.  Their son, Yashvardhan, was born in 1997.  While Tina has ventured into acting, Yashvardhan is set to make his Bollywood debut in an upcoming film.

Also Read : Tina Ahuja breaks silence on Govinda-Sunita divorce buzz: “It’s all rumours”

Today, that is, Thursday, August 28, the much awaited trailer of Aabeer Gulaal, will be unveiled at 1:00 pm IST. Starring the irresistible Fawad Khan and the radiant Vaani Kapoor, the film releases worldwide (except India) on September 12, 2025.

From the very first frame, the trailer brims with joy, energy, and serendipity. It teases the playful yet profound journey of Aabeer (Fawad Khan) and Gulaal (Vaani Kapoor) — a “situationship, friendship, relationship” that blossoms in the most unexpected of ways.

Aabeer Gulaal is more than a romance — it’s a fiery celebration of second chances, unspoken connections, and the courage to make space for love. Messy, inconvenient, Magical — love arrives unannounced, and the trailer captures that truth with irresistible charm.

We meet the irresistibly charming Aabeer at a food contest, only to be swept into Gulaal’s spirited world of culinary flair and dance-floor fire. Her knack for landing in sticky situations collides with Aabeer’s reluctant yet dependable support — until one simple, surprising piece of advice from him changes everything: “Make them dance.” It’s in that spark — her gratitude, his quiet encouragement — that their love story begins.

Just as we’re basking in the warmth, the trailer pivots to a twist that leaves us perched on a cliffhanger, eager for what lies ahead.

The trailer pulses with three unforgettable tracks: ‘Khalbaliyaan’, the unstoppable club anthem of 2025; ‘Khudaya Ishq’, the timeless love ballad already winning hearts and ‘Doriyan’, the haunting sound of heartbreak. Together, these songs set the tone for a film that promises laughter, longing, and love in equal measure.

With powerful performances by Lisa Haydon, Soni Razdan, Farida Jalal, Parmeet Sethi, and Ridhi Dogra, the film radiates with joy, energy and heart.

Aabeer Gulaal is presented by Indian Stories (UK), produced by Vivek B Agrawal, directed by Aarti S Bagdi, music by Amit Trivedi and lyrics is by Kumaar.

Aabeer Gulaal is a story that heals, uplifts, and reminds us of life’s greatest truth: love always finds its way.

Make space for love with Aabeer Gulaal in theaters on September 12, 2025 worldwide (excluding India).

Also Read: EXCLUSIVE: Fawad Khan-Vaani Kapoor starrer Aabeer Gulaal to release worldwide, excluding India, on August 29, 2025; new poster launched

Bollywood actor Alia Bhatt has issued a strong response after a video of her and Ranbir Kapoor’s under-construction bungalow in Bandra, Mumbai, went viral—without their prior consent.

In an Instagram statement, she underscored, “I understand that in a city like Mumbai, space is limited - sometimes the view from your window is another person’s home. But that does not give anyone the right to film private residences and push those videos online. A video from our home – still under construction – has been recorded and circulated by multiple publications, without our knowledge or consent.”

Alia condemned the breach, stating, “This is a clear invasion of privacy and a serious security issue. Filming or photographing someone’s personal space without permission is not ‘content’ - it’s a violation. It should never be normalized.”

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She addressed netizens directly, urging them to consider a simple question. “Think about it: would you tolerate videos of the inside of your home being shared publicly, without you knowing? None of us would.” Then she added, “So here’s a humble but firm request - if you come across such content online, please don’t forward it or share it further.”

Alia also appealed to media outlets that have already published or circulated the footage and stated, “And to our friends in the media who have carried these images and videos: I urge you to take them down immediately. Thank you.”

Through her post, Alia Bhatt boldly reaffirmed her right to privacy and challenged societal norms around content creation and media access in the digital age.

Also Read : Alia Bhatt radiates natural glow in sun-kissed no-makeup selfies on beach getaway; see pics

Anees Bazmee’s comic caper No Entry completed 20 years yesterday. The film had an ensemble cast of Salman Khan, Anil Kapoor, Fardeen Khan, Bipasha Basu, Celina Jaitly, Lara Dutta and Esha Deol. On its landmark anniversary, Celina looked back at the experience of shooting the movie.

How do you look back on the experience?

20 years ago, No Entry walked into people’s hearts and never left. This film was more than just a blockbuster comedy, it became a part of our lives, our laughter, our memories. Grateful to have been a part of this journey with such an incredible team and blessed to still receive so much love for it even after two decades. It is hard to believe that two decades have gone by since this film first lit up cinema halls and still continues to bring smiles across generations. No Entry will always remain special, not just for its incredible success but for the journey it gave me.

What was your camaraderie like with the rest of the cast?

With the men, it was a great professional camaraderie limited only to the set. But with the women we had a blast. Bipasha Basu and I went back to our Kolkata days. She was my senior as a model and we caught up on old times. Lara Dutta and Esha Deol too, and that bond of sisterhood has carried on till today. We saw each other through babies, marriage even losing near and dear ones. That is something I will always cherish deeply.

What was Anees Bazmee like as a director?

If I had to single out one person who made this journey truly memorable, it would be our director Anees Bazmee. He is a master of comedy and a master writer, and working under his direction was nothing short of a masterclass in timing, improvisation, and energy. His vision and brilliance are what made No Entry the timeless laughter riot it still is. There are two others I must single out.

Jee boliye?

A very special mention of Anil Kapoor. Working with him was inspiring in every sense. His professionalism, energy, and sheer brilliance elevated every frame he was in. Watching him at work was a lesson in itself. And also to the incredible Boman Irani. I was in complete awe of him, not only as an actor but also as a personality. His presence left a lasting impression on me.

The sequel is on the anvil. But you are not in it

I was deeply saddened to know that the original cast will not be a part of No Entry Part 2. I truly feel that the original cast, shown in the parallel timeline of the story so many years down the line, would have made a phenomenal impact on how the film is received. It would have been amazing to see how Sanjana and Sunny’s story evolved twenty years later, with hilarious comedy woven seamlessly with Anees Bazmee’s magical comic sense, writing, and direction. Lara and Anilji’s characters, which were also loved immensely, Bipasha’s unforgettable character, Esha’s charm, and of course Salman being Salman, the audience would absolutely have loved seeing the progress of these characters through another stage of life.

Also Read: Anees Bazmee reacts to rumours about the exit of Diljit Dosanjh from No Entry 2; says, “I’m just happy that the film is getting made”

Shreyas Talpade starrer highly acclaimed debut Iqbal completes 20 years today. The film, which also starred Naseeruddin Shah and Shweta Basu Prasad and was directed by Nagesh Kukunoor, is still remembered for its heartwarming moments. On the movie’s landmark anniversary, Shreyas looked back at the film in an interview with us.

Shreyas, 20 years of your best known film

Twenty years is a long, long time, but sometimes you wonder where did all this time go, how fast it went. And it sounds clichéd, but it feels like yesterday when I started auditioning and practicing and then shooting for Iqbal, immediately a day after getting married. So, so many fond memories.

People still talk about Iqbal

The fact that Iqbal is fresh, even today… Just to give you an example, yesterday I had gone to pick up my daughter from school and one of the girls who's probably as old as my daughter - seven, eight years old - she came running up to me and she said, ‘Uncle, I saw your film Iqbal 10 times’. And that for me was quite unbelievable. And I asked her, really? And her mother said, ‘Yes, she loves it so much’. The film remains fresh as ever, even after 20 years with the new generation. And there've been a lot of parents who've come up to me and said that, you know, we've shown your film to our kids and they've loved it. And they keep doing that.

Some five years ago, a man came up to me and, ‘When your film released, I was in school. I saw the film. I loved it. And you had come for the show. And I remember meeting you and telling you, you know what, I want to be a doctor. Today I am a doctor.’ So I think these kinds of things that have happened with me, these experiences are completely surreal. They’re quite unbelievable. And I think they just enrich your life so much. You know, these are fond memories, which will always, always stay with me.

How did you bag this plum part so early in your career?

This happened thanks to my friend, Yatin Karyekar, who played my father in the film. He was the one who, you know, suggested me to go and audition for the film as we used to play cricket and do theatre together. And that is what Nagesh was looking for, an actor who can bowl or a bowler who can act. So, and of course, it was technically not too early in my career. I was already 30 by that time. But yeah, I had to play someone who was 18. And it is all thanks to Nagesh and his associate Elahe Heptullah for changing that entire look of mine. To be very honest, I cannot thank Nagesh, Elahe, Rahul Puri and Subhash Ghai sir enough for this opportunity, which completely changed my life.

What was it like working with the stellar cast?

Working with Naseer sir, Girish Karnad sir, Shweta Prasad, Yatin, Prateeksha Lonkar was absolutely fabulous. And all of them, you know, have added so much value to my life, to my performances. I cannot even, you know, begin to tell you because it was an amazing experience (of) working with all of them. Girish sir was so warm and supportive. And so was Naseer sir, you know. Naseer sir is known for his temperament. But with me, I think he helped me so much. I remember him, you know, taking me out for films or dinners. And we were having breakfast together, playing Scrabble, watching films. So, I think it was a wonderful experience working on Iqbal and something, which I can never forget.

Any special memories of the experience?

Right from the audition till the release, everything, I remember every little detail about Iqbal. And it will always remain that special film for me my entire life. So, yes, thank you so much once again to all of you who were so generous enough with their reviews that the film became a blockbuster of sorts, a cult of sorts, and is relevant and fresh even after 20 years. So, congratulations to all of us.

And to answer your last question, what makes it remain fresh even after so many years? I think it's the underdog story, which all of us love and all of us relate with. You know, it's the triumph of the underdog, someone who we feel may not be able to do anything in his life, then he achieves something which he has dreamt for all along. I think that is something that all of us inherently have, want to achieve and believe in and aspire for. So, it's that story of aspiration and inspiration, both, which has been the major factor for its longevity.

Also Read: Shreyas Talpade gets interim relief from arrest in multi-state chit fund scam case

Abbas-Mustan’s Shah Rukh Khan starrer Baadshah completes 26 years today. The action-comedy continues to entertain even after over a quarter century. The movie was known for some memorable stunts performed by Khan. It was the film’s action director Moses Fernandes who made them look more exciting. In an exclusive chat with Bollywood Hungama, he went down memory lane and recalled some interesting and funny moments from the shoot of Baadshah.

Shah Rukh Khan’s daring slide stunt from 80 meters high

The ending portions of Baadshah saw SRK carry out a scene where he is hanged at 80 meters, from where he jumps on a large cloth and slides down. “It was a very risky shot,” recalled Fernandes. “If the cloth turned, anything could have happened. I did a few rehearsals. We wanted to make sure that the cloth shouldn’t come off. That was the biggest challenge. But it all happened well.”

Fernandes said that Khan was sure that nothing untoward would happen as he had worked with the actor before in Deewana and Josh. Yet he had a few questions. “He asked me, ‘Masterji, yeh parda ghoomega?’ I assured him, ‘Nahin ghoomega’. He asked if I am sure. I said yes I am sure. I made my boys do that stunt a few times. So, Shah Rukh bhai felt this is safe. But as I am a fight master, I need to make sure that the actor shouldn’t get hurt in any way.”

Amrish Puri was kept in the dark about a stunt scene involving him

There was a scene in the film where SRK snatches the gun from Amrish Puri’s hand and does a somersault over him. Speaking about the scene, Fernandes said, “Before the shot, Amrish Puri asked me, ‘Masterji, how will he (SRK) jump? My hand might break’. But Shah Rukh bhai told me, ‘Masterji, don’t tell him anything and just take the shot (laughs). Otherwise, the shot won’t happen. Don’t tell Amrish Puri ji what I am going to do.’ So, Amrish Puri didn’t know what Shah Rukh was going to do. He just did the somersault and we took the shot. It turned out to be very well. It was a bit risky.”

One stunt featuring SRK involved more than 30 retakes

Fernandes also recalled a scene where Sharat Saxena and Khan come face-to-face and the latter had to do a stunt. It took over 30 retakes. “Shah Rukh bhai had to jump and take out the gun attached on his leg while being in the air,” recalled Fernandes. “We hadn’t put cables. Shah Rukh bhai said that he will do it himself. That shot must have had at least 32 retakes. I suggested we can shoot it in a different way. But Shah Rukh bhai said that he will do it himself. That guy is so hardworking that I can’t tell you. He did it, although it took 2-3 hours. He was like, ‘Main kar ke rahoonga’.”

SRK almost climbed a building horizontally

Another famous scene from the film is the one where SRK, with the use of special shoes whose soles stick to anything, climbs a building horizontally. “Shah Rukh bhai said he would like to do it himself. He said, ‘Mujhe directly building pe chadhao’. I had all the system with me. I was ready to do it. But then the directors said let it be, we will do it with CGI. But at that time the CGI wasn’t so advanced. We could make out that it’s not real,” said Fernandes.

The action director is all praise for SRK’s energy level. “I haven’t seen a hero like him,” he said. “He has the same level of energy at night, like he has in the morning. During a shot where an actor is speaking to Shah Rukh (who is standing on the opposite side), we used to make someone else stand in place of him. But Shah Rukh used to insist that he will only do. He said the other person will give a better reaction if he is standing in front of him. Some other actor might say, let the assistant give that shot.”

Shoot of Baadshah unintentionally ended the run of Puneet Issar’s TV show Hindustani

At one point of time, Moses Fernandes was doing Puneet Issar’s television show Hindustani. He was reluctant to join initially. “I told Puneet Issar that I don’t want to be a fight master in a TV serial, else I will be stuck there only. But I did that show for four and a half years; 20-25 days a month. But then I realized I came here to do something but I am doing something else altogether,” said Fernandes.

After working on the show for a long time, he got a call for Baadshah from Venus Films. “I told Ratan Jain (of Venus) that I am currently involved in a TV serial,” said Fernandes. “He suggested that I speak to them. I told Puneet Issar that I have got a call from Venus. He straightaway asked, ‘For Baadshah?’. He already knew (laughs). I said yes but my dates are with him. But he said, ‘Maa ki aankh! Tu kar le’. He told me that I should do it as this is what I always wanted to do.”

He continued, “I asked Puneet how will he continue the serial without me. He said he will see. But he stopped the serial right then. I asked him why he did that. He said they are unable to do various kinds of fights like martial arts, taekwondo, samurai fights, etc, without me.”

Bond with Abbas-Mustan

Apart from Baadshah, Fernandes has worked with Abbas-Mustan in quite a few films like Soldier, Chori Chori Chupke Chupke, Humraaz, etc. When asked about his relation with the director duo, he said, “They love me lot. They used to involve me in various matters, be it story or songs. Many a times they used to take my opinion on a song. I used to give my opinion as an audience. We have family relations. I am there in all their parties. They also attended by son’s wedding.”

Also Read: Shah Rukh Khan turns Zero’s failure into laughter at The Ba***ds of Bollywood preview launch; says, “Gadha bana lena, mamu bana lena lekin bhagwan ke liye meri tarah Zero mat banana”

Bollywood’s stylish Nawab, Saif Ali Khan, is bringing his royal charm to your kitchen! The actor has just been announced as the brand ambassador of JK Spices & Food Products, popularly known as JK Masale — a household name trusted by Indians for over 67 years.

The collaboration feels like a match made in heaven. On one side, Saif Ali Khan with his royal Pataudi lineage, effortless sophistication, and star power spanning decades. On the other, JK Masale, a brand that has seasoned Indian kitchens with authenticity, purity, and legacy since 1958. Together, they promise to spice things up in more ways than one, revealed the brand.

Talking about why Saif was the perfect fit, the brand shared a statement saying, “In Saif Ali Khan, we see a reflection of our own journey. His royal lineage, refined persona, and the trust he commands make him a natural fit for a brand like ours. This partnership goes beyond endorsement – it is a union of legacies, where tradition and modern taste come together.”

The timing of this announcement couldn’t be better. JK Masale is entering a big growth phase, with a new state-of-the-art manufacturing facility coming up in Jaipur. From advanced grinding units to cold storage and precision packaging, the brand is blending technology with tradition to ensure the purity and consistency it has always stood for.

The upcoming campaign starring Saif Ali Khan will showcase the perfect mix of heritage, authenticity, and modern sophistication. While highlighting the brand’s six-decade legacy and Saif’s cultural stature, it will also tap into his contemporary, stylish appeal that resonates strongly with today’s generation.

With a strong presence in India and a global footprint that stretches across the UK, South Korea, Vietnam, Hong Kong, Thailand, Bhutan, and more, JK Masale is clearly looking at the bigger picture. And Saif’s involvement only amplifies that ambition.

For fans, the association feels seamless. Over his three-decade career with unforgettable performances in films like Dil Chahta Hai, Omkara, and the game-changing Sacred Games, Saif has always managed to balance royalty with relatability, elegance with edge. JK Masale, much like Saif, stands at that sweet spot between tradition and modernity.

With the new campaign rolling out soon, expect nothing less than a sizzling celebration of flavor, legacy, and star power.

Also Read: Shriya Pilgaonkar joins Akshay Kumar and Saif Ali Khan in Priyadarshan’s thriller Haiwaan

Renowned fashion designer Manish Malhotra is all set to make his debut as a film producer with Gustaakh Ishq, a theatrical production scheduled for release in November 2025. Produced under his banner, Stage5 Production, the film promises a daring and emotionally layered love story, featuring an ensemble cast including Naseeruddin Shah, Vijay Varma, Fatima Sana Shaikh, and Sharib Hashmi.

Set against the atmospheric by lanes of Purani Dilli and the fading kothis of Punjab, Gustaakh Ishq explores passion, longing, and unspoken desire, weaving together the textures of architecture and music to tell a story that resonates with both nostalgia and contemporary sensibilities.

Directed by Vibhu Puri, the film brings together some of Bollywood’s most creative talents. Music is composed by Vishal Bhardwaj, with lyrics by Gulzar, sound design by Resul Pookutty, and cinematography by Manush Nandan. The combination of these visionary artists, along with Malhotra’s cinematic sensibilities, promises a visually stunning and emotionally evocative experience.

Speaking about his entry into film production, Manish Malhotra said, “My love for cinema began in childhood. The silver screen was my doorway to the world… watching colours, clothes, music, and lifestyles unfold in cinema halls shaped my imagination and inspired me to become a designer. Today, stepping into film production feels like my way of giving back to the medium that has given me everything. With Stage5 Production, the journey ahead is about embracing the unexpected; through stories, genres, and films that continue to surprise and inspire.”

Produced alongside his brother Dinesh Malhotra, Gustaakh Ishq marks a new chapter in Malhotra’s creative journey. While the designer has long been celebrated for bringing cinematic grandeur to fashion, this venture allows him to directly contribute to storytelling on the big screen.

With its evocative setting, star-studded cast, and a team of acclaimed filmmakers and technicians, Gustaakh Ishq is already generating excitement among audiences eager for a love story that blends passion, elegance, and cinematic artistry. The film will hit theatres in November 2025, offering a cinematic experience that celebrates the magic of classic storytelling while exploring modern emotional landscapes.

Also Read: Vicky Kaushal to Ranbir Kapoor to Vijay Varma: B-Town men setting ethnic fashion goals this Ganesh Chaturthi

The Madras High Court has stepped into a fresh legal battle involving late Bollywood icon Sridevi’s property on Chennai’s East Coast Road (ECR), directing the Tambaram tahsildar to make a clear decision within four weeks. The case was brought forward by film producer Boney Kapoor, who has accused three individuals of fraudulently staking ownership over land his wife had purchased back in 1988.

Justice N. Anand Venkatesh, who presided over the matter, issued the directive after hearing Kapoor’s plea to cancel a legal heirship certificate obtained by the claimants in 2005. According to Kapoor, the document was wrongly issued in their favour and is now being used to assert rights over Sridevi’s farmhouse property.

The contested land has deep roots, tracing back to its original owner, M.C. Sambanda Mudaliar. His family had divided the property among three sons and two daughters through a mutual arrangement in 1960. Relying on this arrangement, Sridevi lawfully purchased the land on April 19, 1988, through a registered deed. Since then, the actor and her family had full possession and use of the property, which functioned as a farmhouse retreat.

Trouble surfaced years later when three individuals—claiming to be the second wife and children of one of Mudaliar’s sons—suddenly began asserting inheritance rights. To support their claims, they secured a legal heirship certificate from the Tambaram tahsildar in 2005.

Kapoor, however, has strongly contested the validity of their claims on multiple grounds. His petition argued that the tahsildar had no jurisdiction to issue such a certificate, since the original landowner was a resident of Mylapore. More importantly, he asserted that the so-called second marriage was not legally valid, making the trio ineligible as legal heirs under the Hindu Succession Act.

Presenting all necessary evidence to demonstrate that the purchase was genuine and duly registered, Kapoor urged the court to recognize the certificate as fraudulent. Justice Venkatesh, after considering both sides, instructed the Tambaram tahsildar to examine the matter thoroughly and deliver a conclusive decision within the stipulated four-week period.

As the battle unfolds, the dispute has drawn attention not only because of the legal complexities but also due to the emotional weight it carries—touching upon the legacy of one of Indian cinema’s most beloved stars, whose untimely passing in 2018 still resonates with millions of fans.

Also Read: Boney Kapoor shares heartfelt birthday tributes to late Sridevi; spark emotional wave among fans

In June 2025, talented director Siddharth P Malhotra spoke exclusively with Bollywood Hungama on the first anniversary of the controversial and highly acclaimed 2024 film Maharaj. The film marked the debut of Junaid Khan. During the same interaction, the filmmaker spoke about his bond with the young actor and a lot more.

When asked if he’s in touch with Junaid Khan and if he got a chance to watch his second film, Loveyapa (2025), co-starring Khushi Kapoor, Siddharth P Malhotra said, “I saw Loveyapa and I didn’t like the film. I had issues with it.”

He continued, “And yes, I am in touch with Junaid. We speak every 4-5 days. I launched him. He’s like my own kid and I am protective about him. And I told him that I didn’t like Loveyapa for various reasons, which I don’t want to speak about. But the film didn’t work for me.”

Siddharth P Malhotra further said, “I am sure that people will appreciate his next film. I have seen it and I am confident about it.” Junaid Khan’s next is titled Ek Din and co-stars popular South actress Sai Pallavi. It is scheduled to release on November 7, 2025.

Siddharth P Malhotra then shared a hilarious episode that took place during the industry screening of Maharaj at Yash Raj Films (YRF) Studios, “The security guard didn’t recognize Junaid as he had come in an auto rickshaw. He called me and said, ‘They are not taking me inside’. I said, ‘Bolunko ki tu hero hai’! He explained that since he was in the auto, they were not convinced. We had to come down to take him inside (laughs)!”

Siddharth shared more on this screening, “It was attended by a lot of people of the industry like Javed Akhtar, Shabana Azmi etc. We were excited. At 11 pm, we were informed that the film was not coming the next day (due to legal issues). Hence, after the screening, we had to tell everyone, ‘Even if you guys have liked the film, you cannot write anything about it’. You make films for appreciation and validation. At that screening, I got the validation, that too from the greats, but you have to tell them, ‘Please don’t tell the world about it’! The trial then ran for 5 more days. It was heartbreaking.”

Also Read: 1 Year of Maharaj EXCLUSIVE: Siddharth P Malhotra shares NEVER-BEFORE-SEEN BTS images; reveals, “We had so many plans for Aamir Khan’s son’s debut and NOTHING happened…We PANICKED and self-censored 15 minutes…magnanimous of Jaideep Ahlawat who understood reason behind it”

Bollywood actor Tina Ahuja has finally responded to the persistent rumours surrounding her parents, Govinda and Sunita Ahuja, and their alleged divorce. In an interview with Hindustan Times, Tina dismissed the reports outright, calling them baseless and untrue.

“It’s all rumours. I don’t pay attention to these rumours,” Tina said firmly. She further added, “I feel blessed to have a beautiful family, and I’m truly grateful for all the love, concern and support we’ve been receiving from the media, fans, and loved ones.”

The clarification comes after weeks of speculation that began when Sunita Ahuja shared an emotional vlog online. The video sparked chatter about potential trouble in the couple’s marriage. This was followed by claims that Govinda and Sunita were living separately, and further fuel was added when some reports suggested that Tina herself had filed for divorce at the Family Court in Mumbai.

Adding to the confusion, Govinda’s manager had earlier told media outlets that a divorce petition was indeed filed by Sunita months ago. However, he also clarified that the two have since decided to give their marriage another chance. In fact, the manager confirmed that the family is planning to come together for the upcoming Ganesh Chaturthi celebrations, hosting their traditional Ganpati pooja at home as always.

For fans of Govinda, the veteran actor known for his evergreen comedy and dance moves, the rumours had come as a shock. His decades-long marriage with Sunita has often been cited as one of the stronger partnerships in Bollywood. While disagreements between the couple have made headlines in the past, both have largely maintained a united front in public.

Tina’s strong dismissal of the rumours signals that the family is working towards moving past the speculation. With the festive season around the corner and the Ganpati celebrations being a major family tradition, the Ahujas seem determined to show that they are very much together.

As of now, neither Govinda nor Sunita have issued a direct statement. But with Tina’s comments and the upcoming family celebration, it seems the divorce chatter has been firmly put to rest—at least for now.

Also Read: Sunita Ahuja criticises Govinda for staying at home, blames his company, Uski zindagi barbaad kyun kar rahe ho

The much-awaited Bigg Boss 19 premiered on Monday evening, August 24, with 16 diverse contestants stepping into the iconic house. Staying true to its tradition of mixing glamour, controversy, and talent, this year’s lineup features television heartthrobs, social media stars, models, actors, and even a celebrated musician.

Leading the list is Ashnoor Kaur, who recently made headlines with a nostalgic reel from Saath Nibhana Saathiya. Joining her is Gaurav Khanna, the much-loved Anuj from Anupamaa, bringing his massive TV fan base into the show. Popular faces like Basheer Ali (Kundali Bhagya) and Abhishek Bajaj (Student of The Year 2, Babli Bouncer) add more television and film charisma to the house.

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The glamour quotient soars higher with models and pageant winners like Nehal Chudasama (Miss Diva Universe 2018), Tanya Mittal (pageant queen turned entrepreneur), and international model-actress Natalia Janoszek. Farhana Bhatt and Neelam Giri, a known Bhojpuri dancer-actress, also promise to keep audiences hooked with their screen presence.

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From the world of digital entertainment, the lineup features dance influencer Awez Darbar and beauty influencer Nagma Mirajkar, who entered together—fanning long-standing relationship rumors. YouTube personality Mridul Tiwari, selected by audiences, also made his entry, already setting the stage for fiery exchanges. Pranit More, a well-known stand-up comedian, adds comic relief to the otherwise tense environment.

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Veteran actress Kunickaa Sadanand, known for her work alongside Bollywood superstars including Salman Khan, brings experience and strong opinions to the show. Bollywood’s music circuit is represented by Amaal Malik, the popular singer-composer and nephew of Anu Malik, while writer-actor Zeishan Quadri (Gangs of Wasseypur) adds a cinematic edge to the lineup.

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True to the Bigg Boss brand, drama erupted almost immediately. Reports suggest that Kunickaa and Mridul have already exchanged sharp words, with tensions simmering among the housemates. If insider buzz is to be believed, the makers are already planning the season’s first twist—an elimination based on the “least interesting personality,” marking a high-stakes beginning for the contestants.

With such a mix of talent, glamour, and controversy, Bigg Boss 19 promises to be a season full of fireworks, alliances, and unexpected drama.

Also Read: Bigg Boss 19 Teaser: Salman Khan promises a house ruled by contestants and “too much fun”

Actor Sonnalli Seygall, who welcomed her first child, a baby girl, in November last year. She shared a heartfelt video on Instagram, reflecting on her pregnancy journey and the profound changes that motherhood has brought into her life.

Posting the candid clip, the Pyaar Ka Punchnama actor wrote, “So I’ve been wanting to talk about this since a while. It’s important that we do, because far too much emphasis is being put on new mothers ‘Bouncing Back’”

Seygall spoke about her deep connection with fitness before pregnancy, describing it as an integral part of her identity. “Before pregnancy, I was so connected to my body, fit, active, and proud of the way I looked and felt. Fitness was not just something I did, it was part of who I was,” she shared.

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However, she admitted that postpartum life brought significant changes. “The toned thighs I once had now carry cellulite, my abs softened into a little mommy pooch, and my hips feel different, almost as if they’ve permanently widened to carry the weight of motherhood,” she revealed in the post.

Instead of resisting these changes, Seygall expressed gratitude and acceptance. “And yet, instead of resisting these changes, I’ve learned to embrace and love my body even more, with deep gratitude for everything it has carried me through, especially giving birth. Maybe I don’t know if I’ll ever go back to my old body, and that’s okay, because this one tells a far more powerful story,” she wrote.

Concluding with a message of solidarity, she encouraged other mothers: “To every new mom reading this, you’re not alone.”

Also Read : Sonnalli Seygall just revealed her Postpartum diet, and it is wholesome for the soul – from jeera water to rasgullas and cake

Regena Cassandrra, the leading lady of Madhur Bhandarkar’s upcoming mystery thriller The Wives, has successfully wrapped the first schedule of the film’s shoot in Mumbai. The actress recently hinted at the schedule wrap on social media, sharing a candid behind-the-scenes picture from the set, dressed in a sleek black outfit while holding a clapperboard that read ‘The Wives'.

The Wives aims to dive deep into the glamorous yet turbulent world of Bollywood star wives, peeling back the curtain on their hidden realities, high-profile scandals, and the extravagant lifestyles they lead. Joining Regena in this intriguing ensemble cast are Mouni Roy, Sonali Kulkarni, and other notable names, making the project one of the most anticipated in Bhandarkar’s filmography.

Known for his sharp and concept-driven storytelling, Madhur Bhandarkar once again is expected to bring his signature touch to The Wives, blending drama, suspense, and realism into a compelling narrative. With the first schedule now completed, excitement builds around how the story will unfold on screen. The film’s next schedule is expected to begin soon, keeping the audience eager for its grand reveal.

Regena was last seen earlier this year in the Sunny Deol starrer action thriller Jaat. The film saw her play the wife of the antagonist Randeep Hooda.

Also Read: Rahul Bhat hosts lavish Kashmiri dinner for The Wives team; director Madhur Bhandarkar attends

Filmmaker Shoojit Sircar’s Madras Café completed 12 years yesterday. Starring John Abraham and Nargis Fakhri, the movie was inspired from the assassination of former Indian Prime Minister Rajiv Gandhi. On the film’s anniversary, Sircar looked back at it in an interview with us.

Madras Café is your most political film?

Madras Cafe was a very personal film, as it was very shocking for me when that incident happened where Rajiv Gandhi was assassinated. I was in Delhi and it shook me. Before Rajiv Gandhi, even Indira Gandhi was also assassinated. So, you know, I was in Delhi during both the tragic events. This happened and, you know, it completely shook me, especially Rajiv Gandhi's assassination. Since then, I was always reading newspapers and articles about and following what was happening in this South Asian part of the world between Sri Lanka, Tamil Nadu and the central government here in India and who all were interested in this particular politics, geopolitics, you can say.

Madras Café still feels urgent and unrehearsed?

It's a film where I didn't know where I was heading. One, because it was a very, very difficult subject and it involved real people, real names, which was difficult at that time because I didn't have a backing of any book or something because it was purely based on newspaper articles that I have read. And basically political essays from that time.

So, how did you solve this crisis of substantiation?

So, me and Somnath Dey and Shubhendu Bhattacharya and two of my dear friends again from Chennai, Sadapathy and Mahesh, we all sat together and started working on this script for a long time. Because it was in my head and I could just pour to them whatever I had in my head. And then the script actually, the politics of it actually came from Somnath Dey and Shubhendu. Of course, then came Juhi also to write the dialogues of the film because we had to crack the dialogues in Hindi and somewhere felt not to feel like, you know, feel very natural how R & AW operated at that time and on field.

R & AW was not part of our cinematic universe back then

Madras Cafe is one of those first films which involved RAW, you know, and also the special forces and how they played the world politics. I mean, it was a path-breaking film 12 years back, but when I still watch it, it still feels quite pioneering. The reason being, when the assassination happened and then we started researching about it, we found there were many, many loopholes. Who all were involved? There were loopholes in that. Was there a foreign hand? Was there, you know, the Tamil, the revolutionary force, the LTTE? So, there were many articles written, many kinds of things happened, many which were unexplained. So, being a filmmaker, taking a very central line and not get opinionated about it and present it with as much authenticity as possible, that's what I tried. That was a huge challenge.

At one point, you decided to shelve Madras Café?

Yes, at some point, I thought of not making it, you know. While we were almost halfway through the film, I said, no, it's a very difficult film. I won't be able to pull it through. But then, it was an everyday affair. We had to recreate the entire Sri Lankan Jaffna in Kerala, in Tamil Nadu and the RAW part of it we shot it in Delhi.

This remains one of John Abraham’s most understated performances

I still think that it was John's best. John Abraham was all there; he was also aware of this scenario because he was also growing up at that time when he heard this.

A tough film to make?

The most important also fact was Ronnie coming in and backing me, Ronnie Lahiri, my producer friend. It really takes guts to produce this kind of film at that time. But we both wish we could have named real people but we had to take a lot of clearances and, you know, what you call the rights and all that was too much of a headache. So, we had to, use fake names. So, yeah, I just regret that sometimes. I wish I had used real names.

Also Read: Shoojit Sircar on Abhishek Bachchan’s Melbourne win: “He melted into the character completely”

Kalyanji and Anandji are considered a legendary duo when it comes to Hindi film music. On the 25th death anniversary of Kalyanji, whose full name was Kalyanji Virji Shah, Lalit Pandit got talking about him and Anandji’s remarkable work.

Where would you place Kalyanji-Anandji in Hindi film music? Kalyanji and Anandji were extremely talented brothers, who worked together successfully for more than three decades in the Indian film industry. They had multiple qualities along with being brilliant composers and that is the reason they worked and survived so long in the industry.

What made the duo so durable? Their greatest achievement I feel is how they did their transition in music from one generation to the other. Not many composers from their generation did that successfully, except R D burman. Right from the music of Saraswatichandra to Don and Muqaddar Ka Sikandar and many more, they were able to adapt and change their music to the next decade and that was indeed amazing.

How did they create their never-ending repertoire of hit songs? Both Kalyanji and Anand ji had an everyday jamming music room where recordings would be planned and their favourite lyricists like Indivar, Anjaan and Gulshan Bawra would be there every day from morning to night. They were together a very formidable team which was indeed one of the reasons why they worked successfully for so long. But there was someone else.

The two brothers had a third lesser known younger brother Babla. An extremely talented rhythm composer and a rhythm player himself. He assisted his elder brothers Kalyanji and Anandji and did some brilliant arrangements in their songs. It is a known fact that Babla composed the super hit song of Don, ‘Khaike paan Banaraswala’, which was written by Anjaan Sahab and so brilliantly sung by Kishore Kumar.

The most remarkable aspect of K-A’s career was it longevity I agree. Kalyanji-Anandji started their musical journey from the onset of the 1960s and went on to work till the 90s. One of the most amazing part and a quality they possessed was they were always signed repeatedly by their producers and directors to do music. Producers like Manoj Kumar, Feroz Khan, Prakash Mehra and many more loved working with Kalyanji-Anandji.

Why? This was perhaps not only because of their beautiful music but also because of the wonderful nature of K-A. Both were extremely humorous and people enjoyed their music sessions which would generally go on all day. They were a full package. Masti and music and extreme knowledge of music, of course. These combinations of qualities made them survive successfully in the music industry for so long.

They were also very adaptive That’s right. Their style also changed with times. What with the most modern songs of its time – ‘Aap jaisa koi’ and ‘Laila main Laila’ for Qurbani … Would you believe that these were the same composers who composed ‘Chandan sa badan’ and ‘Main to ek khwaab hoon’! It’s hard to believe this but this is what KA were.

Which are your favourite K-A soundtracks? Personally, I have loved their entire sureela music of many films. Their combination with Anand Bakshi and Mukeshji was unbelievable. Songs of Himalay Ki God Mein, Saraswatichandra, Blackmail, Don, and hundreds more. It was Kalyanji-Anandji who gave Anand Bakshi the very first chance to write for their film Jab Jab Phool Khile. The songs were extremely memorable and so well-written by Bakshi Saab – ‘Ek tha gul aur ek thi bul bul’, ‘Yahan main ajnabi hoon’ are so beautifully written.

They indeed have given a treasure of music to their audience and this treasure will be cherished for ever. There was a particular song in which Shashi Kapoor was challenged by KA to shoot the entire song with his hand behind his back. Shashi Kapoor had done this song accepting the challenge.

Tell me about your personal connection with the duo? My sister Sulakshana and my father used to regularly visit Kalyanji and Anandji in their music room in the late 60s and 70s. Sulakshana Didi was a trained singer and both Kalyanji and Anandji loved her singing. In later years when Sulakshana Didi became a very successful heroine, she would sing many songs of Kalyanji and Anand ji. I remember their recordings of her song from a film called Sankoch with Jeetendraji and Sulakshanaji sang a beautiful song composed by Anandji Bandhi – ‘Re kahe preet’. The song was a huge hit at the time.

Then in her very first film Uljhan with Sanjeev Kumar, she sang her songs in the film for Kalyanji Anandji. The film had amazing music by the brothers. She went on to sing many songs and I had the wonderful opportunity as a child to witness these wonderful recordings and see they great composers at their work. Later in their career, Kalyanji’s son Viju Shah joined the team and he added a lot in changing the sound of the composers. Viju later went on to become an independent composer, but always even back then he was the backbone of the aging duo. In films like Himalay Ki God Mein we notice in the credits the names of Laxmikant Pyarelal ji as assistants in arranging the music for K-A.

They promoted a lot of new talent They had the knack of looking for young talent and recognising genuine talent. It was K-A, who gave the first chance to Alka Yagnik and Sadhana Sargam and many others. Their home and music room always welcomed struggling singers and writers. A quality not many composers had. Their music will live on and so will their name. They worked successfully at a time when there were many brilliant composers existing and who were doing amazing work, like Shankar-Jaikishan, Laxmikant Pyarelal, SD and RD Burman. All were at their best! And so were Kalyanji Anandji.

Bollywood actress Mouni Roy recently confronted a troll who targeted her with a harsh comment, “Truth is bitter! You gotta gulp that down your throat, no matter who you are! Your surgeries have put you in a very poor spot. Since you are a public figure, you gotta accept what comes with it! The good and mostly the bad! You should have chosen a better surgeon!” This jab referenced persistent rumours that Mouni had undergone corrective cosmetic surgery—a claim she has repeatedly denied in interviews.

Instead of letting the comment slide, Mouni responded firmly, writing back: “Do something worthwhile with your life. Be on socials to give away love and speak about your work. Not worth it otherwise. If you know, you know.” Her measured yet powerful reply resonated with many on social media.

The troll’s remark was swiftly removed by the user, but not before screenshots circulated across various platforms. Mouni’s followers rallied behind her, offering support in droves.

This isn’t the first time Mouni has addressed body-shaming and plastic surgery speculations. In an earlier exchange, when confronted with questions about cosmetic procedures, she dismissed the negativity, “Kuch nahin. Dekhti hee nahi. Let everyone do their job… I do not pay attention to such remarks. If you hide behind a screen to troll others and if you find happiness in that so be it.”

Her recent response follows a pattern of rejecting baseless scrutiny and focusing instead on her work—from her impactful presence in television to her recent appearances in films and web shows.

In a broader conversation about celebrity bashing, Mouni, alongside Palak Tiwari, acknowledged the toxic dynamics of social media culture, remarking that “celebrity bashing sells” and lamenting the intense, often relentless negativity public figures endure online.

Also Read : Mouni Roy opens up about being typecast throughout her career; says, “I’ve always dealt with, and it doesn’t really bother me”

Reality TV star and actress Nikki Tamboli turned a year older and chose to ring in her special day in one of the most glamorous ways possible — in Dubai with model-actor Arbaz Patel by her side. The actress, who has always been a favorite on social media, treated fans to glimpses of her birthday celebrations, and it’s safe to say she made it nothing short of picture-perfect.

Nikki dropped a series of moments from her day that captured the luxury and romance of her getaway. One of the highlights was her time with Arbaz at an infinity pool overlooking the breathtaking Palm Jumeirah, where she looked radiant in a chic printed bikini. Adding to the special touch was a beautifully arranged platter of exotic fruits with the message ‘Happy Birthday Nikki’ — a sweet surprise that she and Arbaz enjoyed together.

Fans were quick to shower love in the comments section, wishing Nikki on her big day while also gushing over the couple’s adorable chemistry. With Nikki flashing her signature smile and Arbaz making sure the day was memorable, the duo once again gave their followers major couple goals.

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For those who don’t know, Nikki and Arbaz first met and fell in love during the reality show Bigg Boss Marathi 5. Their bond grew stronger after the show, and while they are often spotted together, the couple has clarified that they are not planning to tie the knot anytime soon. Instead, they’re enjoying their relationship at their own pace, sharing snippets of their journey with fans online.

On the professional front, Nikki Tamboli was last seen in Celebrity MasterChef India, where she impressed audiences and emerged as the first runner-up. Meanwhile, Arbaz Patel rose to fame with his stint in Splitsvilla X5 and has since carved a space for himself as both a model and an actor.

With such dreamy celebrations and their undeniable chemistry, Nikki and Arbaz continue to keep their fans hooked — whether on screen or in their real-life love story.

Also Read: Tulsi Kumar teams up with Manan Bhardwaj for new single ‘Bheegne De’ featuring Nikki Tamboli and Arbaz Patel

Bollywood actress Sonnalli Seygall is giving fans a refreshingly real glimpse into her postpartum journey. In a new video she shared online, the Pyaar Ka Punchnama star showcased what she eats in a day — and it’s not just about strict nutrition. From jeera water to cake to even rasgullas, the actress is embracing a balanced approach that focuses as much on feeling good as on staying healthy.

In the clip, Sonnalli can be seen starting her day with a glass of jeera water, known for its digestion-boosting properties, before moving on to wholesome meals and occasional sweet treats. But what caught everyone’s attention was her unapologetic inclusion of indulgences like cake and rasgullas. “From jeera water to rasgullas… it’s all part of the balance,” she captioned the post, adding, “Postpartum meals aren’t just about nutrition, they’re also about feeling good (and yes, cake is included)!”

The actress’s honesty struck a chord with new mothers everywhere who often feel pressured to “bounce back” with rigid diets. Sonnalli’s perspective highlights a more mindful and compassionate approach — one that values both physical and emotional well-being.

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Sonnalli Seygall, who shot to fame with the popular Pyaar Ka Punchnama franchise, tied the knot with restaurateur Ashesh L Sajnani in a dreamy wedding in June 2023. The couple welcomed their first child, a daughter, on November 27, 2024, and named her Shukar, which means “thankful.”

Since embracing motherhood, Sonnalli has been vocal about the changes, challenges, and joys that come with it. Her latest post is another step in normalizing the idea that women don’t have to give up on food pleasures in order to stay healthy.

By mixing traditional wellness practices like jeera water, dry fruits, smoothie bowls with everyday indulgences, Sonnalli is setting an example of balance and self-kindness. For new moms navigating similar journeys, her message is clear: it’s not just about how you look, but how you feel — and sometimes, that means saying yes to cake.

Also Read: Photos: Sonnalli Seygall, Amyra Dastur and others snapped in Santacruz

A big fear that plagues scriptwriters in our industry is that someone might plagiarize their script. Believe it or not, Imran Khan also went through a similar turmoil way back in 2005. The actor spoke about it in detail in an interview with Planet Bollywood.

Imran Khan began by saying, “The incident about me taking a script to a channel and it getting stolen happened in early 2005. In the aftermath of that, I found I was completely powerless and could not catch hold of the guys who did this to me. I had gone into this meeting. It had been set up through contacts. These people had no context of my family relationships or background. To them, I was just a kid off the street. That is why they felt comfortable enough to lift my script. I was helpless and could not hold them accountable. I was very upset about it. If I had some name or recognition of my own, they might not have done this. To what extent that is true is a debatable point. I was 22 at that point.”

Imran Khan further said, “I had spent a few months roaming the city and trying to find a position as an AD (assistant director). I had met a few people. One guy was working in the production department. He reached out to me and said that Abbas Tyrewala is making a film, and they are looking for new faces. They want you to come and audition for a part. I was aware of Abbas as I had seen his name on the credits of a few films I had liked. I had particularly appreciated his work as a lyricist. He had written lyrics for some songs I thought were very good. He had done some amount of screenwriting by then also. Since I recognized his name, I decided to meet him. We hit it off well in the very first meeting. I screen-tested for the part. Nandini Shrikent was the casting director of the film.”

The film in question was Jaane Tu Ya Jaane Na (2008), which became his debut film.

Also Read: Imran Khan shares how living with girlfriend Lekha Washington changed his lifestyle; says, “Lekha and I had to share one plate and fork”

Bollywood powerhouse Kriti Sanon, who recently made her foray into production with Do Patti in 2024, delivered a candid and deeply motivational address at CNN-News18’s SheShakti 2025, emphasizing the importance of perseverance in a notoriously exclusive industry.

“You need to really be passionate about it and there is no shortcut. Nothing comes easy, there are no free lunches,” Sanon asserted, striking a chord with countless aspiring actors who face the uphill climb without legacy backing or industry connections. She elaborated bluntly: “You have to work hard towards it, and what is also very, very important is not to give up.” Her words resonated with a universal truth about showbiz: unless driven and resolute, success remains elusive.

For those who don’t come from a filmi background, the road can be especially steep. Kriti Sanon urged, “There will be times… when no one’s giving you anything on a platter. There will be so many people telling you why it’s too big a dream, why it can’t happen… or what is wrong with you… you’re too short, you’re too tall, you’re too thin…” She described the barrage of external negativity that many newcomers endure—questioning their looks, their talent, and their industry sense.

But Sanon’s message was clear: don’t let that derail you. “I feel people are going to tell you what’s wrong with you; no one’s really going to tell you that you can do it other than you.” She urged individuals to cultivate self-belief and resilience, especially when support is sparse.

Taking the long view, Kriti highlighted the value of patience in an industry obsessed with overnight success. “You really need to be very driven, passionate, and patient, because it will come when the time is right, but you have to keep working on yourself.” She reframed delays as opportunities for growth, encouraging hopefuls not to despair but to double down on self-improvement. “Maybe it’s taking so long because you need that time to work on yourself, to get better.”

Her optimism radiated as she added, “So it’ll happen when the time is right, I promise you that, but you have to be at it.”

Kriti Sanon’s journey has mirrored her message. The actress-turned-producer debuted behind the camera with Do Patti and has remained unstoppable. She’s currently shooting for Tere Ishk Mein, where she stars opposite Dhanush under the direction of acclaimed filmmaker Aanand L. Rai. Adding to the excitement, Sanon recently opened up kicking off work for Cocktail 2, directed by Homi Adajania—project details, however, remain tightly under wraps.

As Sanon continues to break moulds in front of and behind the camera, her speech at SheShakti 2025 stands as a stirring reminder that while Bollywood seldom serves success on a silver platter, it rewards those who refuse to give up.

Also Read: Kriti Sanon says ‘One step at a time’ as Homi Adajania shares Cocktail 2 prep glimpse

Jackie Shroff has always been more than a movie star. With his trademark scarf, streetwise charm, and decades of screen presence, he embodies a blend of old-school cool and earthy authenticity. Yet beyond the lights of Bollywood, another signature has defined him just as deeply: his unwavering bond with plants. For years, he has walked into events cradling a sapling instead of luxury gifts, turning a simple gesture into a quiet philosophy of life.

Now, his philosophy is crystal clear: nature belongs in every corner of our urban lives. “Har gali, har chhat, har balcony mein bas ek chhota jungle ugana hai,” Shroff says passionately. To him, plants aren’t decoration — they’re companions, therapists, and teachers. “They keep you patient, grounded, and connected to your roots,” he insists.

Unlike most celebrity endorsements, Shroff’s green message feels personal. He isn’t “acting” when he’s around plants. “No acting stress, just me doing what I love — being around plants and sharing that joy,” he recalls of a recent campaign shoot.

With climate change looming large, Shroff believes behavioural change starts small. “One little plant can bring you peace, health, and a home that looks and feels alive,” he says. For Jackie Shroff, planting a tree isn’t a favour to the world — it’s a favour to yourself, your family, and your planet.

Also Read: Jackie Shroff shares his parenting hack; says, “Gift your kids a seed, not a screen”

By going on record about Salman Khan’s unruly conduct on the sets of Sikandar — including turning up hours late and keeping child actors awake till 2 am — director A.R. Murugadoss has once again shed light on a long-standing malaise in Bollywood: the lack of discipline and dedication among some of its biggest superstars.

A director who has previously worked with Salman corroborates Murugadoss’s claims. “Murugadoss is absolutely right. Salman Khan never arrives on set before 2–3 pm for the morning shift. He then has his lunch, takes a nap, and shooting doesn’t begin before 5 pm. Most filmmakers find it impossible to work with him. But producers like Sajid Nadiadwala allow Salman to do what he likes. He has never been given a reason to change his ways.”

This isn’t the first time Salman’s indiscipline has cost a project. In 2019, Sanjay Leela Bhansali shelved the Salman-starrer Inshallah after repeated interference and delays from the actor. Bhansali, who had earlier collaborated with Salman on two of his finest works — Khamoshi and Hum… Dil De Chuke Sanam — took the instant decision to call off the film and vowed never to work with him again.

Although Salman and Bhansali remain close friends, the filmmaker has drawn a professional line. In 2022, when Salman pitched a film that would unite him and Shah Rukh Khan under Bhansali’s direction, the director refused outright. His stance was blunt: “Shah Rukh, yes. Salman, never!”

But Salman is hardly the first superstar to gain notoriety for tardiness and indiscipline. Before him, Rajesh Khanna, Sanjeev Kumar, and Shatrughan Sinha were repeat offenders.

Sharmila Tagore, who worked extensively with all three, recalls, “If I was shooting with Kaka (Rajesh Khanna), Haribhai (Sanjeev Kumar), or Shatru (Shatrughan Sinha), I made sure I reached for the morning shift only after lunch, or sometimes much later. It was annoying at first to wait for hours, but after working with them repeatedly, I got used to their eccentric timings.”

Shatrughan Sinha, however, defends himself, “I had an acute low blood pressure problem for which I had to do yoga every morning. Combined with late nights, that made me arrive late. But once I came on set, I never left until my work was done. Haven’t my heroines confirmed this? The great Dilip Kumar saab once gave me the lesson of a lifetime during the shooting of Kranti. I came at my usual SST (Shatru Standard Time), and as I entered, I saw him waving from his car as he left.”

In contrast, Amitabh Bachchan, Akshay Kumar, and Aamir Khan are famously punctual. But for many others, late arrivals have been normalized.

Hema Malini, the only female star of her era who commanded as much clout as her male co-stars, refused to tolerate such behaviour, “With me, the notorious latecomers came on time. When one actor arrived three hours late on the first day of shooting, I told him I was going home. I warned that if he wasn’t punctual the next day, I would walk out of the film. He was on time the very next day,” she recalls.

Hema believes co-actors are partly to blame for superstar tantrums. “If the director and co-stars make it clear that such delays are unacceptable, stars would stop. It’s the industry’s silence that enables them.”

Murugadoss’s candid remarks may have stirred controversy, but they also highlight a long-suppressed truth about Bollywood’s star culture: punctuality and professionalism are optional for some, and non-negotiable for others.

Also Read: AR Murugadoss slams Salman Khan for arriving late on the sets of Sikandar; says, “We had to shoot entirely with green screen and VFX”

Ravi Chhabriya, who debuted as a director with the Diljit Dosanjh-starrer Detective Sherdil, had extensively worked as an assistant director in several films. Three of these films starred Salman Khan – Sultan (2016), Tiger Zinda Hai (2017) and Bharat (2019). In an exclusive interview with Bollywood Hungama, Ravi Chhabriya talked in detail about his association with Salman Khan and a lot more.

Before the release of Bharat, there were reports that Varun Dhawan had a cameo in the Salman Khan-Katrina Kaif starrer. Later, it came to light that the scene had been edited out. Often, filmmakers put out deleted scenes on YouTube. Hence, can we expect the said scene to be out in public?

Ravi Chhabriya replied, “I guess it’s upto producer Atul Agnihotri sir. I have no idea if they are planning to put it out on YouTube. We shot the scene and during the final cut, it was decided to get it out.”

When asked what the scene was all about, Ravi Chhabriya answered, “It appears when Bharat is working in the oil field in the Middle East. There was a scene where Salman sir’s character and Varun’s character came together. It was a fun scene. Dono panja ladate hai.”

Besides the three films of Salman Khan, Ravi Chhabriya earlier assisted in two ventures of Yash Raj Films (YRF). He also had the opportunity to be around when Yash Chopra was still alive. On this, he revealed, “I worked on two films before I worked with Ali Abbas Zafar sir – Aurangzeb (2013) and Kill Dil (2014). I was there and we (he and Yash Chopra) exchanged pleasantries, like ‘Hi, hello’. I still remember that in the evenings, he used to take a walk around the entire YRF property. It was a dream to be around such people and their energies. Like other ADs, I used to also dream that someday I would be able to assist him (smiles). I even tried.”

Is he still in touch with Aditya Chopra and others at YRF? Ravi Chhabriya answered, “Yes. I am always in touch. I have grown up there. It was like a university for me. I used to stay close by and have worked for almost 8-9 years. So, they were like family.”

Also Read: EXCLUSIVE: Detective Sherdil director Ravi Chhabriya talks about working in three Salman Khan films as an AD; opens up on Sultan’s unforgettable mirror scene: “The way he performed that scene gave us GOOSEBUMPS…camera GENUINELY loves him”